POP MUSIC
INTERVIEW CONTINUES: Pete Fornatale 46:14 just beautiful. You know, the arguments about whether Dylan can sing or not saying he's a stylist, but when someone with a voice Dion 46:24 I think Dylan has a beautiful voice maybe listen to slow train come if he wanted to sing it sing, you know, he could. You know, he's, he's a funny if he ever came out and did a concert and just, I mean, actually sang the melody to something like, you know, come gather around you wherever you are. If he ever did to melody, they'd have to rebuild Madison Square Garden. Pete Fornatale 46:54 I know what you're saying. And, you know, I mean, you can have that conversation about Leonard Cohen, you could have that conversation about Tom Waits. These guys are giants. And when they do their own material, you're privileged to be witnessing it. But when someone with an instrument like yours, when Judy Collins does, just like Tom thumb's blues, it's, it's transcended what you just did with one too many mornings is transcendent. Dion 47:20 Well, I you know, I never considered myself having a voice. I consider myself I love to sing. And I don't mean that as a put down to myself, I think I'm a rhythm singer. So I try to sing like in I can't hold notes. So I get off on quick. You know what I mean? I you know, to me people with a voice, they hold notes, and sometimes even have tremolo that's why I liked Hank Williams. When I first heard Hank Williams, you know, see, I used to go to Italian weddings coming from the Bronx. And well, here I am growing up in the Bronx, and this little Italian section, I go to weddings, you know, my uncle Frank would get on stage and he'd sing his throat with a girl. That's the ugliest thing I ever saw in my life. So when I heard Hank Williams, you know, hone down on round. Tom, you know, he was like, had no tremolo at all. And he would bite the last word of every sentence and rip it off. And I'd go wow, that is cool. I just, you know, and the words would teach you how to live. This was something Yeah, this is something to listen to. Yes, they Well, that's what roped me in. Pete Fornatale 48:40 I want to get this out of the way because it's something someone mentioned to me. Is there any way with this record? Bronx in blue, that you're distancing yourself from rock and roll? Dion 48:51 Absolutely not. This is just, you know, you know, a lot of people see I've been reading, I did a few shows in New York. And I was reading some of the, the reviews or people interpreting what I was doing. And a lot of people get it. They just, they just, they tie in into everything I've done, you know, in ways. And if I sat in a room and sang songs that I that Phil Spector produced, I mean, songs that, you know, my songs that Phil Spector produced or sang songs that I did with a group, you know, from the Bronx vocal group, or I did. What, whoever was better if I sit in a room and sang all those songs with my guitar, it all sounds like Dion music. It's just like, you know, this album just is cut back. It doesn't have it's not produced. It's just done. Pete Fornatale 49:49 That is the way it should be. You you, you have a palette of many colors. Did you ever sing opera? That's the only thing I told you. Dion 49:57 I can't hold notes. So I would I would conduct Pete Fornatale 50:02 that's the only form I made a list of things that you've done songs and or albums about. And here's the list, blues, country, folk, rock and roll, folk rock, gospel, jazz standards, you know your way around a standard, where or when, in the steal of the night, those were as legitimate Dion 50:26 as they were when was a real stretch, a real stretch because, well, it's a song I would have never seen never. But the guy who own glory records at the time, Alan Sussel, it was his favorite song. And I really loved the man. And I said, we got to do an arrangement. And so I just stretched, you know, in fact, in fact, Joe Zito a jazz pianist, I set the Belmonts and I down and gave us notes, because there were a few notes, a few chords that we never heard of. So he just gave us some, you know, some harmonies on some of the changes. But that was a stretch Pete Fornatale 51:12 in retrospect that you're glad you did it? Dion 51:16 Well, I'm glad I did it for the reason I did it. You know, but as far as like having to do is it's hard to do that song because it's a stretch. And as I move on, it's more of a stretch Pete Fornatale 51:28 your solo version of in the Still of the night. It's called Porter, right. Not the five set, you're probably the only one who did both the five satins in the Scylla. Reporters. Absolutely. But you're side by side with Sinatra. It works. Dion 51:45 Yeah, well, there's some great songs back there, you know, no doubt about it. You know, I just you could, you know, in fact, back then, when I when I was coming up, just to show you like the crazy things you would not crazy, but you would want to ingest or, you know, everything that was in prep, there wasn't much. You know, there was a lot of showbusiness around you with the crooners. You know, like if I watched the victim mon on on Ed Sullivan, it looked like he just took a voice lesson. I'd rather watch Jimmy Duranty singing fairy tales can come true. It could happen to you. If you're young at heart, you know, I'd rather watch him sing communicate a song. But for me, I was walking in Pelham Bay one day, just show you how wild it was for me now that I look back on what I was doing. I'm walking in Pelham Bay, and I hear this ethereal music coming out of the synagogue. And I walk in I'm like, what is that? You know? Because it's like Dion 53:02 what? Hold on, you know, and I'm walking in. I'm looking around and the sky. Henry Rosenblatt comes out and he says you like that and brings me in the back and he starts playing me. His dad's music ersel Useless. I don't know how to say it and Yiddish but it Rosenblatt who was in the original Jazz singer with Al Jolson. And he was he was a canta a famous Jewish canta. Rosenblatt senior and he started playing me the records. I was in trouble with this stuff. So when I went back home, I wrote born a cry, you know, I wrote Dion 53:47 you know, who, who recently did this the hives? I bet you they don't know. It's like, fusion Jewish and rock and roll. It's kind of a fusion that's Jewish rock and roll. They don't know it. But, you know, the hives just, they end this show with it. They did it on two videos. I was like, knocked I wrote it when I was 16 You know, but it has that cantering in it my crew Dion 54:19 and my so I was like, you know, digesting all these different that's what we that's whatever I was exposed to, right. Pete Fornatale 54:30 But that's, you know, mix that all up. And, and you come out that's that's what I think is is unique about everything that you've chosen to put your stamp on. Want to talk about a dark time. The Beatles happen. The string of hits ends for you, plus you having terrible personal problems. Mid 60s, right. Did you think it was the end? Did you think it was all over? How How did you reconcile all of that? Dion 55:03 Well, I wasn't too conscious of that, that business change because I had found all these albums that John Hammond gave me. So I was kind of woodshedding. But I was using a lot of drugs drinking a lot in the mid 60s, you know, I was, I was one of those guys, you know, put me right in the mix. You know, they say, if you remember the 60s, you really weren't there. And you know, I don't remember the 60s, but the mid 60s, I would say what most bleakest, darkest emotional period of my life because, you know, I was, I was using these drugs, and it got worse and worse. And it's a funny thing about drugs, if you use them like I did, there's like three stages. The first stage is you have a lot of fun. The second stage is fun, and some problems. And then the third stage is like, problems, period, and it could kill you, and it did kill people. So I started seeing, you know, it's a funny thing, that rock'n'roll is we pride ourselves on being free, and, and knowing the truth, you know, truth and freedom, big thing to us, you know. And, you know, we'd like to express that and turn up the amps and let everybody know it right in your face. But I started seeing a lot of the guys I knew die very broken, not ever coming to the full knowledge of the truth, or never appropriating what they were singing about in their lives, they never really got their own message. So you know, it started to I started to wonder about that. I said, you know, how do you how do you actually be, you know, how does this become intrinsic? Yeah, it was saying these things, but how does it become part of you? And for me, I said a prayer one day, back in 68, and I haven't had a drug of a drink and 38 years, so my life really, totally changed around you know, Pete Fornatale 57:00 do you still perform in your own backyard? Dion 57:04 Who I don't remember that? Pete Fornatale 57:06 It is. You don't even have to try. It is just simply one of the best. coming out the other end of the experience that you just described, Dion 57:17 like an anti drug song that isn't an anti drug song. Pete Fornatale 57:20 It's a pro life song. It's yeah, it's good. Let's listen to it. I'm mixed bag ready. Gotta put that in. Its killer still, to this day, in your own backyard. That's Deon. He, it kind of helped put him back on the road to recovery and the road to the amazing career that he's had for himself. When did you become aware of the Beatles? And what did you think of them? Dion 57:44 You want to know? To be honest with you, I was never into the Beatles. I just wasn't, there was some great songs they did. But personally, I was like, I was hanging out in the village in the mid 60s with lightning Hopkins and the spoonful will come in around so I enjoy their music. And, you know, I was with Richie Havens, Tim Hardin, I was hanging out with and, and Mike Bloomfield, you know, they started the whole Butterfield. And so I was like, involved with all these guys in the village at the time I was had an apartment down then, when the village was the village, in the 60s. And the Beatles thing, like I was talking a little Richard and he was he wasn't a Beatle fan at all, because he thought that, you know, Ringo was you know, if you ever had like, like, Ringo was the farthest thing away from a black drummer, you could find it was almost like, you know, too rigid form or too confusing for like, you know, to really get something going so but, you know, the stones were a little different story. You know, I had a little go with them, you know, but they did it for me. And, you know Pete Fornatale 58:53 How did you find out that you were on the cover of Sergeant Pepper and what did that mean to you? Dion 58:59 You mean what did it mean for them? That's why I think so, so much. You gotta humble guys. John Lennon. John Lennon. It's a you know, when you're from the Bronx, you gotta go for these things. Dion 59:19 John Lennon loved Ruby baby, you know, he just and he took he actually took the photo off the cuff I met. I met John and George on 57th Street when they came in to do the madness. Carnegie Hall, one of the shows they did here for Sid Bernstein. And, and he liked, you know, where do you get that Ruby baby? He was like, he liked that song, you know? So I guess the, you know, somewhere they threw it on there. I never asked them. Pete Fornatale 59:53 It's, you're in a very select, very select group. And yet just another one of those Those honors that have come your way just by doing what you do and being who you are. And end of story. We're at the point now where you've come out the other side of your personal problems, and reclaiming your rightful place in the music business. So the question here is, who is Dick holler? And why was he important in your life? Dion 1:00:24 Well, he he brought me this little song, you know, when it was like... his email friend, Abraham candidum, and when he's gone, a lot of people but the good night, you know, it's like, and I thought, yeah, thanks. But it's I, you know, it sounded like a little, kind of an opportunist thing. And my wife said Dion, she said that, you know, that's a, that's a that's a gospel tune. It's talking about a state of love that does exist, and you have to work to make it real. You know, you know, and then I had somebody else, go ahead, you know, you could kill the dream of, but you can't kill the dream. And that's what that song I said, Whoa, ye. So I put, I got my guitar. And I put that arrangement to it. I'm gonna do the whole thing, because I don't have the whole thing but it's like.... Dion 1:01:30 So I did it like in because I was I was 1968. And I was hanging out with Tim Hardin. And Tim Horton was, he didn't sing louder than this says, You look to me, like Misty roses. So I was, you know, we were sitting, we would sit around the houses, you know, with the fireplace on down in the village, and we, and we get these acoustical guitars. And we, and I put the arrangement together like that. And I did it, you know, and never thought it would be, you know, it's sold millions of records. And I got was before email, and I must have got 5000 postcards from college students all over the country thanking me for making a very, very confusing time because Bob Kennedy was assassinated. I mean, Martin Luther King was assassinated. And Bobby Kennedy was at his funeral. And he said, Who's the next senseless victim that's going to get struck down by some assassins, you know, and a couple of months later, he was gone. It was out of frustration. We put the song together and the cards that I that I received, said, you know, thanks for making sense of something so horrible and horrendous. Thanks for bringing something good out of it, you know, that we're making it you know, giving us a solution. Pete Fornatale 1:02:54 It has retained all of its power these days, you are dedicating it to the troops. When you perform it, Dion 1:03:01 I dedicated to all those men and women of virtue, whether they are the people at 911, who were running up those steps, the firemen, the police officers, the health workers, you know, when push comes to shove those people that have that virtue, whether they're in the armed forces, fighting for our freedom, the you know, look at police officers, they they're out there guarding our kids, while we're here having fun with the hillbilly music or whatever we're doing Pete Fornatale 1:03:31 my youngest son is one of them. And why it's royalty. You know, Dion 1:03:35 we're around royalty around these guys. You've also fold Pete Fornatale 1:03:39 it in will the circle be unbroken into your arrangement of it and Dion 1:03:43 you it's on the original record? It's on the original record, it's just that I don't have the organ planet so I sang it the other night, but play the original record, you'll hear it in the middle of the organ playing with a circle being bound by and as a sitar in there and Pete Fornatale 1:04:04 see I thought I knew more about you than you did, but you can still teach. Dion 1:04:08 When it comes you probably do when it comes to the musical end of it Pete Fornatale 1:04:14 I yield I yield the floor to the gentleman from the Bronx. I listen, you did that you did that version of it at our 10th anniversary mixed bag party and I'd like to play it for our listeners today on mixed bag radio. That's Dion and a live version of Abraham Martin and John from what was the mixed bag 10th anniversary party. We're a little further along now than we were then then I'll have more with Dion after these messages Dion 1:04:42 I wish you would play the there's an arrangement and acoustical arrangement of it on new masters. That's really you'd really liked I think you'd I really want to play the next big thing but Pete Fornatale 1:04:59 no, no I just want you to get the song in the show. So if you want to do a setup I'm telling you for new masters Dion 1:05:04 there's an arranger, there's an acoustical arrangement of it on new masters. That's really different that people probably haven't heard. It's on an album called new masters and Pete Fornatale 1:05:21 Gret, We'll put it in post production, I'm going to say, let's listen on mixbag radio. That's Dion and an acoustic version of Abraham, Martin and John from the new masters collection. I'll have more with Dion right after this.
PERRIER RECALLED
The company that made bottled mineral water chic is voluntarily recalling its entire inventory of Perrier from store shelves throughout the United States after tests showed the presence of the chemical benzene in a small sample of bottles. The impurity was discovered in North Carolina by county officials who so prized the purity of Perrier that they used it as a standard in tests of other water supplies. The Food and Drug Administration said it is testing supplies in California and other states. In a written statement issued last night, Ronald V. Davis, president of the Perrier Group of America Inc., said there was no significant health risk to the public. But the statement did not go into the details of the recall, how it would work, the number of bottles to be recalled and the impact on a company that has built its success on its product's image of purity and stylishness. William M. Grigg, a spokesman for the Food and Drug Administration, said his agency's Hazard Evaluation Board had collected samples of Perrier and found no immediate risk to the public from the benzene in the water. ''At these levels there is no immediate hazard,'' he said. ''The hazard would be that over many years, if you consumed about 16 fluid ounces a day, your lifetime risk of cancer might increase by one in a million, which we consider a negligible risk. You don't have to be concerned if you just had a bottle of Perrier.'' Mr. Grigg said the authorities had not determined the source of the benzene contamination, ''but North Carolina thinks this is a new problem.'' The North Carolina Health Department found the traces in bottles of Perrier in the last few days. After the state department notified the F.D.A., the Federal agency tested bottles in North Carolina and Georgia and confirmed the state's findings. Mr. Grigg said tests found that the amount of benzene contamination ranged from 12.3 to 19.9 parts per billion. The Federal Environmental Protection Agency has established a maximum contamination level of 5 parts per billion of benzene for public drinking water supplies. Dr. Ronald H. Levine, the state health director in North Carolina, said in a telephone interview from Raleigh that the benzene was first detected in Charlotte by the Mecklenburg County Environmental Health Department. ''They use Perrier water as their standard in their lab for testing other water,'' he said. He added that health officials started having trouble in the laboratory and specialists there concluded the problem was with the standard. The county authorities notified state officials, who confirmed the presence of benzene. Bottled in 1989 ''It was in a number of different lots that were bottled in 1989,'' Dr. Levine said. State officials reported their findings to the F.D.A. and the company, and issued a statement suggesting that the public not consume the product. Perrier water, sold in little pear-shaped green bottles, is drawn from a natural underground mineral spring in Vergeze, France, and is bottled only at the source. The company's statement said the French Ministry of Health had certified that there was no contamination at the spring. The company said the search for the source of contamination is focusing on the packaging and distribution process. Perrier is conducting an extensive internal investigation and is cooperating with Federal and state officials, the statement said. Cancer in Animals Benzene, a natural component of crude oil, has been shown to cause cancer in laboratory animals and is believed to do the same in humans. Reporters' telephone calls last night to the Perrier company and to Mr. Davis's home were not answered. The statement said Perrier had scheduled a news conference in Old Greenwich, Conn., today to discuss the recall. What impact the recall will have on user patterns and on Perrier itself was unclear last night. Told of Perrier's action, Sirio Maccioni, owner of Le Cirque restaurant in Manhattan, said: ''Oh, my God. Oh, my God.'' Then, after a pause, he added, ''Well, we have a lot of other water, the Saratoga, the San Pellegrino.'' 'Maybe We'll Sell Some Wine' Another restaurant owner, Andre Soltner, of Lutece in Manhattan, said, ''Oh, my God.'' Then he paused and added, ''Maybe we'll sell some wine now.'' Mr. Soltner said Perrier consumption was up twentyfold in his restaurant over the last five years. At Washington Square Bar and Grill in San Francisco, a bartender, Alan Sharf, said he had not heard that Perrier was being recalled, but he did not think a recall would affect business there.. ''It is pretty popular,'' said Mr. Sharf, ''but this being California, we have our local water, so it won't affect our business. It's pretty easily replaced.'' A bartender at Pierre au Tunnel, a French restaurant in midtown Manhattan, said: ''People think it's prestigious; it's an 'in' thing. We sell a lot of it.'' ''To me I think it's the biggest hype since the Beatles,'' said the bartender, who would give only his first name, Alan. A man who answered the telephone at the D'Agostino Supermarket at 74th Street and Broadway in Manhattan early this morning said that he had not heard of the recall and that Perrier was selling well. ''People buy it by the case,'' he said. Jesse Meyers, publisher of Beverage Digest, a newsletter for the soft drink industry, said, ''Perrier is the largest mineral water producer in the world and has for many years set worldwide standards in quality and production levels.''
NOTES: COL PRINT LOCATION: TOKYO, JAPAN TITLE: BEATLE / JAPAN SERVICED DATE: 01/21/80 NO: 17549 DATE SHOT: 01/19/80 LENGTH: 72 FT SECONDS: 1.55 SOUND: NATSOF DATE OF ARRIVAL:
NOTES: COL PRINT LOCATION: TOKYO, JAPAN TITLE: BEATLE / JAPAN SERVICED DATE: 01/21/80 NO: 17549 DATE SHOT: 01/19/80 LENGTH: 72 FT SECONDS: 1.55 SOUND: NATSOF DATE OF ARRIVAL: BEATLE PAUL MCCARTNEY IS STILL IN A DETENTION CELL IN JAPAN FOR ALLEGEDLY SMUGGLING IN MARIJUANA -- AND HIS MANAGER HAS BEEN DESCRIBING HOW HE IS GETTING ON. FILM SHOWS: POP FANS GETTING BACK TICKET MONEY AND BEATLE'S MANAGER GIVING NEWS INTERVIEW. STORYLINE: POP STAR PAUL MCCARTNEY -- THE FAMOUS BEATLE -- IS STILL HELD IN A JAPANESE DETENTION CELL FOR ALLEGEDLY SMUGGLING THE DRUG MARIJUANA INTO JAPAN. HIS PLANNED CONCERTS HAVE BEEN CANCELLED AND FANS HAVE BEEN GIVEN THEIR MONEY BACK. THE 37-YEAR-OLD MCCARTNEY HAS BEEN SAID BY AN OFFICIAL AT THE DETENTION CENTRE TO SPEND A LOT OF TIME IN HIS SINGLE CELL READING BOOKS. HIS MANAGER, HARVEY GOLDSMITH ANSWERED JORNALISTS QUESTIONS. QUESTION: WHEN YOU MET PAUL MCCARTNEY DID HE HAVE ANY CRITICISMS OR COMPLAINTS ABOUT THE REGULATIONS UNDER WHICH HE IS BEING DETAINED OR THE TREATMENT HE IS RECEIVING IN PRISON? MANAGER: "NO. NONE AT ALL. HE FELT THAT IN THE CIRCUMSTANCES HE WAS BEING TREATED FAIRLY AND EQUALLY. AGAIN, IT IS VERY DIFFICULT FOR HIM BECAUSE HE IS IN A SITUATION WHERE HE IS SURROUNDED BY JAPANESE. HE DOES NOT UNDERSTAND ONE SINGLE WORD -- ALTHOUGH I AM SURE HE HAS PICKED UP A FEW PHRASES SINCE HE WENT TO JAIL. SO HE HAS REALLY NO ONE TO TALK TO. THE INVESTIGATORS DO SPEAK ENGLISH, OF COURSE, BUT OBVIOUSLY THIS IS NOT A HOLIDAY CAMP. (LAUGHTER) BUT HE DID SAY THAT HE FELT THEY WERE TREATING HIM VERY WELL, OR AS WELL AS CAN BE EXPECTED." SHOT LIST FT SECS MS POLICE OUTSIDE POLICE STATION WHERE BEATLE IS HELD 11 18 POP FANS GETTING TICKET MONEY BACK 30 48 INTERVIEW MANAGER HARVEY GOLDSMITH 72 1.55
ENTERTAINMENT WEEKLY: LIAM GALLAGHER'S QUESTION TIME
TAPE_NUMBER: EN0006 IN_TIME: 10:25:25 LENGTH: 05:03 SOURCES: APTN/SINE RESTRICTIONS: All no access Internet, No re-use/re-sale of film/video/TV clips without clearance music/performance rights must be cleared FEED: SCRIPT: English/Nat xfa Title: Liam Gallagher Date: January 2000 Location: London Mr Northern swagger himself, LIAM GALLAGHER, is due to ruffle a few feathers as he speaks candidly about his new album, the Beckhams, the Internet, and manager of Creation Records, Alan McGee. No stranger to controversy, the OASIS frontman held nothing back as he promoted the band's latest album, STANDING ON THE SHOULDER OF GIANTS. The album is Oasis' first since summer 1997. It's also the first time the brothers have recorded without original band members Paul 'Bonehead' Arthurs and Paul 'Guigsy' McGuigan. Today, the line up reads NOEL and LIAM Gallagher, ALAN WHITE on drums, and new additions GEM on guitar and ANDY BELL on bass. There are one or two other changes as well - Liam Gallagher now plays guitar, and has written his first song to be included in Oasis material 'Little James', about his step-son, Patsy Kensit's child by former husband Jim Kerr. Liam, despite his image as today's archetypal rock and roll star, claims to have spent the recording of this album sober, so that his input to the project would be taken more seriously. Although he still claims to be 'rock and roll' he says that fatherhood has changed his outlook to life and it's this new outlook that has led to his attack on Posh Spice and David Beckham. The 33-year-old star, relating to what it's like to have a baby in the public eye, feels the couple are abusing their responsibility by welcoming celebrity photographers into their child's life for cash. Oasis shot to fame in 1994 with the smash-hit album DEFINITELY MAYBE, and followed it up in 1995 with (WHAT'S THE STORY) MORNING GLORY. They are recognised as the leaders of the early 1990's Brit-pop scene. As part of Creation Records, run by ALAN McGEE, the band's popularity has grown exponentially. However, the band recently dumped the label to record under their own label, Big Brother Records. The split from McGee was anything but smooth. The Oasis frontman savagely attacked the manager during the interview, calling him "a lousy businessman, record boss, whatever... mate!". The band's public image has been shaped as much by controversy like this as by its music. The two brothers happily indulged in public fighting and the usual rock star high jinks, but admissions of illegal drug use by both of them have generated much of the negative press in their native Britain. Noel went so far as saying taking drugs was as normal as "getting up and having a cup of tea in the morning" though he has since retracted this. The album title 'Standing on the Shoulders of Giants' is a quote from Sir Isaac Newton, referring to the debt owed by science to the work of great minds that have gone before. It's also the motto on the side of the British two pound coin. However, Noel philosophically admits that in Oasis' case, most will assume the title refers to the major bands that have influenced their music - The Beatles, The Who, and the Sex Pistols. Noel had promised a more dance orientated record that took the Oasis away from what detractors refer to as its Beatle-Karaoke mode. However, 'Standing...' sees Oasis once again wearing their Sixties' musical influences on their sleeve, although this is not something you would want to mention to Liam. For further information please contact Sine (Sony Music), London (tel) 0171 911 8200 SHOTLIST: VIDEO CLIP 'GO LET IT OUT'; SOT LIAM GALLAGHER (RE: SOBRIETY ON ALBUM); VIDEO CLIP 'ROLL WITH IT'; ZOOM IN TO ALAN McGEE (CREATION RECORD OWNER); SOT GALLAGHER; B-ROLL VICTORIA AND DAVID AND BROOKLYN BECKHAM RETURNING FROM HONEYMOON; SOT LIAM GALLAGHER (RE:- THE BECKHAMS); VIDEO CLIP 'GO LET IT OUT'; SOT GALLAGHER (RE:- SOUNDING LIKE THE BEATLES); VIDEO CLIP 'GO LET IT OUT'; SOT GALLAGHER (RE:- INTERNET); VIDEO CLIP 'WONDERWALL'; SOT GALLAGHER (RE:- FUTURE); VIDEO CLIP 'GO LET IT OUT'; CU LIAM POINTS TO CAMERA.?
Who wants the skin of the Rolling Stones?
20 hours: [broadcast of June 21, 2019]
TIMOTHY LEARY CLIPREEL #2
FILE FILM TRANSFER MATERIAL OF TIMOTHY LEARY AND THE EARLY PSYCHEDELIC LSD CULTURE IN THE SIXTIES. 00:30 FROM FILM # A224432A 66/04/30 IN BERKELEY CALIFORNIA. CONTINUED FTG OF A LYSERGIC ACID DIETHYLAMIDE (LSD) PARTY. SILENT BLACK AND WHITE B-ROLL OF THE PARTY IN A ROOM IN BERKLEY. CONTINUATION OF MATERIAL FROM DCBC1887L. 09:52 TRACKING SHOTS / STREET SCENES AT NIGHT IN BERKELEY WITH LOTS OF HIPSTERS, BEATNICKS, PRE HIPPY PEOPLE ON THE STREETS. MOTORCYCLES AND MOTOR SCOOTERS PARKED ALONG THE STREETS. HEAD SHOPS AND PLACES WHERE THE " LSD CULTURE " WOULD GATHER. BLACK AND WHITE 12:40 MORE INTERIORS FROM THE " PARTY " CU SHOTS OF SPINING RECORD ON THE HIGH FI, PICTURES ON THE WALL, BOOKS AND VARIOUS ARTSY " PSYCHEDELIC " SHOTS THAT MAKE IT APPEAR THE CAMERA MAN HAS JOINED THE PARTY GUESTS. 14:15 MORE HIPPY PEOPLE ON THE STREET SMILING AND APPEARING AS IF ON ACID. GREAT PERIOD CLOTHES. 17:19 CLOSE-UP OF HANDS UNWRAPPING AN LSD SOAKED SUGAR CUBE. 19:10 CU ANTI " DOPE " FLYER PUT OUT BY THE STATE NARCOTICS COMMISSION WARNING THAT THE " DOPE FIENDS " MAY TRY TO GIVE YOU MARIJUANA WITHOUT YOUR KNOWLEDGE. 24:00 FROM FILM # A65797 - 70/10/30 CAIRO, EGYPT. COLOR AND SOUND. INTERVIEW WITH TIMOTHY LEARY AT THE CAIRO AIRPRT. HE SAYS HE WILL WORK WITH THE BLACK PANTHERS WITH THE ULTIMATE GOAL OF OVERTHROWING THE UNITED STATES GOVERNMENT. LEARY WITH UNIDENTIFIED MEMBERS OF THE PANTHERS. 25:00 FROM FILM # A39125 - 67/08/17 COLLEGE PARK, MARYLAND USA COLOR FILM WITH SPORADIC SOUND. CONTINUATION FROM DCBC1887L MORE OF DR TIMOTHY LEARY TALK AT UNIVERSITY OF MARYLAND SPONSORED BY NATIONAL STUDENTS ASSOCIATION (NSA). DOCTOR TIMOTHY LEARY, DRESSED IN WHITE OUTFIT W/ BEADS AND BARE FEET SITS ON FLOOR OF STAGE, FLOWERS IN FRONT OF HIM. YOUNG NEGRO / BLACK MAN ALSO IN WHITE IS W/ HIM. HE DISCUSSES HIS PHILOSOPHY. VS RESPONSIVE AUDIENCE. ANOTHER MAN SPEAKS. SAYS: DON'T LISTEN TO TIM WHEN HE GETS SCIENTIFIC, LISTEN TO HIM WHEN HE GETS POETIC. ( BLACK MAN MAY BE ELDRIDGE CLEAVER ) MAN SPEAKS ABOUT DRUG USE. START OF LEARY PERFORMANCE. NEGRO / BLACK MAN SPEAKS FIRST, THEN INTRODUCES LEARY. BEATLES ALBUM, SGT PEPPER'S LONELY HEARTS CLUB BAND IS PLAYED DURING TALK. LEARY TALKS ABOUT ALBUM. ABC CORRESPONDENT CHAPMAN DOES A VERY GROOVY STAND-UP 27:40 FROM FILM # A53823 - 69/05/20 NEAR LOS ANGELES CALIFORNIA CUT STORY: INTERVIEW WITH TIMOTHY LEARY ABOUT SUPREME COURT DECISION - SAYS HE WILL RUN FOR GOVERNOR OF CALIFORNIA. MORE OF INTERVIEW. (SUPREME COURT DECIDED IN LEARY'S FAVOR ON CHARGE OF BRINGING MARIJUANA INTO U.S. FROM MEXICO.) S/U TOM SHELL ABC NEWS. COLOR WITH SOUND - SILENT B-ROLL FOLLOWS 35:25 MORE NSA SPONSORED UNIVERSITY OF MARYLAND TALK. CUTAWAYS AND VARIOUS ANGLES OF LEARY AND ROOM. MOSTLEY SILENT. 38:10 EXTERIORS OF THE TAWES AUDITORIUM AT THE UNIVERSITY WITH STUDENTS WALKING OUTSIDE FOLLOWED BY MORE CUTAWAYS. 43:00 WHITE MAN SPEAKS ABOUT DRUGS AND LECTURE SERIES 52:00 MAN INTRODUCES TIM LEARY AND HE WALKS OUT TO STAGE.
TIMOTHY LEARY CLIPREEL #2
FILE FILM TRANSFER MATERIAL OF TIMOTHY LEARY AND THE EARLY PSYCHEDELIC LSD CULTURE IN THE SIXTIES. 00:30 FROM FILM # A224432A 66/04/30 IN BERKELEY CALIFORNIA. CONTINUED FTG OF A LYSERGIC ACID DIETHYLAMIDE (LSD) PARTY. SILENT BLACK AND WHITE B-ROLL OF THE PARTY IN A ROOM IN BERKLEY. CONTINUATION OF MATERIAL FROM DCBC1887L. 09:52 TRACKING SHOTS / STREET SCENES AT NIGHT IN BERKELEY WITH LOTS OF HIPSTERS, BEATNICKS, PRE HIPPY PEOPLE ON THE STREETS. MOTORCYCLES AND MOTOR SCOOTERS PARKED ALONG THE STREETS. HEAD SHOPS AND PLACES WHERE THE " LSD CULTURE " WOULD GATHER. BLACK AND WHITE 12:40 MORE INTERIORS FROM THE " PARTY " CU SHOTS OF SPINING RECORD ON THE HIGH FI, PICTURES ON THE WALL, BOOKS AND VARIOUS ARTSY " PSYCHEDELIC " SHOTS THAT MAKE IT APPEAR THE CAMERA MAN HAS JOINED THE PARTY GUESTS. 14:15 MORE HIPPY PEOPLE ON THE STREET SMILING AND APPEARING AS IF ON ACID. GREAT PERIOD CLOTHES. 17:19 CLOSE-UP OF HANDS UNWRAPPING AN LSD SOAKED SUGAR CUBE. 19:10 CU ANTI " DOPE " FLYER PUT OUT BY THE STATE NARCOTICS COMMISSION WARNING THAT THE " DOPE FIENDS " MAY TRY TO GIVE YOU MARIJUANA WITHOUT YOUR KNOWLEDGE. 24:00 FROM FILM # A65797 - 70/10/30 CAIRO, EGYPT. COLOR AND SOUND. INTERVIEW WITH TIMOTHY LEARY AT THE CAIRO AIRPRT. HE SAYS HE WILL WORK WITH THE BLACK PANTHERS WITH THE ULTIMATE GOAL OF OVERTHROWING THE UNITED STATES GOVERNMENT. LEARY WITH UNIDENTIFIED MEMBERS OF THE PANTHERS. 25:00 FROM FILM # A39125 - 67/08/17 COLLEGE PARK, MARYLAND USA COLOR FILM WITH SPORADIC SOUND. CONTINUATION FROM DCBC1887L MORE OF DR TIMOTHY LEARY TALK AT UNIVERSITY OF MARYLAND SPONSORED BY NATIONAL STUDENTS ASSOCIATION (NSA). DOCTOR TIMOTHY LEARY, DRESSED IN WHITE OUTFIT W/ BEADS AND BARE FEET SITS ON FLOOR OF STAGE, FLOWERS IN FRONT OF HIM. YOUNG NEGRO / BLACK MAN ALSO IN WHITE IS W/ HIM. HE DISCUSSES HIS PHILOSOPHY. VS RESPONSIVE AUDIENCE. ANOTHER MAN SPEAKS. SAYS: DON'T LISTEN TO TIM WHEN HE GETS SCIENTIFIC, LISTEN TO HIM WHEN HE GETS POETIC. ( BLACK MAN MAY BE ELDRIDGE CLEAVER ) MAN SPEAKS ABOUT DRUG USE. START OF LEARY PERFORMANCE. NEGRO / BLACK MAN SPEAKS FIRST, THEN INTRODUCES LEARY. BEATLES ALBUM, SGT PEPPER'S LONELY HEARTS CLUB BAND IS PLAYED DURING TALK. LEARY TALKS ABOUT ALBUM. ABC CORRESPONDENT CHAPMAN DOES A VERY GROOVY STAND-UP 27:40 FROM FILM # A53823 - 69/05/20 NEAR LOS ANGELES CALIFORNIA CUT STORY: INTERVIEW WITH TIMOTHY LEARY ABOUT SUPREME COURT DECISION - SAYS HE WILL RUN FOR GOVERNOR OF CALIFORNIA. MORE OF INTERVIEW. (SUPREME COURT DECIDED IN LEARY'S FAVOR ON CHARGE OF BRINGING MARIJUANA INTO U.S. FROM MEXICO.) S/U TOM SHELL ABC NEWS. COLOR WITH SOUND - SILENT B-ROLL FOLLOWS 35:25 MORE NSA SPONSORED UNIVERSITY OF MARYLAND TALK. CUTAWAYS AND VARIOUS ANGLES OF LEARY AND ROOM. MOSTLEY SILENT. 38:10 EXTERIORS OF THE TAWES AUDITORIUM AT THE UNIVERSITY WITH STUDENTS WALKING OUTSIDE FOLLOWED BY MORE CUTAWAYS. 43:00 WHITE MAN SPEAKS ABOUT DRUGS AND LECTURE SERIES 52:00 MAN INTRODUCES TIM LEARY AND HE WALKS OUT TO STAGE.
TIMOTHY LEARY CLIPREEL #2
FILE FILM TRANSFER MATERIAL OF TIMOTHY LEARY AND THE EARLY PSYCHEDELIC LSD CULTURE IN THE SIXTIES. 00:30 FROM FILM # A224432A 66/04/30 IN BERKELEY CALIFORNIA. CONTINUED FTG OF A LYSERGIC ACID DIETHYLAMIDE (LSD) PARTY. SILENT BLACK AND WHITE B-ROLL OF THE PARTY IN A ROOM IN BERKLEY. CONTINUATION OF MATERIAL FROM DCBC1887L. 09:52 TRACKING SHOTS / STREET SCENES AT NIGHT IN BERKELEY WITH LOTS OF HIPSTERS, BEATNICKS, PRE HIPPY PEOPLE ON THE STREETS. MOTORCYCLES AND MOTOR SCOOTERS PARKED ALONG THE STREETS. HEAD SHOPS AND PLACES WHERE THE " LSD CULTURE " WOULD GATHER. BLACK AND WHITE 12:40 MORE INTERIORS FROM THE " PARTY " CU SHOTS OF SPINING RECORD ON THE HIGH FI, PICTURES ON THE WALL, BOOKS AND VARIOUS ARTSY " PSYCHEDELIC " SHOTS THAT MAKE IT APPEAR THE CAMERA MAN HAS JOINED THE PARTY GUESTS. 14:15 MORE HIPPY PEOPLE ON THE STREET SMILING AND APPEARING AS IF ON ACID. GREAT PERIOD CLOTHES. 17:19 CLOSE-UP OF HANDS UNWRAPPING AN LSD SOAKED SUGAR CUBE. 19:10 CU ANTI " DOPE " FLYER PUT OUT BY THE STATE NARCOTICS COMMISSION WARNING THAT THE " DOPE FIENDS " MAY TRY TO GIVE YOU MARIJUANA WITHOUT YOUR KNOWLEDGE. 24:00 FROM FILM # A65797 - 70/10/30 CAIRO, EGYPT. COLOR AND SOUND. INTERVIEW WITH TIMOTHY LEARY AT THE CAIRO AIRPRT. HE SAYS HE WILL WORK WITH THE BLACK PANTHERS WITH THE ULTIMATE GOAL OF OVERTHROWING THE UNITED STATES GOVERNMENT. LEARY WITH UNIDENTIFIED MEMBERS OF THE PANTHERS. 25:00 FROM FILM # A39125 - 67/08/17 COLLEGE PARK, MARYLAND USA COLOR FILM WITH SPORADIC SOUND. CONTINUATION FROM DCBC1887L MORE OF DR TIMOTHY LEARY TALK AT UNIVERSITY OF MARYLAND SPONSORED BY NATIONAL STUDENTS ASSOCIATION (NSA). DOCTOR TIMOTHY LEARY, DRESSED IN WHITE OUTFIT W/ BEADS AND BARE FEET SITS ON FLOOR OF STAGE, FLOWERS IN FRONT OF HIM. YOUNG NEGRO / BLACK MAN ALSO IN WHITE IS W/ HIM. HE DISCUSSES HIS PHILOSOPHY. VS RESPONSIVE AUDIENCE. ANOTHER MAN SPEAKS. SAYS: DON'T LISTEN TO TIM WHEN HE GETS SCIENTIFIC, LISTEN TO HIM WHEN HE GETS POETIC. ( BLACK MAN MAY BE ELDRIDGE CLEAVER ) MAN SPEAKS ABOUT DRUG USE. START OF LEARY PERFORMANCE. NEGRO / BLACK MAN SPEAKS FIRST, THEN INTRODUCES LEARY. BEATLES ALBUM, SGT PEPPER'S LONELY HEARTS CLUB BAND IS PLAYED DURING TALK. LEARY TALKS ABOUT ALBUM. ABC CORRESPONDENT CHAPMAN DOES A VERY GROOVY STAND-UP 27:40 FROM FILM # A53823 - 69/05/20 NEAR LOS ANGELES CALIFORNIA CUT STORY: INTERVIEW WITH TIMOTHY LEARY ABOUT SUPREME COURT DECISION - SAYS HE WILL RUN FOR GOVERNOR OF CALIFORNIA. MORE OF INTERVIEW. (SUPREME COURT DECIDED IN LEARY'S FAVOR ON CHARGE OF BRINGING MARIJUANA INTO U.S. FROM MEXICO.) S/U TOM SHELL ABC NEWS. COLOR WITH SOUND - SILENT B-ROLL FOLLOWS 35:25 MORE NSA SPONSORED UNIVERSITY OF MARYLAND TALK. CUTAWAYS AND VARIOUS ANGLES OF LEARY AND ROOM. MOSTLEY SILENT. 38:10 EXTERIORS OF THE TAWES AUDITORIUM AT THE UNIVERSITY WITH STUDENTS WALKING OUTSIDE FOLLOWED BY MORE CUTAWAYS. 43:00 WHITE MAN SPEAKS ABOUT DRUGS AND LECTURE SERIES 52:00 MAN INTRODUCES TIM LEARY AND HE WALKS OUT TO STAGE.
LE 20H: [broadcast from September 19, 2013]
Jean Marie Périer and Etienne Emile Baulieu
TIMOTHY LEARY CLIPREEL #2
FILE FILM TRANSFER MATERIAL OF TIMOTHY LEARY AND THE EARLY PSYCHEDELIC LSD CULTURE IN THE SIXTIES. 00:30 FROM FILM # A224432A 66/04/30 IN BERKELEY CALIFORNIA. CONTINUED FTG OF A LYSERGIC ACID DIETHYLAMIDE (LSD) PARTY. SILENT BLACK AND WHITE B-ROLL OF THE PARTY IN A ROOM IN BERKLEY. CONTINUATION OF MATERIAL FROM DCBC1887L. 09:52 TRACKING SHOTS / STREET SCENES AT NIGHT IN BERKELEY WITH LOTS OF HIPSTERS, BEATNICKS, PRE HIPPY PEOPLE ON THE STREETS. MOTORCYCLES AND MOTOR SCOOTERS PARKED ALONG THE STREETS. HEAD SHOPS AND PLACES WHERE THE " LSD CULTURE " WOULD GATHER. BLACK AND WHITE 12:40 MORE INTERIORS FROM THE " PARTY " CU SHOTS OF SPINING RECORD ON THE HIGH FI, PICTURES ON THE WALL, BOOKS AND VARIOUS ARTSY " PSYCHEDELIC " SHOTS THAT MAKE IT APPEAR THE CAMERA MAN HAS JOINED THE PARTY GUESTS. 14:15 MORE HIPPY PEOPLE ON THE STREET SMILING AND APPEARING AS IF ON ACID. GREAT PERIOD CLOTHES. 17:19 CLOSE-UP OF HANDS UNWRAPPING AN LSD SOAKED SUGAR CUBE. 19:10 CU ANTI " DOPE " FLYER PUT OUT BY THE STATE NARCOTICS COMMISSION WARNING THAT THE " DOPE FIENDS " MAY TRY TO GIVE YOU MARIJUANA WITHOUT YOUR KNOWLEDGE. 24:00 FROM FILM # A65797 - 70/10/30 CAIRO, EGYPT. COLOR AND SOUND. INTERVIEW WITH TIMOTHY LEARY AT THE CAIRO AIRPRT. HE SAYS HE WILL WORK WITH THE BLACK PANTHERS WITH THE ULTIMATE GOAL OF OVERTHROWING THE UNITED STATES GOVERNMENT. LEARY WITH UNIDENTIFIED MEMBERS OF THE PANTHERS. 25:00 FROM FILM # A39125 - 67/08/17 COLLEGE PARK, MARYLAND USA COLOR FILM WITH SPORADIC SOUND. CONTINUATION FROM DCBC1887L MORE OF DR TIMOTHY LEARY TALK AT UNIVERSITY OF MARYLAND SPONSORED BY NATIONAL STUDENTS ASSOCIATION (NSA). DOCTOR TIMOTHY LEARY, DRESSED IN WHITE OUTFIT W/ BEADS AND BARE FEET SITS ON FLOOR OF STAGE, FLOWERS IN FRONT OF HIM. YOUNG NEGRO / BLACK MAN ALSO IN WHITE IS W/ HIM. HE DISCUSSES HIS PHILOSOPHY. VS RESPONSIVE AUDIENCE. ANOTHER MAN SPEAKS. SAYS: DON'T LISTEN TO TIM WHEN HE GETS SCIENTIFIC, LISTEN TO HIM WHEN HE GETS POETIC. ( BLACK MAN MAY BE ELDRIDGE CLEAVER ) MAN SPEAKS ABOUT DRUG USE. START OF LEARY PERFORMANCE. NEGRO / BLACK MAN SPEAKS FIRST, THEN INTRODUCES LEARY. BEATLES ALBUM, SGT PEPPER'S LONELY HEARTS CLUB BAND IS PLAYED DURING TALK. LEARY TALKS ABOUT ALBUM. ABC CORRESPONDENT CHAPMAN DOES A VERY GROOVY STAND-UP 27:40 FROM FILM # A53823 - 69/05/20 NEAR LOS ANGELES CALIFORNIA CUT STORY: INTERVIEW WITH TIMOTHY LEARY ABOUT SUPREME COURT DECISION - SAYS HE WILL RUN FOR GOVERNOR OF CALIFORNIA. MORE OF INTERVIEW. (SUPREME COURT DECIDED IN LEARY'S FAVOR ON CHARGE OF BRINGING MARIJUANA INTO U.S. FROM MEXICO.) S/U TOM SHELL ABC NEWS. COLOR WITH SOUND - SILENT B-ROLL FOLLOWS 35:25 MORE NSA SPONSORED UNIVERSITY OF MARYLAND TALK. CUTAWAYS AND VARIOUS ANGLES OF LEARY AND ROOM. MOSTLEY SILENT. 38:10 EXTERIORS OF THE TAWES AUDITORIUM AT THE UNIVERSITY WITH STUDENTS WALKING OUTSIDE FOLLOWED BY MORE CUTAWAYS. 43:00 WHITE MAN SPEAKS ABOUT DRUGS AND LECTURE SERIES 52:00 MAN INTRODUCES TIM LEARY AND HE WALKS OUT TO STAGE.
France. From mihael jackson. Sound line renaud
TIMOTHY LEARY CLIPREEL #2
FILE FILM TRANSFER MATERIAL OF TIMOTHY LEARY AND THE EARLY PSYCHEDELIC LSD CULTURE IN THE SIXTIES. 00:30 FROM FILM # A224432A 66/04/30 IN BERKELEY CALIFORNIA. CONTINUED FTG OF A LYSERGIC ACID DIETHYLAMIDE (LSD) PARTY. SILENT BLACK AND WHITE B-ROLL OF THE PARTY IN A ROOM IN BERKLEY. CONTINUATION OF MATERIAL FROM DCBC1887L. 09:52 TRACKING SHOTS / STREET SCENES AT NIGHT IN BERKELEY WITH LOTS OF HIPSTERS, BEATNICKS, PRE HIPPY PEOPLE ON THE STREETS. MOTORCYCLES AND MOTOR SCOOTERS PARKED ALONG THE STREETS. HEAD SHOPS AND PLACES WHERE THE " LSD CULTURE " WOULD GATHER. BLACK AND WHITE 12:40 MORE INTERIORS FROM THE " PARTY " CU SHOTS OF SPINING RECORD ON THE HIGH FI, PICTURES ON THE WALL, BOOKS AND VARIOUS ARTSY " PSYCHEDELIC " SHOTS THAT MAKE IT APPEAR THE CAMERA MAN HAS JOINED THE PARTY GUESTS. 14:15 MORE HIPPY PEOPLE ON THE STREET SMILING AND APPEARING AS IF ON ACID. GREAT PERIOD CLOTHES. 17:19 CLOSE-UP OF HANDS UNWRAPPING AN LSD SOAKED SUGAR CUBE. 19:10 CU ANTI " DOPE " FLYER PUT OUT BY THE STATE NARCOTICS COMMISSION WARNING THAT THE " DOPE FIENDS " MAY TRY TO GIVE YOU MARIJUANA WITHOUT YOUR KNOWLEDGE. 24:00 FROM FILM # A65797 - 70/10/30 CAIRO, EGYPT. COLOR AND SOUND. INTERVIEW WITH TIMOTHY LEARY AT THE CAIRO AIRPRT. HE SAYS HE WILL WORK WITH THE BLACK PANTHERS WITH THE ULTIMATE GOAL OF OVERTHROWING THE UNITED STATES GOVERNMENT. LEARY WITH UNIDENTIFIED MEMBERS OF THE PANTHERS. 25:00 FROM FILM # A39125 - 67/08/17 COLLEGE PARK, MARYLAND USA COLOR FILM WITH SPORADIC SOUND. CONTINUATION FROM DCBC1887L MORE OF DR TIMOTHY LEARY TALK AT UNIVERSITY OF MARYLAND SPONSORED BY NATIONAL STUDENTS ASSOCIATION (NSA). DOCTOR TIMOTHY LEARY, DRESSED IN WHITE OUTFIT W/ BEADS AND BARE FEET SITS ON FLOOR OF STAGE, FLOWERS IN FRONT OF HIM. YOUNG NEGRO / BLACK MAN ALSO IN WHITE IS W/ HIM. HE DISCUSSES HIS PHILOSOPHY. VS RESPONSIVE AUDIENCE. ANOTHER MAN SPEAKS. SAYS: DON'T LISTEN TO TIM WHEN HE GETS SCIENTIFIC, LISTEN TO HIM WHEN HE GETS POETIC. ( BLACK MAN MAY BE ELDRIDGE CLEAVER ) MAN SPEAKS ABOUT DRUG USE. START OF LEARY PERFORMANCE. NEGRO / BLACK MAN SPEAKS FIRST, THEN INTRODUCES LEARY. BEATLES ALBUM, SGT PEPPER'S LONELY HEARTS CLUB BAND IS PLAYED DURING TALK. LEARY TALKS ABOUT ALBUM. ABC CORRESPONDENT CHAPMAN DOES A VERY GROOVY STAND-UP 27:40 FROM FILM # A53823 - 69/05/20 NEAR LOS ANGELES CALIFORNIA CUT STORY: INTERVIEW WITH TIMOTHY LEARY ABOUT SUPREME COURT DECISION - SAYS HE WILL RUN FOR GOVERNOR OF CALIFORNIA. MORE OF INTERVIEW. (SUPREME COURT DECIDED IN LEARY'S FAVOR ON CHARGE OF BRINGING MARIJUANA INTO U.S. FROM MEXICO.) S/U TOM SHELL ABC NEWS. COLOR WITH SOUND - SILENT B-ROLL FOLLOWS 35:25 MORE NSA SPONSORED UNIVERSITY OF MARYLAND TALK. CUTAWAYS AND VARIOUS ANGLES OF LEARY AND ROOM. MOSTLEY SILENT. 38:10 EXTERIORS OF THE TAWES AUDITORIUM AT THE UNIVERSITY WITH STUDENTS WALKING OUTSIDE FOLLOWED BY MORE CUTAWAYS. 43:00 WHITE MAN SPEAKS ABOUT DRUGS AND LECTURE SERIES 52:00 MAN INTRODUCES TIM LEARY AND HE WALKS OUT TO STAGE.