Footage.net Newswire

Edited by: John Flewin
Thursday December 08, 2016

News and Information for the Stock and Archival Footage Industry


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GRINBERG COLLECTION BEING DIGITIZED & ADDED AT FOOTAGE.NET

December 7, 2016
The Sherman Grinberg Film Library, said to be the oldest and largest privately held film archive with over 40 mostly US newsreel libraries covering the period from 1895 to 1957, is digitizing its collections, held mainly on 35mm film, to 4K, and has signed up with FOOTAGE.net. The collection includes the Paramount’s "Eyes of the World" silent newsreels, 1927 - 1929, and the talkies "Eyes and Ears of the World”, 1930 -1957. It also includes the entire American Pathé newsreel library, the oldest US newsreel collection active from 1895 to 1956. Sherman Grinberg is scanning its own film, using an in-house operation to handle its nitrate material at its West Coast offices. Digitised footage is being added to the database available through FOOTAGE.net.

FOCAL APPOINTS JOB-SHARE GENERAL MANAGERS

December 2, 2016
FOCAL International has appointed two execs to job-share the role of General Manager following the retirement of Anne Johnson. Mary Egan, formerly an Executive Board Member of British Association of Picture Libraries and Agencies and Sales and Marketing director at the Press Association Images is joined by Madeline Bates, archive associate at Creativeskillset and an experienced film festival planner.

ITN SOURCE TO CEASE OPERATIONS AS GETTY TAKES OVER NEWS COLLECTION LICENSING

November 10, 2016
ITN Source, the archive licensing division of UK news broadcaster Independent Television News and one of the busiest of news footage houses with a world news collection going back to 1955, is to cease operations from mid next year. It is handing over licensing to Getty Images and dropping third party archive representations, including that of Reuters tv news footage. The thirty staffers in the archive division are, according to ITN, “at risk of redundancy” and “have been informed and a consultation period is underway.” Getty says it will create specific ITN collections to house the archive, which consists of 400,000 digitised and ready-to-license video clips and over 600,000 clips which will be text searchable and supplied on demand via an offline workflow. The collection will be updated daily with current news footage from 24 hours after being first aired. ITN Source’s cutting of its ties with third party content owners leaves those owners with the task of finding a new way to the market for their footage. As well as Reuters Television they include Fox News and Fox Movietone and Britains’s ITV, the largest commercial programme production house in the UK which has operated for fifty years and produces 3,500 hours of original programming every 12 months. Headquartered in London, ITN has offices in New York and contacts in Paris, Tokyo and Johannesburg. ITN says the change over will happen mid next year and, in the meantime, ITN Source will continue licensing activities..

RIGHTSMITH, NEW LICENSOR ON THE BLOCK HITS THE ROAD RUNNING

November 9, 2016
Active for the first time, new footage house Los Angeles-based RightSmith has landed representation of stock footage from Universal Studios, offering material at a new licensing portal and is exp[ected to make several new collection announcements soon. While headquartered in California, RightSmith, a private company backed by venture capital, also has operations in London, Tokyo and Sydney and is being launched by a group of industry veterans. Chief Exec is former T3 Media executive Mica Imamura. Strategy and global aggregation is in the hands of Jackie Mountain, also a former T3 Media executive, who has been joined by other former Corbis, BBC and Getty staffers, with industry leaders in advisory roles. The RightSmith team is in on-going talks with other rights holders, and a deal has already been done to market Australian international newsreel Cinesound Movietone. RightsSmith’s licensing operations are backed by digitization, metadata and storage services. The newly acquired Universal footage, shot originally on 35mm film, is offered for licensing on formats up to 4K in AppleProRes 4444 format.  From Tokyo, RightSmith has a deal to market in the Japan-Australia region Shutterstock’s Premier License service and represents the T3 Media stable, now known as Wazee Digital, in the same region. Web: Corporate: corporate.rightsmith.

PRODUCERS LIBRARY REPS ENTERTAINMENT NEWS COLLECTION

November 4, 2016
Los Angeles-based Producers Library newly exclusively represents the footage of London-based entertainment news agency BANG Showbiz, a company that has furnished entertainment and celebrity-themed news footage to media outlets worldwide since 1997. Its material focuses on premieres, press conferences and other celebrity-related events in London and elsewhere. All material was shot in high definition.

FRAMEPOOL ADDS RARE CUBA DRONE FOOTAGE

November 1, 2016
Footage house Framepool has an deal involving two cinematographers to exclusively market drone footage shot on Cuba, a country with some of the strictest rules on the use of drones. What usage is allowed has to be sanctioned by the island’s Government. Framepool is now marketing more than 220 Cuba drone clips shot in either HD or 4K.

SHUTTERSTOCK TEAMS WITH AM STOCK-CAMEO

November 1, 2016
Shutterstock has an exclusive three-year agreement with Los Angeles-based AM Stock-Cameo to market more than 60,000 HD clips from its collection. The AM Stock-Cameo library founded in 1988 to monetize second-unit Hollywood footage broadened its holding when it purchased one of Hollywood's best known independent stock footage libraries of the time, the Cameo Film Library, in the year 2000. Founder Chris Angelich has recently shot footage for over 75 television series, feature films, and commercials shooting on both 35mm film, High Def and 4K, and the work of other cinematographers is now included. Web www.shutterstock.com and www.amstockcameo.com

REELIN’ LANDS TOP VINTAGE EURO MUSIC SHOW MATERIAL

October 31, 2016
Footage house Reelin’ In The Years Productions that specialises in material featuring musical artists, entertainers and history makers, has acquired the rights to the Dutch music program Countdown that was on-the-air for 16 years from 1977 to 1993, and broadcast in 18 European countries, making it what Reelin’s says was “one of the most successful music shows in the history of television”. The archive contains over 3,000 hours of musical performances, interviews and concert appearances by the greatest rock, R&B, pop, new wave and rap/hip-hop artists of the era, including: Paul McCartney, The Rolling Stones, Bruce Springsteen, Prince, U2, Michael Jackson, The Police, David Bowie, Beastie Boys, George Harrison, Billy Joel, Whitney Houston, Run-DMC, Depeche Mode and Culture Club.

MAMMOTH DROPS HIGH DEF RF PRICES

October 31, 2016
Colarado-based Mammoth HD Footage Library has reduced the price of its royalty-free high def material by an average of 40% with collections now marketed at between $125 and $195, and individual shots at between $25 and $50. Mammoth also licences 4K material and rights-managed clips in both formats.

ITN SOURCE ADDS 20 MILLION STILLS ALONGSIDE ITS FOOTAGE

October 12, 2016
ITN Source has a partnership deal with newly-formed Cover Images, a stills agency whose collections are headed-up by the entertainment and news archives and live feed of WENN, World Entertainment News Network, to offer its clients tailored access to over 20 million still images. WENN has been operating for over a quarter of a century and has a worldwide staff team exceeding 60 and hundreds of freelance photographers and journalists providing a global entertainment news and photos service. The Cover Images collections also contain images and footage from other international collections and agencies that include Mirrorpix and Topfoto, both of which are exclusive to ITN Source via Cover Images.

FOCAL CALLS FOR 2017 AWARDS SUBMISSIONS

October 4, 2016
Footage industry trade body FOCAL International has opened the submissions phase of its annual awards with a call for creative professionals worldwide to submit work for consideration in one of 15 award categories. Now in its 14th year, the awards showcase the creative use of stock, library and archival footage by producers, directors and production companies worldwide, as well as contributions made to the global production community by archives, film libraries, researchers and technicians, and the work done to restore and preserve historic film and video assets. The deadline for all productions premiered in 2016 is set for December 1, although those involved in productions premiered later in the year can request a late entry. Awards will be presented at a London ceremony on May 25 next year.

PRODUCERS LIBRARY OFFERS MEDIEVAL BATTLE FOOTAGE

October 4, 2016
Los Angeles-based Producers Library has recently uncovered second-unit outtakes from Errol Flynn’s last swashbuckler, 1955’s The Dark Avenger, a movie that was released in the US as The Warriors. The Dark Avenger was filmed at Elstree Studios in England, using a castle originally built for MGM’s 1952 production of Ivanhoe. The colourful footage includes knights in battle, establishing shots of the castle, archers, jousting and drunkenness. Producers Library has scanned the 7,500 feet of 35mm Eastmancolor CinemaScope negative to 4K.

HISTORIC REPS TWO SERIES FROM WNET ARCHIVES

October 4, 2016
New York’s Historic Films is newly representing material from two tv series held in the archives of the city’s public television station WNET. Black Journal was a public affairs television program created at WNET in 1968 to address issues facing African-American communities with film crews traveling to New York, Chicago, Atlanta, Detroit, New Orleans and Ethiopia. The show won Emmy, Peabody and Russwurm awards. The second is the late 1960s series Sounds of Summer hosted by Steve Allen, travelled the country filming various summer music festivals encompassing a diverse range of American music genres.

CHARLIE ROSE SHOW GOES ON-LINE

October 4, 2016
Video management and licensing services company Wazee Digital has launched a new viewer-facing content portal for the “Charlie Rose” television series, an interview show distributed nationally by PBS since 1993. The new site coincides with the show’s 25th anniversary and material is provided for public viewing.

ACQUIRES BRITISH MOVIETONE NEWSREEL COLLECTION

September 27, 2016
The Associated Press has acquired the historic British Movietone film archive collection from its Australian owners Newsreel Archive. For the past five years, AP Archive has partnered with Newsreel Archive to make the Movietone collection available internationally, including providing a freely-accessible YouTube channel. Researchers will continue to be able to access the digitized British Movietone films, the equivalent of 2,200 hours of footage, through the AP Archive platform. Having completed the sale of the Archive, Newsreel Archive PTY will now act as AP’s exclusive archive distribution partner in Australia and New Zealand, offering their customers both AP and British Movietone footage. AP says around 15 percent of the collection has never been seen before and remains in its original 35 mm format. Documented on thousands of individual record cards, the unseen footage represents either the films that failed to make it onto the bulletins or were restricted by censors during World War II. AP hopes to catalog, digitize and release these films over time.

SHUTTERSTOCK PASSES 5M VIDEO CLIP MARK

September 14, 2016
As marketplace Shutterstock announced that its still image collection, founded in 2003 with 30,000 images, has now surpassed 100m images, it details its video collection at more than five million clips. The company says it works with a growing community of over 140,000 contributors, adding hundreds of thousands of images and video clips each week, and has an annual turnover indicated at $500m in the current year.

MICRO STOCK CO-OPERATIVE ADDS MOTION STOCK

September 14, 2016
Stocksy United, a British Columbia-based artist-owned co-operative founded in 2012 by microstock industry veterans to offer what it describes as “a unique imagery collection that also paid artists fairly”, has added stock video clips to its offering. The organisation announced in June that it had doubled revenue in 2015 to $7.9M USD, paid out more than $4.3 million in royalties to artists, and paid its first dividends of $200,000 to member artists who sold imagery last year. The artist-owned cooperative is currently capped at 1,000 members. Video is offered at prices ranging from $75 to $750 per clip, depending upon quality and usage.

UK ARCHIVE SEEKS NEW DIRECTOR

September 14, 2016
MACE, the Media Archive for Central England, is seeking a new Director, tasked with overseeing “the continued strategic development of MACE as an engaged and significant partner in the UK’s cultural audiovisual framework.” Based in a edu environment at the University of Lincoln, MACE is a registered charity and an independent, publicly-funded, non-profit‌ company. It is the regional film and video archive for the UK’s East and West Midland regions, caring for over 70,000 moving images. Annual salary is specified as £48,327 ($63,800) and the closing date for applications is October 2.

US MILITARY VIDEO ADDED TO ON-LINE REPOSITORY

September 12, 2016
Wazee Digital (formerly T3 Media), which hosts Images of Freedom, the official media library of the US Department of Defense, has added public-domain video assets to the on-line archive. The searchable repository of military audio, video, and still imagery runs on the Wazee Digital Core platform and offers students and educational institutions, families of military personnel, members of the media, documentarians, and others access to retrieve any of more than a million images and videos captured by the US military dating back to before World War II.

BEATLES ARCHIVE MOVIE PREMIERS

September 9, 2016
Industry veteran Matthew White’s 13-year project to develop an archive-based feature film with The Beatles organization, Apple Corps Ltd, sees the end product, “The Beatles - Eight Days a Week”, hit the movie houses shortly with its premier at the Odeon cinema in London’s Leicester Square. White, working with colleagues Stuart Samuels in Toronto and Bruce Higham in London, put out a public call for footage fans shot over the hey-day years of the Beatles, roughly 1960-66, a period that included 166 concerts in 15 countries and 90 cities. The resulting movie, directed by Ron Howard, runs for 106 minutes and is followed by 30 minutes of concert footage from the Beatles at Shea Stadium, which creates a double feature for theaters. It contains some 2,000 audio, visual and photographic clips in the film from more than 100 sources, including fans, collectors and archive houses. There are more than 150 separate music cues, that necessitated a sophisticated rights clearance operation involving numerous music publishers and other licensors, a task headed up by producer Scott Pascucci and involving the team at Global ImageWorks. Although much of the archive material came from private sources, credits include ABC News Videosource, AP Archive, British Movietone, British Pathe, Framepool, Getty Images (BBC Motion Gallery), ITN Source, Reuters, National Geographic, Reelin’ In the Years, RTE Archives and WPA Film Library. Movie releases in Europe and the US follow the London premier, scheduled for next week.

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