Banks and Credit

ISSUE_NO = 1238 NO_OF_ITEMS = 7 ITEM_NO = 3 DESCRIPTION : From Nice comes the background story of the 20th Century Fox announcement that all their future productions will by made in 3-dimensional films. Professor Chretien, the inventor, recently met Mr. Spyros Skouras who flew over from Hollywood with his technical advisor, Mr. Earl Sponable. CARD_FILE = 58586 CARD_TITLE : MR. SPYROS SKOURAS INSPECTS 3-D SHOT_LIST : Cut story - KS. Mr. Skouras & Professor Chretien look at 3-D. Various shots of the above with Mr. Sponable looking at 3-D. Also CU of each of the personalities. Various shots of the 3-D. fitted to a modern camera. Cut-ins at beginning with GV Nice. KEYWORDS : Industries, Trades and Crafts; France; Personalities - Inventors; Media; Entertainment and Leisure; Business and Commerce; Personalities - Miscellaneous; Science and technology; Camera Effects; Henri Chretien MATERIAL : TWTD tape 46A Pos Cuts 01539 FEET_SHOT = 217 DATE_SUBD = 02/17/1953

(Opening slate identifies D+4, and then a corrected slate says D+5.) U.S. marines amphibious landing activities on Iwo Jima during World War 2. Marines silhouetted against bright sky, while standing inside a Landing Ship Tank (LST) as the front ramp is lowered. An M4A3 Sherman medium tank, equipped with raised exhaust and air intakes (a wading tank), is exiting the ship. Scene shifts to views from onshore, of Landing Ships Tank (LSTs) 477 and 808, beached, on the sand. A Landing Craft Tank (LCT-1243) is on the deck of LST 808. Several M4A3 wading tanks of the 3rd Marine Tank Battalion are seen leaving LST 477. Exhaust fumes are visible from their raised ducts. Third Marine Division infantry, on the deck of LST 477, watch the tanks offloading. (Note, regarding the date. Accordng to the Navy Department Library, the 3rd Marine Division joined the Iwo Jima fighting on the fifth day of the battle. So the unloading operations, from LSTs, 477 and 808, seen in this film, could be taking place on D+5.) Location: Iwo Jima. Date: February 23, 1945.

The GOSSIP - 1953 Points out that gossip reflects the lack of respect for words. Describes the harm which gossip can do. It tells the story of Jean Gage, a ""wonderful girl"" whose life is nearly destroyed by ""malicious gossip."" Jack Monroe, ""the most popular boy in school"" (and Marion High's ""resident Casanova"") takes Jean out on a date (they see Jungle Girl) and then insists on a little good night smooch in his convertible. Jack was ""confident that no girl could resist him,"" the narrator informs us. ""His popularity had gone to his head."" Jean gives Jack a well-deserved slap and storms off, wounding Jack's manly pride. ""He'd have to get even,"" the narrator tells us, matter-of-factly. The next morning, Jack begins spreading wild tales of his romantic evening with Jean. Marion High's indigenous gossips latch on to the juicy news and spread it around. ""By the end of the day, the deed was done,"" the narrator intones. ""Jean's reputation was ruined."" (why everyone so readily believes ""Casanova"" Jack instead of ""wonderful"" Jean is not explained.) Blissfully ignorant, Jean is unaware that her world is crumbling until she is ""blackballed"" by the Girls Club. ""They didn't want her kind of girl in their club,"" the narrator explains. Jean is in tears by this point, She tells her school principal her story, the principal forces Jack to tell the truth, and -- just as quickly as everyone condemned Jean -- everyone instantly loves her again. parrot; Closeups of people's mouth's talking directly to someone's ears. Other closeups of talking. Girl crying on her bed. Statue of 3 monkeys: hear no evil, so no evil, speak no evil. Then pictures of teenagers in the same poses.

Video footage from the KXAS-TV/NBC station in Fort Worth, Texas, to accompany a news story.

00:00:00:00 - RAW POSTER OF NEW IMAX 3-D MOVIE. (0:00)/

1908 silent film clip with D.W. Griffith as a lumberjack whose child is abducted by an eagle

Sound Bite: John Lasseter – Executive Producer – Bolt with Mrs. Nancy Lasseter You know at Pixar and at the Walt Disney Animation studios all computer animated films that we will be making will be in 3-D, I love 3-D, I made a, I loved it for a long time, I made a short film in 3-D, a computer animated, short film at Pixar in 1989 in fact the year before we got married, in 1988, we took our wedding pictures in 3-D, so I love 3-D, finally the world has caught up, and we get to make these 3-D films I think it’s really exciting.

montage of Hollywood promotional print material advertising new technologies in film making - pamphlets, brochures, newspapers and magazine clippings & headlines: 3-D, Cinemascope, Cinerama, Vista Vision, Todd-AO, Panavision, Technirama, Movies talkies now Smellies, Hollwood Reporter newspaper headline :Trend to Confusion Besets Film Making - logos, movie film formats, Hollywood History

Muscular system of a human jogging, animation.

Various shots of NFB film crew (Colin Low directing) filming with IMAX 3D camera a computer animator (Daniel Langlois, who later founded Softimage) as he works on a 3D computer animated shot.

Montage of Imax includes technicians running film equipment, people enjoying the opening of a new Imax Theater and a move calling for 3D glasses.

Young adult male wearing three dimensional glasses sits in living room with low lighting as he watches movie intensely and eats popcorn

Malecki home movie, circa Easter 1952. Scene 1 The child is Walter John Malecki III born June 1951. Walter with his father, Walter “Mac” John Malecki II, 1929-2007, in striped tie. Next up are Mac’s wife, Walter III’s mother, Doris Virginia Norwood- Malecki (on left with light hair and dark drape over shoulders) (1933-2007) and her sister in law Ruth Ann Owings-M alecki (1932-2010) (on right with darker hair & corsage) walking with Walter III. Doris and Mac were married in August 1950. Next up is Norbert Melvin Malecki , 1930-2017, Mac’s brother. Norbert is walking with his then fiancé, future wife, Ruth. Next up is Mac, and Walter III, and Mac’s mother Marie Regina Kozlowski- Malecki -Smith 1908-1993. The little girl seen briefly on the right is Marie’s daughter, Mac’s half-sister, from her second marriage to Harry Williams Smith (1891-1967), Mary Barbara “Barbara” Smith-Geiss (1943-2006). Marie’s first husband, Walter Malecki I, was studying to be a pharmacist when he was stricken with Bright’s Disease, and died of a now treatable disease, leaving Marie to move back in with her mother and raise her two boys, Norbert age 1 and Mac, age 2. Scene 2: Sears, downtown Baltimore, cable car. This may be the Sears that was on North Ave. Doris worked at Sears for about 40 years until her retirement. Scene 3 Darkness, inside church, wedding, in the brief flashes stop frame is a bride. The whole Malecki family was connected to Holy Rosary Church in Baltimore. Ruth and Norbert were married in 30 Jan 1954 at St Paul’s Roman Catholic Church, Baltimore, most likely and the Owings Family church. It is unknown what church or whose wedding is in this footage. Scene 4 Unknown: most likely scenes of Baltimore from the car. Family history Doris grew up at 3228 Chessley Avenue, Baltimore, MD. Marie grew up at 405 South Wolfe Street, Baltimore, MD. C. 1954-1980’s at 3113 Dillion Street, Baltimore, MD. When she was married to Walter I, where Norbert & Walter II was born, was Bank Street, at the Corner of Bank and Castle, Baltimore, MD. Then Walter 1 died, and they moved to Dillion Street. Up until 1954, when he got married, Norbert and Walter lived at Dillon Street, when Norbert got married, he moved into Ruth’s apartment on Carswell Street Baltimore. C. 1948 to 1951, about time of this film, Norbert worked at Western Electric, Assemblyman, working on assembly line putting together telephone switches. From 1951 to 1972 he worked at Universal Lithograph, Market Place, Baltimore, started as a helper and became an offset pressman. In 1955 he lived at 5533 Lothian Road, Govans, Baltimore, MD then in 1959 1010 Northern (East) Parkway, Baltimore, a row house where he raised his family. After Universal Lithograph he worked at Port City Press (1972-1984), where his hand was caught and mangled in a printing press and he would endure over 50 surgeries on his hand. Ruth descends from the Owings of Owings Mills. She grew up at 5306 York Road, Baltimore. Doris and Walter II “Mac” Malecki lived at 6401 Loch Raven Blvd, Baltimore, in later years. He was a salesman, she worked at Sears.

"1960'S FOOTAGE"/Crowd prays to Mary, Sci-Fi and Horror Trailers, Space age, Disneyland, tv commercials, 3-D viewers, Air force One, World's Fair films

Film Fanfare - NO 25 - Section 1 & 2 <br/> <br/>Paul Carpenter introduces Peter Noble Phyllis Kirk, star of 'House of Wax' (A 3D Film) and 'That Woman Opposite'. She talks of her career and lifestyle. <br/> <br/>Jock McGregor reports on the filming of 'Fire Down Below' in Tobago. We see Rita Hayworth, Jack Lemmon, Robert Mitchum and much location filming activity on the beach. <br/> <br/>Then to Shepperton on the set of 'Seven Waves Away'. Mia Zetterling is interviewed about the film and her part. <br/> <br/>Then behind the scenes at the Parlophone Recording Studios where Elton Hayes rehearses and records 'Jacqueline'. We see a short clip of the film, with John Gregson, as he sings. <br/> <br/>Note: please see separate record for Film Fanfare No. 25 Section 3.

16:00:01:24 MS Residential Flooding, Pan Right x2; 16:00:21:11 MS/CU Owl In Flight, Pan Right Follow; 16:00:25:24 MS Large Bird In Flight, Eagle?, Rises Up, Pan Right Follow; 16:00:42:11 MS T/L Small Country Church, Cemetery, Clouds, Midday; WS T/L Church, Afternoon MINNEAPOLIS, MINNESOTA 16:00:57:26 Vs angles Minneapolis Skyline featuring the Target Center, Late Afternoon/Dusk/Nx, Traffic; traffic lights, WS VS T/L Skyline nx, Traffic Streaks; TIMELAPSE CLOCKS I 16:04:35:24 VS T/L Clocks, Desk & Classroom types, Shadow Moves; 16:06:58:09 T/L MS Power Pole, Residential Power Line, Good Cloud Moves Behind; 16:07:27:24 T/L WS White Country Church w/ Cemetery; MS T/L Small Church, Good Cloud Moves; MS T/L White Church, At Angle Through Trees, Clouds, Day To Night; 16:08:28:23 T/L WS Minneapolis Skyline Day To Night; TIMELAPSE CLOCKS II 16:08:41:26 Various; MS Sailboat, Tall Buildings Behind, Evening, Short; More t/l clocks; MINNEAPOLIS, CONT'D 16:11:52:04 CU Glass City Buildings, Evening; MS Glass Office Towers, Evening, Reflections; CU same; CU City Skyscrapers; WS T/L Minneapolis, Nx Traffic Streaks; CU City Office Buildings, Dusk/Night, Office Lights; CU City Building Group, Evening; CU Office Towers, Evening; MS Minneapolis, Night, Target Center; 16:12:41:02 T/L Minneapolis Sculpture Garden, goofy pop art Spoon & Cherry sculpture; CU T/L Spoon And Cherry sculpture; ECU Spoon And Cherry sculpture, City Bg; 16:13:23:19 MS Circular Raindrops On Blue Water; MS Rain Against Dark Tree Background, Lighter Sky Above; MS Rain Drops In Water; 16:14:00:17 WS Spoon And Cherry sculpture (Minneapolis Sculpture Garden) Basilica & City Behind; MS Spoon And Cherry sculpture, Angle; 16:14:12:17 CU City Building Group, Evening, Foshay; 16:14:22:06 T/L MS Clock, 50s Gold-Black No. S, Stops, Starts, Goes Backward, x2; 16:14:36:16 MS Cumulus Cloud Boiling, Day- Night; 16:14:52:28 MS Lightning Attempts; MS T/L Lightning, Many Quick Flashes In Cloud; MS Single Lightning Flash Low Left, Black Sky; MS Single Lightning Flash;, TIMELAPSE CLOCKS III 16:17:54:15 Various takes, 60's Modern Desk Clock, White Blinds Behind, Light & Shadow Moves; 16:18:37:09 MS/CU's Glass Office Towers, Two Modern High rise Buildings, Dusk, Unique Shape, Reflections; TIMELAPSE CLOCKS IV 16:19:09:06 Various; 16:19:40:26 Various T/L Crowds, State Fair; 16:20:48:17 CU Film Run Out/rollout, End Of Roll, Interesting Light Patterns And Flashes, Sprocket Holes; FAIRGROUND/MIDWAY 16:20:54:08 VS Fair/Midway, real time, Dusk; VS T/L Fair Midway, incl. Double Ferris Wheel; BIRDS OF PREY 16:23:54:18 CU Golden Eagle? Head Shot, Sky Behind, Tree Left, Looking Left Then Up Left; CU same Head Shot, Looks Right, Above Camera, Then Left; CU same Head Shot, Looking Up At Bird, Bird Looks Mostly Above Camera, Sky Bg; MS same Bird Facing Camera Spreads Wings, Looks Up, Down, Left, Flaps Wings; MS same Flaps Wings, Looks Side To Side;16:24:49:07 CU Owl, Soft Focus Green Bg, Looks Left Then Away, Shows Back Of Head; CU Owl, Lit Well, Grays-Tan-White, Yellow Eyes, Green Bg, Looking Left Then Back Left; CU Owl Looks Right, Left, Directly At Cam, Away; 16:25:13:17 CU Peregrine Falcon, Dark Greens Bg, Looks Left, Some Bounce; CU Tighter, Looks Left Of Camera, Then Up Right Then Left, Some Bounce; CU Looks At Camera Then Left; MS Looks Down, Up, Left, Some Bounce; CU Looks Left And Up Left, Subtle Bounce; CU Facing Camera, Then Left; CU Looks Right Then Above Cam, Bounces; CU Falcon, Looks At Camera, Then Up, Then Right, Then Down; CU Looks Left, Back, Up; CU Looks Left, Up, Above Cam, Left; ECU Falcon Eye, Beak, Looks Left, Back, Green Bg; ECU Falcon Eye, Beak Open, Looks Camera Left; 16:26:32:06 CU Owl (Barn Owl?) Dif Than Previous, Looks Down, Right, Breeze In Feathers; CU Gray Owl Looks At Cam, Short; 16:26:54:08 CU T/L Clock, Gold & Black, 3 To 8, Starts Then Stops, Big Highlights Move Across;

Dragon attack with alpha channel

Selected originals (offcuts, selected scenes, out-takes, rushes) for stories "Third Test Match" 53/52 and "Lord's Test Match" 53/48. <br/> <br/>There is, all together, around 40 minutes of material on Pathe Master tape *PM0104* - films 104.08, 104.09 and 104.10 - which relate to second and third cricket test matches between England and Australia, first held at Lord's Cricket Ground, London, and another held at Old Trafford Cricket Ground, Manchester. <br/> <br/>It is not clear to which match different cuts belong, they do not appear to be in chronological order and not necessarily are all cuts in each of the films from the same match. <br/> <br/>Players of both teams are listed in paperwork so the following list contains cricketers who are most likely to be featured in the films: Yardley, L. Hutton, Wyatt, F. R. Brown, A. L. Hassett, Arthur R. Morris, Alec or Eric Bedser (twins), T. E. Bailey, Godfrey Evans, Keith R. Miller, W. Watson, Neil R. Harvey, G. B. Hole, R. Benand, A. K. Davidson, G. R. Langley, R. R. Lindwall, D. Ring, D. Kenyon, T. V. Graveney, W. A. Johnston, D.C.S. Compton, J. H. Wardle, Brian Statham, J. De Courcey, R. G. Archer, J. Hill, W. J. Edrich, R. T. Simpson, J. C. Laker.

29-week-old foetus yawning, 4D ultrasound scan.

DOCUMENTARIES & NEWSREELS

TAPE: EF03/0521 IN_TIME: 14:14:23 DURATION: 2:46 SOURCES: Miramax RESTRICTIONS: No re-use/re-sale of film clips without clearance DATELINE: Recent SHOTLIST Miramax material 1. Film Trailer - 'Spy Kids 3' 2. SOUNDBITE (English) Alexa Vega: "Spy Kids 3 is about.. of course all the family is off on missions, having fun.. but it's about this virtual reality game that's brand new and all the kids want it, it's really interesting but Carmen is sent on a mission to check it out and make sure that everything is cool, as she is scoping it out she gets trapped inside the video game and it's virtual reality. That's when the whole movie turns 3D and of course the family has to come and rescue me." 3. Film Trailer - 'Spy Kids 3' 4. SOUNDBITE (English) Sylvester Stallone: "It's a new version of 3D it's not the same version of 3D that I grew up on and it's not like pre-historic 3D it's something developed by James Cameron and it's maybe the first time in a feature. I think that it is going to be quite a surprise for people." 5. Various behind-the-scenes footage 6. SOUNDBITE (English) Alexa Vega: "She's definitely grown up since the first one, she's older, more mature, she has crushes and she is definitely the leader." 7. Film Trailer - 'Spy Kids 3' 8. SOUNDBITE (English) Sylvester Stallone: "I couldn't go home without the kids' autograph, my kids think I play golf for a living, either that or I am a gardener because I am always in the back yard doing something so that is what they think I do for a living." 9. Film Trailer - 'Spy Kids 3' GAME OVER SET TO BEGIN IN 3D The Spy Kids and director Robert Rodriguez are about to launch family entertainment into an entirely revolutionary dimension: the 3rd dimension. Introducing the new future of high-tech interactivity, 'Spy Kids 3D: Game Over' uses the very latest digital technology to weave 3-D images directly into the Spy Kids' trademark espionage action, inviting audiences of all ages to become part of the larger than-life excitement on the screen. This state-of-the-art technology comes to the fore as under-age agents Juni and Carmen Cortez set out on their most mind-blowing mission yet: journeying inside the virtual reality world of a 3-D video game designed to outsmart them, as the awe-inspiring graphics and creatures of gaming come to real life. Relying on humour, gadgetry, bravery, family bonds and lightning-quick reflexes, the Spy Kids must battle through tougher and tougher levels of the game facing challenges that include racing against road warriors and surfing on boiling lava in order to save the world from a power hungry villain. 'Spy Kids 3D: Game Over' stars Alexa Vega and Daryl Sabara as Juni and Carmen Cortez and Antonio Banderas and Carla Gugino as spy-parents Gregorio and Ingrid. Action film veteran Sylvester Stallone joins the cast as the power-hungry villain the 'Toymaker,' who wants to take over the youth of the world. Rodriguez is bringing back the excitement of 3-D in his own inimitable pioneering style. 'Spy Kids 3D: Game Over' represents the first fundamental change to 3-D technology since its heyday in the 1950s. For the first time in decades, a new generation will experience the thrill of putting on special glasses that transport them right into the middle of the exhilarating action and adventure. Indeed, Rodriguez has created the very plot and fabric of this film with 3-D in mind from the start. He has woven three-dimensional scenes throughout the film, into the plot, making it part and parcel of his high-flying storytelling. Over 3000 theatres across the US will be equipped with special viewing glasses for the release of 'Spy Kids 3D: Game Over', which is released in the U.S.A and U.K on July 25, 2003. CLEARANCE DETAILS Spy Kids 3 Miramax 1 212 941 3800