00:00:00:00 Ballet dancing on stage (full dress rehearsal of Donizetti variations by Balanchine) (0:00)/

12/09/68 A0053776 NEW YORK BALANCHINE BALLET DIRECTOR AT NEW YORK CITY BALLET. UNCUT "BALANCHINE" SHOWS: SOF Q & A GEORGE BALANCHINE: (SHOT 12/9/68 177FT) DANCES - BALLET BALANCHINE, GEORGE - SOF XX / 177 FT / 16 NEG

3/14/2021

Cologne, Germany. <br/> <br/>German commentary, documentation on file. <br/> <br/>Various shots of the ballet "The Nutcracker" being performed on stage in Cologne. The Choreography is done by the American George Balanchine. <br/> <br/>(Comb. F.G.)

NEW YORK CITY BALLET PERFORMING PARTY SCENE OF GEORGE BALANCHINE NUTCRACKER

Jacques D'Amboise, Christopher D'Amboise D?Amboise choreographs Cavett, who is nursing a sprained ankle and with a cane in the second show Parts 1 and 2 Jacques d'Amboise (born July 28, 1934) is an American danseur and choreographer.He was a principal dancer with the New York City Ballet, where ballets were especially created for him by famous choreographer George Balanchine. Christopher d'Amboise (born 1960 in New York City) is a danseur, choreographer, writer, and theatre director.

SPEECH - Sarah Jessica Parker reads a George Balanchine quote about women at Variety's Power Of Women: New York at Cipriani 42nd Street on April 25, 2014 in New York City.

BILINGUAL INTERVIEW Interviewed by Rene Levesque, George Balanchine, dancer and choreographer from Russia George Balanchine speaks of the foundation and operation of his company, the New York City Ballet, a private company that receives no government subsidy. He briefly describes his career. Keywords: CHOREOGRAPHY,DANCE COMPANY,MONTREAL,NEW YORK (CITY)

An interview with George Balanchine is part of an obituary. Ballet dancers rehearse Balanchine's choreography.

A production of George Balanchine's ballet "Don Quixote"

00:00:00:00 [Dancers protest evicition of NY School of Ballet outside Zabar&apos;s Famous Deli]-- :30 demos on sidewalk, placards, signs/ (0:00)/

Modern Dance: Paul Taylor Company visits Sadlers Wells; SEQ Dancers rehearsing "Counter Swarm or Bug Dance" as MS Paul Taylor intvw SOF (It is hard to describe anybody's choreography because it is such a visual thing, the images and metaphors are for the eye, some of the movements are done with more weight not fat dancers, but pressure against air) EXT CMS Jann Parry (Dance critic The Observer) intvw SOF (It looks as though you did not need any technique to do it, it looks completely natural. But ballet dancers find it very difficult to do because they have to look uncontrived) INT CMS Alistair Macauley (Contributor New Yorker) intvw SOF (People go to see Taylor's work because it is fun, but then discover it is more than that it is choreography as art. Like Balanchine's work/Taylor's work matters very deeply to many Americans) EXT MS SIDE Sadler's Wells Theatre MS Paul Taylor Dance Company poster TILT DOWN CMS Jann Parry (Dance critic The Observer) intvw SOF (Paul Taylor's dance company is an alternative to the Bolshoi, who are also in town. Not only is his comapny an alternative, but also complimentary to the Bolshoi)

B&W photo still montage of the dance "greats" who've all passed away in the 1980's: George Balanchine, Anthony Tudor, Robert Joffrey and Alvin Ailey - all died in the '80's.

CR:31. VS OF GEORGE BALANCHINE ON THE NUTCRACKER SET. CR:35. MS OF DANCER EDWARD VILLELLA. CR:39. A STILL OF BALANCHINE AND IGOR STRAVINSKY. CR:47. A COMMERCIAL FOR "ON LYOUR TOES" WITH NATALIA MAKAROVA. CI: PERSONALITIES: BALANCHINE, GEORGE. PERSONALITIES: VILLELLA, EDWARD. PERSONALITIES: STRAVINSKY, IGOR. PERSONALITIES: MAKAROVA, NATALIA. MUSIC: DANCE, BALLET.

Unissued / Unused -<br/><br/>Title reads: "London's Festival Ballet".<br/><br/>Hungary. <br/><br/>Various shots of a ballet performance.<br/><br/>(Comb. F.G.) Old record suggests material dates from around 19/04/1962.<br/><br/>Additional notes from Jane Pritchard, April 2011:<br/><br/>This shows Festival Ballet (London) at the Erkel Theatre, Budapest, Hungary, in the finale of the ballet Bourree fantasque choreographed by George Balanchine to music by Emmanuel Chabrier and with costumes designed by Karinska. The company performed this ballet at the Erkel on 6 and 7 April 1962.

"Midwinter Night's Dream: Lincoln Center,"" a preview of the Lincoln Center for the Performing Arts, whose opening is planned for 1964. Includes segments of performances of Shakespeare's King John, Mozart's Don Giovanni, George Balanchine's Figure in the Carpet, with music by Handel and William Schuman's American Festival Overture, conducted by Leonard Bernstein. Host: Alistair Cooke. Guests: John D. Rockefeller III, Wallace K. Harrison, Leonard Bernstein, Emil Renan. Performers: George London, Diana Adams, Max Helpmann, Laurel Hurley, Mary Hinkson. Includes commercials for Aluminum Limited Notes: Unrestored Master

&lt;p>&lt;pi>&lt;b>This package/segment contains third party material. Unless otherwise noted, this material may only be used within this package/segment.&lt;/b>&lt;/pi>&lt;/p>\n&lt;p>&lt;/p>\n&lt;p>&lt;b>--SUPERS&lt;/b>--&lt;/p>\n&lt;p>00-05&lt;/p>\n&lt;p>Monday&lt;/p>\n&lt;p>Las Vegas, NV&lt;/p>\n&lt;p>&lt;/p>\n&lt;p>09-14&lt;/p>\n&lt;p>George Lee&lt;/p>\n&lt;p>Blackjack Dealer, Former Ballet Dancer&lt;/p>\n&lt;p>&lt;/p>\n&lt;p>:37-1:00&lt;/p>\n&lt;p>Jennifer Lin&lt;/p>\n&lt;p>Director of 'Ten Times Better&lt;/p>\n&lt;p>&lt;/p>\n&lt;p>&lt;b>--LEAD IN&lt;/b>--&lt;/p>\n&lt;p>UNTIL NOW, COLLEAGUES OF A HUMBLE CASINO EMPLOYEE IN LAS VEGAS MAY NOT HAVE KNOWN ABOUT HIS STORIED PAST ON BROADWAY &lt;/p>\n&lt;p>BEFORE HIS CAREER DEALING CARDS, GEORGE LEE WAS THE FIRST ASIAN DANCER FEATURED IN NEW YORK CITY BALLET.&lt;/p>\n&lt;p>HIS STORY IS SO INTRIGUING IT IS NOW THE SUBJECT OF A NEW DOCUMENTARY.&lt;/p>\n&lt;p>ANJALI PATEL REPORTS.&lt;/p>\n&lt;p>&lt;b>--REPORTER PKG-AS FOLLOWS&lt;/b>--&lt;/p>\n&lt;p>STEP INTO THE 4 QUEENS...&lt;/p>\n&lt;p>(nat pop - dealing) "Okay, I have 19, you have 15, and you gotta hit."&lt;/p>\n&lt;p>AND YOU'LL FIND LONGTIME BLACKJACK DEALER GEORGE LEE.&lt;/p>\n&lt;p>Blackjack Dealer George Lee: "I work from Saturday, Sunday, Monday Tuesday Wednesday, then Thursday Friday I'm off."&lt;/p>\n&lt;p>AND NOW - JUST STEPS AWAY FROM THE BLACKJACK TABLE... THAT'S BECOME A PART OF HIS PERSONA - IS A POSTER...&lt;/p>\n&lt;p>THAT'S FUSING HIS PRESENT... WITH A PAST -- THAT UNTIL NOW - HAD BEEN PRETTY PRIVATE.&lt;/p>\n&lt;p>Blackjack Dealer George Lee: "They don't know I was a dancer, no."&lt;/p>\n&lt;p>Reporter off cam: "Now they do."&lt;/p>\n&lt;p>Blackjack Dealer George Lee: "Now they gonna know now."&lt;/p>\n&lt;p>THE NEW DOCUMENTARY... TEN TIMES BETTER... CHRONICLES LEE'S LONG-LOST CAREER - AS A PERFORMER.&lt;/p>\n&lt;p>Jennifer Lin, director of 'Ten Times Better': "I really discovered George in the library. I was doing research in the new york public library for another project of mine and I was looking at publicity photos from the 1954 premiere of the nutcracker by George Balanchine. This kind of like the gold standard of nutcrackers and so im looking at these pictures and I saw pictures of a young chinese dancer doing the chinese dance from the nutcracker."&lt;/p>\n&lt;p>DIRECTOR JENNIFER LIN DISCOVERED... GEORGE LEE WAS LIKELY THE FIRST ASIAN PERFORMER FEATURED IN THE NEW YORK CITY BALLET.&lt;/p>\n&lt;p>Jennifer Lin, director of 'Ten Times Better': "He was a pioneer and to me this is lost history that's being excavated, so to speak. so you know now, when people talk about the history of ballet and the role of asian americans, they'll be able to say yes, and George Lee, he was a pioneer."&lt;/p>\n&lt;p>Natsot: "This when I was in refugee camp."&lt;/p>\n&lt;p>LEE'S STORY BEGINS IN CHINA - HIS MOTHER, A POLISH BALLERINA... PUSHING HIM TO TAKE UP DANCE AS A YOUNG CHILD.&lt;/p>\n&lt;p>IN SHANGHAI... HE'D PERFORM IN NIGHTCLUBS - IN EXCHANGE FOR FOOD.&lt;/p>\n&lt;p>FLEEING CIVIL WAR... THEIR TRAVELS LATER TOOK THEM TO A REFUGEE CAMP IN THE PHILIPPINES.&lt;/p>\n&lt;p>AND WHEN THEY FINALLY MOVED TO THE STATES IN THE 1950'S - HIS MOTHER... INSTILLING IN HIM A MANTRA... THAT RESONATES WITH MANY IMMIGRANTS IN AMERICA.&lt;/p>\n&lt;p>George Lee, blackjack dealer at 4 Queens :"Everything I've done, I always think, I gotta do the best I can, I gotta be ten times better than anyone else."&lt;/p>\n&lt;p>HIS IMPRESSIVE CAREER SAW HIM PERFORM ON BROADWAY... AND IN TOURING SHOWS AND REVUES... EVENTUALLY LEADING HIM HERE, TO LAS VEGAS... WHERE HE PERFORMED AT PLACES LIKE THE RIVIERA AND THUNDERBIRD HOTELS.&lt;/p>\n&lt;p>Natsot: "Yeah you see I bust."&lt;/p>\n&lt;p>IT WAS IN THE 80S... WHEN HE DECIDED... IT WAS TIME FOR A SECOND ACT... GOING TO DEALING SCHOOL DURING THE DAY - AND PERFORMING AT NIGHT.&lt;/p>\n&lt;p>THE NOW FULL-TIME BLACKJACK DEALER AND LAS VEGAS LOCAL SAYS... HE HADN'T TAKEN MUCH TIME TO REFLECT ON HIS PAST - UNTIL THIS DOCUMENTARY.&lt;/p>\n&lt;p>Reporter: "Do you feel more proud now when you look back at your life?"&lt;/p>\n&lt;p>George Lee, blackjack dealer at 4 Queens: "I feel a little bit, at least there's some recognition because for so many years, 40 years, nothing, i dealing my job, nobody know who i am."&lt;/p>\n&lt;p>THIS PERFORMER... FINALLY GETTING HIS FLOWERS.&lt;/p>\n&lt;p>&lt;b>-----END-----CNN.SCRIPT-----&lt;/b>&lt;/p>\n&lt;p>&lt;/p>\n&lt;p>&lt;b>--KEYWORD TAGS--&lt;/b>&lt;/p>\n&lt;p>KICKER FEEL-GOOD LAS VEGAS BALLET NEW YORK BROADWAY DANCE&lt;/p>\n&lt;p>&lt;/p>

Discussion and performance of excerpts from "Swan Lake", with Maria Tallchief and Nicolas Magallanes, using the choreography of Marius Petipa as revised by George Balanchine. Music by Tchaikovsky. 1955. Discussion and performance of excerpts from "Swan Lake", using the choreography of Marius Petipa as revised by George Balanchine. Music by Tchaikovsky. The performers are Maria Tallchief and Nicolas Magallanes. 2:04 Maria Tallchief: Sequence from Swan Lake danced: (underwater effect at first) 3:45 DISCUSSION: MacAndrew / Tallchief / Magallenes discuss plot of Swan Lake. Tallchief demonstrates while explaining the gesture of her opening sequence. 3:03 DANCE: Tallchief / Magallanes perform the meeting of the Swan Queen and the Prince (beginning of Act II) of Swan Lake. 6:03 DANCE: Tallchief / Magallanes Pas de Duex, Swan Lake wherein the Prince asks the Swan Queen to come to his court; dance-plot intro by MacAndrew. 3:02 DISCUSSION (cont.) Demonstration and discussion of technique of dramatic interpretation of ballet. 4:26 DANCE: Tallchief / Magallanes dance scene in which the Prince dances with an impostor of the Swan Queen. 3:01 DANCE: Tallchief / Magallanes perform final scene between the Prince and Swan Queen saying goodbye to each other (Act III, Swan Lake); with intro of story line plot by MacAndrew. Produced by Robert Herridge, Directed by Francis Moriarty. Air date 2/19/56. 27 mins. Maria Tallchief and Nicolas Magallanes.

WNET OFF AIR. CHOREOGRAPHY BY GEORGE BALANCHINE. SEGMENTS OF DANCE PERFORMED TO VARIOUS PIECES OF MUSIC INCLUDING STRAVINSKY'S "VIOLIN CONCERTO" AND "CHACONNE" BY STRAVINSKY. CI: MUSIC: DANCE. MUSIC: ORCHESTRA. PERSONALITIES: BALANCHINE, GEORGE (ABOUT).

musculus cardiacus cells section under microscopy

A survey of the development of 400 years of dance and the training dancers need. With demonstration, performances and discussion of technique and style. Michael Maule, Rochelle Zide, Pamela Ladimer and Tony Cantanzaro (dancers), Walter Terry, NY Herald Tribune dance critic. 1965. A survey of the development of 400 years of dance and the training dancers need today. With demonstration, performances and discussion of technique and style. Michael Maule, Rochelle Zide, Pamela Ladimer and Tony Cantanzaro (dancers), Walter Terry, NY Herald Tribune dance critic. 1:14 INTRO: MacAndrew introduces dancers and Terry. 3:51 PHOTOS with V/O by Terry about the range of versatility needed by today's dancer. Photos of various productions including Balanchine, Robbins, et al. 2:38 INTERVIEW: Terry talks with Zide and Maule about their background and training. 4:38 HISTORICAL BACKGROUND and DEMO by Maule and Zide of various styles of dance from 1700, then early 1900's, the roots of classical ballet with narration by Terry. 1:37 DEMO of American modern dance by Ladimer and Catanzaro with narration by Terry. 1:50 DANCE: Zide dances a sequence from "La Traviata" in "flamenco "style. 0:46 DISCUSSION: Maule / Terry / MacAndrew discuss different styles of dance. 1:21 DANCE: Zide and Maule perform "The Bacchanal" scene from a Met. Opera production of Samson and Delilah. 0:58 DANCE: Ladimer and Catanzaro perform a modern dance by Norman Walker. 2:03 DEMO: Classical technique demonstrated as Zide and Maule dance to the waltz, "the Blue Danube". Short intro (:43) by Terry of dance. Michael Maule, Rochelle Zide, Pamela Ladimer and Tony Cantanzaro (dancers) Walter Terry, NY Herald Tribune dance critic Jess Meeker (piano accompanist)