LEO ZULUETA INTERVIEW DAVID ELLIS: ...people who were there were so thoughtful about the symbols and what they meant to them. LEO ZULUETA: Good. DAVID ELLIS: Some people were just totally casual, for them it was just sort of a body adornment, but I think most of the people put a lot of meaning on it. DAVID ELLIS: This is like in the Samoan Kingdom, the man with the tattoos has the power, we've decided the man with the red pen has the power here. Am I too low - is Leo's eye-line going to be unusual? LEO ZULUETA: So I can actually turn like this? DAVID ELLIS: In fact, you should. Don't forget to ignore the camera...reposition leo...Henry was a little farther away because he was in pain and he was...I think it's nice, it's handsome...cool. ....then light and more repositioning... LEO ZULUETA: Just real quick, review this for me, I'm not supposed to be answering questions. DAVID ELLIS: No, you are, I'm going to cut my voice out completely, so when I ask you questions like, you know, for example, tell me about the pain of tattooing, instead of saying, well, try and make a complete statement out of things so people can understand your answer. LEO ZULUETA: Not, like, say, if I'm really just answering your questions point-blank, right? DAVID ELLIS: Yeah. Yeah.... Yeah it's like, pretend there's no video crew here. LEO ZULUETA: Okay, good, that's easy. It's funny, you know, real quick, you mentioned about the Samoan warriors, well, I don't know if all of you in this room have seen that film "Once We Were Warriors". DAVID ELLIS: Not yet. LEO ZULUETA: Okay, you have, well you know what that is, Laurie, that is, um, the various gangs that are fighting now, they're really, uh, the same clans that used to fight like 200 years ago. DAVID ELLIS: Really. LEO ZULUETA: So, yeah, so they're, basically... DAVID ELLIS: Same rivalries have come alive again? Hey, good timing. LEO ZULUETA: How you doin' man?... JOHN EDDY: Leo, look at David....move a little bit...Laurie's going to move...keep going... DAVID ELLIS: Leo, what does the term “tribal” mean in the world of tattooing? LEO ZULUETA: Uh, currently, tribal refers to, uh, primarily, uh, black graphic tattooing, uh, silhouette style tattooing, but, uh, basically, derived from, uh, primarily oceanic, uh, tattoo designs from the past. That's, uh, that's something I actually have a little bit of, uh, difficulty talking about because a lot of times people want to find, uh, great and deep symbolism in, in a lot of, especially my work, uh, but, uh, my work is basically, um, uh, non-representational and, uh, each and every person has their own meaning that they find to it, because I try not to, quote/unquote "grab" or "steal" anything from the past, from traditional work and totally replicate it because that's not my place in life, uh, I'm a tattooer, currently, in the nineties and I'm just trying to do, uh, something that's meaningful, but, also that, uh, current to our times. DAVID ELLIS: The last time we were here, you were talking about how important the relationship between a tattoo artist and the person who receives the tattoo and I think you were saying that, well, I mean, how do you choose an artist who might work on you. You were talking about the vibe has to be right. LEO ZULUETA: Well, um, when I was younger, I used to collect more tattoos, now I'm, uh, not as, uh, uh, eager to, to be tattooed, also, now being older, myself and, uh, down the road with my career, I definitely prefer to choose somebody that, uh, I have a good, a very good relationship with, uh, I feel that clients that go out into the world and, uh, investigate tattooing, they should really, uh, look heavily into each and every artist that they're interested in, because, to find out if that's the right person for them. I feel tattooing is, uh, one of the things that totally retains from the past is the quote/unquote "magic" that's involved in tattooing, and if that magic isn't particularly there with, uh, the person and I, I, basically, would feel not comfortable getting tattooed by that person. There has to have, I have to have, uh, uh, that spark, so to speak, an electricity. DAVID ELLIS: After an artist for so many years and seeing so many different kinds of people walk in, do you get a sense, when people come in of who they are and what they want? LEO ZULUETA: When I first, uh, meet with a client, generally, the first meeting is a, a consultation meeting, especially if it's a big scale piece, their whole back, their whole arm, their whole leg, such that during that meeting, uhh, generally I can ascertain, uh, uh, whether or not, uh, how good we're going to get along throughout the course of the piece and, generally, I must say, I feel very, uh, special and it's that I really hardly ever get anybody in my quote/unquote "my chair" that, uh, that I dislike, mo, most of the people that I do, that do come to me, that are drawn to me because of my career, and the artwork that I do, uh, they generally, uh, generally them and I, uh, have a, instant, uh, rapport. DAVID ELLIS: What made you get involved in this kind of art to begin with? LEO ZULUETA: I got involved in tattooing, uh, in the early seventies and, uh, I was twenty years old when I received my first tattoo, uh, previous to that I grew up in Hawaii and a lot of my Filipino, uh, male relatives had tattoos, eh, may it be they were in the western mode, a lot of, uh, uh, Christian symbols, crucifixes, uh, there was a type of, uh, we call it in, uh, uh, business, girl's head, but it was a Gibson's girl's head, uh, with a big hairdo, that was a big, uh, image in the Filipino community, uh, also the crawling panther was a very big, uh, tattoo and that's one that I always wanted to get, I never did get one yet, but, uh, I grew up around a lot of tattoos, my grandfather had tattooed himself by hand with needles and, um, uh, wrapped in thread, also he had a machine-done one, uh, that he done in the Philippines, both of them were crucifixes, actually, and, uh, I always wanted to get a tattoo since I was a small child, so, that's basically how I, you know, slowly got into it. DAVID ELLIS: When you started learning and tattooing in the early seventies, what kind of things were popular then? LEO ZULUETA: Um, I started tattooing in the early eighties and what was popular then, here in California, two things were quite popular here in California: one was, uh, the fantasy art (like the frizzetta-type of art); and then another style of artwork, especially here in Southern California, was the, um, Mexican American style of tattooing which was a fine-line stl, style which, uh, actually goes hand-in-hand with jailhouse tattooing, uh, where they're basically using, what they call one needle, which is actually, in essence, on a homemade jailhouse machine is a sharpened guitar string and that, those two, uh, things fantasy tattoo art and also, uh, uh, Mexican American tattoo art was, uh, real popular when I first started. DAVID ELLIS: How do you think tattoo artists themselves have changed in the last 50 or 60 years? LEO ZULUETA: Well, definitely in the last 20, uh, artists aren't as, uh, shall we say crude as they once were. In the tattoo world it was, uh, uh, the tattoo world was filled with, uh, we refer to as, uh, salty-dog personality, where, uh, basically, you would walk in and this had happened to me many times in the past, looking at tattoos in the seventies. And, you would walk into the shop and, uh, from the very back of the shop you'd be at the front door and they'd yell out "Are you getting tattooed today," and then basically, I mean, it was that sort of attitude and now, of course, it's changed a great deal, uh, due to people like Ed Hardy in the business, uh, there's a lot more, uh, care towards the actual client. Uh, once upon a time, and this is the reason why there's all these myths about you have to get drunk to get tattooed because the tattooers, from the past, upwards into the fifties and sixties were quite rough with the clientele, they were using a lot cruder, uh, materials, uh, the needles were a lot, uh, quote/unquote bigger, uh, and, so, uh, they were using a lot of aggression basically, when they were doing a tattoo, they wanted to do it just fast and get the money basically, now, once again, due to Ed and, uh, his associates, people are concerned about that the what the, the product, the tattoo that the person is getting is, uh, is going to be of ul, ultra-high quality, so it's definitely changed a lot in the last, uh, just in the last 20 years. DAVID ELLIS: What do you think makes people want a tattoo? LEO ZULUETA: I ask a lot of people, uh, when they come in to see me, uh, why, why are they getting this tattoo? A lot of first-timers say, both men and women, say that, uh, when they were very little, they knew that they wanted to get a tattoo. They were either surrounded by their, either, uh, father or an uncle were, were in the military and had tattoos and, or saw tattoos, maybe they grew up in the Far East or something and they saw some tattoos and, generally, when people are small children and they see tattoos and they really, really enjoy looking at them, they generally end up in adult, adulthood getting tattooed, I think. DAVID ELLIS: What are the places that people tend to get tattooed the most? LEO ZULUETA: Uh, I tattoo mostly, uh, mostly on the arm, sometimes on the leg, the side of the leg and, particularly, I do a lot of big back work, uh, tribal-style back work, where the whole entire back is covered down to the buttocks and sometimes including part, parts of the buttocks. Uh, that's what I foc, have focused on my career on, uh, the last, uh, sixteen years, to try to get more and more clients to go for that big work, because mainly, uh, since the seventies, here, in the, eh, in America anyway, and in Europe, uh, in the seventies the big thing to do was have your back done in, uh, Japanese style, uh, colorful and with Japanese and Asian imagery and now, uh, with the, with the popularity of this quote/unquote tribal tattoo movement, uh, more and more you see people that come in and just want to have their whole arm done in that style or their whole back, so I try to focus my particular work on that to try to cultivate people to go for that. DAVID ELLIS: One of your clients that we saw has this wonderful marquessa wrist piece you did for him and he has, also, other tribal pieces that you've done. How do you try and integrate very different, well, maybe they're not different, but different imagery on somebody? LEO ZULUETA: I try to integrate the work according to, uh, uh, basically the person's musculature, that, to me, is, uh, very, very important. Uh, how the tattoo will quote/unquote "lay" on a person is extremely vital. When I'm incorporating different styles of work, uh, for instance, a person might have some very colorful work and they want to integrate it with some tribal behind it, to the side of it, going through it even. Uh, that works real well, because the colors play off of the black and vice versa, the black works off the colors. When I'm integrating a piece that's, say, geometric, uh, I do try to, uh, talk with the client to try to help them to see that, you know, it would be better for me to use geometric, uh, uh, shapes around what they already have, so, basically, I do it from a graphic standpoint, primarily. DAVID ELLIS: It was obvious from the people that we talked to that some people had gone to an artist, some artists understand that better than others, I like Dennis' pieces a lot. Since you know a lot about Pacific Island peoples and traditional styles of tattooing, can you compare some of the more traditional styles like poking, to what has now become the more sophisticated electric needle techniques? LEO ZULUETA: Uh, in Samoa, particularly, uh, the Samoan, eh, culture has retained their, their tattoo, uh, culture, uh, it's been guessed at nearly a thousand years. They're using a, uh, the quote/unquote "needle" is really a, uh, rectangle of bone that's serrated on the end, that, in turn, is lashed to a, a stick and that, in turn is lashed to a, I mean, rather is hit by a heavier stick they, that they refer to as the mallet and that style of tattooing, uh, I have, myself, I have not obtained a, a seh, a piece that way, but, weh, I have seen it very close up, I was in Samoa watching a friend of mine work and that style of tattooing has got to be, in my estimation, probably one of the hardest, uh, tattoos to take pain-wise, it's quite, uh, aggressive and when the, uh, it's referred as the ow "AU" and the needles and when the piece bone hits, I mean, it's, you can see it, there's a tremendous amount of impact, compared to the electric machines that I use. My, now I'm only giving the physical readout about that, because of the fact that, what I do and what they do in Samoa is just two different worlds all together. Once again, I'm, you know, currently tattooing in the nineties here in Los Angeles, I never want to be accused of trying to pretend to be a Samoan, uh, uh, tattoo chief or tattoo expert, uh, I know what I know from the West, from my main teachers in the industry, uh, it's a very hard, uh, for me, it's a very difficult thing to compare because, uh, uh, even though I grew up in Hawaii, I, uh, I basically, like a suburban kid [CHUCKLES] so I have a hard time to, uh, try to put a relation between the two of what I've been promoting in the West and what has, what's, you know, what's, reh, traditional around the world. Uh, traditional tattooing is done with, uh, with a lot of ritual. Uh, mind you, I do realize that, within my career I have, uh, uh, uh, been involved in a certain, uh, spirituality behind my work, but I would not ever try to compare myself to traditional, traditional arts around the world. DAVID ELLIS: CHANGE TAPES... LEO ZULUETA: ...I don't know, I guess so. You know, his keys are here, uh, in case he calls tomorrow, his keys are, if calls, like, from the airport, his keys are, uh, pinned to Laurie's bulletin board because I didn't know what to do with them. His house keys. DAVID ELLIS: Is that recording? Yes. Since we're going to inter-cut this with Henry Short - can we talk about the pain of tattooing. For Henry, when he was in Samoa it was extreme, but for today's modern artists, what does pain mean for the client - what kind of pain do they experience? LEO ZULUETA: Definitely, to be tattooed, you feel it, there is, uh, there is a sensation, shall we say, there is pain involved, uh, definitely, different parts of the body are worse than others, the ribcage, around the knees, the back of the knee, uh, on the chest, on the ankle, these are problematic areas, basically, on the face, I've tattooed the last couple of years, uh, three people on their face and they say it's, uh, quite tough around, especially around the nose, on the temples, uh, what I always say to people though is that, get the tattoo where you want it. For instance, if a woman comes in and says, well, I really want this tattoo on my ankle, but, how painful is it. I'll say, "Get it on your ankle." I mean, I won't lie to people, uh, I don't, of course, just jump right out and say, if that were the situation, "Oh, it's so painful on your ankle, because it just might put her off, so I don't do that. But, basically, to be tattooed by the modern-day electric machine, it's pretty tolerable, really, and there are ways to channel and, eh, uh, try to deal with it, uh, one of the best ways is really to work on your breathing and we oftentimes, uh, from the sidelines, uh, so to speak, uh, whilst we're doing a tattoo, uh, try to talk to people that are having deh, difficulty with the pain and we ask them to work on their breathing or, work on other modes of getting past that part, but definitely there is pain involved to be tattooed, but I feel that a tattoo, you have to earn it and that's, once again, it goes back to the old days, uh, most of the time, when people were tattooed and, eh, in traditional cultures, it was for coming of age, most of the time, so, that, in turn, uh, like circumcision, I mean, in many tribes they don't do that until the boys are, eh, you know, uh, pre-teenage and so it's quite painful, but, it's also so that the whole village and the entire, you know, their entire universe knows that they are suffering because they need to, to reach, obtain the next level and that's what I feel, I feel that that, eh, part of it, I don't feel like people should really take pain medication or anything, they really should just deal with it and go through with it and, uh, sooner or later most people do say, anyway, it, it really doesn't hurt that much, but it does hurt. DAVID ELLIS: PAUSE FOR A MINUTE...Is there anything in common that tattoo artists share? LEO ZULUETA: Well, tattoo artists, uh, definitely share, uh, how shall I put this, a, a certain position in life. Uh, doing what we do, once again, uh, in my particular career, I do not stress, uh, uh, any quote/unquote "ritual," but, by and large, that "magic" that I spoke of earlier, I feel, is universal in that we all share that, its a position in life, being able to do this and, to people. I take great responsibility with it, I know that, I have literally marked thousands of people in my life and I feel that that is a grave responsibility on my end, not to put something on someone's face that's going to ruin their life, uh, that they'll never be able to get a job again, since they have a facial tattoo or any sort of imagery that is so negative that would, that, in turn, would ruin, ruin, the, their lives, so, there is, uh, that responsibility I feel is what we all share, no matter what level the, the tattoo artist is that. They may not even be aware of that responsibility, but, we I think we all do share that. Eh, it's a universal thing around the globe, no matter if you're a Japanese tattooist or American or whatever. DAVID ELLIS: Leo, don't move the chair, just twist it a little bit more toward me. When you're doing one of your complicated designs, what are thinking about as you work? LEO ZULUETA: When I work, I think of a lot of different things, uh, a lot of times when it's, uh, a simpler job where it's a lot of fill work, I try to put my mind, uh, into a lot of different places, one of the places I do like to go is I do like to think about Polynesia in general, SQUEAK, eh, once again, I'm Filipino descent, but, uh, growing up in Hawaii, I find, uh, far more affinity to that culture than any, I play some of the music, some day I'd like to learn, eh, some of the language, uh, I try to think of the heritage that's involved with, with tattoo, in general, not just if I'm doing a, uh, a, uh, quasi-marquessan piece or a quasi Hawaiian pieces, I try to think of, uh, the roots of it all, of just tattooing around the globe, really, and how really primitive the nature of it all is, even though we do use electric machines, once again, but the whole act and just being with the, this one other person and putting a mark on them and they're going to have it for ever and ever, uh, I think about all of, the, it's just comes all together into one thing. A lot of times, I actually think of my relationship with that person, uh, I'm real fortunate in that I get to work on a lot of great people, uh, I really don't have anybody that comes in here and gives me too many problems, so I'm very lucky that way. So, a lot of times, I'm thinking of the energy exchange, basically, between me and that person, to me, that's a lot of the magic. Uh, uh, I feel like I'm a filter and when I'm with that person, their energy comes through me and goes back to them and vice versa. So, uh, with the act of tattooing, I feel that that is how the, the primitive part of tattooing comes through into the modern world by this quote/unquote "magic" that I speak of, it's basically, this energy transfer between me and that person or this person's culture and me, for instance. Uh, I was lucky enough, I was a participant in a series of art shows and island, and island, a, um, festival in Guam last year and I tattooed the most quote/unquote "tribal" guy I've every tattooed before. He was from a island called Kitibas in Micronesia, he could barely speak English and, uh, it was so thrilling, I put a sea turtle, I covered up a old homemade mermaid that was a pretty horrible tattoo, quite honestly and, uh, I covered it up with a sea turtle and he was just so pleased and just our energy during the whole course of the evening, weh, uh, it was just really wonderful. So that's basically what I think about when I'm tattooing, eh, uh, either the relationship I had with that person, or the actual magic between our energies, uh, changing. DAVID ELLIS: Can you talk a little bit about the commitment it takes from somebody like Leo or somebody for whom you do a big back piece for, that may take hours and hours and hours - what do tell a first-timer about the experience and the meaning of the process? LEO ZULUETA: I usually tell, uh, feh, first-timers, uh, that come to me, particularly, number one I tell them to be aware of, uh, what their basically doing, uh, if they're ready to do that, eh, generally, I can ascertain that fairly quickly, being in the biz for sixteen years now, uh, but, generally, we talk about if this tattoo is going to be, uh, something they're really, really going to want for the rest of their life. A lot of, of course, a lot of younger people come in and get tattooed because they feel that it's, uh, going along with a fad or something, I do, generally try to discourage that aspect. Uh, but I basically, try to talk to them about what it really means to have this, to make a commitment, no matter what scale, uh, you know, a piece the size of a dime or tattooing their whole back. I try to explain to them what the, especially, the social ramifications of having any tattoo are. So, basically, especially first timers, I try to warn them that they should really get it in a, maybe not a quote/unquote "hidden", seh, place, but somewhere that they can cover up under the short-sleeve length, uh, I try to discourage them from getting it down on their forearms or on their wrists, or on their ankles, uh, some places where it's going to show especially, because we do live in a society where tattooing is not a hundred percent accepted across the board. So, I do try to speak to, especially the younger clients, about this, about, about being, having acceptance once you are tattooed, that's a big issue here at Black Wave. DAVID ELLIS: It's a good point. It seems society acceptance of tattooing has increased in the last 50 or a 100 years, but, still there is a prejudice, what is that about? LEO ZULUETA: Primarily there's a prejudice against tattooing, uh, it started, uh, really with the Old Testament and, in Leviticus, it clearly states, "Ye shall not mark, scar, meh, eh, uh, your body." Now, in the New Testament it, uh, it does not say that exactly, but, a lot of it is due to moral issues, Christian moral issues, uh... DAVID ELLIS: PREJUDICE HAS COME FROM... LEO ZULUETA: Uh, any prejudice against tattooing in teh world stems from, uh, basically the Old Testament, in Leviticus it did say that "Ye shall not cut, or mark or mutilate your body." Upon contact with Europeans in the 1700s, especially in Polynesia, where, uh, tattooing was carried on, teh, uh, uh, by most Polynesian people, to a great extent, due to the fact that they lived in a climate that they really didn't require much clothing, so tattooing became like clothing to, to, to these, uh, peoples. Uh, Western missionaries especially, uh, tried their very, very best to, to basically eradicate and stamp out tattooing around the world and various political factions as well, has, has, has done, uh, their fair share of that, so, hence, any moral issues across the board now, in the nineties, really stems from, from, uh, Western religion and missionaries around the world upon contact with tribal people. DAVID ELLIS: Can you make a guess, I mean, we're just speculating, for somebody who might have been tattooed, say, at the turn of the Century or in the teens or in the twenties, what do you think their life was like? How were they different, than the people we might see today? LEO ZULUETA: Uh, eh, today, uh, in 1998, we are enjoying what, uh, Dr. Arnold Rubin referred to as the tattoo renaissance and what that is is tattooing on a global scale has been going on since really the beginning of time, but the West wasn't aware of it, after ancient days, in ancient Europe they, they tattooed, but since ancient days, uh, tattooing wasn't popular until the turn of this century when, basically, Asia was opened up to commerce, particularly Japan and, uh, and not just Japan, but during the 1800s, many, uh, ex, quote/unquote "explorers" would bring back, uh, these, uh, heavily tattooed people from the Pacific and put them on public display, both here in the United States and in Europe and that, in turn, launched, once again, what Dr. Arnold Rubin referred to as the tattoo renaissance here in the West in America and in Europe. So, uh, during the turn of the century, uh, even, uh, Royalty in Europe were getting tattooed and, uh, I mean, a small, uh, uh, a few core group were getting tattooed, small things, but, basically, since the turn of the century, uh, we started to see, uh, what we refer to as, what everyone here in this room would refer to as, uh, the circus freak, uh, ethic, where they would basically, get all tattooed up in, uh, very bizarre ways and manners so they could display themselves at the circus, but, basically, since the turn of the century, that's where tattooing started to go until it caught on really, in, like from the twenties on, it started to catch on, especially with sailors, particularly with sailors. DAVID ELLIS: Any feeling about why it is that sailors get tattooed so much? LEO ZULUETA: Sailors probably started to get tattooed a lot because of the fact that they were in counter, uh, having encounters with heavily tattooed people, eh, both in Asia and in the Pacific. So, uh, it got to the point where having certain designs were, uh, traditional within, uh, any seafaring, uh, in the West especially, but, of course, in Polynesia and in Micronesia, there were certain marks that a, a, a voyaging, uh, people had like navigators would have certain marks, uh, people that did, uh, went on the voyages, uh, uh, crewing the voyages would have a certain mark, uh, so, basically, here in the West, I think it's because of contact with these people that already had that established tradition. DAVID ELLIS: I just have two more questions. LEO ZULUETA: Sure. DAVID ELLIS: When you finish a complicated piece that shows your skill and somehow shows the patience of the subject, how do you feel when you finish such a good piece? LEO ZULUETA: I do a lot of tattooing that requires a lot of time and energy on the client, uh, for instance, uh, I spoke earlier, about a full back piece, uh, the minimum to do a full solid black, back piece would be around the thirty hour range, it could go on up to, say, 45 hours, those 45 hours, of course, is spread out over, say, a year's time. So there's a lot of interaction between myself and that client, there's a lot of energy expelled, especially for the client, eh, to have to sit for, say, 50 hours worth of pain and endurance, uh, it's actually, quite a, I get quite an elated feeling after completing, uh, something like that. Once again, for me, it, my tattoo career, I feel is about dealing with people in a real close way, I mean, I'm touching these people, every day, uh, different people every day, say, on a big project, especially a big back project, I'm seeing that person every few weeks for nearly a year, so there is that relationship that goes on, then when we finish something like that, it's a very special, uh, uh, event and, for, especially for the client, I mean, of course, I do it, you know, I've been doing it for years, so, it still is special for myself, but I must, I must admit, I have to share that, for the client, it's a, very special, it is a, uh, like, like a, a rites of passage, basically. Here in the West, in modern day times, we don't have a lot of those ancient, uh, rites left, so, tattooing a person with a, especially a large-scale piece, uh, eh, within the tattoo community, when that person pulls their shirt off, it doesn't matter if they've pulled their shirt off in Samoa or at a tattoo convention here in L.A. or wherever, those of us, in the tattoo community, definitely know what that person has been through and there is, usually, a, a, a sign of appreciation, uh, within the people that see that. I have a friend that, he's Dutch actually, he has been having his Pea worked on, uh, over the last several years and he told me an interesting story, he was on the bus in Samoa, upon completion of his, uh, one of his leg, legs, down to the knee and he's Caucasian, from Holland, and, uh, people on the bus, as soon as they saw, eh, just an inch of the fresh tattoo sticking out below his lavalava, there was definitely all sorts of signs of appreciation, he said, people were looking at him, saying, okay, he went and subjected himself to that, he's not necessarily one of us, but we can sure respect where he's coming from and I feel that's a lot of what tattooing is all about, especially the major scale, bigger work. DAVID ELLIS: Are there any favorite pieces that stand out that you've done over the years that you got a special kick out of? LEO ZULUETA: Well, I, of course, I do try to, uh, concentrate my career on doing the big, you know, as big as, the biggest, the boldest black work, uh, quote/unquote "get away with" you know [CHUCKLING] uh, that, oh, someone will allow me to do. Uh, but really, I really, uh, can't say, uh, that I do have a special one, uh, of course, I, I do favor, you know, several that I've done over the years, uh, but I've done, you know, so many thousands of tattoos that it's difficult for me to say, uh, one, one or the other. Um, I do try to push myself, uh, Ed Hardy told me years ago that, uh, in the business, uh, especially in the sixties and seventies, that people, tattoo artists would get real complacent and not push themselves and now with the advent of, uh, the modern day tattooers, eh, eh, uh, that have really spawned off of, from people like Ed Hardy, that really emphasize, uh, ultra-high quality art work at all times, uh, ultra hygiene at all times, uh, so, hence, uh, I feel that, uh, I just feel that, you know, no matter what size, uh, uh, a tattoo is, I just try to stress that, you know, it's all, uh, I do try to push myself rather and, and try to push myself to new, new arenas all the time and try to, you know, do the best artwork I can, it's how I, uh, basically, gage my career on a daily basis, I just try to do the very, very best I can every day. DAVID ELLIS: I guess, my final question is, as an artist, what would you like, you know, the world to know about tattooing which they don't know and understand. I mean, it's obvious from your work, you're an artist first. What would you like to say? LEO ZULUETA: From, from my standpoint, uh, I've, uh, I've been known as the main exponent of this quote/unquote "tribal-style" tattooing, since the early eighties, and my main thing, my, that I would want to tell society in general is that tattooing is ancient as time and that to, I would hope that people would look at tattooing, after I'm long gone and just be able to say that, uh, there's a certain amount of heritage involved in tattooing that I really wish that a lot of society could, uh, be, uh, accepting of and not to say that, well, if you have a tattoo that makes you this sort of a bad person, uh, they wouldn't, society itself would not say that, those negative things if they really, really knew the history and the heritage behind it all, truly. Uh, in Africa it's, uh, the scarification is referred to as tattooing, in a lot of African cultures, uh, all over the world, once again, in Ancient Europe, uh, there was a lot of tattooing. So, if people knew this, I, I, I think that the stigma, the negative attitudes towards tattooing would, would definitely, uh, be lifted a lot more and that's mainly what I would want to say to people that, uh, that don't know much about the art. DAVID ELLIS: Thank you very much. LEO ZULUETA: You're welcome - that's it? DAVID ELLIS: Before we break - loop a long...there's one thing I wanted to ask Leo, I'd like to have you have the last word - is there anything important, I'm sure there's things I've left out - but anything important that you noticed I've left out that would be important to say? LEO ZULUETA: Uh, no, not really, I mean, I kind of get into this mode where, uh, I find myself saying, you know, when I'm being interviewed that, you know, some stuff that I've always kind of said, but I don't really feel that there's been anything left out. DAVID ELLIS: I'm curious about one thing - it seems that all the tattoo artists we've met, wear tattoos, have tattoos, what's that about? LEO ZULUETA: Well, I would never get pierced by somebody that didn't have a lot of piercings, nor would I get tattooed from somebody that didn't have a lot of tattoos. Uh, once again, it goes, the concept of those of us, are, that are in the business here in the West, uh, having a lot of tattoos is a, both a form of advertisement and, also, uh, it goes hand-in-hand with that, uh, concept I spoke about earlier, than when people see that, they know that you know how it feels, so, in other words, I wouldn't get tattooed from somebody that didn't know how it feels, basically. I mean, they may have the best technique in the world, but, to me, there certainly is, it's beyond the pain, it's beyond the, uh, how pretty of a picture I do on a person every, on a daily basis, weekly basis, whatever, it's the magic and there's a whole hardcore part of that that there's a feeling, that there's an ancient feeling that runs through and through, it's like the grain of wood, you can't get rid of it, you know, you can't try to erase it or, you can't get rid of it, it's, there's a magic and the, and energy that flows through, not just myself, because I'm a prominent tattoo artist, but it flows through the clientele, the client base as well. Uh, it's, uh, a feeling and being tattooed and doing tattoos is all about that magic and transferring, uh, my energy through the client like their a filter and their energy filters through me and, and that's basically, it's all about people, really, when you really get down to it, it's all just about people. DAVID ELLIS: THANK YOU AGAIN -- ROOM TONE - GO LONG. at Leo Zulueta Black Wave Tattoo

<p>Stations Please Note: This package/segment contains third party material. Unless otherwise noted, this material may only be used within this package/segment.</p>\n<p></p>\n<p>NOTE: We send our packages with discrete, separate audio. Our reporter's track can be removed by deleting the audio on channel one.</p>\n<p></p>\n<p>*Stations please note: CNN and Adult Swim and Max share the same parent company, Warner Brothers Discovery*</p>\n<p></p>\n<p>AFFILIATE MARKET NOTES: Dean Martin was born in Steubenville, OH. "Beyond Paradise" is filmed in Looe, Cornwall, England, UK. Takashi Sano was born in Niigata, Japan.</p>\n<p></p>\n<p><b>--SUPERS</b>--</p>\n<p></p>\n<p>:00 - :29</p>\n<p>"Everybody Loves Somebody"</p>\n<p>Courtesy Legacy Recordings</p>\n<p></p>\n<p>:29 - :47</p>\n<p>"Beyond Paradise"</p>\n<p>Courtesy BBC Studios/BritBox</p>\n<p></p>\n<p>:47 - 1:08</p>\n<p>"Rick and Morty: The Anime"</p>\n<p>Courtesy Adult Swim</p>\n<p></p>\n<p><b>--LEAD IN</b>--</p>\n<p></p>\n<p>WHERE IS THE ONLY PLACE FOR THE LATEST NEWS ON DEAN MARTIN <b>AND</b> "RICK AND MORTY?" THE HOLLYWOOD MINUTE, OF COURSE. RICK DAMIGELLA REPORTS.</p>\n<p></p>\n<p><b>--REPORTER PKG-AS FOLLOWS</b>--</p>\n<p></p>\n<p>(nat music)</p>\n<p>IT'S A BIG WEEK FOR "THE KING OF COOL." </p>\n<p>THIS WEEK (8/16) MARKS THE 60TH ANNIVERSARY OF DEAN MARTIN KNOCKING THE BEATLES OUT OF THE NUMBER-ONE SPOT ON BILLBOARD'S HOT 100 CHART. </p>\n<p>IN CELEBRATION, LEGACY RECORDINGS HAS RELEASED A NEW ATMOS (AT-MOE-SS) MIX OF "EVERYBODY LOVES SOMEBODY," ALONG WITH THE SONG RECEIVING PLATINUM CERTIFICATION FROM THE RECORDING INDUSTRY ASSOCIATION OF AMERICA.</p>\n<p>(nat phone ring and music)</p>\n<p>"Shipton Abbott police station."</p>\n<p>"Shipton Abbott's finest are back."</p>\n<p>"Let's try and crack this case, shall we."</p>\n<p>PRODUCTION NEWS: "BEYOND PARADISE" GETS A NEW SEASON. </p>\n<p>FILMING IS UNDERWAY ON THE THIRD SEASON OF THE CRIME DRAMA, WITH SEASONS ONE AND TWO AVAILABLE ON THE BRIT-BOX STREAMING SERVICE.</p>\n<p>"See ya, Morty!"</p>\n<p>"Huh?"</p>\n<p>"You truly are a man of legend, Jerry Smith."</p>\n<p>IT'S "RICK AND MORTY: THE ANIME!" </p>\n<p>THE SPIN-OFF SERIES IS DIRECTED BY TAKASHI SANO (TAH-KAH-SHE SAW-NO) OF "LUPIN (LOO-PON) THE THIRD" FAME, RUNS FOR TEN EPISODES, WITH PREMIERES ON ADULT SWIM, FOLLOWED BY NEXT-DAY STREAMING ON MAX. </p>\n<p>WUBBA-LUBBA-DUB-DUB IN HOLLYWOOD, I'M RICK DAMIGELLA.</p>\n<p></p>\n<p><b>-----END-----CNN.SCRIPT-----</b></p>\n<p></p>\n<p><b>--KEYWORD TAGS--</b></p>\n<p>HOLLYWOOD ENTERTAINMENT MUSIC STREAMING ANIMATION DEAN MARTIN RICK AND MORTY BEYOND PARADISE</p>\n<p></p>

The newsletter “PG-14” announces the first annual family favorite film awards.

Handheld, slow motion shot of a volunteer serving pasta into a takeout container for a community member. The container is filled with other foods such as fried chicken.

NAME: US POLYGAMY 20080423Ix TAPE: EF08/0426 IN_TIME: 11:11:53:00 DURATION: 00:02:25:17 SOURCES: AP TELEVISION/ABC DATELINE: Various, 22 April 2008/FILE RESTRICTIONS: see script SHOTLIST: AP Television San Angelo, Texas - 22 April 2008 1. Various of buses driving away from San Angleo Coliseum ABC - No Access North America/Internet - Please Courtesy KLST/KSAN San Angelo, Texas - 22 April 2008 2. Women waiting outside leaving point for buses AP Television San Angelo, Texas - 22 April 2008 3. SOUNDBITE (English) Rulon (no last name given), Fundamentalist Church of Jesus Christ of Latter Day Saints (FLDS) Member: "I'll just tell you this much, we have no confidence in the state of Texas at this point." AP Television Eldorado, Texas - 22 April 2008 4. Various of FLDS mums and dads walking into court house complex AP Television FILE: Eldorado, Texas - Date unknown 5. Children filmed from a distance walking across street into bus (IMAGE BLURRED TO OBSCURE IDENTITIES OF CHILDREN) 6. FLDS woman gardening on Yearning For Zion (YFZ) ranch AP Television San Angelo, Texas - 22 April 2008 7. SOUNDBITE (English) Rulon (no last name given), FLDS Member: "You ever read about a concentration camp? Getting it pretty close." AP Television FILE: Eldorado, Texas - Date unknown 8. Children filmed from a distance (IMAGE BLURRED TO OBSCURE IDENTITIES OF CHILDREN) ABC - No access North America/internet Eldorado Texas, - Date unknown 9. Aerial of FLDS compound 10. FLDS women ABC - No access North America/internet Salt Lake City, Utah - 22 April 2008 11. SOUNDBITE (English) Rod Parker, FLDS Spokesman: "They certainly didn't have any problem pairing up mothers and children in the court room when they thought it would be helpful to CPS' (Children's Protective Services') case. Then they had names and they had everything but when they wanted the DNA suddenly they don't know who anyone is." AP Television San Angelo, Texas - 22 April 2008 12. Set up of David Williams, former FLDS member, being interviewed 13. SOUNDBITE (English) David Williams, former FLDS member: "I have three sons who've been forcibly take from their honourable, responsible, beautiful, mother." 14. Pan from camera crew to Williams being interviewed AP Television FILE: Eldorado, Texas - Date unknown 15. Tracking shot from moving vehicle of FLDS compound AP Television San Angelo, Texas - 22 April 2008 16. SOUNDBITE (English) David Williams, former FLDS member: "There is absolutely, there is absolutely no abuse." AP Television FILE: Eldorado, Texas - Date unknown 15. Wide of children in shelter AP Television San Angelo, Texas - 22 April 2008 16. Exterior of Coliseum 17. Buses leaving Coliseum STORYLINE: Kept together at large west Texas sites for two weeks, the first of more than 400 children taken from a polygamist compound boarded buses bound for group homes and other faraway foster care facilities. The children eagerly waved and smiled at television cameras as the buses rolled out on Tuesday. Adult members of the Fundamentalist Church of Jesus Christ of Latter Day Saints (FLDS), meanwhile, filed through an unmarked building on a courthouse square in nearby Eldorado for the second day of DNA testing. Authorities are trying to map the tangled family trees that authorities came across while investigating a teenage girl's allegation of abuse by her much older husband. Lawyers inside San Angelo Coliseum who were meeting with their adult or child clients said state Children's Protective Services workers installed tight security, allowing no one in or out while the children, 114 of them by day's end, were loaded onto the buses. The remaining 300 children at the coliseum were still undergoing DNA testing and could be moved on Thursday, said Guy Choate, a state bar official who has been coordinating the attorneys brought from all over the state to represent the children. State District Judge Barbara Walther signed an order on Tuesday allowing the state to begin moving the children into temporary foster care while the state completes DNA testing of the 437 children and at least 175 adults and develops individual custody and treatment plans. On Monday, technicians tested children and parents in the coliseum. On Tuesday, the state added a testing site closer to the ranch, on the Eldorado courthouse square. Women in prairie dresses and men with shirts buttoned to their necks trickled into a stone building flanked by deputies to offer DNA samples. Their lawyers said many were reluctant to offer samples for testing they believe is invasive and unnecessary. Arriving in pickup trucks and sport-utility vehicles a few at a time, the parents came to allow technicians in lab coats to swab inside their mouths as they fight to regain custody of their children. By midday, only about two dozen of the 175 adults under court order had shown up. Several dozen mothers were still with the youngest children at a shelter and they could be swabbed there. Associated Press Television footage showed FLDS parents walking into the courthouse. On Tuesday, former FLDS member David Williams arrived from Nevada to give a DNA sample. "I have three sons who've been forcibly take from their honourable, responsible, beautiful, mother," he told AP Television while denying the children living at the ranch were abused. The state won the right to put the children in foster care on suspicion that members of the FLDS pushed underage girls into marriage and sex and that all the children raised in the church are in danger of being victims or becoming predators. The children have been removed from the Yearning For Zion Ranch, the renegade Mormon sect's compound in nearby Eldorado; they stayed at historic Fort Concho in San Angelo before being moved to the larger coliseum last week. Boys ages 8 and older will likely be placed in a setting similar to that where dozens of teen boys were taken last week, a Boys' Ranch near Amarillo in the Texas Panhandle some 250 miles (400 kilometres) from Eldorado. The CPS document lists facilities all around Texas - as far as Houston, about 500 miles (800 kilometres) away - where the children may be placed. The judge ordered any known or suspected parents to also get tested in one of the largest custody cases in US history. Results will likely take a month or more. All the children were supposed to get individual hearings before June 5 to help determine whether they'll stay in state custody or that parents may be able to take steps to regain custody of their children. On Tuesday, The Church of Jesus Christ of Latter-Day Saints, the mainstream Mormon church, issued a statement in response to earlier plans to ask Mormon officials to monitor FLDS prayers inside the coliseum. "It would be erroneous to base any request for assistance from members of The Church of Jesus Christ of Latter-day Saints on the basis that our beliefs and practices are close to those of this polygamous group because they are not," spokeswoman Kim Farah said. The main Mormon church does not recognise FLDS and disavows polygamy.

This black & white film was made by the Illinois Education Association during WWII in 1942 and released in 1943. According to the official description, "Backing up the Guns" shows "the fine work of the schools in training workers for war industries, in turning out citizens who are physically fit and mentally awake. It shows how the schools stand as the great bulwarks of democracy by passing on to the generations of youths passing through their portals our great heritage of freedom. This is not the usual soft, wishy-washy series of scenes of boys and girls playing at life, but shows that youth and their schools are doing their part. It is a morale builder of the highest <p>order."<p><p>Opening titles: Backing Up The Guns (:08-:32). Natural resources of America: oil, steel, farmlands. Farmers at work. Children leaving school. A student uses draft tools. A girl does a chemistry experiment. Nurses walk. American soldiers. A teacher at her desk (:33-1:53). Doctor checks students in school. A woman takes notes. Teacher gives a letter to a student to take home. Woman practice first aid. Health exams in a public school. Newspaper headlines about epidemics. Students play at recess. Gym teacher blows a whistle. Men practice exercises. Soldiers do exercises (1:54-3:50). A tug of war between soldiers. School playground softball game. Girls play keep away with a ball. Men and boys do exercises. A woman makes food in an oven. Books on nutrition. Scientists at work in a laboratory. Homemaking class in school. Teacher watches (3:51-5:56). Sugar, fats on display. Women make food in class. Sinks in an empty classroom. Hands move index cards. Teacher at her desk. Gym class with students performing various activities at once. Men build a building. Tanks, ships, airplanes in motion (5:57-7:26). Men leave work at a defense plant. School in America. Students in a machine class. Teacher assists in class. Students use machines. Boys in wood class. Agricultural class. Student helps fix a machine. A woman sews (7:27-9:18). Women in the classroom. Students and adults work side by side in class. Men in wood class. Teacher works with male students in machine class (9:19-10:13). A woman walks, stands near the flying U.S. flag. Woman teacher teaches female students. Students stare at the teacher and listen. Washington, D.C. aerial shot (10:14-11:39). Lincoln Memorial and the Mall near the Washington Monument. New York City. American industrial area. People walk the streets of NYC. A man reads a newspaper in his home (12:12). People place ballots. Students in class. A man speaks into a microphone. Tanks and soldiers in battle. Students outside school. Index cards being moved by hands. A check for a teacher. Schoolhouse (11:40-13:40).Soldiers march. Men do exercises. Men and women work on machines. Students in class. People of America. Students in school. Tanks, ships, airplanes in motion. Men leave work at a defense plant. Ships at sea. American flag in the breeze (13:41-14:57). End credits (14:58-15:03).<p><p>We encourage viewers to add comments and, especially, to provide additional information about our videos by adding a comment! See something interesting? Tell people what it is and what they can see by writing something for example: "01:00:12:00 -- President Roosevelt is seen meeting with Winston Churchill at the Quebec Conference."<p><p>This film is part of the Periscope Film LLC archive, one of the largest historic military, transportation, and aviation stock footage collections in the USA. Entirely film backed, this material is available for licensing in 24p HD, 2k and 4k. For more information visit http://www.PeriscopeFilm.com

A grandfather leading his children in a song

NAME: US SALINGER 20100129I TAPE: EF10/0090 IN_TIME: 10:00:08:00 DURATION: 00:01:46:11 SOURCES: AP PHOTOS/ABC DATELINE: Various - 28 Jan 2010/ File RESTRICTIONS: Check shotlist for details SHOTLIST AP PHOTOS - NO ACCESS CANADA/FOR BROADCAST USE ONLY - STRICTLY NO ACCESS ONLINE OR MOBILE/ NO SALES FILE: Location unknown, United States - 1 January 1951 ++MUTE++ 1. STILL of J.D. Salinger, author of "The Catcher in the Rye", "Nine Stories", and "Franny and Zooey" ABC - NO ACCESS NORTH AMERICA / INTERNET FILE Date/Location Uknown ++MUTE++ 2. Close up of "The Catcher in the Rye" book 3. Pan right of author''s name, J.D. Salinger, across book 4. Various of book and its pages ABC - NO ACCESS NORTH AMERICA / INTERNET New York, New York - 28 January 2010 5. SOUNDBITE (English) David Remnick, Editor of the The New Yorker Magazine (++SOUNDBITE BEGINS IN PREVIOUS SHOT++) "Think of the opening sentences for Catcher in the Rye, before a paragraph is over you are into the mindset of a certain kind of kid, with certain kind of problems, in a certain country, at a certain period of time." ABC - NO ACCESS NORTH AMERICA / INTERNET Boston, Massachusetts - 28 January 2010 6. Mid of Boston College Professor Amy Boesky being interviewed (++MUTE++) 7. SOUNDBITE (English) Amy Boesky, Boston College Professor: "I think it changed the history of writing for adolescents in America, introduced a character that is unforgettable to all of us who know the book." ABC - NO ACCESS NORTH AMERICA / INTERNET FILE Cornish, New Hampshire - Date unknown ++MUTE++ 8. Close up of Salinger''s mailbox 9. Close up of sign reading (English) ''Private Property'' posted near Salinger''s home 10. Zoom in to Salinger''s house 11. Various of town where Salinger lived 12. Various of general store ABC - NO ACCESS NORTH AMERICA / INTERNET Cornish, New Hampshire - 28 January 2010 13. SOUNDBITE (ENGLISH) Steve Taylor, Salinger''s former neighbour "I remember him most in terms of his resolute desire for privacy and the resolute respect of the people of Waynesfield and Cornish, to respect his privacy, to honour his privacy." ABC - NO ACCESS NORTH AMERICA / INTERNET Cornish, New Hampshire - Date Unknown ++MUTE++ 14. Various of editions of ''The Catcher in the Rye'' STORYLINE: J.D. Salinger, the legendary author, youth hero and fugitive from fame whose "The Catcher in the Rye" shocked and inspired a world he increasingly shunned, has died. He was 91. Salinger died of natural causes at his home on Wednesday, the author''s son, actor Matt Salinger, said in a statement from Salinger''s longtime literary representative, Harold Ober Associates, Inc. He had lived for decades in self-imposed isolation in a small, remote house in Cornish, N.H. "The Catcher in the Rye," with its immortal teenage protagonist, the twisted, rebellious Holden Caulfield, came out in 1951, a time of anxious, Cold War conformity and the dawn of modern adolescence. The Book-of-the-Month Club, which made "Catcher" a featured selection, advised that for "anyone who has ever brought up a son" the novel will be "a source of wonder and delight, and concern." Enraged by all the "phonies" who make "me so depressed I go crazy," Holden soon became American literature''s most famous anti-hero since Huckleberry Finn. The novel''s sales are astonishing, more than 60 (m) million copies worldwide, and its impact incalculable. Decades after publication, the book remains a defining expression of that most American of dreams: to never grow up. "Think of the opening sentences for Catcher in the Rye, before a paragraph is over you are into the mindset of a certain kind of kid, with certain kind of problems, in a certain country, at a certain period of time," said David Remnick, editor of The New Yorker, where many of Salinger''s stories appeared. Salinger was writing for adults, but teenagers from all over identified with the novel''s themes of alienation, innocence and fantasy, not to mention the luck of having the last word. "Catcher" presents the world as an ever-so-unfair struggle between the goodness of young people and the corruption of elders, a message that only intensified with the oncoming generation gap. Salinger''s other books don''t equal the influence or sales of "Catcher," but they are still read, again and again, with great affection and intensity. Critics, at least briefly, rated Salinger as a more accomplished and daring short story writer than John Cheever. The collection "Nine Stories" features the classic "For Esme, with Love and Squalor," the deadpan account of a suicidal Army veteran and the little girl he hopes, in vain, will save him. The fictional work "Franny and Zooey," like "Catcher," is a youthful, obsessively articulated quest for redemption, featuring a memorable argument between Zooey and his mother as he attempts to read in the bathtub. Salinger also wrote the novellas "Raise High the Roof Beam, Carpenters" and "Seymour, An Introduction," both featuring the neurotic, fictional Glass family that appeared in much of his work. His last published story, "Hapworth 16, 1928," ran in The New Yorker in 1965. By then, he was increasingly viewed like a precocious child whose manner had soured from cute to insufferable. In 1997, it was announced that "Hapworth" would be reissued as a book, prompting a (negative) New York Times review. The book, in typical Salinger style, didn''t appear. In 1999, New Hampshire neighbour Jerry Burt said the author had told him years earlier that he had written at least 15 unpublished books kept locked in a safe at his home. The mystery of the safe continued on Thursday. Salinger''s representative at the Ober agency, Phyllis Westberg, declined comment on whether the author had any unpublished work. Spokeswoman Heather Rizzo of Little, Brown and Co., Salinger''s longtime publisher, said she had "no news on future releases." Jerome David Salinger was born Jan. 1, 1919, in New York City. His father was a wealthy importer of cheeses and meat and the family lived for years on Park Avenue. Like Holden, Salinger was an indifferent student with a history of trouble in various schools. He was sent to Valley Forge Military Academy at age 15, where he wrote at night by flashlight beneath the covers and eventually earned his only diploma. In 1940, he published his first fiction, "The Young Folks," in Story magazine. He served in the Army from 1942 to 1946, carrying a typewriter with him most of the time, writing "whenever I can find the time and an unoccupied foxhole," he told a friend. Returning to New York, the lean, dark-haired Salinger pursued an intense study of Zen Buddhism but also cut a gregarious figure in the bars of Greenwich Village, where he astonished acquaintances with his proficiency in rounding up dates. One drinking buddy, author A.E. Hotchner, would remember Salinger as the proud owner of an "ego of cast iron," contemptuous of writers and writing schools, convinced that he was the best thing to happen to American letters since Herman Melville. Holden first appeared as a character in the story "Last Day of the Last Furlough," published in 1944 in the Saturday Evening Post. Salinger''s stories ran in several magazines, especially The New Yorker, where excerpts from "Catcher" were published. The world had come calling for Salinger, but Salinger was bolting the door. By 1952, he had migrated to Cornish. Three years later, he married Claire Douglas, with whom he had two children, Margaret and Matt, before their 1967 divorce. (Salinger was also briefly married in the 1940s to a woman named Sylvia; little else is known about her.) Meanwhile, he refused interviews, instructing his agent not to forward fan mail and reportedly spending much of his time writing in a cement bunker. Sanity, apparently, could only come through seclusion. Although Salinger initially contemplated a theatre production of "Catcher," with the author himself playing Holden, he turned down numerous offers for film or stage rights, including requests from Billy Wilder and Elia Kazan. Bids from Steven Spielberg and Harvey Weinstein were also rejected. In recent years, he was a notable holdout against allowing his books to appear in digital form.

Stations Please Note: This package contains third party material. Unless otherwise noted, this material may only be used within this package and within ten days of its initial delivery or such shorter time as designated by CNN.\n\nNOTE: We send our packages with discrete, separate audio. Our reporter's track can be removed by deleting the audio on channel one.\n\n"UglyDolls" opens across the U.S. on Friday, May 3. The Motion Picture Association of America has rated it PG for thematic elements and brief action.\n\nAFFILIATE MARKET NOTES: Kelly Clarkson is from Fort Worth, Texas. Nick Jonas is from Dallas, Texas. Pitbull (Armando Perez) is from Miami, Florida.\n\n --SUPERS--\n\n:00-:16\n"UglyDolls"\nCourtesy STX Films\n\n:16-:22\nNick Jonas\nVoice of "Lou"\n\n:22-25\nCourtesy STX Films\n\n:25-:29\nPitbull\nVoice of "Uglydog"\n\n:29-:32\nCourtesy STX Films\n\n:32-:39\nPitbull\nVoice of "Uglydog"\n\n:39-:48\n"UglyDolls"\nCourtesy STX Films\n\n:48-:59\nNick Jonas\nVoice of "Lou"\n\n:59-1:10\nPitbull\nVoice of "Uglydog"\n\n1:10-1:12\nCourtesy STX Films\n\n1:12-1:14\n"UglyDolls"\nCourtesy STX Films\n\n --LEAD IN--\n\nA STAR-STUDDED CAST IN A NEW ANIMATED FILM IS OUT TO CELEBRATE BEING ADORABLY DIFFERENT. RICK DAMIGELLA HAS A PREVIEW OF "UGLY-DOLLS."\n\n --REPORTER PKG-AS FOLLOWS--\n\n"Good morning Uglyville!"\n"Hello gorgeous! Let's check out how you look today. Short and stubby, nubby teeth out on full display."\n\nTHE CHARACTERS IN "UGLY-DOLLS" HAVE A LOT OF FUN, AND SO DID THE VOICE STARS, INCLUDING PITBULL, KELLY CLARKSON AND NICK JONAS.\n\n"I'm the villain in the movie, so I got to be a little mean, lose my cool a little bit."\n\n"Enjoy this moment, okay? Because it doesn't get better than this."\n\n"Well, for me, I only got a chance to do the beginning, opening of the movie, so I did a little rap in there and I tried to make it fun for the kids, you know. What better way to start the movie waking up Uglyville with a little rap and Kelly Clarkson?"\n\n(rapping) "But only the dog makes the party happen / So put it in your paper / Seal it with a kiss / It couldn't be better than this."\n\nTHE ANIMATED FILM AIMS TO DELIVER A GREAT TIME -- AND VALUABLE LESSONS.\n\n"The message is so relevant to me as an adult and to the kids that I watched it with. I think it's a really important thing for families to see together and have that message out there."\n\n"If you notice it's in the words: 'Followers and Likes, that's what they're worried about.' Nah, you don't need to follow anybody, and don't worry about people liking you. You need to be a leader and unique. That is what UglyDolls is about."\n\n"Best! Time! Ever!"\n\nIN HOLLYWOOD, I'M RICK DAMIGELLA.\n\n -----END-----CNN.SCRIPT-----\n\n --KEYWORD TAGS--\n ENTERTAINMENT SHOWBIZ HOLLYWOOD MOVIES ANIMATION TOYS CHILDREN FAMILY FILM\n\n

The following is a list of David Susskind Shows possibly housed in a number off-site facilities--if they can be located at all. These listed programs HAVE NOT BEEN INSPECTED thus we cannot guarantee the existence, quality, duration or timely delivery of any of the material listed here. We offer access to these tapes on the following basis ONLY: All tapes are on their original 2" video format. The only way to verify the contents is to screen them, thus we will need to pull them from the inventory, ship and transfer them before we are able to verify content and quality. A $500 fee PER TAPE is required when ordering screening material from this collection. This fee is NON-REFUNDABLE. This fee will cover the cost of 2" tape handling, 2" Fed-Ex shipping (2-way) and 2" transfer. PLEASE NOTE THAT MANY SHOWS ARE ON TWO SEPARATE TAPES, THUS IT COULD COST DOUBLE ($1000) TO SCREEN SOME COMPLETE SHOWS. PLEASE UNDERSTAND THAT EVEN IF YOU ORDER A SHOW BASED ON THE CATALOG NUMBER AND TITLE FROM THIS DATABASE WE CANNOT GUARANTEE THAT YOU WILL GET THE TAPE YOU ORDER. THIS IS BECAUSE THROUGH THE YEARS TAPES MAY HAVE BEEN PLACED IN THE INCORRECT CASES AND THE WRITTEN INFORMATION ON THE CASES IS ALL WE HAVE TO ID A TAPE BEFORE IT IS TRANSFERRED. WHILE WE WILL USE ALL EFFORTS TO EXPEDITE YOUR REQUEST, BUT WE CANNOT RUSH THE PROCESS, AND YOU ORDER THESE AT YOUR OWN RISK. IF WE DO NOT LOCATE THE TAPE THERE IS NO CHARGE, BUT IF WE DO AND IT IS REMOVED FROM THE FACILITY FOR TRANSFER, YOU WILL BE RESPONSIBLE FOR THESE NON-REFUNDABLE FEES. THE DAVID SUSSKIND SHOW 1978-1979 06/24/78 09/24/78 PART I: BABIES FOR SALE -- THE BLACK MARKET IN CHILDREN DAVID LEAVITT, BETTY LIPMAN, LINDA, CONGRESSMAN HENRY HYDE, NANCY BAKER, ROBERT BURNS, JUNE MATZ 29243 CHICAGO 05/31/78 09/24/78 PART II: PORTRAIT OF A WELFARE MOTHER RENEE NATTER 29243 09/28/78 10/01/78 JOHN J. O' CONNOR 30703 CHICAGO 09/28/78 10/01/78 PART II: TURNING OFF THE TUBE -- LIFE WITHOUT TELEVISION A. CHILDREN: FRED IFRAH, DAWN KAYNO, DEREK LIPPNER, CHRISSY MAGLIOCCO, LEAH PIKE, DAVID STEINGLASS B. PARENTS & TEACHERS: JOYCE SUSSKIND, NANCY PIKE, BARBARA GOLDFARB, PAT MAGLIOCCO, JUDITY ROHN, TANYA KAUFMAN 30703 05/20/78 10/08/78 PART I: FED UP WITH THE SEXUAL REVOLUTION - SIX ASEXUALS GAIL RACHLIN, BILL PRIEST, DANIELLA GIOSEFFI, RICHARD MILNER, MARIAN TESSA, GARY NULL 29240 CHICAGO, DC 06/24/78 10/08/78 PART II: HOW TO COPE WITH LONELINESS ERICA ABEEL, DR. JAMES LYNCH, BRUCE JAY FRIEDMAN, TERRI SCHULTZ, MARK KLINGMAN 29240 DC 09/23/78 10/22/78 PART I: WE'RE MAD AS HELL -- THE RADIO CALL-IN RAGE JERRY WILLIAMS, ED SCHWARTZ, IRV HOMER, HERB JEPKO, BERNARD MELTZER 30702 CHICAGO 09/23/78 10/22/78 PART II: THINK RICH -- BE RICH JERRY GILLIS, H. STANLEY JUDD, IAN ANDERSON 30702 CHICAGO 10/12/78 10/29/78 PART I: CAN CARTER CUT IT IN 1980 HENRY GRUNWALD, NICHOLAS VON HOFFMAN, JERALD TER HORST, WILLIAM RUSHER 30706 CHICAGO 10/12/78 10/29/78 PART II: PSYCHICS WHO SOLVE CRIME DOROTHY ALLISON, BEVERLY JAEGERS, DAVID HOY, MIKE CASALE, SAL LUBERTAZZI 30706 CHICAGO 10/21/78 11/05/78 PART I: THE SWINGERS' PARADISE -- PLATO'S RETREAT MARY & LARRY LEVINSON, BONNIE & JACK, PHIL NOBILE 30709 CHICAGO, DC 10/21/78 11/05/78 PART II: "THE DOOMSDAY TAPES" BARDYL TIRANA, HERBERT SCOVILLE, LEONARD REIFEL, LEON GOURE 30709 05/31/78 11/12/78 THEY'RE STILL THE FUNNIEST MEN AROUND -- VETERAN COMICS MAC ROBBINS, JIMMY JOYCE, LARRY BEST, MICKEY FREEMAN, JOEY FAYE, LOU MENCHELL 29241 DC 11/04/78 11/19/78 PART I: DRESS FOR SUCCESS -- LOOK LIKE A MILLION -- MAKE A MILLION JOHN WEITZ, JOHN T. MOLLOY, EMILY CHO, WILLIAM THOURLBY, ROBERT L. GREEN 30710 CHICAGO 05/04/78 11/19/78 PART II: SUPER SALESMEN JOE GIRARD, LOIS BECKER, TOM WOLFF, BOB SHOOK 30710 CHICAGO 11/08/78 11/26/78 PART I: STARTLING STORIES OF LIFE AFTER DEATH DR. MAURICE RAWLINGS, CHARLES MCKAIG, VIRGINIA FALCY, KENNETH RING, HELEN NELSON, DR. MICHAEL SABOM 30712 CHICAGO 11/08/78 11/26/78 PART II: ANGRY CITIZENS VS THE POST OFFICE JAMES FINCH, BOB GRANT, ROBERT MEYERS, JAMES LAPENTA, PAT BRENNAN 30712 CHICAGO 11/22/78 12/03/78 PART I: SURGEON/SALESMAN -- BILL MACKAY 30714 DC 11/22/78 12/03/78 PART II: LONELY, UNHAPPY & BROKE -- DISPLACED HOMEMAKERS FLORENCE GRIFFIN, JACQUELINE BACHMAN, LESLIE WALD WALDHORN, SANDRA JACOBS, JANE LEE LITTLETON 30714 CHICAGO, DC 12/02/78 12/10/78 PART I: IF BETTY FORD COULD DO IT...ALL ABOUT FACELIFTS RICHARD KIELING, LILLIAM FRASER, D. RALPH MILLARD, M.D., DORIS LILLY, MICHAEL HOGAN, M.D. 30716 CHICAGO 12/02/78 12/10/78 PART II: TO JOG OR NOT TO JOG DAVID BRODY, M.D., DAVID NOONAN, RICHARD A. SCHWARTZ, M.D., RICHARD RESTAK, M.D., PAUL FETSCHER 30716 CHICAGO 09/16/78 12/17/78 WE WANT A BABY -- NEW HOPE FOR INFERTILE COUPLES A. PATIENTS: SUSAN & LEE WELLING, CAROL & ERNEST D'ANGELO, CATHY & JOHN SCOTT B. EXPERTS: DR. WAYNE DECKER, DR. ALVIN GOLDFARB, DR. RICHARD SHERINS, BARBARA ECK MENNING, DR. LUIGI MASTROIANNI 30701 11/29/78 12/24/78 PART I: YOUR PAMPERED PET -- FROM SHRINK TO MINK DR. PETER BORCHELT, DR. DANIEL TORTORA, DR. ALBERT LAMPASSO, MORDECAI SEGAL, LOIS LANDAUER, KAREN THOMPSON, GEORGE JEWEL 30715 CHICAGO 11/29/78 12/24/78 PART II: MIND YOUR MANNERS -- THE NEW ETIQUETTE LETITIA BALDRIGE, JUDITH MARTIN, MARJABELLE YOUNG STEWART 30715 CHICAGO 10/07/78 01/14/79 06/24/79 PART I: THE DIET THAT CAN SAVE YOUR LIFE -- PRO & CON A. PATIENTS: BILL UTTAL, JULIE BREAKSTONE, FRED SILVER, DR. HARRY PARKER, JOE HUME B. EXPERTS: NATHAN PRITIKIN, DR. SAMI SASHIM, DR. ROBERT E. BAUER, DR. STEPHEN SCHEIDT 30704 CHICAGO 10/12/78 01/14/79 06/24/79 PART II: A CONVERSATION WITH THE BRILLIANT PETER USTINOV 30704 CHICAGO 12/09/78 01/21/79 PART I: THE PRIEST WHO FIGHTS PIMPS FATHER BRUCE RITTER 30711 CHICAGO, DC 11/04/78 01/21/79 PART II: MAKING INFLATION WORK FOR YOU HARRY BROWNE, DAN DORFMAN 30711 CHICAGO, DC 12/09/78 01/28/79 PART I: LONG LINES, SHORT TEMPERS -- THE AIRPORT MESS KAY SLOMAN, HARRY KLETTER, ROB MANGOLD, FRED FORD, KAREN ZUPKO, STEVE BIRNBAUM 30717 CHICAGO, DC 12/09/78 01/28/79 PART II: ARE YOU REALLY IN LOVE? DR. DEBORA PHILLIPS, DR. CHARLIE SHEDD, DR. STANTON PEELE 30717 CHICAGO, DC 01/13/79 02/04/79 PART I: WE ARE BI-SEXUALS LARRY KANE, TONI TUCCI, DR. FRED KLEIN, "JULIA", "JOANNE" 30720 CHICAGO, DC 01/27/79 02/04/79 PART II: TREASURE HUNTERS MEL FISHER, EUGENE LYON, ART MCKEE 30720 CHICAGO, DC 01/06/79 02/11/79 INSIDE THE CULTS: THE TERRIFYING TRUTH FROM EX-MEMBERS PART 1 - EX-MEMBERS: SUSAN SMITH, CHRIS EDWARDS, MORRIS DEUTSCH, STEVE HASSAN, ANDREW STUBBS PART II - EXPERTS: FLO CONWAY, JIM SEIGELMAN, GALEN KELLY, DR. JOHN CLARK 30718 CHICAGO, DC 01/27/79 02/18/79 PART I: MEN WHO ARE KEPT BY WOMEN: TRUE CONFESSIONS REAL, MICHEL, MARK, PAUL, LOU 30721 CHICAGO, DC 01/27/79 02/18/79 PART II: THE TRUTH ABOUT ASPIRIN DR. LOUIS ALEDORT, DR. THOMAS KANTOR, DR. DAVID CODDON, PAUL E. SCHINDLER 30721 CHICAGO, DC 02/03/79 02/25/79 PART I: BEAUTIFUL WOMEN SHARE THEIR SECRETS (HOSTED BY JOYCE SUSSKIND) BEVERLY SASSOON, ADRIEN ARPEL, CRISTINA FERRARE 30722 CHICAGO, DC 02/03/79 02/25/79 PART II: WHEN YOUR PARENTS GROW OLD JOHN PERRY, RITA SIGLER, BARBARA FELDMAN, MARIE CARROLL, JERRY ORNSTEIN 30722 CHICAGO, DC 02/10/79 03/04/79 TRUMAN CAPOTE TELLS ALL TRUMAN CAPOTE 30723 CHICAGO (T), UCLA (2"), DC 11/18/78 03/11/79 PART I: WE CAN'T STOP DIETING -- VICTIMS OF ANOREXIA STEVEN LEVENKRON, KATIE, PATRICIA DE POL, ROBERTA, LISA WOLFF 30713 CHICAGO, DC 11/18/78 03/11/79 PART II: WHEN FEAR TAKES OVER -- AGORAPHOBIA JEAN ESTERBROOK, JOEL GREENBAUM, EILEEN WEBBER, MARIA WEBBER, DR. MANUEL ZANE 30713 CHICAGO, DC 02/28/79 03/18/79 PART I: WILD & CRAZY PAPARAZZI -- PHOTOGRAPHERS WHO SHOOT THE STARS RON GALELLA, ADAM SCULL, DICK CORKERY, GENE SPATZ 30725 CHICAGO, DC 02/28/79 03/18/79 PART II: IT'S NOT SO GREAT IN BRITAIN FRED HIFT, REX BERRY, ROBIN DUTHY, VALERIE WADE 30725 CHICAGO, DC 01/13/79 03/25/79 PART I: THINGS TO COME -- LIFE IN THE YEAR 2000 ISAAC ASIMOV, FRANK KENDIG, DR. JERRY POURNELLE 30719 DC 02/28/79 03/25/79 PART II: HAPPINESS IS A POSSIBLE DREAM DR. JONATHAN FREEDMAN, LYNN CAINE, JOAN, BOB DRESNER, BOB GOODRICH 30719 CHICAGO, DC 03/24/79 KHJ-TV, LA 04/01/79 THE TELEVISION CRISIS MICHAEL DANN, PAUL KLEIN, GRANT TINKER, NORMAN LEAR, DAVID GERBER 30726 CHICAGO, DC 02/10/79 04/08/79 HOT GOSSIP ABOUT THE BEAUTIFUL PEOPLE RUDY MAXA, CLAUDIA COHEN, NEAL TRAVIS 30724 CHICAGO 03/31/79 04/08/79 PITY THE HAPPY HOUSEWIFE JUDITH VIORST, MARY KUCZKIR, ANN TOLAND SERB, JOAN WESTER ANDERSON 30724 CHICAGO 04/15/78 04/15/79 MIRROR, MIRROR ON THE WALL -- THE BEAUTIFUL AND THE UGLY TELL ALL GUESTS -- MODELS AND SELF-PROCLAIMED UGLIES: MATT COLLINS, CATHY MORRIS, DANNY LEE MCCOY, JEAN SOKOL, SUZANNE FELZEN, SUSAN BRECHT EXPERTS: FRANCESCO SCAVULLO, MICHAEL HOGAN, M.D., ADRIEN ARPEL, SUSAN GREEN, PH.D 29232 CHICAGO, DC 04/14/79 04/22/79 IS CARTER A CATASTROPHE? ELIOT JANEWAY, WILLIE L. BROWN, JR., ROBERT H. MALOTT, WILLIAM W. WINPISINGER 30728 CHICAGO, DC 04/28/79 05/06/79 PART I: LEE MARVIN, WHAT HAVE YOU DONE? MARVIN MITCHELSON, MELVYN HABER, SUNNIE SOBEL, NORMAN M. SHERESKY, HERBERT A. GLIEBERMAN 30730 CHICAGO, DC 04/28/79 05/06/79 PART II: THE INCREDIBLE TRUTH ABOUT HOWARD HUGHES JAMES B. STEELE, DONALD L. BARTLETT 30730 DC 03/31/79 05/13/79 PART I: DEAR ANN LANDERS... ANN LANDERS 30727 CHICAGO, DC 03/31/79 05/13/79 PART II: THE CULTS ANSWER BACK GADDAHAR PANDIT DAS, RABINDRA SWAROOP DAS, DIANE KETTERING, ARTIE MAREN 30727 CHICAGO, DC 05/11/79 KCOP, LA 05/20/79 THE MAN WHO WOULD BE PRESIDENT: JERRY BROWN GOVERNOR JERRY BROWN, CALIFORNIA 30732 CHICAGO (T), UCLA, DC 05/19/79 06/03/79 PART I: WATCH OUT! HOWARD JARVIS IS COMING HOWARD JARVIS, JOHN L. LOEB, JR., JAMES FARMER, STEPHEN BERGER 30733 CHICAGO, DC 05/19/79 06/03/79 PART II: HOW TO SLASH YOUR FOOD BILLS IN HALF ARLENE STOLARSKI, PATTI UMLAND, MARY ANNE HAYES, SUSAN SAMTUR 30733 05/27/79 06/10/79 PART I: SHOULD YOU BUY A HOUSE NOW -- OR NEVER? DONALD I. HOVDE, BENNY KASS, WILLIAM WOLMAN, MICHAEL SUMICHRAST 30734 CHICAGO, DC 05/19/79 06/10/79 PART II: MALE SECRETARIES DONALD HARLEY, CHARLES W. BARKER, JOSEPH R. LICCARDO, ANTHONY ZATTI, KEITH M. WHITE 30734 DC 06/03/79 06/17/79 PART I: HOW TO LIVE WITH CONSTANT PAIN PATIENTS: HERBERT A. DIAMOND, BARBARA B. WOLF, ROSALIE TERRAVECCHIA DOCTORS: DR. GERALD ARONOFF, DR. DONALD M. DOOLEY, DR. NELSON H. HENDLER, DR. HAROLD CARRON 30736 CHICAGO, DC 06/03/79 06/17/79 PART II: THE MAN WHO GIVES ADVICE TO ANN LANDERS DR. EUGENE KENNEDY 30736 CHICAGO, DC 06/23/79 07/01/79 PART I: OUT OF GAS -- WHO'S TO BLAME? LESLIE J. GOLDMAN, JAMES F. FLUG, CHARLES KITTRELL, SENATOR HOWARD M. METZENBAUM 30738 CHICAGO, DC 06/23/79 07/01/79 PART II: "THE FLYING WHITE HOUSE" COLONEL RALPH ALBERTAZZIE 30738 CHICAGO, DC THE DAVID SUSSKIND SHOW 1979-80 05/26/79 04/14/79 10/07/79 04/19/81 DAVID SUSSKIND MEETS THE MARTIANS A. LYDIA STALNAKER, BRYCE BOND B. RUTH NORMAN, THOMAS MILLER 30729 CHICAGO, DC 09/22/79 10/14/79 PART I: ORGANIZED CRIME: THE BIGGEST BUSINESS IN AMERICA HANK H. MESSICK, RICHARD E. JAFFE, RALPH F. SALERNO, JACK KEY, THOMAS RENNER 32101 CHICAGO 09/22/79 10/14/79 PART II: BATTLE OVER BLACK ENGLISH MICHAEL MEYERS, DR. GENEVA SMITERMAN, DR. ELAINE LEWNAU, ETTA LADSOM 32101 CHICAGO 10/13/79 10/28/79 THE BLACK-JEWISH CRISIS DR. JOSEPH E. LOWERY, ARNOLD FORSTER, RANDALL ROBINSON, HOWARD M. SQUADRON 32105 CHICAGO 11/03/79 10/28/79 THE KENNEDY-CARTER SHOWDOWN ALLARD K. LOWENSTEIN, ARTHUR SCHLESINGER, JR., STUART EIZENSTAT, GERALD M. RAFSHOON 32109 CHICAGO, DC 10/27/79 11/11/79 09/07/80 03/28/82 PART I: SEX FOR SALE...4 "JOHNS' TELL ALL TOM, MARK, HUGH, GEORGE 32107 CHICAGO (T), DC 10/17/79 11/11/79 09/07/80 03/28/82 PART II: IS STRESS KILLING YOU? JOHN J. PARRINO, PH.D, KENNETH GREENSPAN, M.D. 32107 CHICAGO, DC 04/28/79 11/18/79 09/28/80 05/31/81 THE BARE FACTS: QUEENS OF BURLESQUE GEORGIA SOTHERN, ZORITA, SHERRY BRITTON, HOPE DIAMOND 30731 CHICAGO, DC 06/23/79 11/18/79 09/28/80 05/31/81 SUPER SALESWOMEN DOT COOK, ANDREA BERRITY, LINDA SCHMITT, SHIRLEY HUTTON 30731 CHICAGO 06/09/79 11/25/79 07/06/80 PART I: RICH & FEMALE - WOMEN WHO MAKE MILLIONS MURIEL SIEBERT, MARY ANN HALMI, EVA HORTON, DAISY TALLARICO, JOAN LEVINE 30737 CHICAGO, DC 06/09/79 11/25/79 07/06/80 PART II: GOTHIC WRITERS ROBERTA ANDERSON & MARY KUCZKIR (FERN MICHAELS), JANET DAILEY, PATRICIA MATTHEWS 30737 CHICAGO, DC 10/06/79 12/02/79 PART I: "BREAKING UP IS HARD TO TAKE" -- CHILDREN OF DIVORCE DON, CAREN, LIZ, GILLIAN, LISA 32102 CHICAGO 09/29/79 12/02/79 PART II: "THE WICKED TRUTH ABOUT STEP PARENTS" WILLIAM NOBLE, SUZY KALTER, MARCIA WYRTZEN, JEANETTE LOFAS, BOB MARTIN 32102 CHICAGO 10/27/79 12/09/79 PART I: LIARS BEWARE -- THE LATEST IN LIE DETECTION CHRIS GUGAS 32108 CHICAGO 10/06/79 12/09/79 PART II: THE RED BERETS -- TEENAGE VIGILANTES CURTIS SLIWA, DINO REYES, KATO, JEFF MONROE, JERRY MONROE, ET. AL. 32108 CHICAGO 11/10/79 12/16/79 07/13/80 PART I: HOW TO TEST YOUR DOG'S I.Q. AND PERSONALITY MATTHEW MARGOLIS 32115 CHICAGO 12/03/79 12/16/79 07/13/80 PART II: DAZZLING WOMEN FROM ABROAD LIVIA SLYVA WEINTRAUB, JACLINE MAZARD (JEAN MAHIE), REGINE, GEORGETTE KLINGER, PRINCESS SUMAIR 32115 CHICAGO 11/17/79 12/23/79 HOW TO PROSPER DURING THE COMING BAD YEARS HOWARD RUFF 32114 CHICAGO, DC 12/15/79 12/23/79 07/27/80 PART II: CHINA TODAY -- A CONVERSATION WITH HAN SUYIN HAN SUYIN 32114 32121 CHICAGO, DC 11/10/79 01/06/80 08/17/80 ARE YOUR TEENAGERS DRIVING YOU CRAZY? HELP IS HERE! DR. THOMAS J. COTTLE, ELIZABETH ROBERTS, DR. DAVID ELKIND, EDITH B. PHELPS, ELIOT DALEY 32110 CHICAGO 11/24/79 01/13/80 10/26/80 PART I: SHORT PEOPLE HAVE FEELINGS TOO! PAMELA BROWN, MIKE PARADINE, BILL GILE, NANCY HENKEL, IRWIN HASEN 32111 CHICAGO 10/17/79 01/13/80 10/26/80 PART II: LAUGHTER IS THE BEST MEDICINE NORMAN COUSINS 32111 CHICAGO 12/15/79 01/20/80 07/20/80 PART I: OWNERS OF GREAT RESTAURANTS TELL THEIR SECRETS SHELDON TANNEN "21"; WARNER LEROY, MAXWELL'S PLUM, TAVERN ON THE GREEN; EDMUND LILLYS, THE GLOUCESTER HOUSE; SIRIO MACCIONE, LE CIRQUE; VINCENT SARDI, JR., SARDI'S; PETER ASCHKENASY, U.S. STEAK-HOUSE, LUCHOW'S, CHARLEY O'S, AND THE AMERICAN CHARCUTERIE. 32117 CHICAGO 01/12/80 01/20/80 07/20/80 PART II: MAITRE D'S OF GREAT RESTAURANTS JOSEPH GARNI, LE CIRQUE; BRUNO MOLINARI, THE PALM; GIANNI GARAVELLI, NANNI AL VALLETTO; JEAN-CLAUDE COUTELLER, LE PERIGORD EAST 32117 CHICAGO 09/29/79 01/27/80 A MEDIUM WHO TALKS TO THE DEAD -- DORIS STOKES DORIS STOKES 32103 CHICAGO 11/17/79 02/03/80 10/05/80 PART I: PROSTITUTES TELL ALL "NINA", "CATHERINE", AND "MELINDA" 32112 CHICAGO, DC 01/12/80 02/03/80 10/05/80 PART II: WOMEN AGAINST PORNOGRAPHY DOLORES ALEXANDER, JANE MCHUGH, FRANCES PATAI, AND BARBARA MEHRHOF 32112 CHICAGO, DC 01/26/80 02/10/80 WHAT'S NEW WITH JACKIE, SINATRA, STREISAND, BEATTY, MINNELLI AND REYNOLDS, TOO LIZ SMITH, CHICAGO TRIBUNE-NEW YORK DAILY NEWS; TAKI THEODORACOPULOS, ESQUIRE; DAVID SHEEHAN, DIANA MCLELLAN, "THE EAR", IN THE WASHINGTON STAR 32119 11/24/79 02/17/80 09/21/80 12/13/81 PART I: LIFE AT THE TOP -- WIVES OF FAMOUS MEN JOYCE DAVIDSON SUSSKIND, NANCY MEHTA, MARILYN FUNT, NORRIS CHURCH 32113 CHICAGO, DC 11/17/79 02/17/80 09/21/80 12/13/81 PART II: ALL ABOUT THE CIA THOMAS POWERS, "THE MAN WHO KEPT THE SECRETS: RICHARD HELMS AND THE C.I.A." 32113 DC 01/12/80 02/24/80 09/14/80 MOVIE STARS CAME TO DINNER -- GROWING UP IN HOLLYWOOD JILL ROBINSON, "BED TIME STORY" AND "PERDIDO"; MICHAEL KORDA, "CHARMED LIVES"; WARNER LEROY, LINDA JANKLOW, BROOKE HAYWARD, "HAYWIRE". 32118 CHICAGO 02/02/80 02/24/80 09/14/80 PART II: GARBAGE OF THE STARS A. J. WEBERMAN, GARBOLOGIST 32118 CHICAGO 02/02/80 03/02/80 07/27/80 PART I: WE'RE HIGH ON BEING TALL GEORGE ANDREWS - 6'6", JUDY VOGEL - 6', CECILIA GARDNER - 6'1", KERRY KEANE - 6'6", TERRY LEE - 5'11", ALICE WHITE - 6' 32121 CHICAGO 02/02/80 03/02/80 PART II: SIZING UP THE NEWSCASTERS PHILIP MCHUGH 32121 12/03/79 03/09/80 08/24/80 PART I: 5 NEW YORK CABBIES TELL ALL MEL BENDOWITZ, EZRA CHITYAT, JAMES MORRIS, RICHARD CHEROL, LOIS DOYLE 32116 CHICAGO (T) 12/15/79 03/09/80 08/24/80 PART II: GOING BANANAS IN BEVERLY HILLS ELAINE YOUNG, JACK STARTZ, M.D., RONALD RICE, JUDY MAZEL 32116 CHICAGO 02/23/80 03/16/80 05/03/81 11/13/83 PART I: WE TAKE IT ALL OFF -- MALE STRIPPERS JACK THE STRIPPER, SEBASTIAN, CAREY GORDON, SUNSHINE, BERNARDO 32123 CHICAGO, DC 03/01/80 03/16/80 05/03/81 11/13/83 PART II: MUSCLES AND CURVES -- WOMEN BODY BUILDERS DORIS BARRILLEAUX, LYNDE JOHNSON, LYNN CONKWRIGHT, APRIL NICOTRA 32123 DC 03/01/80 03/23/80 08/03/80 PART I: THE DATING SERVICE FOR WINNER 'THE GODMOTHER' , ABBY HIRSCH CLIENTS: BARBARA WRENN, DOUGLAS RIPPETO, MITCHEL MITCHEL, BABTTE GLADSTEIN 32126 CHICAGO 02/23/80 03/23/80 08/03/80 PART II: THE GIRL WHO HAD EVERYTHING - DORIEN LEIGH DORIAN LEIGH 32126 CHICAGO 01/26/80 02/09/80 03/30/80 08/10/80 THE NEW REVOLUTION IN FOOD AND FUEL - A CONVERSATION WITH DWAYNE ANDREAS MR. DWAYNE ANDREAS, CHAIRMAN AND CHIEF EXECUTIVE OFFICER OF ARCHER DANIELS MIDLAND COMPANY 32120 CHICAGO, DC 02/09/80 04/06/80 PART I: OUR HIDDEN SHAME: DYSLEXIA ARTHUR BIRSH, DELOS SMITH, EILEEN SIMPSON -- REVERSALS: A PERSONAL ACCOUNT OF VICTORY OVER DYSLEXIA, LYNNE HACKER, EMILY LANDAU, DANIEL GILDESGAME 32122 CHICAGO 02/23/80 04/06/80 PART II: THE NATIONAL LAMPOON P.J. O'ROURKE, GERALD SUSSMAN, TOD CARROLL, JOHN HUGHES 32122 CHICAGO 03/22/80 04/13/80 GORE VIDAL UNCENSORED 32130 CHICAGO, DC 03/08/80 04/20/80 PART I: APOCALYPSE SOON: A CONVERSATION WITH WILLIAM SIMON WILLIAM SIMON, FORMER TREASURY SECRETARY 32127 CHICAGO 03/22/80 04/20/80 PART II: BEWARE OF PICKPOCKETS CARL LEWIS, DETECTIVE ROBERT MAGONE 32127 CHICAGO 03/15/80 04/27/80 01/31/82 PART I: THE SHAME OF OUR HOSPITALS -- FIVE ANGRY NURSES 'CAROL', 'REBECCA', 'ELEANOR', 'RUTH' AND 'HELEN' 32129 CHICAGO, DC 03/29/80 04/27/80 01/31/82 PART II: DR. WILLIAM NOLEN WILLIAM A. NOLEN, M.D. 32129 CHICAGO 04/26/80 05/04/80 SEX IN AMERICA -- AN INTERVIEW WITH GAY TALESE GAY TALESE, AUTHOR: THY NEIGHBOR'S WIFE 32135 CHICAGO 03/29/80 05/11/80 PART I: SOFT, SWEET AND SOUTHERN -- 6 BELLES FROM DIXIE PHYLLIS MACBRYDE, REBECCA SINGLETON, NANCY BELLE BRASS, MARY MCMILLAN, ROSEMARY DANIELL; AUTHOR: FATAL FLOWERS; MARY VANN HUNTER; AUTHOR: SASSAFRAS 32132 CHICAGO 04/19/80 05/11/80 PART II: SOUTHERN JOURNALISTS TALK ABOUT JIMMY CARTER AND OTHER GOOD OLE BOYS LARRY KING, AUTHOR: OF OUTLAWS, CON MEN, WHORES, POLITICIANS AND OTHER ARTISTS; MARSHALL FRADY, AUTHOR: SOUTHERNERS; ROY BLOUNT, JR., AUTHOR: CRACKERS 32132 CHICAGO 05/10/80 05/18/80 HOW DID IT HAPPEN -- CARTER VS REAGAN TOM WICKER, THE NEW YORK TIMES; ALBERT R. HUNT, THE WALL STREET JOURNAL; WILLIAM A. RUSHER, NATIONAL REVIEW; HAYNES JOHNSON, THE WASHINGTON POST 32137 CHICAGO (T) 04/26/80 05/25/80 PART I: THE SPORTS EMPIRE OF SONNY WERBLIN SONNY WERBLIN, PRESIDENT AND CHIEF EXECUTIVE OFFICER OF THE MADISON SQUARE GARDEN CORPORATION 32134 CHICAGO, DC 05/03/80 05/25/80 PART II: THE LAST OF THE COWBOYS -- 5 TRUCKERS RUSSELL "CAPTAIN ZIG-ZAG" PATE, GEORGE "WILDMAN" RAWLS, ED "SKY PILOT" WINTERSTEEN, MIKE "DOUBLE R" CRAKER, JAMES "BUCKY" BUCKOWSKI 32134 CHICAGO, DC 03/08/80 06/01/80 PART I: BEAT INFLATION WITH DIAMONDS, ART, STAMPS AND COINS NICOLA BULGARI, RICHARD L. FEIGEN, RAYMOND WEIL AND HARVEY STACK 32128 CHICAGO 03/15/80 06/01/80 PART II: HOLLYWOOD PRODUCER -- JENNINGS LANG JENNINGS LANG 32128 CHICAGO 04/19/80 06/08/80 PART I: INFLATION IS KILLING US! 5 ANGRY VICTIMS NITA DENNIS, JOE CURLEY, JOSEPH MULHOLLAND, ANNE AND GEORGE ANDREWS 32133 CHICAGO 04/19/80 06/08/80 PART II: MIND OVER BODY -- A DEMONSTRATION OF THE MARTIAL ARTS LINDA LUTES AND NELSON HOWE 32133 CHICAGO 05/24/80 06/15/80 PART I: UPDATE ON MEDICAL BREAKTHROUGHS -- DR. ISADORE ROSENFELD ISADORE ROSENFELD, M.D. 32140 CHICAGO, DC 05/24/80 06/15/80 PART II: A CONVERSATION WITH CORINNA MARSH CORINNA MARSH 32140 CHICAGO, DC 06/07/80 06/22/80 WHY ARE THE BULLS RUNNING ON WALL STREET JOSEPH GRANVILLE, BURTON MALKIEL, DAVID DREMAN, RAYMOND DEVOE, JOHN NEFF 32142 CHICAGO, DC 06/04/80 06/29/80 PART I: WORKAHOLICS ON THE JOYS OF WORKING FLORENCE HASELTINE, M.D., RICHARD ROYCE, LIZ FILLO, FRANK S. BERGER, LAWRENCE A. SUSSER, M.D. 32141 CHICAGO 05/24/80 06/29/80 PART II: THE TWO PAYCHECK MARRIAGE JUDY HUNT, CHARLES MITCHELL, MEG WHITCOMB, JEANNE CANTEEN, PRATT 32141 CHICAGO THE DAVID SUSSKIND SHOW 1980-81 10/06/80 10/12/80 A DESPERATE TIME -- WILLIAM SIMON ON THE STATE OF THE UNION FORMER TREASURE SECRETARY, WILLIAM E. SIMON 33605 CHICAGO, DC 10/18/80 10/19/80 A CONVERSATION WITH HAL GULLIVER HAROLD GULLIVER, EDITOR, ATLANTA CONSTITUTION 33606 CHICAGO 09/17/80 11/02/80 07/05/81 PART I: BIG, BEAUTIFUL WOMEN -- NO SIN TO BE A SIZE 18 MADALINE SPARKS, ILVIRA TORTORA, BARBARA BETZA, STELLA REICHMAN, LILLIAM NILSON 33602 CHICAGO, DC 10/06/80 11/02/80 07/05/81 PART II: IS THIN STILL "IN"? SUZIE BERTIN, JILL DIRKS, JOHNA JOHNSON, BARBARA PEARLMAN 33602 CHICAGO, DC 05/17/80 11/09/80 10/04/81 PART I: MEET AND MARRY THROUGH THE PERSONAL ADS JUDI MCMAHON, BILL JAMES, STEPHEN T., HEYMANN, STEPHANIE KAPILIAN, BOB EVANS 32139 CHICAGO, DC 05/17/80 11/09/80 10/04/81 PART II: NO KIDS FOR US PLEASE ANNE SEIFERT, WALTER CALLAHAN, BARBARA COFFEY, DOROTHY WILSON, IVAN MENDELSON 32139 CHICAGO, DC 09/17/80 11/16/80 07/12/81 PART I: LIFE AFTER DARK -- NIGHT PEOPLE TELL ALL RICHARD WEXLER, CINDY CAPALDO, BLEECKER BOB PLOTNIK, ABLE ABEL, SAVARIO COSTANZA 33601 CHICAGO, DC 10/18/80 11/16/80 07/12/81 PART II: SUPER FANS OF THE STARS BETTY BRINKENHOFF (FRANK SINATRA), DENIS FERRARA (ELIZABETH TAYLOR), DOLORES TRANDAHL (ELVIS PRESLEY), NEAL PETERS (ANN MARGRET) 33601 CHICAGO, DC 05/03/80 11/23/80 09/20/81 PART I: WOMEN RATE MEN: LOVERS AND LOSERS NAN ROBERTSON, SUSANNA HOFFMAN, CAROL BOTWIN 32136 CHICAGO, DC 06/04/80 11/23/80 09/20/81 PART II: MEN ANSWER BACK ANTHONY HADEN-GUEST, MARTIN SAGE, WILLIAMS HOOTKINS, HARRY STEIN 32136 CHICAGO, DC 09/27/80 11/30/80 PART I: THE JEANING OF AMERICA -- MODELS, MOGULS AND MAKERS JOSEPH NAKASH (JORDACHE), PAUL GUEZ (SASSON), WARREN HIRSH (GLORIA VANDERBILT) 33603 CHICAGO 11/19/80 11/30/80 PART II: NOT FOR WOMEN ONLY -- MEN'S COSMETICS TONY CARVETTE (GEORGETTE KLINGER), TOM DAY (CLINIQUE), JAN STUART (JAN STUART), CHIP TOLBERT (MEN'S FASHION ASSOCIATION), PAUL WILMOT (HALSTON) 33603 CHICAGO 11/24/80 12/07/80 08/02/81 PART I: A MAN FOR ALL REASONS: YALE PRESIDENT, A. BARTLETT GIAMATTI 33609 CHICAGO 11/24/80 12/07/80 08/02/81 PART II: A CONVERSATION WITH MICHAEL THOMAS MICHAEL THOMAS, AUTHOR GREEN MONDAY 33609 CHICAGO 11/24/80 12/14/80 07/18/81 PART I: ARE LAWYERS RUINING OUR LIVES? PHILIP M. STERN, GEOFFREY C. HAZARD, FRANK R. ROSINY, ALAN B. MORRISON, JUDGE WILLIAM B. LAWLESS 33607 CHICAGO, DC 11/16/80 12/14/80 PART II: NORMAN DACEY, ROSEMARY FURMAN 33607 12/17/80 12/21/80 08/30/81 PART I: FEELING GOOD ALL UNDER -- THE ELEGANT NEW LINGERIE REBECCA ASPAN, BELL TICE, ORA FEDER, DAVID STIFFLER, SAMI 33613 CHICAGO 12/17/80 12/21/80 08/30/81 PART II: BEST FRIENDS AND BEST SELLERS CONSUELO BAEHR, SUSAN ISAACS, HILMA WOLITZER 33613 CHICAGO 12/14/80 12/28/80 THE REMARKABLE JONATHAN SCHWARTZ -- A SPECIAL PERFORMANCE JONATHAN SCHWARTZ 33612 CHICAGO, DC 12/03/80 01/04/81 PART I: A HOUSE IS NOT A HOME -- CONGRESSMEN WHO QUIT OTIS G. PIKE, JAMES P. JOHNSON, JOE WYATT, JR. 33610 CHICAGO (T) 12/17/80 01/04/80 PART II: A CONVERSATION WITH STUDS TERKEL STUDS TERKEL 33610 CHICAGO (T) 01/07/81 01/11/81 09/13/81 PART I: THE INCREDIBLE WORLD OF MOTHER TERESA JOYCE DAVIDSON SUSSKIND 33608 CHICAGO, DC 11/19/80 01/11/81 09/13/81 PART II: HOW TO SUCCEED? GO TO BUSINESS SCHOOL SUSAN THOMAS, JED DALY, ROBERT FRIEDMAN, JAY ESSEY, ELIZABETH CLOSTERMAN 33608 CHICAGO, DC 01/12/81 01/18/81 04/15/84 PART I: WATCH YOUR LANGUAGE JOHN SIMON, RICHARD MITCHELL, EDWIN NEWMAN 33611 CHICAGO 12/03/80 01/18/81 PART II: WHERE THE BODIES ARE BURIED -- WASHINGTON LOWDOWN DONALD LAMBRO, CHARLES PETERS, MICHAEL J. MALBIN, FRANK SILBEY 33611 CHICAGO 01/21/81 01/25/81 PART I: JUNK FOOD JUNKIES RICHARD SMITH, DAVID NOONAN, MAGGIE MULHEARN, BUFFALO GEORGE TOOMER 33616 CHICAGO (T) 01/21/81 01/25/81 PART II: HOW TO IMPROVE YOUR EATING HABITS RICHARD S. RIVLIN, M.D., RICHARD PASSWATER, DR. ROBERT PALMER, JOSEPH RECHTSCHAFFEN, M.D. 33616 CHICAGO 01/24/81 02/01/81 THE BEST AND WORST MOVIES: FILM CRITICS JANET MASLIN, ANDREW SARRIS, JACK KROLL, GENE SISKEL 33617 CHICAGO (T) 01/07/81 02/08/81 08/23/81 PART I: TAKE THOSE INCHES OFF! SHAPE UP WITH EXERCISE MARJORIE CRAIG, LYDIA BACH, CHARLES GAINES, MARUSCHKA 33614 CHICAGO 01/24/81 02/08/81 08/23/81 PART II: THE ESTABLISHMENT LEONARD AND MARK SILK, STEPHEN BIRMINGHAM 33614 CHICAGO 02/11/81 02/15/81 CELEBRITY WATCHING WITH LIZ SMITH, TAKI, JAMES BRADY AND JODY JACOBS 33620 CHICAGO 02/18/81 02/22/81 HOW TO SURVIVE AND PROSPER IN THE 80s HOWARD RUFF, DOUGLAS CASEY, JEROME SMITH, THOMAS HOLT 33621 CHICAGO 02/11/81 03/01/81 08/09/81 PART I: PRETTY BABIES -- THE NEW TEEN-AGE MODELS BETTINA, LORI LOUGHLIN, CATHLEEN ESS, FELICE SCHACHTER, LENA REID 33619 CHICAGO 02/07/81 03/01/81 08/09/81 PART II: ARE YOUR CHILDREN BECOMING ADULTS TOO SOON? DR. AARON HASS, PATRICIA O'BRIEN, ARTHUR KORNHABER, M.D., ADELE HOFFMAN, M.D. 33619 CHICAGO 02/21/81 03/08/81 BIGOTRY RIDES AGAIN WILLIAM SLOANE COFFIN, ARNOLD FORSTER, WILLIAM A. FUSHER, CONGRESSMAN JOHN CONYERS, DR. M. MORAN WESTON 33622 CHICAGO 03/07/81 03/15/81 THE BATTLE FOR SURVIVAL -- THE AMERICAN AUTO INDUSTRY WENDELL H. MILLER, STEPHEN I. SCHOLSSBERG, TOM HANNA, JERRY FLINT, DAVID HEALY 33623 CHICAGO 01/12/81 03/22/81 07/26/81 PART I: POURING OUT YOUR TROUBLES: BARTENDERS TELL ALL PADDY QUINN, CHARLIE SCHOENEMAN, RAY FOLEY, JOHN "SHIRTS" HUGHES, KITTY FITZKE 33615 CHICAGO, DC 03/18/81 03/22/81 07/26/81 PART II: TWINS WHO MARRIED TWINS BARBI GOLDENBERG, D.D.S., BRUCE GOLDENBERG, D.D.S., CHERYL GOLDENBERG, D.D.S., BARRY GOLDENBERG, M.D. 33615 CHICAGO, DC 03/18/81 03/29/81 09/27/81 THE MORAL MAJORITY ON THE WARPATH DR. TIM LA HAYE, DR. DAN C. FORE, SENATOR FRANK CHURCH, DR. DANIEL C. MAGUIRE 33624 CHICAGO, DC 03/28/81 04/05/81 08/16/81 PART I: WOMEN AND SUCCESS -- MAKING IT TO THE TOP JUDY MELLO, ANNE P. HYDE, SUSAN HOROWITZ, PAULA D. HUGHES, JO FOXWORTH 33625 CHICAGO, DC 03/28/81 04/05/81 08/16/81 05/06/84 PART II: THE TRUTH ABOUT SENILITY ROBERT N. BUTLER, M.D., DENNETH L. DAVIS, M.D., DR. PETER DAVIES, DR. ROSE ROBROF 33625 CHICAGO, DC 04/04/81 04/12/81 PART I: BANKS ON THE BRINK MURIEL SIEBERT, LEE GUNDERSON, H. ERICH HEINEMANN, WILLIAM E. DONOGHUE, DR. SAUL B. KLAYMAN 33626 CHICAGO 04/04/81 04/12/81 05/20/84 PART II: DOCTORS' WIVES CARLA FINE, LINDA SHIPLEY, LINDA SEDA, LORI TAYLOR 33626 CHICAGO 4/25/81 04/26/81 THE AMERICAN MILITARY MACHINE: ARE WE READY FOR BATTLE? CONGRESSMAN JIM COURTER, BARRY R. POSEN, BRIGADIER GENERAL ALBION KNIGHT, JR., EDWARD LUTTWAK, GENERAL VOLNEY F. WARNER 33628 CHICAGO, DC 05/02/81 05/10/81 FROM HOLLYWOOD TO BROADWAY - PART I: DUDLEY MOORE 33631 CHICAGO (T), UCLA 05/04/81 05/10/81 FROM HOLLYWOOD TO BROADWAY - PART II: MC CANN AND NUGENT NELLE NUGENT , ELIZABETH MCCANN 33631 CHICAGO (T) 05/09/81 05/17/81 PART I: HOMELESS AND HELPLESS -- PEOPLE WHO LIVE ON THE STREETS ANN MARIE ROUSSEAU, WILLIAM KUEHNE, ANTON GALENOS, SELMA (MARIE) PRICE, SYD ROLFS, VERONICA (VIRGINIA) WILLIAMS, GENE PALMER 33632 CHICAGO, DC 05/04/81 05/17/81 PART II: SPORTS AMERICAN STYLE: BIG, BRUISING BUSINESS DICK SHAAP, PETER BONVENTRE, MIKE LUPICA, DAN JENKINS 33632 CHICAGO, DC 05/09/81 05/24/81 PART I: SURVIVALISTS: PREPARING FOR DOOMSDAY KURT SAXON, JOSEPH RUSTICK, M.D., ROBERT FIRTH, GENE AND PEARL TARMAN 33633 CHICAGO, DC 04/25/81 05/24/81 PART II: DELAYED MOTHERHOOD -- HAVING CHILDREN AT AGE THIRTY FIVE JULIE HOUSTON, LYNN POVICH, JACQUELINE PESUT, LUISA LA VIOLA, DR. PEGGY EWING 33633 CHICAGO, DC 05/18/81 06/07/81 12/09/84 PART I: WITHOUT TEARS -- CHILDREN COPING WITH CANCER CHILDREN: STEPHANIE ROBSON, JIM VOLPE, DOLLY MICONI, CRAIG HETZER, JENNIFER DALSEY MOTHERS: SHARON ROBSON, PEGGY VOLPE, BRITTA HETZER, MARTHA SMENTEK (JENNIFER DALSEY'S MOTHER) 33635 CHICAGO (T), DC 06/06/81 06/07/81 PART II: A VANISHING BREED -- THE PROFESSIONAL VOLUNTEER VIVIAN HARRIS, MARY LINDSAY, JEAN DELAFIELD, ISABELLE STEVENSON, GLORIA W. MILLIKEN 33635 CHICAGO, DC 06/14/81 PART I: THE MAGNIFICENT $20 MILLION YANKEE -- DAVE WINFIELD 33636 CHICAGO, DC 06/14/81 PART II: THE TRUTH ABOUT THE TONY AWARDS ALEXANDER H. COHEN, HILDY PARKS 33636 CHICAGO, DC 05/02/81 06/21/81 PART I: REPORT FROM THREE DOCTORS: THE LATEST IN MEDICINE ISADORE ROSENFELD, M.D., DR. JOHN H. LARAGH, DR. JOSEPH WILDER 33630 CHICAGO, DC 05/18/81 06/21/81 PART II: HOW TO SUE WITHOUT A LAWYER JOHN STRIKER, ANDREW SHAPIRO 33630 CHICAGO, DC 06/13/81 06/28/81 PART I: SHOW BUSINESS COUPLES RENEE TAYLOR, JOSEPH BOLOGNA MARGE REDMOND, JACK WESTON 33634 CHICAGO 05/18/81 06/28/81 PART II: WHO REMEMBERS CARTER -- JOSEPH CALIFANO DOES, THAT'S WHO 33634 CHICAGO THE DAVID SUSSKIND SHOW 1981-82 06/06/81 06/13/81 10/11/81 08/08/82 STARTING OVER AFTER DIVORCE: MIDDLE AGED SINGLES RICHARD SCHICKEL, ANNE PARK, MARTHA HUGHES, STEVEN BRALOVE, RITA MCDOWELL 33637 CHICAGO, DC 06/08/81 10/18/81 08/01/82 PART I: THE REAL CHORUS LINE: BROADWAY DANCERS DONNA DRAKE, BOB HEATH, MARYBETH KURDOCK, DAVID EVANS, RON SCHWINN, JOAN BELL, DEAN BADOLATE, MARYANN NILES 33638 CHICAGO, DC 06/13/81 10/18/81 08/01/82 PART II: FACES IN THE CROWD: MOVIE EXTRAS ROZ BRAVERMAN, ANDREW MURPHY, BARRY WISEMAN, SHANNON SORIN, VELA CERES 33638 CHICAGO, DC 09/30/81 10/25/81 PART I: MAKING MARRIAGE WORK: MARRIAGE COUNSELORS LAURA SINGER, DR. ROBERT RYDER, DR. MEL KRANTZLER, DR. FREDERICK HUMPHREY 35451 CHICAGO, DC 09/30/81 10/25/81 PART II: DIVORCE MEDIATORS DR. JOHN M. HAYNES, LAWRENCE GAUGHAN, SAMUEL MARGULIES, VIRGINIA STAFFORD 35451 CHICAGO, DC 10/24/81 11/01/81 WHAT PLASTIC SURGERY CAN DO FOR YOU DR. RALPH MILLARD, DR. CHRISTOPHER WEATHERLEY-WHITE, DR. BRUCE CONNELL, DR. MICHAEL HOGAN 35452 CHICAGO, DC 10/07/81 11/08/81 07/18/82 06/05/83 PART I: MODELS OVER 50 WHO LOOK GREAT KAYLAN PICKFORD, LILLIAN MARCUSON, CARMEN DELL 'OREFICE 35453 CHICAGO (T), DC 10/28/81 11/08/81 07/18/82 PART II: THE MYSTERY OF SLEEP DR. RICHARD BOOTZIN, DR. QUENTIN REGESTEIN, DR. ELLIOT WEITZMAN 35453 CHICAGO, DC 11/07/81 11/15/81 PART I: MOTHERS WITHOUT CUSTODY ELLEN KIMBALL, "JACKIE", "BARBARA" 35455 CHICAGO, DC 11/07/81 11/15/81 PART II: CAMPUS CONSERVATIVES KEENEY JONES, JOHN GOODWIN, BENNETT COOPER, TERRY QUIST 35455 CHICAGO, DC 11/18/81 11/22/81 PART I: A TALK WITH FATHER THEODORE HESBURGH 34556 CHICAGO 11/18/81 11/22/81 PART II: UPDATE ON THE RADICAL LEFT LEWIS COLE, JOANNE LANDY, JANE ALPERT 34556 CHICAGO 11/21/81 11/29/81 07/04/82 PART I: THE SWINGERS PARADISE OF CLUB MED ROD FRANKEL, DOREEN WOODRUM, SUSAN FRAYTUS, RICKY DETRES, BOB LEIGHTON, CLAUDE KEBBE 35454 CHICAGO, DC 10/28/81 11/29/81 07/04/82 PART II: RETURN TO THE NEST STEPHANIE GANGI, TOM RIPP, FRANK SCHIRALLI, SCOTT MARTONE, ANGELA DIVERGILIO 35454 CHICGO, DC 11/25/81 12/06/81 08/22/82 WOMBS FOR RENT JULIE GALLIMORE, DR. WILLIAM MARRA, NOEL KEANE, DR. PHILLIP PARKER 35458 DC 12/05/81 12/20/81 06/27/82 PART I: DON'T GO NEAR THE WATER! ELEGANT NEW SWIMMER LIZA BRUCE, ANNE COLE, STANLEY REGENBOGAN, FRANK FRIEND, MIRIAM RUZOW 35459 CHICAGO 12/05/81 12/20/81 06/27/82 01/08/84 07/22/84 02/16/86 PART II: ALL ABOUT HANGOVERS DAVID OUTERBRIDGE, NELSON DEMILLE, PETER WALSH, HERBERT GOULD, M.D. 35459 CHICAGO 12/19/81 01/03/82 PART I: AN INTERVIEW WITH GLADYCE BEGELMAN: CO-AUTHOR OF "NEW YORK ON $1,000.00 A DAY" 35457 CHICAGO, DC 12/19/81 01/03/82 08/29/82 04/01/84 PART II: CAN YOU ERASE THOSE WRINKLES? THE TRUTH ABOUT SILICONE AND COLLAGEN DR. LEWIS FEDER, DR. ROBERT AUERBACH, DR. JAMES LEYDEN 35457 CHICAGO, DC 12/05/81 01/20/82 07/25/82 PART I: TOUGHLOVE: PARENTS FIGHT BACK PHYLLIS AND DAVID YORK, LANE PEER, RICHARD SURVING, JEAN BAKER WUNDER 35459 CHICAGO, DC 12/19/81 01/10/82 07/25/82 PART II: ALL ABOUT CATS ANITRA FRAZIER, SIMON BOND, SAMANTHA SUSSKIND, JERRY BENISATTO, PATRICIA NELL WARREN, RICHARD GEBHARDT 35459 CHICAGO, DC 01/13/82 01/17/82 08/15/82 PART I: WEIGHT LOSS NORMA SKOPIN, STEVE SLIVA, GERALDINE O'CONNOR, ANNE MCCARTHY, IRENE CURTIN 35462 CHICAGO, DC 01/13/82 01/17/82 08/15/82 03/25/84 09/16/84 02/09/86 07/06/86 PART II: 'LISA H.' OPERATION LINTON WHITAKER, M.D., JAMES KATOWITZ, M.D., DEREK BRUCE, M.D., CH.B 35462 CHICAGO, DC 01/20/82 01/24/82 "NO, MR. PRESIDENT, WE'RE NOT BETTER OFF" PART I: VICTIMS OF THE BUDGET CUTS MATILDE COLON, ZELDA WEINER, MARY GARBUTT, MURIEL ZGARDOWSKI, MARY GALE 35463 CHICAGO 01/20/82 01/24/82 PART II: FACING PERMANENT LAYOFF DAN SULLIVAN, DOUG FORD, BOB LONGWORTH, BILL AHSCROFT, (RON CARVER-P.R.) 35463 CHICAGO 01/27/82 02/07/82 09/26/82 PART I: BACHELORS OF THE MONTH MICHAEL JEFFREY GRIFFITH, PETER KUHN, O. STEVEN FREDERICKSEN, JIM ZERBE, JOEL DIAMOND 35465 CHICAGO, DC 12/16/81 02/07/82 09/26/82 PART II: CHIROPRACTORS VS. M.D.'S DR. STEPHEN BARRETT, LOUIS SPORTELLI, D.C., CHESTER WILK, D.C., REUBEN HOPPENSTEIN, M.D. 35465 CHICAGO, DC 01/30/82 02/14/82 LOOKING FOR LOVE: A GUIDE FOR SINGLES DR. MARTIN GALLITAN, JOE O'CONNELL, MARCY BOUCHER, GAYLE BOARD, KEN NELSON, MITCHEL MITCHEL 35466 CHICAGO, DC 02/10/82 02/21/82 WHO'S HOT, WHO'S NOT -- WHO'S IN, WHO'S OUT -- THE LATEST GOSSIP MADELLEINE SCHAAP, MAXINE MESSINGER, LIZ SMITH JAMES BRADY, BOB COLACELLO 35467 CHICAGO, DC 02/28/82 PART I: ASTROLOGERS PREDICT WHATS IN THE STARS FOR 1982 MARIA ELISA CRUMMERE, MARTIN SCHULMAN, DARRELL MARTINI, MAE WILSON-LUDLAM 35464 CHICAGO 02/28/82 PART II: SABINA SHALOM 35464 CHICAGO 02/24/82 03/07/82 THE WILD WORLD OF SPORTS DICK SCHAAP, DAN JENKINS, MIKE LUPICA, DAVE ANDERSON, MIKE DOWNEY 35469 CHICAGO 02/27/82 03/07/82 TRAVELING SALESMEN JIM O'CONNOR, JOEL KATZ, JIM PRENDERGAST, DICK ORNSTEIN 35469 CHICAGO 02/13/82 03/14/82 07/11/82 CRIMINALS ARE GETTING AWAY WITH MURDER PHIL SEELIG, BILL CLARK, JUDGE EDWIN TORRES, SEYMOUR WISHMAN 35468 CHICAGO 03/10/82 03/21/82 09/12/82 PART I: ARE WOMEN THEIR OWN WORST ENEMIES? MARY VANN HUNTER, MONIQUE VAN VOOREN, KATHRYN LIVINGSTON, DORIS LILLY 35471 DC 03/13/82 03/21/82 09/12/82 PART II: NICE GIRLS DO DR. IRENE KASSORLA 35471 DC 02/27/82 04/04/82 TROUBLED SKIES: THE AIRLINE MESS WILLIAM HOWARD, DON BURR, MEL BRENNER, MICHAEL ARMELLINO, SECOR BROWNE 35470 CHICAGO, DC 03/24/82 04/04/82 08/29/82 SUPERMOMS COLETTE ROSSANT, KATHRYN DARROW, MEG WHITCOMB, PENNY HAWKEY 35470 CHICAGO, DC 03/13/82 04/11/82 PART I: LIFTING THE BAMBOO CURTAIN: THE URGENT NEED TO UNDERSTAND CHINA DR. JOHN KING FAIRBANK 35472 CHICAGO, DC 03/10/82 04/11/82 PART II: COLLEGE GRADS IN MENIAL JOBS CHAS HICKEY, JANE HANSTEIN, ED CRICHIO, MARK NUNBERG, CAREY HUNTER 35472 CHICAGO (T), DC 04/14/82 04/18/82 PUBLIC SERVICE OR PUBLIC RIP OFF? -- UTILITIES EDWARD LARKIN, EDWARD HYNES, THOMAS FITZPATRICK, KAREN BURSTEIN, CAROL BARGER, ALFRED NARDELLI 35473 CHICAGO 04/25/82 ON THE VERGE OF RUIN: AMERICA'S DESPERATE FARMERS NITA GIBSON, WAYNE CRYTS, JOHN STULP, PETER CURRA, VAREL BAILEY 35476 CHICAGO, DC 04/24/82 05/02/82 COUNTDOWN TO DOOMSDAY: THE NUCLEAR ARMS DEBATE ADMIRAL ELMO ZUMWALT, DR. DANIEL MAGUIRE, DR. SCOTT THOMPSON, JACK GEIGER, M.D. FRITZ ERMARTH, CONGRESSMAN THOMAS DOWNEY 35477 CHICAGO, DC 03/24/82 05/09/82 PART I: FAST AND FUNNY: COLLEGE DEBATERS DAVID BAILIN, HARRY WALTERS, LARRY EICHENFIELD, EDWARD O'TOOLE, DAVID KIDD, J.J. GERTLER, GRANT OLIPHANT, RICHARD SOMMER 35473 CHICAGO, DC 05/08/82 05/16/82 GOOD NEWS AND BAD NEWS ABOUT THE ECONOMY DR. WILLIAM NISKANEN, JR., LEONARD SILK, DR. OTTO ECKSTEIN, DR. ALAN GREENSPAN, DR. JOSEPH PECHMAN 35479 CHICAGO (T) 05/05/82 05/23/82 10/03/82 "I'M ON WELFARE AND I HATE IT" -- A WELFARE MOTHER SHARON HUNT 35478 CHICAGO, DC 05/19/82 05/30/82 PART I: NOT FOR MEN ONLY -- BLUE COLLAR WOMEN TINA NANNARONE, LAURA SCHWARTZ, JANE KELLEY, SHARON HOLMES, JUDY HUGHES 35480 CHICAGO, DC 05/19/82 05/30/82 PART II: OUT OF CASH? TRY BARTER ANNIE PROULX, JERRY WEINER, GENE HOLTZMAN, CONNIE STAPLETON 35480 CHICAGO, DC 05/22/82 06/06/82 09/19/82 AN INTERVIEW WITH THE REMARKABLE VIDAL SASSOON VIDAL SASSOON 35481 CHICAGO, DC 06/13/82 WHO CAN AFFORD COLLEGE ANYMORE? -- PART I: ADMINISTRATORS JAMES POWELL, STEPHEN TRACHTENBERG, WILLIAM MAXWELL, HARVEY GROTRAIN 35482 CHICAGO 06/13/82 WHO CAN AFFORD COLLEGE ANYMORE? -- PART 2: PARENTS JOSEPH ZULLO, JOHN KAUFMAN, FREDERIC KRAMER, GLORIA GATTI, ALEXANDRA GREELEY 35482 CHICAGO 06/20/82 NO MORE LAND OF PLENTY NORMAN BERG, KREKEL KARCH, NEIL SAMPSON 35484 CHICAGO 06/20/82 CAREER COUNSELORS JOHN CRYSTAL, STANLEY HYMAN, ROBERT SWAIN, IRENE ANSHER 35484 CHICAGO THE DAVID SUSSKIND SHOW 1982-83 10/06/82 10/10/82 THE DAVID SUSSKIND SHOW -- 25TH ANNIVERSARY SPECIAL - PART I 35486 CHICAGO, DC 10/09/82 10/17/82 THE DAVID SUSSKIND SHOW -- 25TH ANNIVERSARY SPECIAL - PART II MAUREEN STAPLETON, ANTHONY QUINN, NORMAN MAILER, TRUMAN CAPOTE 37027 CHICAGO (T), UCLA, DC 07/16/82 10/24/82 08/28/83 TOP TRIAL LAWYERS DEMONSTRATE THE ART OF JURY SELECTION PHILIP CORBOY, HAROLD PRICE FAHRINGER, AARON BRODER, BILL COLSON 35483 CHICAGO, DC 04/17/82 10/31/82 07/17/83 PART I: COCAINE: A 30 BILLION DOLLAR EPIDEMIC ROBERT MILLMAN, M.D., ANDY KOWL, TOM HENDERSON, "AMY", "A.J.", "LIZA" 35475 CHICAGO, DC 04/17/82 10/31/82 07/17/83 02/03/85 11/17/85 PART II: PARTY CRASHERS GARY WATSON, STEVE GOLDSTEIN, FRANK FUSARO, MIKE BURKE 35475 CHICAGO (T), DC 10/30/82 11/07/82 HERPES: THE VENEREAL DISEASE THAT CAN'T BE CURED PART 1: VICTIMS: OSCAR GILLESPIE, PHD., JANE RUBINSKY , RUSSELL WOOD, "SCOTT" PART II: DOCTORS: ANDRE NAHMIAS, M.D., HERBERT BLOUGH, M.D., JOHN GROSSMAN, M.D., DR. CARLOS LOPEZ 37028 CHICAGO (T), DC 11/03/82 11/14/82 08/21/83 PART I: WHY DON'T PEOPLE DATE ANYMORE? DOUG FOSTER, DOUG BERNSTEIN, SERENA BLISS, MICHAEL SELBY, LIZ CASTELLS, MAGGIE PETERS, SIGNE WARNER, BOB POLLAK 37029 CHICAGO (T) 11/03/82 11/14/82 08/21/83 PART II: AN INTERVIEW WITH HAMILTON JORDAN HAMILTON JORDAN 37029 CHICAGO 11/06/82 11/21/82 01/26/86 05/25/86 08/17/86 PART I: DOLLAR A DANCE -- TAXI DANCERS ARIEL LUCAS, PAUL PRICKETT, PENNY PRUCHA, ELLEN STOKES, CAROL SUNDQUIST 37030 CHICAGO 11/06/82 11/21/82 03/18/84 PART II: THE MYSTERY OF THE FULL MOON ARNOLD L. LEIBER, M.D., CHARLES S. MIRABILE, M.D., DR. RALPH W. MORRIS, DR. DONALD P. LASALLE 37030 CHICAGO (T) 11/20/82 11/28/82 CONGRESSMEN WHO WERE DEFEATED DON CLAUSEN, GENE ATKINSON, TOBY MOFFETT, JOHN LEBOUTILLIER 37031 CHICAGO (T) 11/20/82 12/05/82 02/17/85 PART I: HOW TO MARRY A RICH MAN JACQUELINE THOMPSON, RITA LACHMAN, DIANE ACKERMAN 37032 CHICAGO 06/19/82 12/05/82 PART II: LONG DISTANCE MARRIAGE BRYNA SANGER, HARRY KATZ, KAREN AKERS, CATHERINE AND JIM FOSTER 37032 CHICAGO (T) 11/27/82 12/12/82 07/10/83 PART I: GROWING UP IN THE DEPRESSION WITH RUSSELL BAKER, ANNE JACKSON, ELI WALLACH AND ED KOCH 37035 CHICAGO (T) 11/20/82 12/12/82 07/10/83 01/20/85 01/19/86 PART II: THE EFFECT OF COLOR ON OUR LIVES JOHN OTT, DR. JAMES D'ADAMO, IRENE AUSTIN 37035 CHICAGO (T) 12/08/82 12/19/82 06/26/83 PART I: CHOCOLATE TOM KRON, LAURA BRODY, MILTON ZELMAN, AL PECHENIK, RUDOLF SPRUNGLI 37036 CHICAGO (T) 12/08/82 12/19/82 06/26/83 PART II: ENTERTAINING CHARLOTTE TREE, SANDRA KASPER, MARY MCFADDEN, GEORGE LANG 37036 CHICAGO 11/27/82 12/26/82 07/24/83 PART I: TV ANCHORWOMEN ROBIN YOUNG, MONICA KAUFMAN, SUE SIMMONS, PAT HARPER 37034 CHICAGO (T) 12/11/82 12/26/82 07/24/83 PART II: AMBASSADOR MALCOLM TOON 37034 12/11/82 01/02/83 10/16/83 07/29/84 02/16/86 07/13/86 PAR I: SELF DEFENSE FOR WOMEN: HOW TO FIGHT BACK DR. MARY CONROY 37039 CHICAGO 12/11/82 01/02/83 PART II: THE CAREER WOMAN'S DILEMMA: JOB VS. BABIES CAROL MASIUS, ANDREA DUNHAM, NANCY EVANS, MARIA CAMPBELL, SERINE HASTINGS 37039 CHICAGO (T) 12/18/82 01/09/83 HOW TO LIVE WITH ARTHRITIS PART I: PATIENTS DR. ROBERT GOULD, BOB NIRKIND, ROBIN MAY, JOHN MURPHY, MARTHA SCHORTTMAN PART II: DOCTORS GERALD WEISSMAN, M.D. FREDERIC MCDUFFIE, M.D., GEORGE EHRLICH, M.D., THOMAS KANTOR, M.D. 37038 CHICAGO (T) 01/05/83 01/16/83 PART I: WOMEN OF THE YEAR: BROADWAY'S LEADING LADIES ELIZABETH ASHLEY, ELLEN BURSTYN, JUDITH IVEY, BETTY BUCKLEY 37040 CHICAGO (T) 01/05/83 01/16/83 PART II: BANKS ON THE BRINK: THE FOREIGN LOAN MESS C.W. CARSON, JR., RICHARD ERB, JOHN G. HEIMAN, PETER KENEN, REP. CHARLES E. SCHUMER 37040 CHICAGO 01/15/83 01/23/83 PART I: WAITRESSES DEBORAH GRISORIO, KATHLEEN MCLANE, PAULA MURRAY, NANCY YOUNGBLUT 37041 CHICAGO (T) 01/15/83 01/23/83 PAR II: NUCLEAR DETERRENCE IN ROME, NY EDWARD BURTON, ED CALLAHAN, COL. JOHN ENGELMANN, EMLYN GRIFFITH, IRWIN REDLENER 37041 CHICAGO 01/27/83 01/30/83 PART I: IS THIS BULL MARKET FOR REAL? STEVEN EINHORN, ELIOT FRIED, JOHN HINDELONG, THOMAS STILES, JOHN TEMPLETON 37044 CHICAGO 01/19/83 01/30/83 12/11/83 PART II: COOKIES ARE BIG BUSINESS DAVID LIEDERMAN, BARBARA KAFKA, MARNI MILLER, JAN VERDONKSCHOT 37044 CHICAGO 01/22/83 02/06/83 THE RICH AND FAMOUS -- THE LATEST GOSSIP LIZ SMITH, DIANA MCLELLEN, TAKE AND MAXINE MESINGER 37043 CHICAGO 02/02/83 02/13/83 AMERICAN WOMEN WHO MARRY FOREIGN MEN JANA JAFFEE, KATHRYN JASON, SHARON COSTA DE BEAUREGARD, COUNTESS DE ROMANONES, MARTHA BURKE-HENNESSY 37045 CHICAGO 02/02/83 02/13/83 DOWNWARD MOBILITY -- THE END OF THE AMERICAN DREAM BOB SACCO, DAN RASUMSSEN, RHONA DROSSMAN, LLOYD SAVEL, HOPE POKRESS 37045 CHICAGO (T) 02/16/83 02/20/83 WHAT'S IN THE STARS FOR 1983 ASTROLOGERS POPE HILL, PATRIC WALKER, MARIA CRUMMERE, DEBBI KEMPTON-SMITH, JOELLE MAHONEY 37046 CHICAGO 02/16/83 02/27/83 12/02/84 05/04/86 PART I: STOPPING THE CLOCK? GEROVITAL EMILY WILKINS, BILL TICE, DORIS WHITEHEAD, JOHN COFFMAN, BARRY REISBERG, M.D. 37042 CHICAGO (T) 01/19/83 02/27/83 THE MYSTERY OF THE COMMON COLD STEVEN MOSTOW, M.D., R. GORDON DOUGLAS, M.D., SANFORD CHODOSH, M.D., HYLAN BICKERMAN, M.D., JOHN ABELES, M.D. 37042 CHICAGO 02/23/83 03/06/83 PART I: ANGRY CRIME VICTIMS DIANI MONTENEGRO, SHIRLEY BERNSTEIN, GUILIA PAGANO, ROBERT GRAYSON, DR. MICHAEL ROBINSON 37047 CHICAGO (T) 02/23/83 03/06/83 PART II: CRIME FIGHTERS SGT. JOSEPH DUNNE, DET. BILL CLARK, DET./LT. ROBERT GALLAGHER 37047 CHICAGO 03/05/83 03/13/83 FILM CRITICS PREDICT THE OSCARS DAVID DENBY, JANET MASLIN, REX REED, HOWARD KISSEL, STEWART KLEIN 37048 CHICAGO (T) 03/09/83 03/20/83 06/10/84 PART I: PRESIDENTIAL CANDIDATES JAMES IRVIN GLOVER, GRADY O'CUMMINGS III, LESTER BYERLEY, GERARD HIMMELMAN 37049 CHICAGO 03/09/83 03/20/83 06/10/84 PART II: IS PSYCHIATRY IN TROUBLE? STEPHEN SONNENBERG, M.D., LAYTON MCCURDY, M.D., ALLEN FRANCES, M.D., STUART YUDOFSKY, M.D. 37049 CHICAGO (T) 03/19/83 03/27/83 06/24/84 PART I: SEMINARY AND CONVENT DROP-OUTS CATHERINE BRUNO, PAUL HENDRICKSON, THOMAS SMITH, MARY GILLIGAN WONG, CHARLES DEVLIN 37050 CHICAGO (T) 03/19/83 03/27/83 PART II: MID-LIFE VOCATIONS SARAH B. TAYLOR, THOMAS H. GAINER, JR., REV. FRANK KILCOYNE, REV. JAMES F. HINCHEY, REV. FRANCIS J. FAJELLA, MSS.A 37050 CHICAGO 03/23/83 04/03/83 10/02/83 A CONVERSATION WITH ROBERT S. STRAUSS 37051 CHICAGO (T) 04/06/83 04/10/83 09/18/83 DEAR ANN LANDERS... ANN LANDERS 37052 CHICAGO 04/06/83 04/10/83 09/18/83 PART II: THE NEW YOUNG IMMIGRANTS CHRISTINA WACHTMEISTER, WILLIAM LEWIISHAM, ASHA PUTHLI, GIANNINA FACIO, FELIPTE PARAUD 37052 CHICAGO 04/13/83 04/17/83 09/25/83 S.R.O. HOTELS NAYNA VALDEZ, JOSEPH HOFFLER, LLOYD SMITH, ISMAEL RIVERA, ROBERT HAMBURGER, ALFRED GUNTHER, "ALICE" 37053 CHICAGO (T) 04/14/83 04/24/83 11/20/83 PART I: ANTHONY BURGESS 37054 CHICAGO (T) 04/23/83 04/24/83 06/08/86 PART II: BARBARA CARTLAND 37054 CHICAGO (T) 04/23/83 05/01/83 PART I: MEN WHO WANT TO MARRY RICH JEAN MORBELLI, DARIUS DE LA ROUCHEFOUCAULD, PATRICK KELLY, ROWEN NEGRIN 37055 CHICAGO (T) 04/23/83 05/01/83 03/11/84 08/05/84 04/13/86 06/22/86 08/24/86 PART II: BEST PLACES TO LIVE DAVID SAVAGEAU, RICHARD BOYER, DR. RONALD MINGE, DR. THOMAS BOWMAN 37055 CHICAGO 04/27/83 05/08/83 05/13/84 10/14/84 WE USED TO BE GAY - FORMER HOMOSEXUALS WILLIAM ATHERTON, DAVID TWOMEY, REV. WAYNE PLUMSTEAD, BRUCE BLAUSTEIN, JOSEPH MEGLINO 37056 CHICAGO (T) 04/27/83 05/08/83 BURN OUT - HOW TO RECOGNIZE AND DEAL WITH IT MICHAEL CRAWFORD, DR. HERBERT FREUDENBERGER, GAIL NORTH, CONNIE DE NAVE, SYLVESTER KARAGIS 37056 CHICAGO 04/30/83 05/15/83 10/09/83 BASEBALL WIVES DANIELLE TORRES, NANCY MARSHALL, BOBBIE BOUTON, KAROLYN ROSE, DIANE PEPITONE 37057 CHICAGO 05/07/83 05/22/83 08/07/83 PART I: LONLINESS JANE ADAMS, JOAN GOULD, JOHN HOLLANDER, MURRAY KELLMAN, MAURA SWANSON 37058 CHICAGO 05/07/83 05/22/83 08/07/83 PART II: PEOPLE MAD AT THE BANKS ALISON ROSENFELD, RON BANYAY, PAGE MELLISH, CALVET HAHN, GAYLE ESSAREY 37058 CHICAGO 05/25/83 05/29/83 07/31/83 01/27/85 BALLET - THE WORLD'S TOUGHEST SPORT CHRISTINE SPIZZO, MERRILL ASHLEY, CHRISTOPHER D'AMBOISE, KEVIN MCKENSIE 37060 CHICAGO (T) 05/25/83 05/29/83 07/31/83 02/12/84 12/22/85 06/15/86 THE LATEST WORD ON FOOTCARE JAMES PARKES, M.D., A. LOUIS SHURE, D.P.M., JOHN WALLER, M.D., MURRAY WEISENFELD, D.P.M. 37060 CHICAGO (T) 05/21/83 06/05/83 DAVID SUSSKIND AND FRIENDS JEAN KENNEDY, DAN BERKOWITZ, SAMANTHA SUSSKIND 37059 CHICAGO (T) 06/08/83 06/11/83 08/14/83 DR. CHARLES CLEMENTS, AN AMERICAN DOCTOR IN EL SALVADOR 37061 CHICAGO (T) 06/11/83 06/19/83 09/11/83 MOTHERS AND DAUGHTERS DEANE W. LORD, MARY CAMERON LORD, LOIS WYSE, KATHERINE GOLDMAN 37062 CHICAGO (T) 06/11/83 06/19/83 09/11/83 PEOPLE WHO HAVE MOVED TO NEW YORK RAYNE BEAUDOIN, BONNIE KOLOC, KEVIN METHENY, MARY SUE MORRIS, KIM STEELE 37062 THE DAVID SUSSKIND SHOW 1983-1984 06/22/83 10/16/83 PART I: WHY CAN'T MEN SHOW AFFECTION?: MALE FRIENDSHIP RICHARD SCHICKEL, HERBERT GOULD, LARRY LEEDS, DAVID MICHEALIS 37063 CHICAGO (T) 10/17/83 10/23/83 07/15/84 A CONVERSATION WITH ANTHONY QUINN 37066 CHICAGO (T) 10/25/83 10/30/83 A MODERN MARK TWAIN: MAYOR ALFRED E. VELLUCCI OF CAMBRIDGE, MASSACHUSETTS 37068 CHICAGO (T) 10/15/83 11/06/83 FRIENDSHIP AMONG WOMEN JOANNA SIMON, CATHY CASH SPELLMAN, DEANE LORD, ALICE WHITE 37065 CHICAGO (T) 10/17/83 11/20/83 PART I: ANTHONY QUINN CONTINUED 37067 CHICAGO 11/23/83 11/27/83 PART I: HELEN GALLAGHER 37072 CHICAGO (T) 11/19/83 11/27/83 PART II: THE MAKING OF CARMEN PETER BROOK, ALEXANDER COHEN, HILDY PARKS 37072 CHICAGO 11/19/83 12/04/83 09/30/84 A PROBING LOOK AT THE RUSSIANS HEDRICK SMITH, DAVID SHIPLER 37071 CHICAGO (T) 11/23/83 12/11/83 07/29/84 PART I: BROADWAY AND HOLLYWOOD LAID BARE MILTON GOLDMAN, ANNA SOSENKO, RADIE HARRIS 37073 CHICAGO 12/10/83 12/18/83 09/09/84 PART I: RESTAURANTEURS SHELDON TANNEN, LELLO ARPAIA, SIRIO MACCIONI, ROBERT MEYZEN, GIANNI GARAVELLI 37069 CHICAGO (T) 10/29/83 12/18/83 09/09/84 PART II: PHOTOGRAPHER NORMAN PARKINSON 37069 CHICAGO (T) 12/17/83 12/25/83 PART I: CARD SHARK FRANK GARCIA 37077 CHICAGO (T) 12/17/83 12/25/83 PART II: SPECTACULAR EVENING GOWNS BY JANA JANA JAFFE DE ROSSELL 37077 CHICAGO (T) 11/30/83 01/01/84 PART I: BETTER THAN EVER: SHOW BUSINESS GREATS JOYCE BRYANT, SHERRY BRITTON 37075 CHICAGO 10/29/83 01/01/84 PART II: NOUVEAU IS BETTER THAN NO RICHE AT ALL MARYLIN BENDER, MONSIEUR MARC 37069 12/10/83 01/08/84 07/22/84 PART I: THE LATEST BREAKTHROUGHS IN THE TREATMENT OF HEART DISEASE MICHAEL DE BAKEY, M.D., ISADORE ROSENFELD, M.D. 37074 CHICAGO (T) 12/14/83 01/15/84 DO WE HAVE THE RIGHT TO KILL OURSELVES? VALERIA, DEREK HUMPHRY, DR. WILLIAM MARRA, PROFESSOR MARVIN KOHL, PROFESSOR DAVID BLEICH, DORIS PORTWOOD 37076 CHICAGO 01/11/84 01/22/84 08/19/84 WARNING: MEDICAL CARE MAY BE HAZARDOUS TO YOUR WEALTH SENATOR LOWELL WEICKER, MARTIN CHERKASKY, M.D., JOHN LARAGH, M.D. 40029 CHICAGO (T) 01/21/84 01/29/84 NEW YORK: A WONDERFUL TOWN MAYOR EDWARD KOCH, LEWIS RUDIN, ANTHONY BLISS 40030 (NY TV MUSEUM) 01/25/84 01/29/84 PART II: "NO NICE GIRL SWEARS" - ALICE-LEONE MOATS 40030 CHICAGO(T) 02/04/84 02/12/84 PART I: FORGET THE FEAR OF FLYING CAPTAIN T.W. CUMMINGS, ANNA GILHULEY, BETSY BYRNE, CAROL LAWSON, FRANK SINK 40033 CHICAGO (T) 02/08/84 02/19/84 WHO'S IN, WHO'S OUT - WHO'S HOT, WHO'S NOT: THE LATEST GOSSIP LIZ SMITH, MAXINE MESINGER, TAKI, SHIRLEY EDER 40034 CHICAGO (T) 02/22/84 03/04/84 FORMER CONGRESSMEN GIVE THE LOWDOWN ON POLITICS 40035 01/25/84 03/11/84 08/05/84 PART I: THE MAN WHO SAVED NEW YORK: FELIX ROHATYN 40032 CHICAGO (T) 01/21/84 03/18/84 PART I: FORECASTING THE FUTURE WITH "RUNES" RALPH BLUM, BRONWYN JONES, DR. ROBERT LORENZ 40031 CHICAGO (T) 03/03/84 03/25/84 09/16/84 PART I: CANCER PATIENT VOLUNTEERS KATHRYN STEIN, GERRY GEORGE, ALAN MATCOVSKY 40036 CHICAGO (T) 03/03/84 04/01/84 PART I: CLASS: WHAT IS IT? WHO HAS IT? BENITA EISLER, PAUL FUSSELL, TERRY NOEL TOWE 40038 CHICAGO 03/21/84 04/08/84 08/12/84 PART I: BIG TIME SPORTS ARE NOT FOR MEN ONLY DONNA DEVARONA, KATHERINE SWITZER, GINNY SEIPT, PATRICIA HALL 40037 CHICAGO (T) 03/24/84 04/08/84 08/12/84 PART II: "THE ULTIMATE SEDUCTION": AN INTERVIEW WITH CHARLOTTE CHANDLER 40037 CHICAGO 03/31/84 04/15/84 TOUGH JUDGES TALK ABOUT CRIME AND PUNISHMENT JUDGE BURTON ROBERTS, JUDGE HERBERT STERN 40039 CHICAGO (T) 04/16/84 04/22/84 PART I: EVERYTHING'S UP TO DATE IN KANSAS CITY MAYOR RICHARD L. BERKLEY, SANDRA DAY BERKLEY, ELLIS G. BRADLEY, BEVERLY BRADLEY, J.C. NICHOLS, JR., MARY NICHOLS 40043 CHICAGO (T) 04/16/84 04/22/84 PART II: AN INTERVIEW WITH SIR JAMES MURRAY 40043 04/09/84 04/29/84 09/16/84 AN INTERVIEW WITH A. BARTLETT GIAMATTI, PRESIDENT OF YALE UNIVERSITY 40042 CHICAGO (T) 03/31/84 05/06/84 PART I: YES, MR. MEESE, THERE ARE HUNGRY PEOPLE TOBEY BERMUDEZ, MAGDA MARTIS, AUDREY MINNS, ERNESTINE ROYSTER, FRANK MONTGOMERY, CHARLES TAVENNER, NICK, MORRIS HACKNEY 40040 CHICAGO (T) 03/24/84 05/13/84 10/14/84 PART I: REAL LIFE TOOTSIES: MEN WHO DRESS AS WOMEN ARIADNE KANE, NAOMI, EILEEN, CHERYL 40041 CHICAGO (T) 04/28/84 05/20/84 PART I: SEX IS THEIR BUSINESS DR. IRENE KASSORLA, SHIRLEY LORD, DR. LONNIE BARBACHN 40045 CHICAGO 05/09/84 05/27/84 10/07/84 BRILLIANT MINDS, BRILLIANT CONVERSATION ARTHUR SCHLESINGER, JOHN SIMON, BERNARD LEVIN 40047 CHICAGO (T) 04/25/84 06/03/84 08/26/84 VIETNAM: THE NIGHTMARE NEVER ENDS JOHN CATTERSON, THOMAS LECKINGER, THOMAS BRINSON, LAWRENCE SMITH 40044 CHICAGO 05/23/84 06/17/84 10/28/84 PART I: WOMEN BEHIND BARS - FEMALE EX-CONS FRAN O'LEARY, CONNIE FLYNN, BARBARA JORDAN, ANN MARIE DELONE 40050 CHICAGO (T) 06/12/84 06/17/84 10/28/84 PART II: ALL ABOUT ICE CREAM JOHN R. LESAUVAGE, REUBEN MATTUS, NANCY ARUM, CAROL T. ROBBINS 40050 CHICAGO (T) 06/12/84 06/24/84 A CONVERSATION WITH ROSALYNN CARTER 40052 CHICAGO (T) 06/04/84 07/01/84 PART I: BIG BUSINESSMEN TALK ABOUT EAST-WEST TRADE AND THE CORPORATE IMAGE DWAYNE ANDREAS, DONALD KENDALL 40051 CHICAGO (T) 05/23/84 07/01/84 06/01/86 PART II: OLDER WOMEN FIGHT AGE DISCRIMINATION JEAN PHILLIPS, BETTY ROSEN, DR. JANE PORCINO, SHIRLEY KARNES 40049 CHICAGO (T) 11/16/83 07/08/84 THE POPE OF MODERN ADVERTISING - DAVID OGILVY 37070 CHICAGO (T) THE DAVID SUSSKIND SHOW 1984-1985 10/20/84 11/04/84 STRICTLY PERSONAL: MEETING AND MATING THROUGH THE PERSONAL ADS ANNE ROSEN, HY FINKELMAN, RICHARD KATZ, RITA HALLEY, LOU SPIER, JOAN LERNER, DON FEAREY, URSULA GARRISS 40054 CHICAGO 05/16/84 11/11/84 TOP DIVORCE LAWYERS A. ROBERT ZEFF, WILLIAM G. MULLIGAN, JULIA PERLES, MARVIN MITCHELSON, ROY COHN 40048 CHICAGO (T) 04/28/84 11/18/84 PART I: GLAMOROUS MODELS FROM THE 50s DORIAN LEIGH, NANCY BERG, DOVIMA, CARMEN 40046 CHICAGO (T) 10/13/84 11/18/84 PART II: RISING STARS OF THE 80s CINDY WAITE, VICTORIA PROUTY, CAROL ALT, SAMANTHA PHILLIPS, CARRIE MILLER 40046 CHICAGO 10/27/84 11/25/84 IS THE SEXUAL REVOLUTION OVER? THE RETURN TO CHASTITY SUE ATCHESON, BOB POLLAK, ROBERT MASELLO, SARA NELSON, PAT SKIPPER 40055 CHICAGO (T) 10/27/84 11/25/84 PART II: EXPERTS DR. JUDITH KURIANSKY, DR. CAROL FLAX, ARTHUR KORNHABER, M.D. 40055 10/31/84 12/02/84 PART I: THE MALE MID-LIFE CRISIS: AN INTERVIEW WITH WILLIAM A. NOLEN, M.D. 41000 CHICAGO (T) 11/10/84 01/05/86 04/06/86 AN INTERVIEW WITH HAROLD GENEEN - AUTHOR OF "MANAGING" 41001 CHICAGO 11/10/84 12/09/84 10/27/85 PART I: CHILDREN OF WAR RONNY AL-ROY, DANNY KUTTAB, MAO PANHA, ANNA MARIA LOPEZ, ARN CHORN 41002 CHICAGO (T) 11/28/84 12/16/84 PART I: BOXERS' WIVES TELL ALL VIKKI LA MOTTA, REBA SMITH, JANE COSTELLO, EDNA MAE ROBINSON 41004 CHICAGO (T) 11/28/84 12/16/84 01/12/86 04/27/86 PART II: HOW TO MEASURE LOVE - AN INTERVIEW WITH DR. ROBERT STERNBERG 41004 CHICAGO (T) 10/31/84 12/23/84 PART I: "TAKE MY WIFE, PLEASE": AN INTERVIEW WITH HENNY YOUNGMAN 40053 CHICAGO (T) 10/13/84 12/23/84 PART II: AN INTERVIEW WITH ARTIE SHAW 40053 CHICAGO (T) 11/13/84 01/06/85 02/02/86 PART I: THE EXERCISE MYTH HENRY SOLOMON, M.D., RALPH ORISCELLO, M.D., GEORGE SHEEHAN, M.D., RICHARD STEIN, M.D. 41003 CHICAGO (T) 11/13/84 01/06/85 11/10/85 02/02/86 08/03/86 PART II: THE NEW OFFICE ETIQUETTE MARJABELLE YOUNG STEWART, LETITIA BALDRIGE, GEORGE MAZZEI 40113 CHICAGO 12/01/84 01/13/85 THE TRAGEDY OF ALZHEIMER'S DISEASE PART I: CHILDREN AND SPOUSES BERNARD NATHANSON, MILLIE SEIDEN, MARION ROACH, LONNIE WOLLIN, MARILYN HERMAN PART II: DOCTORS MIRIAM K. ARONSON, M.D., ROBERT N. BUTLER, M.D., KENNETH L. DAVIS, M.D., JOHN P. BLASS, M.D., PHD. 41005 CHICAGO 01/12/85 01/20/85 TOP ASTROLOGERS PREDICT WHAT'S IN STORE FOR 1985 POPE HILL, JOELLE K.D. MAHONEY, NAN HALL LINKE, MARY ORSER, HENRY WEINGARTEN 41009 CHICAGO (T) 12/19/84 03/02/86 07/20/86 BIG-TIME DRUG SMUGGLERS "RICHARD DICKMAN", TOM KIMBALL, WAYNE GREENHAW 41006 CHICAGO (T) 12/19/84 01/27/85 05/18/86 07/27/86 GET RID OF YOUR FAT - SUCTION LIPECTOMY NORMAN HUGO, M.D., DICRAN GOULIAN, JR., M.D., EUGENE CURTIS 41007 CHICAGO (T) 12/22/84 02/03/85 11/17/85 PART I: SEX FOR SALE - MALE PROSTITUTES JOE, ANTHONY, BILL, PATRICK, ANTONIO 41008 CHICAGO (T) 01/12/85 02/17/85 PART I: YOLANA - A PSYCHIC DEMONSTRATION 41010 CHICAGO (T) 01/15/85 02/24/85 SOME PEOPLE STAY MARRIED LARRY AND NORMAN STORCH, JOEY AND CINDY ADAMS, DAN AND JUNE JENKINS 41011 CHICAGO THE DAVID SUSSKIND SHOW 1985-1986 09/24/85 10/20/85 06/29/86 THE MARILYN MONROE STORY - AN INTERVIEW WITH AUTHOR ANTHONY SUMMERS 41034 CHICAGO (T) 05/11/85 10/27/85 PART I: HOW TO GET YOUR TEENAGERS OFF DRUGS JOHN WHITE, LOIS WHITE, BRIAN MAZZIA, JOHN MAZZIA, ANN, ROBERT 41028 CHICAGO (T) 10/22/85 11/03/85 EVERYTHING YOU EVER WANTED TO KNOW ABOUT PORNO MOVIES SAMANTHA FOX, CANDIDA ROYALLE, JACK WRANGLER, MARC STEVENS, GLORIA LEONARD 41036 CHICAGO (T) 10/17/85 11/10/85 08/03/86 PART I: OUR CHILDREN ARE HOMOSEXUALS AMY ASHWORTH, BOB BENOV, "ARTHUR", "GLORIA", "JOE" 41035 CHICAGO (T) 11/06/85 11/24/85 THE FIRST AMENDMENT COMEDY TROUPE BARBARA CONTARDI, PAT BAILY, JANE BRUCKER, NANCY LOMBARDO, BILL MCLAUGHLIN, JOE PERCE, MICHAEL SHAFFER, ELLEN MANDEL, STEPHEN PATTERSON 41038 CHICAGO (T) 10/29/85 12/01/85 04/20/86 09/07/86 HOW YOU CAN PREVENT ALMOST EVERY DISEASE ISADORE ROSENFELD, M.D. 41037 CHICAGO 12/03/85 12/08/85 PART I: THE LAST TABOO - OLDER WOMEN AND YOUNGER MEN BOB MERRILL, JUDY CARNE, CHRISTOPHER KADISON, ROSEMARY ROGERS, JACK WRANGLER, MARGARET WHITING 41040 CHICAGO (T) 12/10/85 12/15/85 PART I: HAVE YOU EVER LIVED BEFORE - REINCARNATION JUNE WHITAKER, CAREY WILLIAMS, ALAN VAUGHAN, SHALA MATTINGLY, PROF. HANS HOLZER 41041 CHICAGO (T) 04/17/85 12/15/85 PART II: DETAILS ON AVENUE MAGAZINE - UPTOWN AND DOWNTOWN JUDITH PRICE, MICHAEL SHNAYERSON, ANNIE FLANDERS, STEPHEN SABAN, BEAUREGARD HOUSTON-MONTGOMERY 41041 12/19/85 12/22/85 PART I: CREATORS OF THE HOTTEST NEW DIETS BARBARA EDELSTEIN, M.D., STUART M. BERGER, M.D., SYBIL FERGUSON, LAURA STEIN 41044 CHICAGO (T) 10/20/85 01/05/86 PART I: TAIWAN - THE OTHER CHINA JOSEPHINE WANG, DOUGLAS TONG HSU, LIN YU-HSIANG, DR. WEI YUNG, DR. WU JING-JYI 41045 CHICAGO (T) 12/14/85 01/12/86 PART I: MARRIED WOMEN - EXTRAMARITAL LIASONS "MARILYN", "JEAN" 41042 CHICAGO (T) 01/11/86 01/19/86 PART I: ASTROLOGY - WHAT THE STARS SAY ABOUT 1986 POPE HILL, MARY ORSER, JOELLE K.D. MAHONEY, DEMO DI MARTILE, DIANE WEBB 41046 CHICAGO 12/14/85 01/26/86 08/17/86 PART I: STRAIGHT PEOPLE ARE AFRAID OF AIDS, TOO SYDNEY ANDERSON, ELAYNE KAHN, TOM DOE-BARE, URSULS GARRISS, GARY NULL 41043 CHICAGO (T) 01/25/86 02/09/86 07/06/86 PART I: MY SON COMMITTED SUICIDE SUSAN WHITE-BOWDEN 41049 CHICAGO (T) 01/16/86 02/16/86 PART I: THE BATTLE AGAINST SMOKING BOB GREENE, EVA BRENT, JOHN BANZHAF, FRAN LEE 41048 CHICAGO (T) 02/04/86 02/23/86 07/13/86 PART I: THE WAR AGAINST THE MAFIA EDWARD MCDONALD, NICHOLAS PILEGGI, BOB LUCCI, RONALD GOLDSTOCK, TOM SHEER 41991 CHICAGO (T) 02/04/86 03/02/86 07/20/86 PART II: THE WAR AGAINST THE MAFIA EDWARD MCDONALD, NICHOLAS PILEGGI, BOB LUCCI, RONALD GOLDSTOCK, TOM SHEER 41992 CHICAGO 02/06/86 03/09/86 SHOULD YOU HAVE A FACE LIFT? LET THE COMPUTER TELL YOU ROO BROWN, DORIS WHITEHEAD, FRANK OLIVE, CHICKEE JAMES, ELLIOT JACOBS, M.D. 41993 CHICAGO (T) 05/01/85 03/09/86 PART II: TRENDY RESTAURANTS ELAINE KAUFMAN, HOWARD STEIN, JIM MCMULLEN, BRIAN MCNULTY 41993 02/09/85 03/16/86 08/10/86 PART I: THE JOY OF ITALIAN FOOD LAURA MAIOGLIO, GIANNI GARAVELLI, NICOLA CIVETTA, ADI GIOVANETTI, SIRIO MACCIONI, GAEL GREENE 41014 CHICAGO 03/13/85 03/16/86 08/10/86 THE ART OF FINE DINING JAMES VILLAS, DAVID SCHOENBRUN, JOHN MARIANI 41014 CHICAGO 03/13/86 03/23/86 GAY RIGHTS: PRO AND CON MATT FOREMAN, PASTOR JESSE LEE, RABBI YEHUDA LEVIN, DR. WILLIAM A. MARRA, DAVID P. ROTHENBERG, THOMAS B. STODDARD 41994 CHICAGO (T) 01/16/86 03/30/86 PART I: FOREIGN WOMEN RATE AMERICAN MEN LILIANE MONTEVECCHI, HELGA WAGNER, JOANNA KIMBERLEY, ASHA PUTHLI 41047 CHICAGO 05/01/85 03/30/86 PART II: TITLED EUROPEANS PRINCE MICHAEL OF GREECE, COUNTESS DONINA CICOGNA MOZZONI, PRINCE DIMITRI OF YUGOSLAVIA, BARON FRANCOIS DE SAMBUCY, PRINCESS KATALIN ZU WINDISCH-GRAETZ 41047 CHICAGO 03/19/86 04/06/86 PART I: HOW TO BECOME A MILLIONAIRE TOM FATJO, JR., VICTOR KIAM, LANE NEMETH, THOMAS MONAGHAN, RICHARD THALHEIMER 41995 CHICAGO (T) 02/04/86 04/13/86 PART I: DIVORCED BUT FRIENDLY MARTI SCHULZ, BRYCE BOND, EDWARD BOTWIN, CAROL BOTWIN 41050 CHICAGO (T) 03/25/86 04/27/86 DOCTORS REVEAL THE LATEST IN SEX THERAPIES HELEN SINGER KAPLAN, M.D., HAROLD LIEF, M.D., CLIFFORD SAGER, M.D., MAJ-BRITT ROSENBAUM, M.D. 41996 CHICAGO (T) 03/31/86 05/04/86 THE MALE POOL - OLDER WOMEN SHARE THEIR RESOURCES LYNN TENDLER GILBERT, FRAN MANDELL, DEANNA WALLACH, DORIS BASS, GLORIA NEUWIRTH 41997 CHICAGO 04/22/86 05/11/86 CATCH A RISING STAR: NEW COMEDIANS MICHAEL HAMPTON-CAIN, BARRY STEIGER, TAYLOR MASON, RICHARD MORRIS, RANDY KLEIN 41999 CHICAGO (T) 05/01/86 05/18/86 07/27/86 THE WORLDS GREATEST SPAS RICHARD SCHMITZ, DR. SIGRUN LANG, DEBORAH SZEKELY, TONI BECK 42001 CHICAGO 03/13/85 05/25/86 ARE WOMEN FOOLS FOR LOVE? DIANE ACKERMAN, CAROL BOTWIN, ALEXANDRA PENNEY, DR. MELVYN KINDER, DR. CONNELL COWAN 41017 CHICAGO (T) 04/29/86 06/01/86 AN INTERVIEW WITH JOSEPH A CALIFANO, JR.: WHO LIVES, WHO DIES, WHO PAYS 42000 04/26/86 06/08/86 BADINAGE WITH BILL COSBY AND GIANNI GARAVELLI 42002 CHICAGO (T) 04/10/86 06/15/86 I DO, I DO, I DO - MANY TIMES MARRIED BARBARA TOBER, DIANA HUFF, SY KABACK, FRANKLIN B. ZIMMERMAN, RUTH BATCHELOR, "CARMEN" 41998 CHICAGO (T) 06/05/86 06/22/86 08/24/86 GROWING UP IN BROOKLINE MIKE WALLACE, JOHN D. SPOONER, RCHARD N. GOODWIN 42003 CHICAGO (T)

The House Judiciary Committee holds a hearing on the root causes of juvenile violence.

&lt;pi&gt; This package/segment contains third party material. Unless otherwise noted, this material may only be used within this package/segment. Usage must cease on all platforms (including digital) within ten days of its initial delivery or such shorter time as designated by CNN. &lt;/pi&gt;\n\n &lt;pi&gt; ***This pkg contains photos from AP/Getty Images that are only cleared for use within the pkg. Affiliates may not cut these photos out of the pkg for individual use.*** &lt;/pi&gt;\n\n --SUPERS--\n:00 - :04\nTrophy Club \n\n:04 - :08\nGreenville, South Carolina\nSaturday\nJanuary 20, 2018\n\n:09 - :14 &lt;pkg&gt;(video is CNN but audio is from Trophy Club radio ad)&lt;/pkg&gt;\nTrophy Club\n\n:14 - :23 \nMySpace.com/Stormy Daniels\n\n:33 - :35 (quick)\nTrophy Club\n\n:35 - :46\nInTouch Weekly\n\n:47 - :54\nMySpace.com/Stormy Daniels\n\n:54 - :58\nWashington\nSeptember 19, 2017\n\n:58 - 1:11\nGetty Images\n\n1:11 - 1:20\nThe Wall Street Journal\n\n1:47 - 2:06\nFrom CNN's Erin Burnett OutFront\nFriday\nJanuary 19, 2018\n\n1:52 - 1:58\nFrom CNN's Erin Burnett OutFront\nRaj Shah\nPrincipal Deputy White House Press Secretary\n\n2:09 - 2:19\nGetty Images\n\n2:20 - 2:26\nWashington\nSeptember 19, 2017\n\n --LEAD IN--\nNEW DETAILS IN THE ALLEGED AFFAIR BETWEEN PRESIDENT TRUMP AND A PORN STAR--\nTHE WALL STREET JOURNAL REPORTS TRUMP ATTORNEY MICHAEL COHEN SET UP A PRIVATE COMPANY IN HOPES OF KEEPING THE ALLEGED RELATIONSHIP UNDER WRAPS JUST A MONTH BEFORE THE ELECTION.\nCNN CORRESPONDENT DIANNE GALLAGHER REPORTS.\n --REPORTER PKG-AS FOLLOWS--\n"Stormy Daniels brings her Making America Horny Again tour to the Trophy Club this Saturday."\nCASHING IN ON CONTROVERSY...\n"On the heels of Stormy's national publicized alleged affair..."\nTHAT AFFAIR, ACCORDING TO THE WALL STREET JOURNAL, BETWEEN ADULT FILM STAR STORMY DANIELS, AND THE NOW-PRESIDENT OF THE UNITED STATES...\nREPORTEDLY HAPPENED BACK IN 2006, AFTER THE TWO MET AT A GOLF TOURNAMENT.\nDANIELS, WHOSE REAL NAME IS STEPHANIE CLIFFORD, AND THE WHITE HOUSE, HAVE DENIED THE RELATIONSHIP... BUT THAT'S NOT STOPPING THIS CLUB FROM PROMOTING IT. \n"This is the Twitter storm sensation"\nAND ON FRIDAY, IN TOUCH MAGAZINE PUBLISHED THE FULL TRANSCRIPT OF A 20-11 INTERVIEW WITH DANIELS... IN WHICH SHE EAGERLY DISHES ON THE TAWDRY DETAILS OF HER ALLEGED SEXUAL ENCOUNTER WITH DONALD TRUMP.\nACCORDING TO THE ASSOCIATED PRESS, THE TABLOID NEVER PUBLISHED IT BECAUSE DONALD TRUMP'S PERSONAL LAWYER THREATENED TO SUE.\nNEITHER TRUMP NOR HIS LAWYER, MICHAEL COHEN, HAVE RESPONDED TO CNN'S REQUESTS FOR COMMENT.\nNOW, JOURNALISTS AT SEVERAL NEWS OUTLETS SAY, JUST A FEW WEEKS BEFORE THE 20-16 ELECTION, DANIELS TOLD THEM SHE WANTED TO TALK ABOUT HER RELATIONSHIP WITH TRUMP.\nAND THEN... SUDDENLY... SHE DIDN'T. \nTHE WALL STREET JOURNAL ALSO REPORTS, THAT'S AROUND THE TIME COHEN, FORMED A "SHELL" COMPANY TO PAY THE PORN STAR 130-THOUSAND DOLLARS IN EXCHANGE FOR HER SILENCE. \nCNN HAS OBTAINED DOCUMENTS THAT SHOW COHEN DID SET UP AT LEAST TWO CORPORATIONS IN DELAWARE AROUND THAT TIME--\nINCLUDING ONE, ON SEPTEMBER 30, 20-16... CALLED "RESOLUTION CONSULTANTS, L-L-C"\nTHOSE RECORDS SHOW HE DISSOLVED IT ON OCTOBER 17TH...\nTHAT SAME DAY INCORPORATED "ESSENTIAL CONSULTANTS, L-L-C"\nTHAT'S THE COMPANY THE JOURNAL SAYS COHEN USED TO PAY DANIELS HUSH MONEY... \nTHROUGH A SERIES OF FAKE NAMES AND LEGAL CONTRACTS. \nTHE WHITE HOUSE AVOIDING ANSWERING QUESTIONS ABOUT IT FRIDAY NIGHT ON CNN.\nRaj Shah/Principal Deputy White House Press Secretary:\n"These matters were asked about and answered pretty extensively during the campaign, and I certainly don't have anything to add."\nErin Burnett/CNN Anchor:\n"Well, there was a denial of the affair but never been any reporting about her being paid by the president until now."\nRaj Shah/Principal Deputy White House Press Secretary:\n"Sure, you can contact the individuals that were involved with that."\nCNN HAS NOT BEEN ABLE TO INDEPENDENTLY CONTACT DANIELS.\nBUT IN A STATEMENT ATTRIBUTED TO HER... SHE CALLS THE WALL STREET JOURNAL ARTICLE "ABSOLUTELY FALSE" AND DENIES, NOT ONLY THE AFFAIR BUT EVER RECEIVING HUSH MONEY FROM DONALD TRUMP.\nTHAT STATEMENT, HOWEVER, WAS PROVIDED BY TRUMP ATTORNEY, MICHAEL COHEN. \n -----END-----CNN.SCRIPT-----\n\n --KEYWORD TAGS--\nUS POLITICS ADULT FILM STAR PRESIDENT DONALD TRUMP\n\n\n

This beautiful amateur silent film in color presents the 1949 Rose Parade for viewers. The Tournament of Roses; also known as the Rose Parade, first began in 1890 with members of Pasadena’s Valley Hunt Club. A quote from one of the founders is “In New York, people are buried under snow. Here our flowers are blooming…let us hold a festival to tell the world about our paradise.” The parade is held on New Year’s Day or January 2nd. The Rose Bowl follows the parade. It is produced by the non-profit Pasadena Tournament of the Rose Association. The parade moves down Colorado Boulevard in Pasadena annually, California and is comprised of colorful floats, marching bands and horses. The film opens with spectators lining the green (:11) watching western style riders atop white horses. The marching band stamps onto the green (:18). The blowing brass band follows (:28). Baton twirlers trot with white boots (:44). Dark Clydesdale draft horses pull a float (1:01). Another float appears from Culver City (1:21). A radio stand for KFWR appears in the back corner (1:36). Close shots display festive costumes (1:52). The butt of a float reads ‘Olvera Street’ (2:03). The Salvation Army’s float moves down the line (2:17). Pinocchio and a merry go round sit atop another covered float (2:23). The baton girls appear in western gear (3:11). ‘The Ice Cream Store’ has a float (3:33). Horse’s side step with western riders holding the American flag (4:32). A motorcycle passes in front of a 1948 light blue Chrysler Windsor Convertible (4:49). The brass band plays again (5:16). The convertible is pictured with ‘Grand Marshal’ on it (5:42). Two entertainers walk with a banner reading ‘Childhood Memories’ (5:55). Women in white lounge on a pink float (6:08). The mayor’s float arrives (6:19). A cowboy on a palomino (6:45) waves to spectators. A female rider joins him (6:51). The rolling snares of Northwestern University Marching band pass in front of the crowd (7:24). The Illinois college football team’s float follows (7:39). Long Beach, California has a float covered in pink and white roses (8:17). The 20-30 International float (8:42) signifies the international service club which works on helping children and developing leadership skills in adults from the ages of 20 to 39. A stand for the television program CBS appears in the top right (8:52). Pedestrians appear dressed for the occasion in trim suits (9:06). A man in Native American attire skips across screen (9:15). A massive bunny in white and pink (9:43) rests atop the See’s Candy float. Baton twirlers for Antelope Valley march on the green (10:03). Two riders wave atop the Antelope Valley High school (10:43). A massive jack-o-lantern follows (10:56). Santa rides atop the Alhambra float (11:23). Two cowgirls ride after (11:32). The arts and crafts brand; Treasure Tone Paints (11:48) feature their own float. A snow man stands atop the Portland, Oregon float (12:06). A press photographer walks by the marching brass band (12:48). A woman waves from the front of an Inglewood float (13:12). Huntington Hotel’s float (13:22) features a barber delivering a child their first haircut. Another float advertises Los Angeles’ County fair to be run September 15th to October 2nd (13:31). Baton twirlers arrive again in gold (13:41). Allendale California’s Police Force plays brass and snare instruments (13:57). Glendale’s float is in Alice in wonderland theme (14:33). Livestock stand atop the Union Oil and Co. float (14:41). The Boy Scouts of America float (14:58) features a typical scene of Boy Scout life. Western riders (15:09), baton girls (15:13) and a final marching band in red wrap up the film (15:18). <p><p>Motion picture films don't last forever; many have already been lost or destroyed. For almost two decades, we've worked to collect, scan and preserve the world as it was captured on 35mm, 16mm and 8mm movies -- including home movies, industrial films, and other non-fiction. If you have endangered films you'd like to have scanned, or wish to donate celluloid to Periscope Film so that we can share them with the world, we'd love to hear from you. Contact us via the weblink below.<p><p>This film is part of the Periscope Film LLC archive, one of the largest historic military, transportation, and aviation stock footage collections in the USA. Entirely film backed, this material is available for licensing in 24p HD and 2k. For more information visit http://www.PeriscopeFilm.com

Handheld, slow motion shot of a person's hands using tongs to fill a to-go container at a community dinner. The camera stays focused on the food as it is served.

AP-APTN-0000: US Nick Jonas Thursday, 25 June 2009 STORY:US Nick Jonas- NEW Nick Jonas lobbying on behalf of diabetes research LENGTH: 01:44 FIRST RUN: 0000 RESTRICTIONS: Check script for details TYPE: English/Nat SOURCE: AP Television STORY NUMBER: 610707 DATELINE: Washington, DC, 24 June 2009 LENGTH: 01:44 SHOTLIST (including transcript): Associated Press Television Washington, DC - 24 June 2009 1. Mid shot of Nick Jonas sitting at panel 2. SOUNDBITE (English) Nick Jonas, Jonas Brothers: "I think I've always looked at my diabetes as a opportunity, a platform to be able to share my story and try to be an encouragement and inspiration to people if I can. And hearing stories like that, you know, just makes it all worthwhile and really mean the world." 3. Wide shot of crowd 4. SOUNDBITE (English) Nick Jonas, Jonas Brothers: "I'd tell them that you can be an independent person, I'm an independent person myself, but definitely look to your doctors and family, rely on them, you can always rely on other people to help manage your diabetes. It is a lot to take care of and it's important to make sure you have them to look to." 5. Mid shot of Nick Jonas sitting at panel 6. SOUNDBITE (English) Nick Jonas, Jonas Brothers: "Absolutely. I think diabetes merely gets in the way of my performance or my day-to-day life. It's just another thing to have to think about and that's how I always looked at it. It's not something that's going to slow me down, but just a challenge or something that's added to my busy day." 7. Wide shot of crowd 8. SOUNDBITE (English) Nick Jonas, Jonas Brothers: "I think when I first got diagnosed I was in a bit of a shock -- counting carbohydrates, making sure I knew how much insulin I needed. Then once I started to really manage it, it was a lot easier. It took about six months to nine months before I was really comfortable managing my diabetes and was completely aware of all that I had to do it make manage it." 9. Mid shot of Nick Jonas sitting at panel NICK JONAS LOBBIES FOR DIABETES RESEARCH The youngest Jonas brother spent Tuesday lobbying Washington's power brokers on behalf of diabetes research - starting with the big guy, President Barack Obama. Clad in a white oxford shirt (no tie) and a gray blazer with the sleeves pushed up, 16-year-old Nick Jonas stopped by the White House for a photo with the president and children who are living with diabetes. It was his second time at the White House this year. He and brothers Joe and Kevin hung out there with Obama's daughters, Malia and Sasha, on the night of Obama's inauguration. After the White House, Jonas headed off to Capitol Hill for a private meeting at the office of Sen. Frank Lautenberg, D-N.J. The teen idol and the senator made small talk about music while photographers snapped their pictures. Roughly a dozen Capitol Hill interns waited quietly across the hall from Lautenberg's office for a glimpse of Jonas - no loud outbursts or attempts to sneak around security. Nick Jonas publicly revealed that he has Type 1 diabetes while performing at a Diabetes Research Institute fundraiser in 2007. He is scheduled to testify on Wednesday before a Senate Homeland Security and Government Affairs Committee hearing on federal funding for diabetes research. Other witnesses include boxer Sugar Ray Leonard and actress Mary Tyler Moore. The Jonas Bothers created the Change for the Children Foundation, which donates money to charities benefiting children who are disadvantaged or ill. They released their fourth CD, "Lines, Vines, and Trying Times," last week. APTN APEX 06-24-09 2030EDT ------------------- END -- OF -- ITEM ------------------- AP-APTN-0000: US Academy Awards Thursday, 25 June 2009 STORY:US Academy Awards- REPLAY Academy doubles the number of best-pictures nominees from 5 to 10 LENGTH: 01:59 FIRST RUN: 2000 RESTRICTIONS: Check script for details TYPE: English/Nat SOURCE: AP Television STORY NUMBER: 610703 DATELINE: Beverly Hills, Calif., 24 June 2009 LENGTH: 01:59 AP Television Beverly Hills, Calif., 13 June 2009 1. Wide exterior Academy of Motion Picture Arts and Sciences headquarters 2. Close exterior entrance Academy of Motion Picture Arts and Sciences headquarters AP Television Beverly Hills, Calif., 24 June 2009 3. Wide AMPAS President Sid Ganis addresses press conference 4. SOUNDBITE (English) Sid Ganis/AMPAS President, on doubling number of Best Picture nominees: "So that's the big news. Beginning with the current, 82nd awards year, the Academy will select not five but ten nominees in the Best Picture category. We will be casting our net wider. And in casting that net wider, who knows what's going to turn up?" Warner Bros 5. Film clip: "The Dark Knight" AP Television Beverly Hills, Calif., 24 June 2009 6. SOUNDBITE (English) Sid Ganis/AMPAS President, on whether the move will allow more blockbuster films into Best Picture race: "Yes, we know there were movies. 'The Dark Knight,' of course it was mentioned. And so were Pixar movies, and so were comedies. 'Tropic Thunder' was talked up. But that's not what motivates us. What motivates us is the sense of excellence. And our body is firmly into that. We're not a business academy. We're an arts academy. And that's why we're doing this. We know that there's great work emerging these days, these years. And we want to make sure that that great work is recognized." AP Television Beverly Hills, Calif., 24 June 2009 7. Exterior AMPAS headquarters OSCARS DOUBLING BEST PICTURE NOMINEES TO TEN The best-picture lineup at the Academy Awards is doubling from five films to 10, a move organizers said Wednesday will open the field to more worthy movies and possibly boost the ceremony's TV ratings. The change, which was approved Tuesday night by the board of governors for the Academy of Motion Picture Arts and Sciences, takes effect at next year's Oscars on March 7. The plan is a return to Oscar traditions of the 1930s and '40s, when a best-picture field of 10 or more films was common. Academy President Sid Ganis said the board looked at last year's slate of films and decided there was room for more in the top category. "We nominated five, but there were many other great films last year," Ganis said. Among last year's most acclaimed movies was the Batman blockbuster "The Dark Knight," which wound up snubbed. Another was "WALL-E," which won the Oscar for feature-length animation but was not among best-picture nominees. Ganis said the broader field might make room for documentaries, foreign-language films, animated movies and even comedies, which typically do not fare well for best-picture nominations. Not to mention the year's bigger blockbusters. "'The Dark Knight,' of course it was mentioned," Ganis said. "And so were Pixar movies, and so were comedies. 'Tropic Thunder' was talked up. But that's not what motivates us. What motivates us is the sense of excellence. And our body is firmly into that. We're not a business academy. We're an arts academy. And that's why we're doing this. We know that there's great work emerging these days, these years. And we want to make sure that that great work is recognized." With extra movies competing for the top honor, the Oscar show might draw a bigger TV audience as more fans tune to see how their favorite films fare, Ganis said. The ratings for last February's Oscars were up solidly, but that followed a ceremony a year earlier that drew the lowest ratings ever. Along with other awards shows, the Oscars generally have been losing viewers over the past couple of decades. APTN APEX 06-24-09 2031EDT ------------------- END -- OF -- ITEM ------------------- AP-APTN-0000: US Farragut North Thursday, 25 June 2009 STORY:US Farragut North- REPLAY Captain Kirk and Mr. Big, Chris Pine and Chris North, leap from screen to stage LENGTH: 06:29 FIRST RUN: 2000 RESTRICTIONS: Check script for details TYPE: English/Nat SOURCE: AP Television STORY NUMBER: 610702 DATELINE: Los Angeles, 23 June 2009 LENGTH: 06:29 AP Television Los Angeles, 23 June 2009 1. Pan from sidewalk to Geffen Playhouse exterior 2. Closeup "Farragut North" poster 3. SOUNDBITE (English) Chris Pine/Actor, on the plot of "Farragut North": "It's about a young wunderkind press secretary, 25-year-old guy. I play this guy Steven Bellamy on the presidential campaign. It's Iowa caucus time. He's on top of the world. He's ahead in the polls. The candidate's ahead in the polls. And everything is going great until a decision he makes, a fateful decision he makes. I guess essentially, it's pride before the fall." Geffen Playhouse 4. Performance clip: "Farragut North" Atlantic Theater Company 5. Still image: "Farragut North" (New York production) 6. Still image: "Farragut North" (New York production) AP Television Los Angeles, 23 June 2009 7. SOUNDBITE (English) Chris Noth/Actor, on collecting up the New York production of "Farragut North" and continuing it elsewhere: "We all were very sad that it ended, because it was a short run at the Atlantic. They had another play. Because I think we would've been definitely extended. So um I just talked to Doug at the end of the run and said I'd like to try to make this work somewhere else. We were talking London, maybe. And then Randy at the Geffen graciously came to the rescue." 8. Wide "Farragut North" poster 9. SOUNDBITE (English) Beau Willimon/Playwright, "Farragut North," on advantages of mounting a new production of "Farragut North": "The silver lining on all that too was to get to bring some new people on board. I should say the gold lining. It was already a silver lining just to be able to come out here and do this. And that's Chris Pine and Justin Hewin and Mia Barron, and they've all been fantastic and brought a freshness and new elements to the play that allow us to rediscover it all over again." Geffen Playhouse 10. Key art for "Fat Pig" 11. Detail #10 12. Still image: Chris Pine and Scott Wolf in "Fat Pig" 13. Detail #12 AP Television Los Angeles, 23 June 2009 14. SOUNDBITE (English) Chris Pine/Actor, on how doing "Fat Pig" at the Geffen lead to landing his role in "Star Trek": "The position I was in a couple years ago, I did 'Fat Pig,' and some people came out to see it and one of those people happened to be the head of casting at Paramount, who was friendly with my agent, my manager, and kind of through this circuitous route it eventually ended up with me getting an audition for 'Star Trek.' So yes, it very much paid off and engendered more work. Thank God." Paramount 15. Film clip: "Star Trek" AP Television Los Angeles, 23 June 2009 16. SOUNDBITE (English) Doug Hughes/Director, "Farragut North," on screen actors working on the stage: "I have a feeling that acting got more interesting when actors began to be obliged to perform in front of cameras. And I think that acting on stage probably got better then. I think acting got more honest at that moment in the history of the theater" New Line 17. Film clip: "Sex and the City" AP Television Los Angeles, 23 June 2009 18. SOUNDBITE (English) Chris Noth/Actor, on screen vs. stage: "I prefer as an actor, I lean more towards the stage. I always say that it takes the most out of you but gives you the most back. You learn most about your craft. It's a much more communal feeling with the audience and with the cast members. It's much more gratifying. Except for the paycheck." Geffen Playhouse 19. Performance clip: "Farragut North" AP Television Los Angeles, 23 June 2009 20. SOUNDBITE (English) Chris Pine/Actor, on screen vs. stage: "I just enjoy the hell out of it. There's nothing that beats being on stage in front of people. Especially in this wonderful house that they have here, which is about 500 seats. The energy you get from a packed house, there's nothing to compare it to, I think. Film is a different medium, clearly. But that high I don't think is the same for me. It's very much a drug. I enjoy the continuity of having two hours on stage to tell a story. You either fail or you succeed but the stakes are so high in the theater, I just love it." Geffen Playhouse 21. Performance clip: "Farragut North" AP Television Los Angeles, 23 June 2009 22. SOUNDBITE (English) Chris Pine/Actor, life after "Star Trek" and "Farragut North" : "Yeah, yeah yeah. I finished this play -- we finish 'Farragut' on the 26th of July. And I have about a month or so before I start another project, called 'Unstoppable,' that I'm extremely excited about. With Denzel Washington, which I can't even believe. I had this out-of-body experience the other day, when I was meeting with Denzel Washington and Tony Scott. We're eating brie and mango and sipping Perrier, and talking about maybe doing a film together. And it was like completely out of body witnessing this thing happening, going on. I'm just about the luckiest guy on the planet, to do something as close to my heart as this, and then go do something as crazy as a movie about a train full of toxic chemicals. I'm living a very blessed life, and I'm absolutely aware of that and very happy." Geffen Playhouse 23. Performance clip: "Farragut North" TWO CHRISES -- PINE, NOTH -- CO-STAR IN PLAY The current Captain Kirk and the all-time "Mr. Big," "Star Trek"'s Chris Pine and "Sex and the City"'s Chris Noth, leap from screen to stage in the drama "Farragut North," which opens tonight in Los Angeles. From playwright Beau Willimon, the drama follows a young, up-and-coming press secretary on a winning presidential campaign -- who then makes one fatal career move. "It's Iowa caucus time," Pine said. "He's on top of the world. He's ahead in the polls. The candidate's ahead in the polls. And everything is going great until a decision he makes, a fateful decision he makes. I guess essentially, it's pride before the fall." The play had a sold-out, but limited run, last fall in New York. A last-minute opening in the schedule at the Geffen Playhouse provided an opportunity for many of the show's original cast members to regroup and give the show another go -- much to Noth's delight. "We all were very sad that it ended, because it was a short run at the Atlantic," Noth said. "They had another play. Because I think we would've been definitely extended. So um I just talked to Doug at the end of the run and said I'd like to try to make this work somewhere else. We were talking London, maybe. And then Randy at the Geffen graciously came to the rescue." Pine was not part of the original New York cast, but has a history with the Geffen. In fact, it was there, in a 2007 production of Neil LaBute's "Fat Pig," where he was got his biggest career break. "The position I was in a couple years ago, I did 'Fat Pig,'" Pine said. "And some people came out to see it and one of those people happened to be the head of casting at Paramount, who was friendly with my agent, my manager, and kind of through this circuitous route it eventually ended up with me getting an audition for 'Star Trek.' So yes, it very much paid off and engendered more work. Thank God." The "Farragut" cast boasts other film and TV regulars, too. Director Doug Hughes said he views screen work experience as a plus for those he's directing on the stage. "I have a feeling that acting got more interesting when actors began to be obliged to perform in front of cameras," he said. "And I think that acting on stage probably got better then. I think acting got more honest at that moment in the history of the theater" Despite their screen successes, both Noth and Pine view themselves as stage actors first. "I just enjoy the hell out of it," Pine said. "There's nothing that beats being on stage in front of people. Especially in this wonderful house that they have here, which is about 500 seats. The energy you get from a packed house, there's nothing to compare it to, I think. Film is a different medium, clearly. But that high I don't think is the same for me. It's very much a drug. I enjoy the continuity of having two hours on stage to tell a story. You either fail or you succeed but the stakes are so high in the theater, I just love it." "Farragut North" runs through 26 July at the Geffen Playhouse. APTN APEX 06-24-09 2033EDT ------------------- END -- OF -- ITEM ------------------- AP-APTN-0000: US 'The Stoning' Thursday, 25 June 2009 STORY:US 'The Stoning'- REPLAY Actress Shohreh Aghdashloo on 'The Stoning of Soraya M.' LENGTH: 04:43 FIRST RUN: 2000 RESTRICTIONS: Check script for details TYPE: English/Nat SOURCE: AP Television/Mpower Pictures STORY NUMBER: 610705 DATELINE: New York, 16 June 2009 LENGTH: 04:43 CLIENTS PLEASE NOTE: ALL SUBSCRIBERS PLEASE ENSURE THAT FILM CLIPS ARE CLEARED FOR MEDIA BROADCAST AND/OR INTERNET USE OR THAT THEY COME WITHIN THE PROMOTIONAL WINDOW FOR YOUR TERRITORY. CONTACT DETAILS, WHERE AVAILABLE, MAY BE FOUND AT THE END OF THE SCRIPT. SHOTLIST (including transcript):- Mpower Pictures 1. "The Stoning of Soraya M." Associated Press Television New York, 16 June 2009 2. SOUNDBITE (English) Shohreh Aghdashloo, Actress: "I had seen a real stoning on tape and since then I badly wanted to make a film about it and bring it to people's attention. So when it came around I was sort of waiting for it. It didn't take me long to say yes." Mpower Pictures 3. "The Stoning of Soraya M." Associated Press Television New York, 16 June 2009 4. SOUNDBITE (English) Shohreh Aghdashloo, Actress: "Yes it's still happening unfortunately. I've had people who come to me and tell me, 'we thought this happens in biblical times.' And I said, 'no, unfortunately it happens in the twenty-first century." Mpower Pictures 5. "The Stoning of Soraya M." Associated Press Television New York, 16 June 2009 6. SOUNDBITE (English) Shohreh Aghdashloo, Actress: "The stoning scenes took six days to shoot. It was the hardest of all. And of course I'm a method actor, I make myself ready by working on the characters background. Whether it's a fictional or nonfiction character, I try to make my own background and write them down actually. And I do my chores when I try to portray my character. But also, being in the scene and working with all those villagers who acted as extras and got to throw the stones was amazing. A great acting experience more than anything else. Cause at one point when I opened my eyes and saw the dust in the air and they were shouting a lot, 'god is great,' and watching their angry fists throwing the stones. I had a hard time telling the difference between reality and cinema." Mpower Pictures 7. "The Stoning of Soraya M." Associated Press Television New York, 16 June 2009 8. SOUNDBITE (English) Shohreh Aghdashloo, Actress: "Well my thing is when I finish with a character like this, I write the character's name on a piece of paper, I go nearby a river and I leave it with the river. And I will beg the character to leave me alone and I will tell the character that I have fulfilled my duty. Leave me alone. Let me do the rest." Mpower Pictures 9. "The Stoning of Soraya M." Associated Press Television New York, 16 June 2009 10. SOUNDBITE (English) Shohreh Aghdashloo, Actress: "Watching it and thinking, 'oh I'm devastated. What am I going to do?' Going home crying. Asking for a hug or a shoulder. These are all fine of course. We all do that. But we also have to think of 'what can I do for this?' www.the stoning.com. Leave your remarks. Keep on going to the site and see what we can do. I have a strong feeling if millions of people decide then there is a way of dealing with it. There's a way of doing the right thing for it. When we're all together, it is possible." Mpower Pictures 11. "The Stoning of Soraya M." IRANIAN ACTRESS BRINGS A HORRIFYING TRUE STORY TO THE BIG SCREEN Oscar-nominated, Iranian-American actress Shohreh Aghdashloo had been waiting for a film like "The Stoning of Soraya M." to come her way. "I had seen a real stoning on tape and since then I badly wanted to make a film about it and bring it to people's attention," says Aghdashloo. "So when it came around I was sort of waiting for it. It didn't take me long to say yes." The film is based on a true story and was first published in 1994 by French-Iranian journalist Freidoune Sahebjam. It details the stoning murder of an Iranian woman wrongly accused of adultery. The "House of Sand and Fog" star admits that although filming the stoning scenes was "hardest of all," it was a great experience as an actress. "Being in the scene and working with all those villagers who acted as extras and got to throw the stones was amazing. A great acting experience more than anything else," she says. "At one point when I opened my eyes and saw the dust in the air and they were shouting a lot, 'god is great,' and watching their angry fists throwing the stones. I had a hard time telling the difference between reality and cinema." Aghdashloo plays an Iranian woman who refuses to keep the town's horrifying secret. She risks everything to make sure the world will know about her friend Soraya's brutal death. When production finished on the film, Aghdashloo said she has a ritual which allows her to let go of the character: "Well my thing is when I finish with a character like this, I write the character's name on a piece of paper, I go nearby a river and I leave it with the river. And I will beg the character to leave me alone and I will tell the character that I have fulfilled my duty. Leave me alone. Let me do the rest." The filmmakers say that statistics are hard to come by due to the remoteness and secrecy of stoning attacks against women. But they believe there have been at least 1,000 women stoned to death in countries such as Iran, Nigeria, Somalia, Sudan, Iraq, United Arab Emirates, Afghanistan and Pakistan over the past 15 years. Aghdashloo urges moviegoers to get involved: "Watching it and thinking, 'Oh I'm devastated. What am I going to do?' Going home crying. Asking for a hug or a shoulder. These are all fine of course. We all do that. But we also have to think of 'what can I do for this?' www.the stoning.com. Leave your remarks. Keep on going to the site and see what we can do. I have a strong feeling if millions of people decide then there is a way of dealing with it. There's a way of doing the right thing for it. When we're all together, it is possible." "The Stoning of Soraya M." opens in U.S. theaters June 26th. APTN APEX 06-24-09 2035EDT ------------------- END -- OF -- ITEM ------------------- AP-APTN-0000: US Real Housewive in Court Thursday, 25 June 2009 STORY:US Real Housewive in Court- NEW Danielle Staub in court to block a sex tape LENGTH: 02:06 FIRST RUN: 0000 RESTRICTIONS: Check script for details TYPE: English/Nat SOURCE: AP Television, Bravo STORY NUMBER: 610712 DATELINE: Paterson, NJ, 24 June 2009 LENGTH: 02:06 CLIENTS PLEASE NOTE: ALL SUBSCRIBERS PLEASE ENSURE THAT FILM CLIPS ARE CLEARED FOR MEDIA BROADCAST AND/OR INTERNET USE OR THAT THEY COME WITHIN THE PROMOTIONAL WINDOW FOR YOUR TERRITORY. CONTACT DETAILS, WHERE AVAILABLE, MAY BE FOUND AT THE END OF THE SCRIPT. CLIENTS PLEASE NOTE: COMMERCIAL MUSIC, MUSIC VIDEO AND OR PERFORMANCES, MUST BE CLEARED ACCORDING TO YOUR OWN LOCAL MUSIC PERFORMANCE AND COPYRIGHT AGREEMENTS WITH YOUR APPLICABLE COLLECTING SOCIETY. DETAILS OF THE TRACKS, WHERE AVAILABLE, MAY BE FOUND AT THE END OF THE SCRIPT.YOU HAVE EDITORIAL RESPONSIBILITY FOR USE OF ALL AND ANY CONTENT INCLUDED WITHIN THE SERVICE, AND FOR LIBEL, PRIVACY, COMPLIANCE AND THIRD PARTY RIGHTS APPLICABLE TO THEIR TERRITORY. SHOTLIST(including transcript):- SHOTLIST: Bravo 1. Clip- "The Real Housewives of New Jersey" AP Television Paterson, New Jersey, 24 June 2009 2. Wideshot of Danielle Staub and her attorney leaving court and walking to podium AP Television Paterson, New Jersey, 24 June 2009 3. SOUNDBITE (English) Darren Del Sardo/Attorney "I have an order in my hand granting Danielle Staub everything that she asked for today. Mr. Zalewski will be temporarily restrained from exploiting my client any further. Any acts or attempts to try to distribute any photograph, video, digital reproduction of her has been stopped by the court. I have that order in my hands right now." Bravo 4. Clip- "The Real Housewives of New Jersey" AP Television Paterson, New Jersey, 24 June 2009 5. Wideshot of Danielle Staub and her attorney leaving court Bravo 6. Clip- "The Real Housewives of New Jersey" AP Television Paterson, New Jersey, 24 June 2009 7. SOUNDBITE (English) Danielle Staub/Reality TV Star "And I think not just for my children, for everyone's children that know me and all woman who are looking up to me. My private moments should remain just that. Private." Bravo 8. Clip- "The Real Housewives of New Jersey" AP Television Paterson, New Jersey, 24 June 2009 9. Midshot of Danielle Staub greeting fans outside of court AP Television Paterson, New Jersey, 24 June 2009 10. SOUNDBITE (English) Danielle Staub/Reality TV Star "I think we need to protect all women. I'm all about protecting women and lifting them up. This is in no way shape or form lifting anybody up." Bravo 11. Clip- "The Real Housewives of New Jersey" AP Television Paterson, New Jersey, 24 June 2009 12. SOUNDBITE (English) Danielle Staub/Reality TV Star "And I think not just for my children, for everyone's children that know me and all woman who are looking up to me. My private moments should remain just that. Private." AP Television Paterson, New Jersey, 24 June 2009 13. Midshot of Danielle Staub greeting fans REAL DRAMA FOR A 'REAL HOUSEWIFE' One of the stars of Bravo's television series "Real Housewives of New Jersey" went to court Wednesday to avoid getting a little more exposure than she wanted. A judge granted Danielle Staub's request for a temporary restraining order to stop her former boyfriend Stephen Zalewski from releasing a sexually explicit videotape and images of her.State Superior Court Judge Thomas F. Brogan also ordered Zalewski to produce all copies of the video and pictures of Staub, and he set a hearing for July 21. Staub, 46, also filed a lawsuit against Zalewski seeking damages for invasion of privacy, defamation and infliction of emotional distress. She claimed she was unaware Zalewski was taping her and only found out about it when someone read her a Star magazine article in which Zalewski discussed the tape. "It sickened me," Staub told the judge during the brief hearing. Zalewski didn't appear in court, and a telephone message left Wednesday at his home in Lincoln Park, in northern New Jersey, wasn't immediately returned. It was unknown if he had retained a lawyer. Outside court, Staub said Zalewski was trying to get back at her and her two daughters, ages 11 and 15, for her breaking up with him. She said the couple dated from May 2008 to December 2008 and Zalewski appeared briefly on "Real Housewives," which is described on Bravo's Web site as following "five of the most affluent Jersey Girls as they live lavish lifestyles and deal with all the drama that money can buy." "This is about my kids," Staub said. "I'm a big girl. Do what you want to me. But you broke bread with my children. Don't do this to me. No adult should ever do this to a child." According to the suit filed by attorney Darren Del Sardo, Zalewski told Star magazine he was considering selling the videotape and images and said, "She cost me so much money, why shouldn't I make a few dollars?" Del Sardo said the judge told him he would refer the case to the county prosecutor's office since videotaping someone involved in sexual activity without that person's consent is prohibited under state law. Staub is one of five New Jersey women on the Bravo series, which premiered in May. Her bio on the show's Web site describes her as a newly single mother "whose history of celebrity hook-ups is one for the record books." "Known for being brutally honest," the bio says, "Danielle enjoys pushing people's buttons and doesn't apologize for it." Outside the courthouse, passers-by called greetings to Staub, and a small crowd gathered around her to take pictures with cell phones. "I like her. I like the fact that she's outspoken," said Cassandra Jordan, of Paterson, a devoted "Housewives" watcher. Her daughter, Brenda Jordan, had some words for Zalewski: "I think he just needs to find something better to do with himself," she said. APTN APEX 06-24-09 2036EDT ------------------- END -- OF -- ITEM -------------------

This 1950s film made by the Calvin Company and presented by Philipps Petroleum Company, features professor William A. Albrecht. Dr. Albrecht explains in the film how ''dumb animals'' such as the goat and the cow, always know which plants are healthier for them. This classic film presents Dr. Albrecht's pioneering work exposing the connection between animal and human health and soil fertility. The film shows images of sick Americans and children problems in their teeth requiring dentistry, and adults addicted to prescription drugs. "Is there a connection between human an animal health? One man who pondered these questions was Dr. William A. Albrecht of the University of Missouri..."<p><p>William A. Albrecht (1888–1974) PhD, Chairman of the Department of Soils at the University of Missouri, was the foremost authority on the relation of soil fertility to human health and earned four degrees from the University of Illinois. As emeritus Professor of Soils at the University of Missouri he saw a direct link between soil quality, food quality and human health. He drew direct connections between poor quality forage crops, and ill health in livestock and from this developed a formula for ideal ratios of cations in the soil, the Base Cation Saturation Ratio. While he did not discover cation exchange in the soil as is sometimes supposed, he may have been the first to associate it with colloidal clay particles. He served as 1939 President of the Soil Science Society of America.<p><p>Twenty years before the phrase 'environmental concern' crept into the national consciousness, he was lecturing from coast to coast on the broad topic of agricultural ecology. <p><p>" The soil is the ‘creative material’ of most of the basic needs of life. Creation starts with a handful of dust.” Dr. William A. Abrecht.<p><p>Albrecht was a devout agronomist, the foremost authority on the relation of soil fertility to human health and earned four degrees from the University of Illinois. He became emeritus Professor of Soils at the University of Missouri. Dr. Albrecht saw a direct link between soil quality and food quality, drawing direct connection between poor quality forage crops, and ill health in livestock.<p><p>From the late 1930s, as Chairman of the Department of Soils at the University of Missouri, he began work at the Missouri Agricultural Experiment Station investigating cation ratios and the growth of legumes. He had been investigating cattle nutrition, having observed that certain pastures seemed conducive to good health, and at some point he came to the conclusion that the ideal balance of cations in the soil was "H, 10%; Ca, 60 to 75%; Mg, 10 to 20%; K, 2 to 5%; Na, 0.5 to 5.0%; and other cations, 5%".<p><p>While Albrecht was a highly respected soil scientist, he discounted soil pH, stating that "plants are not sensitive to, or limited by, a particular pH value of the soil." Instead, he believed that the benefits of liming soil stem from the additional calcium available to the plant, not the increase in pH. This belief has continued to be held by followers to this day, despite much evidence to the contrary. Like much of the early research into BCSR where soil pH was not controlled, it is difficult to draw solid conclusions from Albrecht's research in support of BCSR.<p><p>"..."You have to have a vision. Unless you do, nature will never reveal herself." Dr William A Albrecht.<p><p>Throughout his life, Albrecht looked to nature to learn what optimizes soil, and attributing many common livestock diseases directly to those animals being fed poor quality feeds. He observed that :<p><p>"...“Food is fabricated soil fertility.” <p><p>Albrecht was a prolific author of reports, books and articles that span several decades, starting with his reports on nitrogen fixation and soil inoculation in 1919. <p><p>Albrecht was outspoken on matters of declining soil fertility, having identified that it was due to a lack of organic material, major elements, and trace minerals, and was thus responsible for poor crops and in turn for pathological conditions in animals fed deficient foods from such soils.<p><p>He laid the blame as:<p><p>"NPK formulas, (nitrogen, phosphorus, potassium) as legislated and enforced by State Departments of Agriculture, mean malnutrition, attack by insects, bacteria and fungi, weed takeover, crop loss in dry weather, and general loss of mental acuity in the population, leading to degenerative metabolic disease and early death.<p><p>This film is part of the Periscope Film LLC archive, one of the largest historic military, transportation, and aviation stock footage collections in the USA. Entirely film backed, this material is available for licensing in 24p HD and 2k. For more information visit http://www.PeriscopeFilm.com

Stations Please Note: This package contains third party material. Unless otherwise noted, this material may only be used within this package and within ten days of its initial delivery or such shorter time as designated by CNN.\n\nNOTE: We send our packages with discrete, separate audio. Our reporter's track can be removed by deleting the audio on channel one.\n\n"Tully" opens across the U.S. on Friday, May 4. The Motion Picture Association of America has rated it R for language and some sexuality/nudity.\n\nAFFILIATE MARKET NOTES: "Tully" was filmed in New York, New York, and in Vancouver, British Columbia, Canada. Charlize Theron was born Benoni, Transvaal, South Africa.\n\n --SUPERS--\n\n:00-:24\n"Tully"\nCourtesy Focus Features\n\n:24-:32\nCharlize Theron\n"Marlo"\n\n:32-:58\n"Tully"\nCourtesy Focus Features\n\n:58-1:06\nCharlize Theron\n"Marlo"\n\n1:06-1:32\n"Tully"\nCourtesy Focus Features\n\n1:32-1:35\nCharlize Theron\n"Marlo"\n\n1:36-1:44\n"Tully"\nCourtesy Focus Features\n\n --LEAD IN--\n\nA GORGEOUS OSCAR WINNER HAS A VERY DIFFERENT LOOK IN HER LATEST MOVIE, WHICH GETS REAL ABOUT PARENTING. DAVID DANIEL HAS A PREVIEW.\n\n --REPORTER PKG-AS FOLLOWS--\n\n(nat-crying, music)\n\nWRITER DIABLO (dee-ah-blow) CODY AND DIRECTOR JASON REITMAN (rite-man) RETEAM WITH THEIR "YOUNG ADULT" STAR, CHARLIZE THERON, FOR "TULLY," A LOOK AT EXHAUSTED MODERN MOTHERHOOD.\n\n"Hey, frozen pizza. Awesome."\n\nTHE ROLE CAME ALONG AT AN ALL-TOO-APPROPRIATE TIME FOR THERON.\n\n(nat-spill, splahs)\n\n"My second kid was only around seven months old, and so I was just coming out of that place where you're just so sleep-deprived."\n\n(nat-music) "Do you know what a night nanny is? They take care of the baby at night, so Mom and Dad can get some sleep."\n"I don't want a stranger in my house. It's like a Lifetime movie where the nanny tries to kill the family, and the mom survives and she has to walk with a cane at the end."\n\nBUT WHEN "TULLY," PLAYED BY MACKENZIE DAVIS, SHOWS UP, THERON'S "MARLO" GETS SOME MUCH-NEEDED HELP.\n\n"When it comes to parenting looking anything different than this perfect image that we are told it should be -- it's so strange to me that we can't be honest about how difficult that sometimes is." \n\n"You seem like a great mom."\n"Great moms organize class parties, and Casino Night. They bake cupcakes that look like Minions. All the things I'm just too tired to do. Honestly, even getting dressed just feels exhausting. I open my closet, and I just think 'Didn't I just do this?'"\n\nIN "TULLY," "MARLO" FINDS, NOT JUST A NANNY, BUT A FRIEND.\n\n"I think there's something very unifying in just not feeling like you're going through something alone."\n\n"You're empty."\n"Yeah."\n"No, you're empty on this side."\n"Oh."\n\nIN HOLLYWOOD, I'M DAVID DANIEL.\n\n -----END-----CNN.SCRIPT-----\n\n --KEYWORD TAGS--\n TULLY MOVIE FILM CHARLIZE THERON MOTHERHOOD PARENTING NANNY REITMAN CODY JUNO YOUNG ADULT DRAMA COMEDY SOUTH AFRICA MACKENZIE DAVIS RON LIVINGSTON MARK DUPLASS\n\n

Doctor reviewing x-ray scan on a digital tablet, Close-up

AP-APTN-1300: FIle Robbie Williams Thursday, 25 June 2009 STORY:FIle Robbie Williams- NEW Robbie Wiiliams questioned by police in the Bahamas over robbery LENGTH: 00:52 RESTRICTIONS: Check script for details TYPE: English/Nat SOURCE: AP Entertainment STORY NUMBER: 610759 DATELINE: File LENGTH: 00:52 CLIENTS PLEASE NOTE: SHOTLIST(including transcript):- AP Entertainment London, 25 June 2009 1. Various of Sun Newspaper - Robbie story AP Entertainment - File London, UK, 18 November, 2006 1. Medium shot of Robbie Williams AP Entertainment - File London, UK, 9 November, 2004 2. Various of Robbie Williams on red carpet signing autographs and talking to reporters AP Entertainment - File Berlin, Germany, 7 October, 2005 3. Mid of Robbie Williams talking on stage during press conference ROBBIE WILLIAMS PAPARAZZI POLICE INVESTIGATION Police in the Bahamas are investigating the robbery of two paparazzi a few hours after they snapped shots of British pop idol Robbie Williams lounging on an exclusive beach in Exuma and argued with his entourage. Superintendent Ellsworth Moss, who heads the detective unit of the Royal Bahamas Police Force, said Wednesday that investigators had questioned Williams about the early Sunday (21 JUNE 2009) robbery of the two celebrity photographers who travelled to Staniel Cay to sneak photos of the vacationing singer. Moss stressed that Williams was not a suspect but that the incident may have been a "spin-off" or been triggered by what reportedly happened with his party on the beach. A phone call to Williams' representative in London was not answered. The paparazzi - Matt Sanchez of Splash News &amp;amp; Picture Agency and freelancer Carlos Mendez - told police they got into a shouting match with Williams' entourage while they photographed the star with zoom lenses. Hours later, they alleged, four armed men broke into their rented room and stole $20,000 (US) dollars worth of cameras and other equipment. Assistant Commissioner of Police Raymond Gibson said two men were in custody in connection with the case. He did not disclose further details, saying the investigation was continuing. Williams has long been a singing star in Britain and is popular in other countries. But he hasn't generated much appeal in the United States, receiving more publicity for entering rehab for dependency on prescription drug than for his music. APTN APEX 06-25-09 0914EDT ------------------- END -- OF -- ITEM ------------------- AP-APTN-1300: Egypt Tamim verdict Thursday, 25 June 2009 STORY:Egypt Tamim verdict- NEW Billionaire sentenced to death for ordering killing of Lebanese pop star LENGTH: 02:54 RESTRICTIONS: Part No Access Lebanon TYPE: Arabic/Nat SOURCE: AP TELEVISION/FUTURE TV STORY NUMBER: 610737 DATELINE: Cairo/Beirut - 25 June 2009/FILE LENGTH: 02:54 SHOTLIST (including transcript):- AP Television - AP Clients Only Cairo, Egypt, 25 June, 2009 1. Wide exterior of Cairo South court 2. Close up of court sign 3. Wide of police trucks outside court 4. Mid of security 5. Various of Egyptian billionaire Hisham Talaat Moustafa, a former member of the ruling National Democratic Party, behind bars in court 6. Close of Moustafa's associate, former State Security officer Mohsen el-Sukkary behind bars 7. Police inside court 8. Close of Moustafa's son 9. Moustafa (centre) behind bars 10. Judge Muhammadi Qunsuwa walking into courtroom 11. Qunsuwa reading verdict, UPSOUND: (Arabic) "The court ruled unanimously to sentence to death both defendants, Mohsen el-Sukkary and Hisham Talaat Moustafa." 12. Cutaway of reporters 13. Moustafa's sister leaving court 14. Interior of court 15. SOUNDBITE: (Arabic) Kamal Younis, former lawyer for slain Lebanese pop star Susan Tamim: "There are ways to appeal the court's ruling, and appealing should be submitted in 60 days and it could be over ruled." 16. Moustafa family leaving court AP Television - AP Clients Only Beirut, Lebanon - 25 June, 2009 17. Tilt down exterior of Tamim's house 18. Mid of building 19. Various of photographs of Tamim 20. Wide of street +++++CLIENTS NOTE FOOTAGE AS INCOMING ++++ Future TV - No Access Lebanon ++NO RE-USE/RE-SALE WITHOUT CLEARANCE++ FILE: Unknown date and location 21. Various of video clips of Tamim singing MOGUAL SENTENCED TO DEATH OVER POP STAR KILLING An Egyptian court ratified on Thursday (25 JUNE 2009) the death sentence of an Egyptian real state mogul and his associate who were convicted in the killing of a Lebanese pop star. Hisham Talaat Moustafa, who is also a former ruling party lawmaker, was convicted of paying a retired Egyptian police officer two (m) million US dollars to kill 30-year-old Suzanne Tamim, while she was in Dubai in July. Moustafa and Tamim were lovers. Moustafa was sentenced to death on May 21 and after consulting with Egypt's grand mufti, the judge, Muhammadi Qunsuwa, ratified the verdict on Thursday. In death penalty cases in Egypt, the judge must seek the opinion of the grand mufti, the country's highest religious authority. However, the grand mufti's opinion is not legally binding. The case captivated Egyptians as it involved a member of an elite, often viewed as above the law. The hit man in the case, Mohsen el-Sukkary, was also sentenced to death for murdering Tamim, and was slapped with an additional 10-year sentence for possession of weapons. The judge also ordered confiscation of the two (m) million US dollars. Thursday's ratification was expected and the Mufti's approval of the death penalties did not come as a surprise. The case has drawn a media frenzy in Egypt and throughout the Middle East. Earlier on Thursday, the Cairo court building was encircled by dozens of black-clad security forces. Moustafa and el-Sukkary arrived in two separate prison vehicles and were placed in the caged-off area for suspects, with a partition between them. Moustafa and el-Sukkary did not react to the judge's pronouncement. Their lawyers said they will appeal within 60 days. Tamim rose to stardom in the late 1990s but then hit troubled times, separating from her Lebanese husband-manager, who filed a series of lawsuits against her. During interrogations, Moustafa said he broke up with his former lover Tamim after his mother opposed the couple's marriage plan. Moustafa comes from a religiously conservative Muslim family. Motives behind the killing are not yet known. According to Dubai investigators, el-Sukkary stalked Tamim to her apartment in the swanky Dubai Marina complex and entered using an ID of the management company from which she had recently bought her home. Blood-soaked clothes were found dumped outside the building, and police say the killer's face was captured on security camera footage. APTN APEX 06-25-09 0915EDT ------------------- END -- OF -- ITEM ------------------- AP-APTN-1300: US Jeff Buckley Thursday, 25 June 2009 STORY:US Jeff Buckley- NEW Singer lives on in documentary, 'Jeff Buckley: Grace Around the World' LENGTH: 04:53 RESTRICTIONS: Check script for details TYPE: English/Nat SOURCE: APTN/Sony Music Entertainment STORY NUMBER: 610741 DATELINE: Los Angeles, 09 June 2009 LENGTH: 04:53 CLIENTS PLEASE NOTE: ALL SUBSCRIBERS PLEASE ENSURE THAT FILM CLIPS ARE CLEARED FOR MEDIA BROADCAST AND/OR INTERNET USE OR THAT THEY COME WITHIN THE PROMOTIONAL WINDOW FOR YOUR TERRITORY. CONTACT DETAILS, WHERE AVAILABLE, MAY BE FOUND AT THE END OF THE SCRIPT. CLIENTS PLEASE NOTE: COMMERCIAL MUSIC, MUSIC VIDEO AND OR PERFORMANCES, MUST BE CLEARED ACCORDING TO YOUR OWN LOCAL MUSIC PERFORMANCE AND COPYRIGHT AGREEMENTS WITH YOUR APPLICABLE COLLECTING SOCIETY. DETAILS OF THE TRACKS, WHERE AVAILABLE, MAY BE FOUND AT THE END OF THE SCRIPT.YOU HAVE EDITORIAL RESPONSIBILITY FOR USE OF ALL AND ANY CONTENT INCLUDED WITHIN THE SERVICE, AND FOR LIBEL, PRIVACY, COMPLIANCE AND THIRD PARTY RIGHTS APPLICABLE TO THEIR TERRITORY. SHOTLIST (including transcript):- Sony Music Entertainment 1. Trailer excerpt: 'Jeff Buckley: Grace Around the World' UPSOUND (English) Jeff Buckley/Musician, talks about 'Grace': "Grace is what matters. In anything. Especially life, especially growth, tragedy, pain." "It keeps you from reaching for the gun too quickly. It keeps you from destroying things too foolishly. It sort of keeps you alive." AP Television Los Angeles, 09 June 2009 2. SOUNDBITE (English) Mary Guibert/Mother of Jeff Buckley, talks about 'Grace Around the World': "'Grace Around the World,' is a compilation of Jeff's performances on television throughout the world and also some road footage that we collected. And in between each performance we've used live, raw, interview footage, that we thought would help move the album forward." Sony Music Entertainment 3. Film clip: 'Jeff Buckley: Grace Around the World' UPSOUND (English) Jeff Buckley/Musician, talks about his interpretation of art: "If you've spent a night making love, you know exactly what it means to strip your ego down where you are there, expressing yourself, wordlessly collaborating on a moment." AP Television Los Angeles, 09 June 2009 4. SOUNDBITE (English) Mary Guibert/Mother of Jeff Buckley, talks about 'Grace Around the World': "Well, included in the limited edition package for the DVD is something very special that I've been working for years to make available to Jeff's fans. And that's a documentary called 'Amazing Grace: Jeff Buckley.' Sony Music Entertainment 5. Film clip: 'Amazing Grace: Jeff Buckley' UPSOUND (English) Jeff Buckley/Musician talking about his musical influences: 'My main musical influences? Hmm..." AP Television Los Angeles, 09 June 2009 6. SOUNDBITE (English) Mary Guibert, mother of musician, Jeff Buckley talks about the making of 'Amazing Grace: Jeff Buckley': "It was made over an 8 year period of time and includes raw footage of Jeff talking about his music and artists from around the world whom have been inspired by him." Sony Music Entertainment 7. Film clip: 'Amazing Grace: Jeff Buckley' UPSOUND (English) Jeff Buckley/Musician talking about his musical influences: "Love, anger, depression, joy and dreams. And Zeppelin, totally (laughs)." 8. Jeff Buckley performs, 'Eternal Life': 'Jeff Buckley: Grace Around the World' AP Television Los Angeles, 09 June 2009 9. SOUNDBITE (English) Mary Guibert/Mother of Jeff Buckley, talks about why she thinks Jeff never became mainstream in the United States: "Jeff never really made it mainstream at the time that 'Grace' was released because, all of the United States was listening to something else at the time. It was the emergence of grunge. I remember Hootie and the Blowfish won the VH1 award. We were just focusing our attention elsewhere. He was six times platinum in Australia, and many times platinum in France and in Britain. So the rest of the world recognised his talent. But I think their audience is more adult than ours." Sony Music Entertainment 10. Jeff Buckley performs, 'So Real': 'Jeff Buckley: Grace Around the World' AP Television Los Angeles, 09 June 2009 11. SOUNDBITE (English) Mary Guibert/Mother of Jeff Buckley, talks about the struggle Jeff had with commercial success: "But it was more important for him to meet an artistic standard of his own, than to sell lots and lots of records. And I think it was very practical of him. I think he wanted to have a long career and he said so." Sony Music Entertainment 12. Jeff Buckley performs, 'Hallelujah': 'Jeff Buckley: Grace Around the World' AP Television Los Angeles, 09 June 2009 13. SOUNDBITE (English) Mary Guibert/Mother of Jeff Buckley, talks about what Jeff would say about the new films: "I hope that someday when I do get to stand before him, that he'll say 'Good job mom. I'm proud of this outcome. It's really a nice piece, it's well done.'" Sony Music Entertainment 14. Film clip: 'Amazing Grace: Jeff Buckley' UPSOUND (English) Jeff Buckley/Musician: "I walked, talked, ate, drank, fell in love and out of love faster than anybody I ever knew. I guess I wanted to dash myself on the rocks. I guess I wanted to burn away a film that I felt was settling on me. I just wanted to work, that's all." 15. DVD box cover THE AMAZING GRACE OF JEFF BUCKLEY American singer-songwriter and guitarist Jeff Buckley has been dead for over a decade, but continues to live through the only hit album he left behind, 'Grace.' He was the son of Tim Buckley, also a musician. The latest tribute to Buckley, 'Grace Around the World' includes two DVDs and one CD. Serving as official keeper of Buckley's estate, his mother Mary Guibert talks about all the goodies fans can expect. "'Grace Around the World,' is a compilation of Jeff's performances on television throughout the world and also some road footage that we collected," said Guibert. "And in between each performance we've used live, raw, interview footage, that we thought would help move the album forward." The first DVD in the set features footage of Buckley performing live from during his much too short ride in 1994-95 - there's also the music video for 'Hallelujah' and the CD includes the first dozen songs on the DVD. The second disc is a documentary that Guibert spent eight long years collecting and editing with an additional never before seen film called 'Amazing Grace: Jeff Buckley' - also part of the set. This hour long look at Buckley features interviews with family, friends, musicians as well as live performances - linked by an on-camera interview with the star talking about himself. Although this isn't the first documentary made about the soulful singer, audiences in the United States are still only now discovering his music for the first time. "Jeff never really made it mainstream at the time that 'Grace' was released because, all of the United States was listening to something else at the time," Guibert said. "It was the emergence of grunge. I remember Hootie and the Blowfish won the VH1 award. We were just focusing our attention elsewhere. He was six times platinum in Australia, and many times platinum in France and in Britain. So the rest of the world recognised his talent. But I think their audience is more adult than ours." While Buckley struggled with commercial success, one thing remained clear - his creativity and fans always came first. "It was more important for him to meet an artistic standard of his own, than to sell lots and lots of records," said Guibert. "And I think it was very practical of him. I think he wanted to have a long career and he said so." It's been 12 years since Buckley drowned but his music continues to live on. 'Grace Around the World' is a tribute to his talent. "I hope that someday when I do get to stand before him, that he'll say 'Good job mom. I'm proud of this outcome. It's really a nice piece, it's well done,' smiled Mary Guibert. 'Jeff Buckley: Amazing Grace' is available in stores now. APTN APEX 06-25-09 0920EDT ------------------- END -- OF -- ITEM ------------------- AP-APTN-1300: US Oscars Thursday, 25 June 2009 STORY:US Oscars- NEW The Oscars honour the greatest year in cinema, 1939 LENGTH: 05:44 RESTRICTIONS: Check script for details TYPE: English/Nat SOURCE: APTN/Various STORY NUMBER: 610740 DATELINE: Los Angeles, 24 June 2009 LENGTH: 05:44 CLIENTS PLEASE NOTE: ALL SUBSCRIBERS PLEASE ENSURE THAT FILM CLIPS ARE CLEARED FOR MEDIA BROADCAST AND/OR INTERNET USE OR THAT THEY COME WITHIN THE PROMOTIONAL WINDOW FOR YOUR TERRITORY. CONTACT DETAILS, WHERE AVAILABLE, MAY BE FOUND AT THE END OF THE SCRIPT. SHOTLIST (including transcript):- AP Television Los Angeles, 19 June 2009 1. Wide exterior Academy of Motion Picture Arts and Sciences (AMPAS) building, with tilt down AP Television Los Angeles, 24June 2009 2. Wide AMPAS president Sid Ganis at podium, flanked by posters with title treatments for 1939 Best Picture nominees 3. Close up poster, with pan down 4. SOUNDBITE (English) Sid Ganis/President, AMPAS: "We looked at last year's movies and we thought, 'Wow! We nominated five, but there were many other really good films last year. And then, coincidentally, we've been doing a programme at the Academy, right now, of the great movies, nominated movies from 1939, a long time ago, 70 years ago. Those movies nominated in 1939 numbered ten. Ten movies were nominated in 1939 and they were among the greatest movies ever made it was one of the great years for movies, 'Gone With The Wind' was the winner and 'Wizard of Oz' was nominated, 'Ninotchka', movie after movie after movie, 'Wuthering Heights'... So, we thought about it and we said, 'Maybe this is time that we broadened the field a little bit.'" Warner 5. Film clip: 'Dark Victory' 6. Film clip: 'Ninotchka' AP Television Los Angeles, 3 June 2009 7. Setup shot director Francis Ford Coppola on arrivals line at 'Tetro' premiere AP Television Los Angeles, 2 June 2009 8. SOUNDBITE (English) Francis Ford Coppola/Director, on why 1939 is "the greatest year": "You know, it's hard to say how things gather and come together and then they're just the perfect conditions that make for a beautiful day or beautiful films. Obviously, in 1939, there were some fabulous talents and there was also a studio system at its high, so they were willing to finance projects, perhaps, that were ambitious and were risky." Warner 9. Film clip: 'The Wizard of Oz' AP Television Los Angeles, 19 June 2009 10. SOUNDBITE (English) Randy Haberkamp/Program Coordinator of Educational and Special Projects, AMPAS: "Just such a rich year. And that whole idea that the town was really busy and churning. It was after the Depression had started to go away. It was when sound movies had really found their groove. And it was also before the war had chopped the market off to make it harder to do big-budget films." Warner 11. Excerpt from 'Gone with the Wind' reissue trailer AP Television Los Angeles, 19 June 2009 12. Actor Ann Rutherford poses for photographer 13. Photographers cutaway 14. SOUNDBITE (English) Ann Rutherford/Actor, 'Gone with the Wind': "I'll tell you what impressed me. I don't know when David O. Selznick managed to sleep. He must have slept faster than any human being, because he seemed to be on the set every day that I was there. And (co star) Evelyn Keyes and I used to sneak ourselves onto the lot when we weren't even working. When it had nothing to do with a family scene, we both felt the same way about it." Warner 15. Film clip: 'Gone with the Wind' (Ann Rutherford, at left, with Evelyn Keyes) AP Television Los Angeles, 3 June 2009 16. Set up shot director Sofia Coppola on arrivals line at 'Tetro' premiere AP Television Los Angeles, 2 June 2009 17. SOUNDBITE (English) Francis Ford Coppola/Director: "You know, we were in bankruptcy at one point. We had this big, beautiful wine estate, and they were coming to serve us notice, and my little eight-year-old daughter stood on the balcony of the house and she told the guy, 'Remove yourself from this property. You can't be here. This is Tara!"' (Tara, the O'Hara plantation in 'Gone With The Wind'). Warner 18. Trailer excerpt: 'Gone with the Wind' (reissue) AP Television Los Angeles, 19 June 2009 19. SOUNDBITE (English) Ann Rutherford/Actor, 'Gone with the Wind': "It was a year that we have not known since." Warner 20. Trailer excerpt: 'Gone with the Wind' (reissue) NEW OSCAR RULES TRIBUTE TO 'GREATEST YEAR' Oscar's gonna party like it's 1939. As Academy president Sid Ganis stood at the podium to announce that next year's Oscar race would have double the number of Best Picture nominees, a boost from five to 10, he was flanked by two posters with title treatments of 1939's Best Picture nominees: 'Dark Victory,' 'Gone with the Wind,' 'Goodbye, Mr. Chips,' 'Love Affair,' 'Mr. Smith Goes to Washington,' 'Ninotchka,' 'Of Mice and Men,' 'Stagecoach,' 'The Wizard of Oz' and 'Wuthering Heights.' Ganis said in the aftermath of this year's Oscars, he began to think about how there were "many other really good films" that failed to make the Best Picture cut. "And then, coincidentally, we've been doing a programme at the Academy, right now, of the great movies, nominated movies from 1939, a long time ago, 70 years ago. Those movies nominated in 1939 numbered ten. Ten movies were nominated in 1939 and they were among the greatest movies ever made it was one of the great years." Ganis continued, "so, we thought about it and we said, 'Maybe this is time that we broadened the field a little.'" That Academy film program of weekly screenings of each 1939 nominee, 'Hollywood's Greatest Year,' began in May in Los Angeles and kicked off last weekend in New York. "It was just such a rich year," observed Randy Haberkamp, program coordinator of Educational and Special Projects for the Academy of Motion Picture Arts and Sciences. "The town was really busy and churning. It was after the Depression had started to go away. It was when sound movies had really found their groove. And it was also before the war had chopped the market off to make it hard to do big-budget films." The biggest was producer David O. Selznick's adaptation of Margaret Mitchell's epic novel of the Old South, 'Gone with the Wind' ('GWTW'), which became the Best Picture winner of 1939. Three-and-a-half years in the making, it cost a then-astronomical $4 million (m) US dollars to produce. But it was more than time and money that propelled the year's big winner. "I'll tell you what impressed me," remembered Ann Rutherford, 88, who played Scarlett O'Hara's sister Carreen, and who participated in a panel discussion preceding the Los Angeles screening. "I don't know when David O. Selznick managed to sleep. He must have slept faster than any human being, because he seemed to be on the set every day that I was there. And (co-star) Evelyn Keyes and I used to sneak ourselves onto the lot when we weren't even working. We both felt the same way about it." Director Francis Ford Coppola ('The Godfather') said he is most impressed at how 'GWTW' has been embraced by each succeeding generation. "You know, we were in bankruptcy at one point," recalled the director, 70, himself an Oscar-winning product of 1939 (born the same year and won 3 Academy Awards). "We had this big, beautiful wine estate," he continued, "and they were coming to serve us notice, and my little eight-year-old daughter stood on the balcony of the house and she told the guy, 'Remove yourself from this property. You can't be here. This is Tara!"' (Tara, the O'Hara plantation in 'Gone With The Wind'). (That 'GWTW'-paraphrasing girl, Sofia Coppola, went on to become an Oscar winner herself for writing 2003's 'Lost in Translation.') New special-edition 'GWTW' DVD and Blu-ray sets are slated to be released by year's end, and a 70th-anniversary 'Re-Premiere' of the film is scheduled for 13-14 November in Marietta, Georgia. 'Hollywood's Greatest Year' screenings continue through 8 August in Los Angeles and 12 October in New York. The 82nd Annual Academy Awards is set for 7 March 2010. APTN APEX 06-25-09 0925EDT ------------------- END -- OF -- ITEM ------------------- AP-APTN-1300: US Nintendo Thursday, 25 June 2009 STORY:US Nintendo- NEW Nintendo reveal the summer's new games on offer including 'Wii Fit' sequel LENGTH: 04:15 RESTRICTIONS: Check script for details TYPE: English/Nat SOURCE: AP Television/Nintendo STORY NUMBER: 610742 DATELINE: Los Angeles, 5 June 2009 LENGTH: 04:15 CLIENTS PLEASE NOTE: SHOTLIST (including transcript):- AP Television Los Angeles, 5 June 2009 1. Wide people playing Nintendo's game 'Wii Fit Plus' at E3 video game expo in Los Angeles Nintendo 2. Gameplay footage: 'Wii Fit Plus' AP Television Los Angeles, 5 June 2009 3. SOUNDBITE (English) Cammie Dunaway/Vice President, Nintendo Corp of America, on upcoming games: "I think this is going to be an exciting holiday for us because we have such a full line-up of products. It really starts off with the launch of 'Wii Sports Resort' July 27." Nintendo 4. UPSOUND Various narrated gameplay footage: 'Wii Sports Resort' AP Television Los Angeles, 5 June 2009 5. SOUNDBITE (English) Cammie Dunaway/Nintendo VP, on Wii Sports Resort: "'Wii Sports Resort' has 12 different sports. And I think in these economic times where families and everyone are looking for fun entertainment, staycations being big, that being able to spend your summer with 'Wii Sports Resort', skydiving onto the island, checking out archery, canoeing, playing basketball, enjoying 12 different sports, is going to be a lot of fun and provide hours of entertainment for folks." Nintendo 6. Promotional video: 'Wii Fit Plus' AP Television Los Angeles, 5 June 2009 7. SOUNDBITE (English) Cammie Dunaway/Nintendo VP, on 'Wii Fit Plus': "'Wii Fit' has been a really successful product for us around the world. And it's brought a lot of new people into video gaming. And with 'Wii Fit Plus' what we wanted to do is provide more customisation options. So that you can really create a routine that either targets a specific area that you're working on, or just enables you to work out for a specific amount of time. You want to work out 20 minutes without interruption, 30 minutes." Nintendo 8. Promotional video: 'Wii Fit Plus' AP Television Los Angeles, 5 June 2009 9. SOUNDBITE (English) Cammie Dunaway/Nintendo VP, on 'Wii Fit Plus': "So there are 15 new balance games and some of them are just outrageous, like being able to run an obstacle course that makes you feel like you are actually Mario. Or there's one that I like called 'Perfect Ten,' where you swing your hips to hit balls and you have to add up to the number ten. So you're really exercising your brain and exercising your body at the same time." Nintendo 10. Promotional video: 'Wii Fit Plus' AP Television Los Angeles, 5 June 2009 11. SOUNDBITE (English) Cammie Dunaway/Nintendo VP, on 'New Super Mario Bros. for Wii': "'New Super Mario Bros. for Wii' will be one that'll be under lots of trees and on lots of holiday wish lists." Nintendo 12. Trailer excerpt: 'New Super Mario Bros for Wii' AP Television Los Angeles, 5 June 2009 13. SOUNDBITE (English) Cammie Dunaway/Nintendo VP, on 'The Legend of Zelda: Spirit Tracks': "And then the new Zelda game for DS will certainly be a big one." Nintendo 14. Trailer excerpt: 'The Legend of Zelda: Spirit Tracks' AP Television Los Angeles, 5 June 2009 15. SOUNDBITE (English) Cammie Dunaway/Nintendo VP, on 'Style Savvy' for Nintendo DS: "Another one I think that is going to have a lot of strength is 'Style Savvy', which is a game that we're bringing over from Japan that allows you to create your own fashions, run your own boutique. And I think it'll find a very responsive audience with young women." Nintendo 16. Trailer excerpt: 'Style Savvy' UPCOMING NINTENDO GAMES FEATURE ZELDA, MARIO Nintendo is revisiting some of its biggest hits this summer and holiday season. The video game maker, whose Wiis dominate sales of home consoles and console games, is rolling out a sequel to its popular 'Wii Sports' title on 27 July, 'Wii Sports Resort.' "'Wii Sports Resort' has 12 different sports," said Cammie Dunaway, a vice president of Nintendo Corp of America. "And I think in these economic times where families and everyone are looking for fun entertainment, staycations being big, that being able to spend your summer with 'Wii Sports Resort', skydiving onto the island, checking out archery, canoeing, playing basketball, enjoying 12 different sports, is going to be a lot of fun and provide hours of entertainment for folks." At the E3 video game expo in Los Angeles last month, Nintendo also announced a new version of 'Wii Fit,' which has been among the top three-selling games every month since it was released packaged with the Wii Balance Board last fall. "'Wii Fit' has been a really successful product for us around the world. And it's brought a lot of new people into video gaming," Dunaway said. "And with 'Wii Fit Plus' what we wanted to do is provide more customisation options. So that you can really create a routine that either targets a specific area that you're working on, or just enables you to work out for a specific amount of time." The game-slash-workout tool includes 15 different games, including an obstacle course reminiscent of those conquered by Mario in 'Super Mario Galaxy' and another in which you must flap your arms to fly across an ocean. Other titles feature Nintendo's classic characters like Mario and Zelda. There's 'Super Mario Bros. Wii,' a side-scroller featuring the moustached plumber and the ability to play with four players, a sequel to 'Super Mario Galaxy,' and the DS game 'The Legend of Zelda: Spirit Tracks,' in which the player controls a train. APTN APEX 06-25-09 0925EDT ------------------- END -- OF -- ITEM -------------------

1530 WH NATIONAL MEDAL OF ARTS STIX UNI FS32 77 PRESIDENT DONALD TRUMP DELIVERS REMARKS AT CEREMONY TO AWARD THE NATIONAL MEDAL OF ARTS AND NATIONAL HUMANITIES MEDAL TRUMP: Thank you very much. Please. The First Lady and I would just like to welcome everyone to the White House a special place--very, very special. No matter where you go in the world this is one of those places that you never forget. This afternoon, it is my immense privilege to present our nation's highest honors for contributions to American art and culture. The National Medal of Arts and the National Humanities medal. Please join me in congratulating each of today's 16:10:27 recipients on their really and I mean, truly phenomenal achievement. It's an incredible achievement and congratulations to all. (APPLAUSE) With us today are Vice President Mike Pence. Mike, thank you very much. Secretary Steven Mnuchin. Secretary Betsy DeVos, thank you very much, Betsy. Chairman of the Joint Chiefs of Staff and a great warrior and a man who has done some incredible things two weeks ago, al-Baghdadi he did a very great job-al-Baghdadi the terrorist leader the head of ISIS is dead. Thank you very much, Mark Milley. Thank you very much. Please stand up, Mark. (APPLAUSE) Thank you. 16:11:34 Also, with us the--a friend of ours and a great congressman and a warrior in his own right Congressman Phil Roe, Phil, thank you wherever you may be. Thank you very much. Along with the Chairman of the National Endowment for the Arts Mary Anne Carter and the Chairman of the National Endowment of the Humanities Jon Peede, thank you very much. Thank you very much. Appreciate it. Thank you. Thank you. (APPLAUSE) Great nations produce great thinkers, artists, musicians and scholars who make our world a more beautiful, enlightened and joyful place. Each of today's recipients has made outstanding contributions to American society, culture and life. They exemplify the genius talent and creativity of our exceptional nation. (MUSIC) (APPLAUSE) I don't want to hear that whole song but I don't know, John, maybe we got to get it moving a little bit. But what a great movie. You have made some of the greatest movies of all time. Thank you very much. 16:13:23 Actor and friend, John Voight is one of America's greatest living legends in cinema. He has captivated audiences for more than half a century starring in dozens of Hollywood blockbusters including Midnight Cowboy, Coming Home, Mission Impossible, and National Treasure and another one I think it is frankly, the greatest boxing movie of all time--The Champ. And that was some great movie. Everyone was crying at that movie. I tried not to, John, but--wasn't easy. It wasn't easy. The Champ and that was with Ricky Schroder, right? Ricky Schroder. Really great job. That was incredible. John is an actor of astonishing range and depth as the memorable Ed Gentry he played one of the leading roles in Deliverance, another great one. 16:14:20 He became an investigative reporter tracking down Nazi war criminals in the Odessa File and inhabited the role of President Franklin Delano Roosevelt in Pearl Harbor. He was so great. And he masterfully played Howard Cosell in Ali that was not an easy role. I know Howard very well. I knew him very well. John captures the imagination of the audience and dominates almost every single scene he is in. He is a special person. He won the Academy Award for best actor, earned four Oscar nominations and four Golden Globes. John Voight, you are an amazing artist and a beloved icon of the American film. Congratulations receiving the national medal of arts. It is a tremendous, tremendous achievement and you deserve it. We really--we love having you here, especially since it is somebody that I happen to really like. (LAUGHTER) 16:15:25 So, thank you very much, John. Congratulations. (APPLAUSE) Sharon Rockefeller has been a strong advocate for the arts and public broadcasting. The first lady of West Virginia, Sharon fought on behalf of the state's school children and served on the board of the West Virginia Educational Broadcasting Authority. She is currently chairman of the board of trustees for the National Gallery of Art and has helped the Institution acquire breathtaking works of beauty some of the best anywhere in the world. Sharon has also served as president of the Washington Educational Telecommunications Association for 30 years. She helped establish WETA as one of the preeminent public broadcasting networks in the nation. Producing PBS News Hour and Washington Week among other programming. And now, maybe I'll start getting some good publicity on those particular shows. Can you please start working on that, Sharon? (LAUGHTER)16:16:33 They tend to be on the other side of things a little bit. I think now I have a better chance. Sharon, as you received the National Medal of Arts we thank you for enriching the lives of millions and I want to thank you very much for being here, Sharon. Great job you have done. (APPLAUSE) Incredible job. Another friend of mine, author James Patterson is one of the most prolific and talented fiction writers of all time. James has authored or coauthored 277 books and sold more than 16:17:18 400 million copies worldwide and I always tell James that I don't talk about the books that I've done when I'm in his presence because he has outdone me by a lot. You have sold a lot more books than me-- (LAUGHTER) --and I guess you've sold a lot more books than anyone but maybe one. I don't know, the Bible has you, right James? The Bible has you by a little bit, right? But James is most prolific and highly, highly talented. 218 of his tittles have earned a spot on the New York Times bestseller list. And 95 of them have been ranked number one. From Alex Cross to Invisible, James has entertained adults and children alike with gripping action, stirring adventure and thrilling mystery. He has also given millions of dollars and countless books to charity. James I want to just congratulate you. I know him so well and he is a special, special man with a very, very special family. So, congratulations on receiving the National Humanitarian Medal. I want to just congratulate you. It's fantastic. 16:18:26 Fantastic job. (APPLAUSE) Fantastic job. Thanks, James. (MUSIC) I like the music better go ahead. (MUSIC) 16:19:59 Alison Krauss is one of the most acclaimed musicians in America. She picked up a fiddle for the first time at the age of five, signed her first record at 14 and earned her first Grammy at 19. During a career spanning over three decades Alison has never been confined to one musical genre or style. She has received more than 25 top awards for gospel, country and bluegrass. She has sold over 12 million records worldwide, one more Grammys than any woman in history--well, that's pretty good. (LAUGHTER) That's a big--that's a big statement. Look how shy she is. (LAUGHTER) 16:20:53 And today we proudly present to her the National Medal of Arts and, Alison, I want to thank you very much for sharing your wonderful gift with the world. Thank you very much. Fantastic. (APPLAUSE) Chef and restaurant Patrick O'Connell is a preeminent culinary artist and a trailblazing industry pioneer. Patrick showcases the brilliance of American technique, the depth of American ingredients in the limitless potential of the American hike was seen 16:21:40 at its absolute finest. In 1978 Patrick opened The Inn at Little Washington in the small rural town of Washington, Virginia. Patrick transformed the former gas station into one of the most renowned fine dining establishments on earth. For the past two years The Inn at Little Washington has been one of the--just handful of restaurants in America to receive three Michelin stars. Everyday Patrick and his team pursue absolute perfection. They are true artists who fill us with pride in our national cuisine. Patrick as we award you the National Humanities Medal, very special, very powerful award we think you and your entire team for the enduring contribution 16:22:34 to American culture and I think the First Lady and I will have to stop by very soon because it sounds good to me and I have heard incredible things. Thank you very much. Thank you, Patrick very much. (APPLAUSE) Thank you very much. Thank you, Patrick. I would like to acknowledge the extremely talented White House chefs here this afternoon including Tommy Kurpradit. Tommy, you have to be around here. Tommy, thank you, Tommy. What a job you do. You do too good a job as far as I am concerned. (LAUGHTER) Who once worked under Patrick at The Inn and is one of America's leading think tanks the Claremont Institute has made invaluable contributions to the history of American conservative thought? Claremont educates, reminds and informs the Americans about the founding principles that have made our country the greatest nation anywhere on earth 16:23:42 through publications, seminars and scholarships they fight to recover the American idea, I know it will, by teaching about the declaration of independence, the Constitution, the writings of Abraham Lincoln whose bedroom is right above us, it is a great thing to see that bedroom is in it, general? Isn't that something? General went up and saw it recently and it is something very special. The Claremont Institute helps preserve our national traditions for generations to come. Accepting the National Humanities Medal on the half of the organization is Claremont Institute President Ryan Williams. Thank you very much Ryan for being here. Thank you. Great job. (APPLAUSE) Teresa Lozano Long is an extraordinary philanthropist and supporter of education and the arts. With her husband, Joe, she has given over $130 million to universities and cultural organizations in Texas. They created the Teresa Lozano Long 16:24:58 Institute Of Latin American Studies at the University of Texas in Austin which helps maintain one of the best archives on Latin American history anywhere in the world. Teresa was also the first Hispanic American to receive a doctorate in health and physical education from the University of Texas in Austin. She has also served as a member of the National Council on the Arts. Teresa, we are so honored to have you and it's a great privilege to present you the National Humanities Medal. Thank you very much, Teresa. (APPLAUSE) Thank you very much. So next I have the honor to recognize not just one but 6656 tremendous artist and patriots, the musicians of the United States military. That is really something, the job you do. Thank you very much. Forming 136 bands worldwide these awe-inspiring men and women in uniform perform over 35,000 times each year from concert halls to war zones. They touch the hearts of servicemembers of the front lines, wounded veterans and hospitals, Goldstar families that military funerals and Americans everywhere. They are not just mag--magnificent performers and they really are the finest anywhere in the world, they are also courageous warriors. We are join this afternoon by the premier band commanders and accepting the national medal of arts on behalf of all military musicians is now 21 year old, then 19-year-old when he joined Staff Sergeant (INAUDIBLE), the youngest premier band musician in the United States military and thank you very much Staff Sergeant, we appreciated that you are here and I will say that I have had the privilege of listening to along with the first lady in many of the people in the room vice president some of the greatest music I have ever listened to. These are incredibly talented musicians. Many of them could be in the great concert halls of the world but this is what they want in this is where they want to be and they wouldn't trade it for anything. I think we can say that with the surety. 16:29:13 The recipients of today's awards have uplifted the mind, spirit and soul of this country. You have made the life of our nation more rewording, entertaining and fulfilling. You have brought joy, comfort and meaning to the homes and hearts of countless Americans. I want to congratulate you all and I want to congratulate your loved ones. We are immensely grateful for everything you have done for our country and I would like now to ask the military aid to come forward and to please read the citations. Thank you. UNKNOWN: Alison Krauss. For making extraordinary contributions to American music, blending bluegrass, folk, gospel and country into a unique style she has entertained and enriched the souls of millions. (APPLAUSE) UNKNOWN: Sharon Percy Rockefeller for being a renowned champion of the arts, a generous supporter of charity, and a pioneer of new ideas and approaches in the field of public policy. (APPLAUSE) Musicians of the United States military for personifying excellence in music and service to country, for--from concert halls to war zones, these extraordinary patriots have inspired and uplifted their fellow Americans over generations with her incredible courage and breathtaking musical talent. (APPLAUSE) John Voight for his exceptional capacity as an actor to portray deeply complex characters. Captivating audiences, he has given us insights into the richness of the human mind and heart. (APPLAUSE) The Claremont Institute for championing the nation's founding principles and enriching American minds. It's publications and public events have deepened our understanding and appreciation of American freedom and democracy, justice, and rule of law. (APPLAUSE) Teresa Lozano Long for supporting the arts and improving educational opportunities. Through scholarship and through philanthropy, she has helped America's children and young adults learn the skills they need to succeed. (APPLAUSE) Patrick J. O'Connell for being one of the greatest chefs of our time. Through the end at Little Washington, he has raised a culinary arts to new heights of excellence by embracing regional flavors and celebrating local farmers. (APPLAUSE) James Patterson for being one of the most successful American authors of our time. His prodigious imagination has resulted in fascinating works that have been enjoyed by millions. His championship of literacy in America has inspired many to realize their potential. (APPLAUSE) TRUMP: Thank you all very much. Thank you.