OFF AIR. CU INTV/W US OLYMPIC HOCKEY TEAM PLAYER, MARK FUSCO, ABOUT THE WIN OVER THE SOVIET TEAM IN A PRE-OLYMPIC MATCH UP. TWO SHOT SNI HOST. CR:84 HIGHLIGHTS OF THE 1980 OLYMPIC HOCKEY GAME US - USSR. VS MIKE ERUZIONE SCORES THE WINNING GOAL TO PUT THE US AHEAD 4-3. CR;131 WS LAKE PLACID OLYMPIC ARENA BETWEEN PERIODS. CR:149 CS VO "THE AMERICANIZATION OF HOCKEY". CU PHOTO OF MIKE KARAKAS OF THE CHICAGO BLACK HAWKS (1935 ROOKIE OF THE YEAR). CU TEAMMATE ELWYN "DOC" ROMNES. CU FRANK BRIMSEK OF THE 39' BOSTON BRUINS. CU SAM LOPRESTI OF THE BLACK HAWKS. CU JOHN MARIUCCI, ASSISTANT GENERAL MANAGER MINNESOTA NORTH STARS, SAYS IN MINNESOTA THEY HAVE AN EXTENSIVE HOCKEY PROGRAM WHICH HE CREDITS FOR THE AMERCIAN SUCCESS IN HOCKEY. CU BILL CHRISTIAN 1960 MEMBER OF THE US OLYMPIC HOCKEY TEAM, TALKS ABOUT WINNING THE GOLD MEDAL. VS PHOTOS OF THE 80 WIN AT THE OLYMPICS. CU PHIL HOUSLEY OF THE 84 OLYMPIC TEAM TALKS ABOUT THE CONTRIBUTION OF THE 80' GOLD MEDAL TEAM. VS HIGHSCHOOL AND COLLEGE HOCKEY TEAMS. CU BOB JOHNSON, COACH OF WISCONSIN BADGERS, TALKS ABOUT AMERICAN COLLEGE HOCKEY SPORTS PROGRAMS TO TEAMS. CU ROD LANGWAY, 1983 TOP DEFENSEMAN IN THE NHL (NATIONAL HOCKEY LEAGUE), RECEIVES THE NORRIS TROPHY. CU BRIAN LAWTON, NHL'S '83 TOP DRAFT PICK. CR:311 SECOND PERIOD PLAY BETWEEN THE US AND THE USSR. CU COACH LOU VAIRO. CR:376 PHIL VERCHOLA SCORES A GOAL FOR TEAM USA. CR:420 MS ARTIST OF PETER MAX PAINTING AN OLYMPIC POSTER. CU DAVID JENSEN. CR:465 SOVIETS SCORE A GOAL 2-1. CU PAT LAFONTAIN. CR:563 ED OLCZYK SCORES A GOAL TO TIE THE GAME 2-2. CU SOVIET YURI VOZHAKOV. CU SCOTT BJUGSTAD. CI: PERSONALITIES: FUSCO, MARK. PERSONALITIES: ERUZIONE, MIKE. PERSONALITIES: KARAKAS, MIKE. PERSONALITIES: ROMNES, ELWYN. PERSONALITIES: BRIMSEK, FRANK. PERSONALITIES: LOPRESTI, SAM. PERSONALITIES: MARIUCCI, JOHN. PERSONALITIES: CHRISTIAN, BILL. PERSONALITIES: BJUGSTAD, SCOTT. PERSONALITIES: HOUSLEY, PHIL. PERSONALITIES: JOHNSON, BOB. PERSONALITIES: LANGWAY, ROD. PERSONALITIES: LAWTON, BRIAN. PERSONALITIES: VAIRO, LOU. PERSONALITIES: VERCHOTA, PHIL. PERSONALITIES: MAX, PETER. PERSONALITIES: JENSEN, DAVID. PERSONALITIES: LAFONTAIN, PAT. PERSONALITIES: OLCZYK, ED. PERSONALITIES: VOZHAKOV, YURI. SPORTS: HOCKEY. SPORTS: OLYMPICS. ART: PAINTING.

TAPE: EF03/0481 IN_TIME: 14:05:46 DURATION: 13:19 SOURCES: APTN/Various RESTRICTIONS: No re-use/re-sale of film clips without clearance DATELINE: 25th May 2003, Cannes SHOTLIST APTN Material Cannes, 25 May 2003 1. Pan down of front of Le Palais Du Festival. 2. Crowd shot 3. Pull out cast of 'Sharasojya' arriving 4. Close-up Denys Arcand (director of 'Les Invasions Barbares') 5. Mid shot Erri De Luca (head of Jury) 6. Close-up and pull out of Gus Van Sant, director and cast of 'Elephant' 7. Pull out Samira Makhmalbaf, director of '5 O'clock In The Afternoon' (Panj E Asr)) 8. Mid shot Win Wenders, director of 'The Soul Of A Man' 9. Close-up press 10. Various arrival 11. Pull out of Oranella La Muti, Actress 12. Cutaway crowd 13. Various Liz Hurley, Model/Actress, and boyfriend 14. Cutaway press 15. Various arrival 16. Mid shot Sting and Trudie Styler 17. Cutaway press POOL 18. Various Gus Van Sant receives Palme d'Or 19. SOUNDBITE (English) Gus Van Sant, Director: "Thank you very much jury, it's amazing, for many years I've tried to get my films into the Cannes Film Festival and this time it's very rewarding to have something like this." 20. Various of audience clapping 21. Gus Van Sant holding up Palme d'Or HBO Films 20. Film clip - 'Elephant' APTN Material Cannes, 25 May 2003 25. SOUNDBITE (English) Gus Van Sant, Director: "It feels really great because I always wanted to just compete in Cannes, whether or not we won anything. I always think that the competition in Cannes is where the action is in the entire film festival world so it feels great to be part of that and to win the actual Palme d'Or is fantastic." 26. Cutaway Gus Van Sant 27. SOUNDBITE (English) Gus Van Sant: "There were many other incidents of high school violence that involved guns around the United States and other places, even other parts of the world. But usually Columbine is the model for that behaviour and there are a number of things in our film that reflect that, that suggest Columbine." POOL 27. Various Nuri Bilge Ceylan, Director, receives Grand Prix 28. SOUNDBITE (English) Nuri Bilge Ceylan, Director: "Thank you very much - first to the judge jury and Gilles Jacob (festival president) and Thierry Fremaux (artistic director) for selecting me here. Like Samira I also want to dedicate this prize to a Turkish filmmaker who received a Palm D'Or here about twenty years ago, Yilmaz Guney, but he could never take his prize back to Turkey. He died in Paris in suffering and he could never see his country again and now I understand how difficult it is." NBC Film 29. Film clip - 'Uzak' APTN Material Cannes, 25 May 2003 30. SOUNDBITE (English) Nuri Bilge Ceylan: "He was also my cousin you know? He was a very joyful person and I can't imagine a set without him and this one also, very absurd you know? He got a prize in Cannes and he didn't see it - this is very tragic." 31. Close-up award POOL 32. Various Samira Makhmalbaf, Director, receives Jury prize 33. SOUNDBITE (English) Samira Makhmalbaf, Director: "Thank you very much. I would like to dedicate this prize to all of the women of the world who have big desire and feel responsibility to the war but don't have any opportunity." Wild Bunch 34. Film clip - '5 O'Clock In The Afternoon' (Panj E Asr) or (A Cinq Heures de l'Apres-Midi) APTN Material Cannes, 25 May 2003 35. SOUNDBITE (English) Samira Makhmalbaf, Director: ''American government didn't do anything in Afghanistan except from changing the Taliban rule that they brought to power themselves. And it's a wrong thing that remember America went to Afghanistan and accused people of...but when you go there it's not like that. The mass media is like this, 100 percent of the news about Afghanistan, then they lower it down and when it goes to zero percent, we think 'no more problem, we have finished'. Then 100 percent in the news about Iraq and then they lower it down and then we all forget it. But maybe through cinema we can go deeper to the life of humanity in different nations." 33. Close-up Samira Makhmalbaf 34. SOUNDBITE (English) Samira Makhmalbaf, Director: "Hollywood film? No. You mean commercial film? Why? No, why? All of the people are doing that. I film myself representing people who have no-one to talk about them. And for me personally I feel better while I'm living this way, I'm having their experiences. No of course I'm very representative." POOL 36. Various Denys Arcand receives best screenplay award 37. SOUNDBITE (French) Denys Arcand: "Thank you very much. It is always a pleasure to be in Cannes and it is always a pleasure to receive a prize, if I had won more often I would never have come back " Flach Pyramide International 38. Film clip - 'Les Invasions Barbares' APTN Material Cannes, 25 May 2003 36. SOUNDBITE (English) Denys Arcand: "If you come from a small country it's a major thing because look at the media. The media are forced to look at your films so the buyers will look at your films and eventually your films get bought and it's distributed all over the world. If you're an American working for a big studio you don't need this. We do desperately so I'm a happy man." 37. Tilt-up Denys Arcand with prize 38. Cutaway press HBO Films 39. Film clip - 'Elephant' APTN Material Cannes. May 20, 2003 40. SOUNDBITE (English) Gus Van Sant: "It was a direct reaction to the actual event of Columbine where 4 years ago huge headlines in all the magazines and newspapers and just really really like a lot of focus on that particular event, which extended to violence in the cinema, violence on television, violence in video games, kid culture, violence in music; it was such an explosive thing that I wanted to make something about it." HBO Films 41. Film clip - 'Elephant' APTN Material Cannes. May 20, 2003 42. SOUNDBITE Gus Van Sant: (English): "There wasn't dialogue written down, the students performed all of their dialogue without anything being written, and sometimes they would suggest things, sometimes during a rehearsal I would say, this is good, this is bad, but there was never anything written down specifically, they were pretty much encouraged to be themselves and talk like they would talk and the things that they would talk about." APTN Material Cannes, 25 May 2003 43. Mid shot Gus Van Sant holding up award at press conference 44. Various arrivals at post Awards dinner 45. Mid shot Gus Van Sant, Danis Tanovic (jury member/ director), Meg Ryan (jury member/actress) 46. Pan of party 47. Mid shot Gus Van Sant, Danis Tonovic and Meg Ryan ELEPHANT TRUMPS COMPETITION IN CANNES GUS VAN SANT's 'Elephant,' a disturbing film about a fictional high school shooting in the United States, won the top prize at the Cannes on Sunday, bringing the most low-key festival for many years to an end. Despite speculation that the this year's competition would favour French-backed projects, the Amercian film was triumphant scooping the best director prize, as well as the Palme d'Or. Director Van Sant took a massive risk and cast real high school students, not professional actors, to star in the film, and asked them to improvise their lines. For Van Sant, the film harks back to the small, lower-budget movies he once made, like 'My Own Private Idaho.' He shot the film in just 20 days. It starts out showing an ordinary school day, with students gossiping in the cafeteria, playing football or working in the photography lab. The end is stunning and graphic: Two students go on a Columbine-style shooting spree in the hallways. So impressed were the jury that they campaigned to change the Festival's rules and award Van Sant, best known for 'Good Will Hunting,' the prize for best director as well. His win also proved that despite world politics there was no tension between filmakers form France and the USA. "Thank you very much, from the bottom of my heart," he said, looking somewhat stunned after winning the festival's top prize. "For years, I tried to bring one of my films to the Cannes festival and this time, it's invigorating to receive such a prize. Long live France!" The director was the first American to take the Palme d'Or since Quentin Tarantino won for "Pulp Fiction" in 1994. 'Uzak,' (Distant) a Turkish film about a jobless man from the countryside who irritates his sophisticated city cousin by moving into his apartment, won the Grand Prize, or second place. The film's two stars, Muzaffer Ozdemir and Mehmet Emin Toprak, shared the award for best actor. They played the two cousins - both lonely and alienated, but unable to become friends. Toprak died in a car crash shortly after learning that the film was selected to show in Cannes; Ozdemir is an architect by profession, not an actor. The director NURI BILGE CEYLAN spoke of his grief this evening as Toprak was his cousin. The screen writing prize went to DENYS ARCAND for 'Les Invasions Barbares' (The Barbarian Invasions). He also directed the French-Canadian film about a man who confronts death with humour and sharp intelligence. The movie seemed to touch the most hearts in Cannes, and had many viewers wiping away tears. Marie-Josee Croze, who plays a young drug addict recruited to supply the dying man with heroin to ease his pain, won the award for best actress. The jury prize went to 'At Five in the Afternoon,' by 23-year-old SAMIRA MAKHMALBAF of Iran. The movie - her third to show in Cannes - is about a spirited young Afghan who dreams of being her country's first woman president. 'Reconstruction,' by Denmark's Christoffer Boe, won the Camera d'Or, an award for the best film by a first-time director. The prize for best short film went to Australia's Glendyn Ivin for "Cracker Bag," about a girl who saves her pocket change to buy firecrackers. Palm d'Or - 'Elephant' Best director - Gus Van Sant Grand Prix - 'Uzak' Best actress - Marie Josee Croze - 'Les Invasions Barbares' Best actor - Muzaffer Ozdemir and Mehmet Emin Toprak - 'Uzak' Jury Prize - '5 O'clock In The Afternoon' (Panj E Asr) or (A Cinq Heures de l'Apres-Midi) Best screen play - Denys Arcand - 'Les Invasions Barbares' Camera d'Or - 'Reconstruction' FILM CLIP DETAILS Modern Times MK2 33 (0) 1 44 67 30 00 Elephant HBO Films 44 (0) 20 7984 5051 Uzak NBC Film 90 212 249 6962 5 O'Clock In The Afternoon (Panj E Asr) Wild Bunch 33 (0) 1 53 01 50 24 Flach Pyramide International Les Invasions Barbares 33 (0) 1 42 96 02 20