Title reads: "Spurs beat Plymouth". <br/> <br/>Home Park, Plymouth, Devon. <br/> <br/>Football Association FA Cup 4th Round. Various shots match between Plymouth Argyle and Tottenham Hotspur (Spurs). Final score is 5-1 to Spurs. <br/> <br/>Spurs players include: Les Allen, Terry Medwin, Cliff Jones, Jimmy Greaves, Bill Brown, Danny Blanchflower, John White, Davie MacKay, Peter Baker, Norman. <br/> <br/>Plymouth players include: Ken Maloy (Malay), MacClaren (McLaren, MacLaren), Johnny Newman, McAnearney, Peter Anderson. <br/> <br/>NB: differing name spellings given in paperwork and old records - alternative spellings for search purposes in brackets.

Several interior shots of art gallery, works by primitive painters on wall, group of girls, Norman McLaren looking at paintings, leafing through album of paintings by Marie Bouchard, Cecile Bouchard, Anne Simard, Alfred Deschenes, Robert Cauchon.

08/05/64 A0007313 MONTREAL: 25TH ANNIVERSARY OF THE NATIONAL FILM BOARD OF CANADA: UNCUT "ANNIVERSARY" SHOWS: EST SHOT OF THE MAIN ENTRANCE NFB, OF CAMPA BUILDING, MONTRAL: TILT DOWN FROM NFB, PLAQUE TO PEOPLE ENTERING BUILDING: PAN NIGHT TO LEFT WITH A FORMER STAFF MEMBER BEING GREETED: L TO R PAN TO CU OF MR, CHARLES S, BAND, OF TORONTO: R TO L PAN WITH THE HON, ELY - FAILOUGH, MR, R, GORDON ROBERTSON AND GUEST ARRIVING AND ENTRANCE BUILDING: FOYER MRS DON MULHOLLAND STAFF MEMBER AND GUEST: FOYER - MRS, DON WILLHOLLAND STAFF MEMBER AND GUEST: MAURICE LAMONTAGNE, & MRS, GUY ROBERGE: MRS, M LAMONTAGNE HAVING CARNATION PINNED ON: STAFT MEMBER PINNING CARNATION ON MAN'S LAPE: ANOTHER STAFT MEMBER SANG: ON ANOTHER GUEST: NORMAN MCLAREN(LEFT) DISCUSSING, HIS PAINTING "PARK" WITH TWO FELLOW MEMBERS OF THE STAFF; PAINTING,RIGHT TO LEFT PAN TO NORMAN MC LAREN,: JOHN GRIKSON, MR, & MRS, GUY ROBERGE, AND HON, AMAURICE AND MRS LAMONTAGE ENTERING STAGE: DISTENGUISHED GUESTS TAKING PLACE ON PLATFORM OF SHOOTING STAGE: GUESTS PASSING CAMERA, R TO L: EVERONE SITTING DOWN: PRESSES LAMONTAGE, ROBERTS AND GRIERSON: AUDIENCE APPLAUDING: MR ROBERGNE MAKING SPEECH: SAME: AUDIENCE APPLAUDS: SIDE ANGIE MR, ROBERGE SITS DOWN AND MR, LAMONTAGE STARTS HIS SPEECH MR LAMONTAGNE MAKING SPEECH: MR, GRIERSON AND MRS, LAMONTAGNE APPLAUDE: ZOOM CUT TO LS LAMOTAGNE FINISHED SPEECH AND SITS DOWN: AUDIENCE APPLAUDS: ZOOM CUT IS TO JOHN GRIERSON MAKING SPEECH: AUDIENCE APPLAUDS: ZOOM INTO MCS MR, GRIERSON SITTING DOWN BETWEEN MR ROBERGE AND MRS, LAMONTAGNE: MRS, DONALD C, MILHOLLAND PRESENTING AWARDS TO RON ALEXANDER AND ROGER LAMOUREUX: L TO R PAN WITH MR, ELDON RATRBURN RECEIVING THE AWARD: AUDIENCE: GUY BORREMAN RECEIVING THE AWARD: VICTOR MERRILL RECEIVING AWARD: FROM MR, W, ARTHUR IRWIN: DONALD BRIITTAIN RECEIVING THE AWARDS: FROM MR, A, W, TRUEMAN: MRS MULHOLLAND WITH THE AWARD WINNERS: PAN DOWN FROM, GEORGES ROUQUIER TWO GUESTS CHATTING: L TO R PAN 3 SHOTS CENTER MR, SIDMEY NEWMAN: CHATTING WITH FORMER COLLEAGUES (SHOT 8/5/64 XXFT) MOVING PICTURES - CEN BAN CHARLES FAIRCLOUG ELLEES CAFADA - NONTREAL MUTHOLLAND (MRS) DON MCLAREN NORMAN NATIONAL FILM BOARD LAMONTAGNE MURICE GRIERSON JOHN RONERGS OUY AND WIFE RATHEDURN ELDON BORREMAN GUY MERRILL VICTOR BRITTAIN DONALD TRUEMAN A W NEWMAN SIDNEY ROUQUIER GEORGES XX N,F,B, / XX FT / 16 NEG / R4705

Animator and experimental film artist Norman McLaren talks with film historian William Sloan, and introduces excerpts from his work to illustrate his ideas and techniques. Scottish-born McLaren, who made his home in Canada and was an early member of the National Film Board of Canada, was a pioneer in short films using various film tricks, animation, painting on film and handmade sound tracks. Film excerpts here include sections from: "Boogie Doodle", "Loop and Dots", "Begone Dull Care", "Rythmetic", "Poulette Grise", "Neighbors", "Canon", "Pas de Deux". These films illustrate experiments with a wide variety of techniques. Sound tracks, often drawn directly on the film, include jazz, electronic warbles, scratching, distorted dialogue, and classical music. 1970. The eminent animator and experimental film artist Norman McLaren talks here with film historian William Sloan, and introduces excerpts from his work to illustrate his ideas and techniques. Scottish-born McLaren, who made his home in Canada and was an early member of the National Film Board of Canada, was a pioneer in short films using various film tricks, animation, painting on film and handmade sound tracks. Film excerpts here include sections from: "Boogie Doodle", "Loop and Dots", "Begone Dull Care", "Rythmetic", "Poulette Grise", "Neighbors", "Canon", "Pas de Deux". These films illustrate experiments with a wide variety of techniques. Sound tracks, often drawn directly on the film, include jazz, electronic warbles, scratching, distorted dialogue, and classical music. 28 mins. Produced and Directed by Merrill Brockway. Air Date: 3/22/70. Norman McLaren, film artist at the National Film Board of Canada. William Sloan, Editor of Film Library Quarterly and Film Director of Donnel Library, New York City.

George Dunning -artist, illustrator, film animator - explains his work, draws, tours his studio in England showing how film animation is produced from hand-drawn cells. Many examples of his pictures and films, including "The Flying Man", "Damon the Mower," and the Beatles animated film "The Yellow Submarine". Topics: Techniques that transform drawings and paintings into film --exposure sheets, levels where characters should appear, "peg" animation. Dunning shows how he achieved sequential drawings for "Damon the Mower." His acknowledged debt to Canadian filmmaker Norman McLaren. 1973. George Dunning --artist, illustrator, film animator - explains his work, draws, tours his studio in England showing how film animation is produced from hand-drawn cells. Many examples of his pictures and films, including "The Flying Man", "Damon the Mower," and the Beatles animated film "The Yellow Submarine". Topics: Techniques that transform drawings and paintings into film --exposure sheets, levels where characters should appear, "peg" animation. Dunning shows how he achieved sequential drawings for "Damon the Mower." His acknowledged debt to Canadian filmmaker Norman McLaren. George Dunning, art, animator Artists and workers in his studio

Interior MCS of Rita Kilpatrick, an Indian woman and of National Film Board Commissioner Sydney Newman, Guy Glover appearing in picture, all of them waiting for arrival of Mrs Indira Gandhi. Interior MCS of Mrs Gandhi entering. MCS of Mrs Gandhi with Newman and Glover. CSs of face of Mrs Gandhi, of cameramen, of Mrs Gandhi walking out of office while people are talking. Shots of Jean-Louis Roux, Rita Kilpatrick, Huguette Parent and others, of Mrs Gandhi and Sydney Newman passing in front of camera. MS of Norman McLaren coming in followed by Mrs Gandhi and Newman, of Newman presenting film to Mrs Gandhi, of Mrs Gandhi walking away with Newman. (21/06/1973)

Inside the National Film Board of Canada (NFB): interior shots of Science Film Unit Studio, Jos Durden setting up microphotography apparatus. CU of equipment. Several shots of Dalton Muir setting up time-lapse shot of plant. HAS of water in large aquarium, of Barrie McLean preparing to shoot interior of tank through glass side. Shots of McLean climbing out of well, checking various controls. Shots of several women at work in negative cutting room. HAMS of foot splicer being used. DOLLY SHOT along hallway in what is now the music and effects library. FOLLOW SHOT of woman entering vault building. DOLLY SHOT along alleyway in vault, film cans seen through wire mesh. Interior shot of vault cage, cans of printing materials laid flat on work. Shots inside mixing room, Willi Ulmer and assistant at work. Shaky walking shot in Animation Department hallway, past poster on wall, to MS of Norman McLaren's name plate on door. Shots of animation camera at work. Interior shots of front lobby ending on name directory on wall. CUs of names on directory. ZOOM IN to HAS of still photo of NFB buildings.

JOHN WHITNEY INTERVIEW: *****John Whitney I have energized relay here and this is this is the Bank of amplifiers that drive the server modem of the system Narrator the computer, which created the star gate character in the film 2001 was developed by the man behind these glasses, John Whitney, is three sons and his brother James have all used his machines to make computer films. The witnesses are not inhibited by the specter of giant computer companies. They build their own. John Whitney They're hardly to be called computers because they're really specialized problem solvers. They were computers that were designed to compute only on one kind of an equation. For many years, I had been doing straight animation using the hand drawing techniques or primitive forms of manipulation of artwork in one way or another some of the things that Norman McLaren has done, in fact, I've drawn on directly on film. And but it was only in the mid 50s, when I began to see these devices that it became clear that there were great possibilities for developing animation machines that would manipulate design in ways that could never be done by hand, as drawing almost a perfect circle here, and now many cycles later, it might be drawing a straight line path. The fact that it's putting this kind of motion, as a series of images on one motion picture frame at a time means that it gets on the screen in quite a different way than it is here. The fact that this is a circle pattern does not mean that the image generated by this pattern will be a circle on the screen, it'll be some sort of a complex overlay pattern of a whole series of circles, or some sort of a flowing Halftone Pattern possibly. I'm also working with the modern digital computer systems through their my research grant from IBM. And there I am using a completely electrical solid state electronic system, which involves no mechanical moving parts to speak. And there, I get to the heart of the problem. There are mathematical equations that generate very, very elegant images, very, very elegant designs.

Montreal: TILT DOWN facade of National Film Board of Canada (NFB) building, people entering. MCU of plaque. Film Commissioner Guy Roberge and David Bairstow entering building past camera. Interior shot of Guy Roberge posing with Secretary of State Maurice Lamontagne. Two-shot of Pierre Juneau and a woman. Cut to Norman McLaren explaining painting to couple. MCU of McLaren talking. Interior shots of shooting stage, large crowd, John Grierson arriving with woman. Michael Spencer introducing members of Board of Governors on stage. Maurice Lamontagne, John Grierson, Guy Roberge and others are sitting in first row. Cuts to audience listening, applauding. Shots of Guy Roberge speaking, Maurice Lamontagne speaking, Guy Glover speaking for English Production, Victor Jobin speaking for French Production. MLSs of people stepping up on stage to receive 25 years of service award: Tom Daly, Maurice Blackburn, Les Baird, Helene Friesen, Rolland Provost (two shots). Sequence in Theatre 3 of filmmakers receiving Mulholland award: Ron Alexander, Eldon Rathburn, Dennis Gillson, Guy Borremans. Donald Brittain is master of ceremonies, Mrs. Mulholland presents some of the awards. Alexander, Mrs. Mulholland and Roger Lamoureux pose together. PAN of group of winners: Lamoureux, Alexander, Borremans, Vic Merrill, Rathburn, Mrs. Mulholland and Brittain. Various shots of NFB party in the interior courtyard, Don Douglas and his musicians. 3-shot of Jerry Graham, Sydney Newman and another man.

Various shots of governor general Vincent Massey arriving at National Film Board Building, being met by Film Commissioner Guy Roberge on sidewalk, meeting people and chatting with them in lobby, walking into main theatre, everybody standing, being guided about building by Roberge. Shot of set on shooting stage, actors, TILT DOWN to governor general sitting in director's chair. Shot of governor general Massey chatting with filmmaker Norman McLaren explaining about Moviola editing machine. Shot of governor general visiting sound department, being briefed on the job done by some of the equipment, Roberge and Terry Graham standing by. Shot of governor general Massey passing through sound stage, mix in progress. Shot of visit at animation department, Colin Low, Robert Verrall and Jerry Budner explaining to governor general. Shot at shooting stage showing governor general looking at cameras, at sets and at actors on set. CU of George Dufaux behind camera. Interior shot of cutting room, Dennis Sawyer working assiduously. Various shots of people in hallways including Dave Bairstow, of artists' cubicules in animation department, of Verrall holding cell, of Don Zion at work.