2 Eyes and 3-D (b-roll)

Car trouble and more prove significant obstacles to actor Harold Lloyd who will lose his part to a rival if he fails to make it to the theater on time. The car in the movie, to which Lloyd was alternately devoted or frustrated, appears to be a 1920 Ford Model T. Interesting fact:The movie's title may be a reference to the 1913 song, ""He'd Have to Get Under ? Get Out and Get Under (to Fix Up His Automobile)"", which was used in the movie.

Video footage from the KXAS-TV/NBC station in Fort Worth, Texas, to accompany a news story.

News cameras at 3rd televised presidential press conference

IT CAME FROM OUTER SPACE (1953) IN 3-D. PROMOTION FOR 3D MOVIE

Various shots of NFB film crew (Colin Low directing) filming with IMAX 3D camera a computer animator (Daniel Langlois, who later founded Softimage) as he works on a 3D computer animated shot.

TAPE: EF03/0672 IN_TIME: 14:16:28 DURATION: 6:31 SOURCES: APTN/Dimension Films RESTRICTIONS: No re-use/re-sale of film clips without clearance DATELINE: Los Angeles, 14th July 2003 SHOTLIST Dimension Films 1. Clip trailer - 'Spy Kids 3-D: Game Over' 2. SOUNDBITE (English) Antonio Banderas: "It's about fighting into technology, they got into some kind of machine and you're going to see that, and he becomes something else - he becomes digital. I'm talking about Juni in this case and he just goes on with the family concept, adding those parts of the family that are important. You know like grandpa and grandma, they're going to be very person in the movie and that is very important too, just to understand the Cortezes." 3. FIlm clip - 'Spy Kids 3-D: Game Over' 4. B-roll Daryl Sabara in front of green screen 5. B-roll Alexa Vega in front of green screen APTN Los Angeles, 14th July 2003 6. SOUNDBITE (English) Alexa Vega: "Definitely stunts and using your imagination in front of the green screen because a lot of people have said isn't that difficult? But for us it's normal because we've been doing it for the past four years but I think it's something that if you're not used to it it could be difficult. So I guess stunts and being in front of a green screen." 7. SOUNDBITE (English) Daryl Sabara: "Definitely stunts...that would be stunts. I love the stunts, they are so cool. I actually in this movie I got to do all my own stunts and I trained for four months, four hours a day, six days a week." Dimension Films 8. Film clip - 'Spy Kids 3-D: Game Over' APTN Los Angeles. 14th July 2003 9. SOUNDBITE (English) Sylvester Stallone: "At first you go 'how hard can this be?' and then you get on set and all of a sudden you get flop sweat, you start dripping inside your uniform and only you know it but you go I'm a little nervous here, I'm a little scared, I'm bombing. No-one is really laughing at the moment so you think you're hysterical and you're monotonously boring. So it takes a while to get over stage fright I think. For those who have never been engulfed in screen, it's an experience." Dimension Films 10. Various Sylvester Stallone takes scenes 11. Director Robert Rodriguez watches Stallone on monitor APTN Los Angeles. 14th July 2003 12. SOUNDBITE (English) Robert Rodriguez, Director: "It's fun for me because I'm in ultimate control. They have no idea what they're doing or where they are or what they're holding because they don't even have a prop in their hand as it'd have to be created by the game so they are like 'what are we doing? where am I?' I say 'don't worry about it, just look over here and do that' and it's so fun because I love surprising the actors too by just giving them very little information, just enough to get what I need." Dimension Films 13. Film clip - 'Spy Kids 3-D: Game Over' 14. SOUNDBITE (English) Antonio Banderas: "I don't remember the last time that we saw a 3D Movie with a story. You can go to an Imax theatre and technological and you new sounds and whatever and you can see this type of performance, but they last for 20 minutes only.But a dramatic movie from the beginning to the end with 3D - that's something that is going to be very interesting...just to see the reactions of the people. Besides, you have to remember one thing, that 3D now is not the 3D that could be presented in movie theatres 20 years ago - it's totally different. This is a digital recording and 3D so I think the kids will have a blast." 15. Film clip - 'Spy Kids 3-D: Game Over' APTN Los Angeles. 14th July 2003 16. SOUNDBITE (English) Alexa Vega: "It's one of those things, you grow up with these people. I went from a little girl to a teenager and everyone has seen me grow up so it's really hard leaving them because it's like saying goodbye to your aunt or your uncle because working with the crew members you're just so attached." SOUNDBITE: Daryl Sabara "I've been doing Spy Kids for like a third of my life so it's kind of hard saying goodbye, but then again, I know I'm going to come back and see everybody." Dimension Films 17. Film clip - 'Spy Kids 3-D: Game Over' SPY KIDS ARE BACK - IN 3D Juni and Carmen Cortez - officially the coolest kids in the movie universe - are back with a third instalment of 'Spy Kids', following the huge success of the first two movies. International agents Juni (Daryl Sabara) and Carmen (Alexa Varga), along with their parents Gregorio (Antonia Banderas) and Ingrid (Carla Gugino), are back in a new adventure from writer/director Robert Rodriguez. But this time there's a new twist - not only is much of the film set in the virtual world of a computer game, called 'Game Over', the movie is in 3-D. 3-D was a fad in cinemas in the 1950s, with films like 'The House of Wax' (directed by the one-eyed Hungarian Andre De Toth) briefly capturing the publc imagination. It has also been revived recently for the IMAX format. But 'Spy Kids 3: Game Over' is probably the first full-length mainstream feature to incorporate the new generation of digital 3-D technology. Antonio Banderas for one is excited: "A dramatic movie from the beginning to the end with 3-D - that's something that is going to be very interesting...just to see the reactions of the people. Besides, you have to remember one thing, that 3-D now is not the 3-D that could be presented in movie theatres 20 years ago - it's totally different. This is a digital recording and 3D so I think the kids will have a blast." Action star Sylvester Stallone, who joins the cast as the evil games inventot the Toymaker, may be a movie veteran but even he found getting used to working next to a green screen something of a challenge. "At first you go 'how hard can this be?' and then you get on set and all of a sudden you get flop sweat, you start dripping inside your uniform and only you know it but you go I'm a little nervous here, I'm a little scared, I'm bombing. . . For those who have never been engulfed in screen, it's an experience." In the new movie, Carmen gets caught up in a virtual reality game - 'Game Over' - designed by the kids' new nemesis, the Toymaker, played by Stallone. It's up to Juni to save his sister, and the world. 'Fans of the first two movies can expect more of the same - great visuals, gadgets, great action, and great adventure, but this time with the added bonus of 3-D. Cinemagoers donning special glasses to enjoy the new movie will also see a few familiar faces in the cast, including Ricardo Montalban as Grandfather, Salma Hayek and George Clooney, in an uncredited role. 'Spy Kids 3-D: Game Over' is released in the US today (25 JULY) and goes on release across Europe from next week. CLEARANCE DETAILS Spy Kids 3D Dimension Films 1 212 941 3800

#1115 "3-D Audience & other stuff" Movie theatre audience in 3-D movie, audience applauds, dog with 3-D glasses, man sleeping through movie, Christmas decorations, houses decorated, night houses, brick wall, car stuck in snow, men push car in snow, woman on car phone stuck in snow, car with hood up, kid decorating Christmas tree, fireplace like yule log, T/L night holiday parade, holiday crowds.

Minnesota is a long way from Hollywood, but one Eden Prairie company may help a movie win an Academy Award in a few weeks.Stratasys color 3D printing machines were used to help create the movie "Missing Link." The Portland, Oregon, movie studio LAIKA made more than 100,000 facial expressions on the machine for the stop-motion animated film. "We had six of these machines running almost 24 hours a day, seven days a week, churning out over 106,000 different facial expressions," Brian McLean with LAIKA said. "Animators are moving those objects tiny increments and taking a picture, and when you take 24 pictures and you play them back really fast, you get one second of footage. Our characters are physical things — they are not just pixels." Missing Link won a Golden Globe and is nominated for Best Animated Feature in the Academy Awards.

Young adult male wearing three dimensional glasses sits in living room with low lighting as he watches movie intensely and eats popcorn

Pathe have rights to clips in Time to Remember programmes but not to commentary or whole programme as screened. <br/><br/>Commentary record exists for this film. Enter "Came the Dawn Commentary" into Title box to find.<br/><br/>Check copyright for film extracts - most were originally A.B.P.C. Elstree (Associated British Picture Corporation) - probably currently Canal Plus copyright (1999).<br/><br/>Reel 3. 01:14:02 Begins with a feature film extract - the film is "Nelson" (1926). Narrator (Basil Rathbone) states that there was "A burst of British films on the theme of Empire." Cedric Hardwicke plays the title role. Various scenes - excited crowds line the streets, Nelson waves to his supporters as he leaves on his last voyage which will end in his death and the victory at Trafalgar. "Up the Empire" he proclaims.<br/><br/>01:14:38 British Empire Exhibition in 1924 - aerial shots of the pavilions. Good shots of newsreel cameramen at the Empire Exhibition. They carry cameras and tripods. Great M/S of two cameramen at work wearing top hat and tails. Prince of Wales (Edward VIII) visits the Empire Exhibition. L/S of the Prince of Wales in a film studio making a charity appeal film (charity not named). M/S of the Prince being handed something.<br/><br/>01:15:25 Chinese army on the march. High angle shot of the international settlement in Shanghai, China - various shots of refugees. Troops boarding a boat. Warships. Man pulling rickshaw through streets of Shanghai past barricades.<br/><br/>01:16:06 Basil suggests: "How much easier if they'd all been allowed to relieve the strain in customary movie style." Sequence from a feature film follows Basil says: "...the film's name doesn't matter." British troops storm the Fort at Oombala ? Lots of soldiers ride horses at speed across a desert landscape then march into the relieved fortress.<br/><br/>01:16:26 Feature film extract. M/S and C/U of the "one defender left alive" after the storming of a fort. He stands, exhausted, with a bandaged head. <br/><br/>01:16:33 Shanghai, China - tanks patrol the streets. New French government being photographed, filmed and interviewed by journalists. <br/><br/>01:16:54 Sequence of a feature film set in France starring Monty Banks. Monty knocks over a dog in his large expensive car. The film has a love triangle at its core - various shots of a flirting couple and of Monty giving money to a French maid, who puts it in her garter. Class issues form part of the plot. Two char ladies interrupt a couple in their canoodling. Basil Rathbone states: "Other ranks were put well and truly in their proper place and kept there." The film is probably "The Compulsory Husband" (1930). Deauville - holidaymakers sitting at outdoor cafes. More scenes from the Monty Banks film - a car chase through the streets of Deauville. "General French loose behaviour" ensues with a French woman dropping her handkerchief on purpose for Monty to pick up. <br/><br/>01:18:33 Basil states that the French women were "Not like the British at all" over shots of girls in bathing suits sitting at a cafe. C/U of woman lighting a cigarette. "The average English rose - screen variety - was a sort of tomboy - indeed just like Betty Balfour, warm hearted and capable of expressing vivacious emotions yet always knowing just exactly where mother had advised her to stop."<br/><br/>01:19:02 Scenes from the Alfred Hitchcock film "Champagne" made in 1928. Great shots of Betty Balfour playing a good time girl. She has a romantic clinch with her co-star and drinks champers in a glamorous nightclub. Betty does a little dance in her seat and gets a bit squiffy - her boyfriend and father are not amused by her risqué behaviour. Claude Hulbert and Gordon Harker are featured. Betty gets herself into a situation that "even she might not be able to handle" with the "champion wolf of the whole pack" Sequence ends with Betty back in the embrace of her boyfriend. Betty's co-stars in the film were Jean Bradin and Theodore Von Alten.<br/><br/>01:20:34 Next scene is listed in paperwork as "Activity on a film set at Elstree". I think that it might be a scene from the film "Shooting Stars" (1928) which had lots of "behind-the-scenes" shots as the story line revolved around film-making.<br/><br/>End of Reel 3 - N.B. These reel numbers relate to NEG reels - Pathe's prints have been combined into 2 reels.

8/6/2011

cu movie poster detail - IN 3D then ALSO AVAILABLE IN 2D

Demonstrators protest the movie tax in front of the Criterion Theater at 1514 Broadway in New York City, United States. The marquee advertises Jane Russell in "The French Line" as a 3D movie. Neon lights and neon signs on buildings of Times Square and traffic on city streets at night. A banner reads 'Kill The 5% Movie Tax'. Close up view of a large search light shining. A sign reads "Planters Peanuts." Location: New York City USA. Date: 1954.

A group of little kids wearing bookbags and going to see Chicken Little 3D at a movie theater. Cute girl in pink wearing green 3D glasses.

00/00/00 A0027291 NEW YORK CITY - BRIGITTE BARDOT MOBBED AT PREMIER OF HER MOVIE (F - L - S - SA I - SA 2 - RURO A - B - C - D -F - I - WTAE - SAMPLE NX 33409, "BARDOT PREMIER" SHOWS: (1) BROADWAY LIGHTS, 3 SECS; (3) MARQUEE 2; (3 BGSOF CROWD, 9; (4) ACTRESS JUNE ALLVSON ARRIVES BGSOF, 9; (5) NGSOF CROWD, 9; (6) OUT OF CAR, CROES, 12; (7) & PARTY POSE, 11. (33FT - 55 SCS, SHOT 12/18/65) MOVING PICTURES PREMIERS - VIVA MARIA GOTTLIEB / 150 FT / 16 - NEG /

House Of Wax - 1953 b&w trailer - horror no moving images - crawl and graphic announce forthcoming exclusive engagement of 3-D movie House Of Wax

Various shots of NFB camera assistant setting up IMAX 3D camera.

Released by Keystone, this short film "U.S. Navy Air Fleet in Action" was one of a series of 3-4 minute shorts produced by the company for use in their line of toy movie projectors. The film shows a 1930s naval exercise with U.S. Navy battleships firing their guns in succession (:40). At (:56), a group of biplanes takes off from the deck of an early aircraft carrier. The configuration visible at (1:25) with forward large caliber gun turrets and a split island might be USS Saratoga (CV-3). In 1936, the Saratoga's air group consisted of 18 Grumman F2F-1 and 18 Boeing F4B-4 fighters, plus an additional nine F2Fs in reserve. The plane shown at (1:32) is possibly a Martin BM torpedo bomber, and the aircraft at (1:44) appears to be a Great Lakes BG dive bomber. The film shows the retrieval of aircraft starting at (2:45). <p><p>Motion picture films don't last forever; many have already been lost or destroyed. For almost two decades, we've worked to collect, scan and preserve the world as it was captured on 35mm, 16mm and 8mm movies -- including home movies, industrial films, and other non-fiction. If you have endangered films you'd like to have scanned, or wish to donate celluloid to Periscope Film so that we can share them with the world, we'd love to hear from you. Contact us via the weblink below.<p><p>This film is part of the Periscope Film LLC archive, one of the largest historic military, transportation, and aviation stock footage collections in the USA. Entirely film backed, this material is available for licensing in 24p HD, 2k and 4k. For more information visit http://www.PeriscopeFilm.com<p><p>

/n00:00:00:00 :22 VO opening title and scary scenes from Friday the 13th pt 3 3-D; :15 SIL scenes in which 3-D effect is used; Producer Frank Mancuso Jr SOT ab 3-D and effect of violence on children; ...

Demonstrators protest against a proposed movie tax in New York, United States. Protestors in front of Lowe's State theater. Marquee sign reads 'Gone With The Wind'. A banner reads 'Kill The 5% Movie Tax'. An usher encourages patrons to sign a petition against the movie tax. A sign on a petition table : 'Ask Your City Councilman to Help Kill 5% Threatened New York City Movie Tax! Sign Petition Here'. People sign as they pass. At the Criterion theater, a banner reads ' Help Fight The 5% Movie Tax'. The marquee reads, 'Jane Russell in The French Line, 3D' Traffic and crowds on the road in front of the theater. View of Times Square with neon lights and signs. Signs advertise 'Chevrolet' and the movie 'Elephant Walk'. Location: New York City USA. Date: April 1954.

8/6/2011

3-D movie technology is being installed in some Utah Hotels.