NOTES: COL PRINT LOCATION: PARIS, FRANCE TITLE: COURREGES FASHIONS SERVICED DATE: 01/25/78 NO: LNC 89775 DATE SHOT: RECENT LENGTH: 70 FT SECONDS: 1.52 SOUND: SILENT DATE OF ARRIVAL: FILM SHOWS: HIGHLIGHTS FROM THE COURREGES SPRING / SUMMER 1978 COLLECTION SHOWN IN PARIS RECENTLY (19 JAN '78). LEAD IN: IN PARIS, DESIGNERS HAVE BEEN SHOWING THEIR SPRING / SUMMER 1978 COLLECTIONS. THE MAIN THEME OF THE COMING SEASON SEEMS TO BE THE "WANDERING WAISTLINE" - THE GENERAL LOOK REMAINS LOOSE, BUT NOT AS BAGGY AS THE BALLOONY OUTFITS OFFERED LAST OCTOBER. THE LOOSE LOOK MEANS DESINGERS CAN FIDDLE AROUND WITH THE WAIST AND WAISTLINE WATCHERS CAN RELAX AS FOLDS OF MATERIAL GATHER AROUND THE WAIST, DISGUISING ITS REAL SIZE. ONE OF THE LEADING DESIGNERS, ANDRE COURREGES, DELIGHTED HIS FANS WITH HIS TRADITIONAL SLENDER, YET FLOWING GOWNS WHOSE TOPS FLUTTERED WITH ORGANDY PETALS AND RUFFLES. FEET R/SECS 7 11 MS 3 MODELS LINED UP IN CO-ORDINATING OUTFITS - ZOOM IN ON MODEL WITH WHITE TOPS & RUFFLED NECK-LINE 12 19 CU STRIPED SKIRT & TILT UP TO TOP 18 29 MS MODEL IN SIDELESS TABARD STYLE TOP WITH HOOD AND PINK-LENS GLASSES 27 43 MS ZOOM IN ON MODEL WITH GATHERED WAIST PANT-SUIT - PULL OUT TO SHOW 3 MODELS 44 1.10 BS MODEL IN WHITE GOWN WITH PINK RIBBON THROUGH IT (2 SHOTS) 56 1.30 CU MODEL IN YELLOW ENSEMBLE (2 SHOTS) 70 1.52 CU MODEL IN PINK PANT-SUIT WITH SATIN WAISTBAND COMMENTARY: THESE THREE MODELS WEAR VARIATIONS ON THE SAME BASIC COURREGES THEME OF LOOSE, GATHERED IN WAISTLINES AND CO-ORDINAING PASTEL SHADES LIKE BLUE, WHITE AND OFF-WHITE. A SOFTLY GATHERED SHIRT IN WHITE MUSLIN HAS A LOW V-NECK TRIMMED WITH PETALS AND LITTLE FLOWERS AND BOWS AROUND THE NECK. WORN WITH A BLUE AND WHITE STRIPED COTTON SKIRT THE WHOLE EFFECT IS SUMMERY AND STYLISH. THIS STUNNING VARIATION ON THE TABARD THEME THAT HAS PERSISTED ALL WINTER AND AUTUMN AND NOW CARRIED ON, WITH A DIFFERENCE INTO SPRING AND SUMMER. IN BLUE AND WHITE STRIPES AND TIE-IN WAIST TOPPED OFF WITH AN ENORMOUS HOOD. AND A POPLIN SAILOR-SUIT EFFECT - GATHERED SOFTLY AT THE WAIST. BUT THE PRETTIEST WAS THIS WHITE SILK GOWN WITH A THIN PINK RIBBON WOVEN THROUGH AND TIED IN LITTLE BOWS. AND THIS YELLOW ENSEMBLE, WHICH BROUGHT GASPS AND APPLAUSE FROM THE AUDIENCE. A YELLOW POPLIN TOP WITH A BOLD SQUARE NECK-LINE TEAMED OFF WITH A WHITE AND YELLOW FLORAL SKIRT IN COTTON. EQUALLY STUNNING WAS THIS PANT-SUIT IN PINK TWEED WITH CLASSIC-CUT PANTS AND PATCH-POCKETS ON THE MATCHING JACKET. WORN WITH A WHITE BLOUSE TUCKED IN AT THE WAIST BY A BROAD BAND OF PINK SATIN, IT LOOKED BOTH ELEGANT AND CASUAL.

Man opens store, Anderson's School Supplies, girl walks up to him to say good morning Mr. Anderson shows girls something in the window, girl runs off, man waves good-bye and enters store Girl sits up in bed and turns on her light, she takes a dollar out of her purse Girl looks at her dollar and smiles, she folds it and puts it back in her purse Girls takes her coin holder out of her purse and admires it, she puts it back Girl turns off the light and goes back to sleep Girl wearing blouse and purse around her neck skips and waves Girl approaches cash register and is greeted by a man wearing an oversized bow tie Girl takes out a dollar bill and shows it to the man CU girl holding up the dollar bill for the man CU man takes the dollar bill from the girl and smiles, he opens his cash register CU girl smiles CU open cash register drawer with lots of change CU dollar bill sits on a table face down, hand places two half dollar coins on the table (one heads up and the other tails up), hand removes dollar bill CU hand replaces each half dollar coin with two quarters CU quarter is replaced by two dimes and a nickel CU dime is replaced by two nickels CU nickel is replaced by five pennies CU one penny, then five pennies replaced by one nickel CU two nickels are replaced by one dime CU two dimes and one nickel are replaced by one quarter CU two quarters are replaced by one half dollar CU two half dollars are replaced by one dollar bill Man shows dollar bill to the girl and then take change from the cash register CU dollar bill sits on table, below are two half dollar coins CU two quarters replace one of the half dollar pieces CU one of the quarters is replaced by two dimes and one nickel CU one of the dimes is replaced by one nickel and five pennies CU hand removes dollar bill from the table leaving one dollar in change (one half dollar coin, one quarter, one dime, two nickels, and five pennies) CU girl sleeping pan right to girl's purse and dollar sitting on a night table Girl skips up to the school supply store, looks in the front window, then enters the store Girl walks up to cash register and gives her dollar bill to the man behind the counter Man places change for the dollar on the counter (one half dollar, one quarter, one dime, two nickels, and five pennies) Girl places her change in her coin holder except for the half dollar which she put in her purse Girl looks at school supplies CU display of various school supplies CU box of pencils labeled two cents, man takes one pencil Girl takes two pennies from her coin holder and hands it to the man Man places pencil in a paper bag CU composition book labeled six cents, man takes one of the notebooks from the display CU girl takes one nickel and one penny from her coin holder CU rulers labeled fifteen cents, man takes one ruler from the display CU girls takes one dime and one nickel from her coin holder CU boxes of Crayola drawing crayons labeled thirty-six cents, man takes one box from the display CU girl takes out the rest of her change, one half dollar coin, one quarter, and two pennies and places it on the counter CU man smiles and nods his head Man replaces the half dollar with one quarter, two dimes, and one nickel Girl rests her head on her hand and thinks Girl picks up one quarter, one dime, and one penny and pays the man for her crayons Girl picks up the rest of her change, one quarter, one dime, one nickel, and one penny Man hands the girl her bag of school supplies Man escorts girl out of his store Girl skips away from the store, man waves good-bye Girl skip down the street

A LOOK AT WOMEN’S FASHION FROM 1982 OR EARLY 80’S.

Alps

PARIS, FRANCE - MARCH 06: (SLOW-MO) A guest wears a white ruffled high neck blouse, a black silk tie, a black buttoned coat, black puffy pants, white shiny leather sneakers , outside Zimmermann, during Paris Fashion Week - Womenswear Fall Winter 2023 2024, on March 06, 2023 in Paris, France. (Footage by Edward Berthelot/Getty Images)

SOME FASHION TIPS FOR WINTER FROM 1984. ALSO AN OLDER BUSINESS WOMAN GETS A FASHION MAKEOVER.

OLD SWIMMIN' HOLE, THE

TAPE_NUMBER: EF01/0186 IN_TIME: 14:15:52 LENGTH: 00:00 SOURCES: APTN/HANDOUT RESTRICTIONS: FEED: VARIOUS (THE ABOVE TIME-CODE IS TIME-OF-DAY) SCRIPT: xfa TITLE: NEW YORK FASHION - STUART & DE LA RENTA DATE: 14 FEBRUARY 2001 LOCATION: NEW YORK Fashionistas looking for tips for their 2001's autumn/winter wardrobes might be dissapointed with the styles on offer at JILL STUART's New York show yesterday. The designer unveiled a range of monochromatic separates, with pedal pushers and high necked blouses the highlight of what critics quickly labelled a dull show. Fabrics included satin, cotton, wool, moleskin, jersey lace and leather, and had been moulded into shapes everyone already seem familiar with. The show did offer one treat for the gathered paparazzi though - in a week that has prompted grumblings from the press about the lack of celebrity presence, MONICA LEWINSKY had grabbed a front row seat for Stuart's collection. The former White House intern spoke enthusiastically about the designs, saying they were comfortable and feminine at the same time. She was even more happy to talk about the bag she was carrying - one from her own line - describing it's raised velvet hounds tooth fabric and luxurious detailing. The OSCAR DE LE RENTA show proved somewhat more of a hit with the critics. His sophistated sexy looks included figure hugging slinky floor length numbers and glamourous beaded gowns. He unveiled skirts covered with feathers, shimmering evening wear and plenty of black - true sex appeal. However, animal rights campaigners will be disappointed to see yet another show using fur. SHOTLIST: 1. EXT 7TH ON SIXTH TENTS 2. B-ROLL JILL STUART SHOW 3. PAN MEDIA TO RUNWAY 4. SOT MONICA LEWINSKY AT JILL STUART SHOW: "WHAT I LIKE ABOUT HER CLOTHES ARE THEY ARE VERY...IT'S A RAISED VELVET HOUNDSTOOTH FABRIC...LINED IN VELVET...THAT LINES THE STRAPS AS WELL...COTTON TIE" 5. B-ROLL OSCAR DE LA RENTA?

PARIS, FRANCE - SEPTEMBER 30: (SLOW-MO) Emili Sindlev wears gold earrings, a pale pink and white tie and dye print pattern ruffled / embroidered rhinestones V-neck blouse with a long pendant belt, a navy blue / white / black / pale blue shiny leather zipper jacket, blue tie and dye with flower print pattern large denim pants, a silver shiny leather Cleo handbag from Prada, blue plastic with embroidered rhinestones buckle toe cap / pointed pumps heels shoes , outside Alessandra Rich, during Paris Fashion Week - Womenswear Spring/Summer 2023, on September 30, 2022 in Paris, France. (Footage by Edward Berthelot/Getty Images)

Royalty: Princess Anne: Stolen Letters; ENGLAND, High Wycombe Princess Anne (wearing Green check 3/4 coat & purple tie-neck blouse) visiting hospital as walks past patients holding flowers Chatting to patients: Princess Anne holding flowers as leaving & into car

DO’S AND DON’TS FOR WOMEN AND FASHION FROM 1983. SHOWS STYLE AND CLOTHING FROM EARLY 80’S FOR WOMEN.

TAPE: EF01/0526 IN_TIME: 13:29:46 DURATION: 6:44 SOURCES: APTN RESTRICTIONS: music rights must be cleared DATELINE: Paris, France - Recent SHOTLIST 1. Pan up of guards arriving at Ministry of Foreign Affairs entrance 2. Exterior ministry 3. Balmain designer Oscar de la Renta arranging guest seating before show 4. Interior show room 5. Interior show room chandelier 6. Model Karolina Kurkova having her hair straightened 7. Hairdressers preparation table 8. Wide shot hair and make-up in progress 9. Model having hair extensions applied 10. Model on catwalk in black sequined skirt suit and white blouse 11. Model Shalom Harlow wearing black fitted dress with fushia coloured hat 12. Various of models on runway 13. Cutaway audience 14. Model wearing taupe coloured sequined dress 15. Model Diana Gartner wearing Spanish-style dress 16. Model in green flower print dress with ruffle 17. Model Karolina Kurkova wearing long red gown 18. Model Alec Wek wearing gold suit with fur hat 19. Model Oluchi wearing long red Spanish-style dress with hat veil 20. Bride in red Spanish style gown 21. Balmain designer Oscar de la Renta on the runway greeting guests, followed by models 22. Cutaway Oscar de la Renta greeting guests 23. SOUNDBITE (English) Oscar de la Renta, designer: "Designing clothes is what I like the most but I mean it's working in my studio creating clothes, working with my assistants you know, it's the whole process of the creativity that I like, you know, working with beautiful fabrics and obviously working with forms, shapes and for me all the clothes I make all the construction of the clothes are very important. I do every fitting for every single dress that I design so, because a sketch is just an idea only when you fit those clothes you can make them really your own." 24. Interior of salon for Maurizio Galante show 25. Cutaway of designer Jean Charles Castelbajac 26. Model backstage having blue hair extensions weaved into her hair 27. Close up model's hair with blue extensions 28. Model having eye make-up applied 29. Model doing touch-ups on her eyes 30. Designer Maurizio Galante talking with model and giving hair stylist instructions 31. Designer backstage 32. SOUNDBITE(French) Maurizio Galante, designer: "The inspiration can be a simple work like a child would do on paper. It is to play with the materials and to create new things. It is always with material and the cut very simple." 33. Various of show 34. Models on runway for finale 35. SOUNDBITE (English) Jean Charles Castelbajac, designer:"I think it was a big step ahead and I always like the work of Maurizio. I think it was, it's always been full of poetry, full of humour, kind of (indecipherable) but today I have seen also real clothes and all the evening things, you know, with the web like that you know it's really amazing." 36. Maurizio Galante on stage OSCAR DE LA RENTA Like Christian Lacroix, whose Paris show for Autumn/Winter 2002 featured ladies of Spain with their black boleros, mantilla-style coifs and red notes, Oscar de la Renta at Balmain was similarly enamoured with Iberian style. But Balmain concentrated on plenty of elegant, simple silk and light wool suits and dresses (to the knee, please) giving his chic customers what they like to wear. Lace also featured heavily in a show that ranged from a glamorous black 50s style French evening outfit, complete with high gloves and low arching neck, to flamenco dresses in sumptuous flowing folded silk, finished off with lacy head-dresses. In between, de la Renta displayed simple black glitter skirt suits and full length figure-hugging sheer, lacy dresses decorated with spanish-style embroidery. The gypsy look that Scherrer concentrated on was echoed in a fabulous bohemian outfit with large red, embroidered carpet jacket with beige skirt, and, to hint at the high class origins, the outfit is trimmed with fur. Also in the gypsy camp was a lovely full length cream skirt in flowing heavy lace. Lacy cuffs and ruffs were in, as were hats, but it was the full flamenco dresses, with a hint of the American Wild West bordello about them, which really impressed, with their red lined skirts and sheer silk tops. MAURIZIO GALANTE The Autumn/Winter 2001-2002 collection from Maurizio Galante was an eclectic mix. Colours where bright and materials varied in a collection that felt like the designer had raided the "Desperately Seeking Susan " section of Madonna's wardrobe and attempted to make it elegant. But couture trash seems to work whether scaly gold hipster trousers or shocking yellow stockings and gold mini complimenting top, revealingly open at the front, tied at the back of the neck. Large colourful flowers decorated asymmetrical knee length coat jackets while a diagonal pattern of multi-coloured leather bands created a slashed effect for coats, trousers and skirts in bright blue and gold. A White full length layered fur coat jacket was stunning with white hipster leggings. Night birds, flamingos and birds of paradise inspired the final outfits, a series of evening gowns and small tops decorated with appliqued bird motifs, organza feathers in matching colours or embroidered, decorated with crystal beads. So, while we can't all afford a Maurizio Galante flamingo evening dress, we can expect to see the clothes they inspire in a French Connection near you.

FASHION SHOW AT THE MINNESOTA STATE FAIR SHOWING THE LATEST IN KIDS LOOKS FOR BACK TO SCHOOL SEASON (1985).

TAPE: EF01/0718 IN_TIME: 13:25:47 DURATION: 11:08 SOURCES: APTN RESTRICTIONS: music on catwalks not cleared for use. replace with your own clearable music DATELINE: Paris, France. 10 October 2001 SHOTLIST GIVENCHY SHOW 1. VS Givenchy Catwalk show 2. Final pass 3. Designer, Julien Macdonald comes out on stage CHLOE SHOW 4. Photographers out side 5. Vs Models backstage 6. Vs Chloe catwalk show 7. SOT Vanessa Mae: "I just thought it was really, really clever you know, lots of details. I liked all the stuff where you could see through the clothes a little, it was almost like stencilling out pieces of clothing and you could see through to the bum and things like that, I thought it was clever and it was great and I liked all the white stuff, and what was great was that it was very wearable. " 8. B-Roll Chloe designer Phoebe Philo greets buyers backstage 9. Sot Amanda Ross - Market Director from Harper's Bazaar: "I was looking forward to the show all week and I have to say I was so excited by the show, I thought it was brilliant, sexy, just really beautiful, a really beautiful collection. I am very excited for Phoebe." EMANUEL UNGARO SHOW - PARIS, FRANCE, 10/10/01 10. VS Ungaro Catwalk show 11. VS Models exciting from backstage for final pass 12. Ungaro's new designer Giambattista Valli on runway 13. B-Roll Valli backstage 14. Sot Giambattista Valli (about Mr Ungaro): "I think for me the two inspiring moments of Mr Ungaro, one was his research when he used to work for Balenciaga so all of his research on jackets, on the cut of the jackets, the kimono cut for Balenciaga that is the kind of attitude falling from the back and from the neck of the Balenciaga. So there is kind of style, this kind of attitude and there is the opposite to this, the most fluid part, the sensual part inspired by this famous collection called the Diva collection it is a collection with all white dresses with pleats like crossing along the front." PRET A PORTER - YVES SAINT LAURENT, Paris, France 10/10/01 15. Vs exterior of venue 16. People arrive for show 17. Vs show 18. Last model fades to black 19. Sot Hilary Alexander - Daily Telegraph fashion critic: "Sexy, scintillating, curvaceous and a wonderful homage to the cat, the leopard...I think it is great, I can't wait to wear it. I have always been a great fan of animal prints, I think that they are wild and sexy and glamorous all at the same time. I think they looked great on the models, the shoes were brilliant and the whole had a raw edge because there was lots of thonging, skirts were thonged together and bikinis were made of distressed chiffon, all printed with the leopard and then occasionally there was a tribal print." 20. Yves Saint Laurent designer Tom Ford on catwalk PARIS SAYS PASTELS AND IVORY FOR SPRING Paris catwalks have been full of girly romance in pastels and ivory, as the spring/summer ready to wear shows continue. Welshman Julien Macdonald's second show for GIVENCHY was a quiet, almost serene, affair, far more subdued than those of his predecessor at Givenchy, Alexander McQueen, who prefers shock and flamboyance to pretty clothes. Macdonald, known for his wild and crazy knits for his London collections, went coy for his important Givenchy debut collection in July, creating dark, ladylike clothes that would probably have pleased Hubert de Givenchy's former customers. This time, the clothes were perked up, like the wonderful blazing white poplin suit with skinny trousers and a long basque jacket with ruffling around the bodice. The white swashbuckling poplin blouse looked great, too, worn with its fully gathered skirt to knee length. This, and other puffed-sleeve models, were an evident nod to the original Givenchy 'Bettina' blouse of nearly 50 years ago that had American critics in ecstasy. Crimped looks, with twisted rope pipings were the main attraction of this show, with the detail popping up as belts, on shoulders and even around ankles. The Welshman's love of knits was obvious too, with red fishnet tank tops, and more macrame rope effects on cotton dresses. There was plenty of black, bucking the spring/summer trend for pastels and ivory. Meanwhile Phoebe Philo has stepped into Stella McCartney's shoes at CHLOE, and was showing her first collection since her predecessor left to start her own line. Violinist Vanessa Mae was among those applauding the new girl on the block, who was once McCartney's assistant at Chloe. Philo produced several lean trouser ideas without copying McCartney. Philo's designs were more studied, and less way out, though there were similarities - for instance with some billowy tops over slim pants. Clothes incorporated stencil-style cut outs offering a glimpse of skin beneath leather, detailed wide sleeves, and plenty of ruffles. Trousers came in hipster three quarter length jodphurs and loose flares, while shoes came with charm bracelet ties round the ankle. EMMANUEL UNGARO has announced this week that he will be concentrating solely on Haute Couture from now on. The Ready to Wear, Diffusion and Accessory collections of the Ungaro house will now come under the remit of the designer's principal collaborator Giambattista Valli, who Ungaro has appointed Creative Director. The UNGARO show was all about beautiful romance and fluid dresses, which is what his clients know and love. This time most of the familiar suit-tailoring was left out to concentrate on dresses and trousers with ruffled or embroidered tops. Soft little sleeveless dresses in pastels and orange sherbet shades would suit fashion fans for a summer's night. There was just a touch of daytime tailored wear that included fitted ivory trouser suits. The shows have made it clear that ivory is the Paris It colour for next season. There was also plenty of sparkling beading and rhinstones, some draped over shoulders, others sewn onto basque tops and dresses with plunging necklines, for an elegantly sexy look. Colours came in sweet pastels or autumnal deep prune and aubergine. But the finale concentrated on Spring, with shades of pink and peach, fluttering around with touches of sparkle and ruffles on long or short dresses. Valli took to the catwalk for his bow, then glowed about Ungaro backstage. Tom Ford brought the animal print back to the catlwalk for YVES SAINT LAURENT, paying tribute to the leopard with outfit after outfit in floating chiffon. There were leopard skin print tops, cross over dresses, capes and even a catsuit, all bearing the big cat's markings. The show also offered detailed stitching on outfits, from a brown leather suit to black and white cross stitching on skirts and trousers. Critics were impressed, giving Ford a definite thumbs up for offering something refreshingly different for next season.

Royalty: Princess Anne / Mark Phillips: Stolen Letters; SPAIN, Seville SEQ Capt Mark Phillips along through crowd/into carriage & along ENGLAND, Bucks, Windsor, Queen Anne Royal Church of England School SEQ Princess Anne (in green check coat & purple tie-neck blouse) shakes dignitaries/ chats school children CMS Anne chatting & smiling

CLOSE ANGLE OF GIRL'S DRESS. HANDS HOLD CLOTHING AS PERSON EXAMINES IT. BLINDS ON WINDOW IN BACKGROUND. COULD BE CHILD'S COMMUNION DRESS, BAPTISMAL GOWN OR OUTFIT FOR CHRISTENING

A LOOK AT WHAT’S TRENDING CLOTHING / FASHION FOR THE SUMMER OF 1989.

COVERAGE IN PHILADELPHIA, PENNSYLVANIA FOR A DOCTOR TIMOTHY JOHNSON CS VO ABOUT THE CONCERN THAT THOUSANDS OF WOMEN MAY BE GETTING BAD ADVICE FROM THEIR DOCTORS ABOUT OVARIAN CANCER. 01:00:30 NATURAL SOUND INT FTG. SETUP. 01:00:52 MS NURSE PREPARING MIDDLE AGE PATIENT, FAYE PECK, WHO IS WEARING HER OWN CLOTHES, FOR HER LAST CHEMOTHERAPY TREATMENT. 01:01:14 CU FAYE. 01:01:21 MS FAYE SITTING W/ HER BLOUSE OPEN AT THE NECK. 01:01:37 CU NURSE OPENING PACKAGE. 01:02:04 CU NURSE FILLING SYRINGE. 01:02:17 TWO SHOT BEHIND NURSE AS SHE AND FAYE MAKE SMALL TALK. 01:02:54 MCU NURSE SWABBING AREA ABOVE FAYE'S RIGHT BREAST W/ DYE. 01:03:19 CU NURSE PAINTING FAYE'S BREAST W/ DYE. 01:03:51 CU NURSE INSERTING NEEDLE INTO SPOT PAINTED ON FAYE'S BREAST. 01:04:00 PULL OUT TO MS BEHIND NURSE AS SHE REMINDS FAYE OF ROUTINE. 01:04:24 CU SYRINGE FILLING W/ BLOOD. 01:04:42 CU FAYE LOOKING OFF IN DISTANCE SMILING. 01:05:02 CU NURSE SWITCHING VIAL. 01:05:44 CU FAYE. 01:06:15 CU SACK OF FLUID OVER MONITOR. 01:06:28 MS FAYE SITTING NEXT TO MONITOR CALMLY 01:06:49 CU MONITOR. 01:06:59 MWS FAYE REMOVING HER NEWSPAPER AND SITTING BACK IN CHAIR AS TREATMENT CONTINUES THROUGH IV INSERTED IN HER CHEST. 01:07:57 MWS BEHIND NURSE ADJUSTING MONITOR WHICH MAKES HIGH PITCHED BEEPING SOUND. 01:08:49 MS FAYE SITTING STRETCHED OUT ON EASY CHAIR READING HER NEWSPAPER AS SHE CONTINUES W/ HER LAST TREATMENT. 01:09:50 POV THROUGH TREATMENT ROOM DOORWAY FAYE READING HER NEWSPAPER. 01:10:06 SAME SHOT CLOSER. 01:10:23 CU OUTPATIENT CHEMOTHERAPY UNIT SIGN ON DOOR. 01:10:31 PULL OUT TO WS FAYE CONTINUING TO SIT IN CHAIR WHERE SHE IS READING HER PAPER. 01:11:12 FTG IN HOSPITAL CORRIDOR. MS ANOTHER PATIENT, A WOMAN CLAD IN A HAIRNET, HOSPITAL ROBE AND GOWN FOLLOWING MALE NURSE, CLAD IN SURGICAL SCRUBS, TO WHEELED BED IN HALLWAY. 01:11:32 MS PATIENT CLIMBING ONTO BED AND NURSE COVERING HER W/ SHEET AND RAISING BED TO UPRIGHT POSITION. 01:11:51 CU PATIENT'S FACE. 01:12:17 MS NURSE COVERING PATIENT W/ ANOTHER BLANKET. 01:12:48 LOW ANGLE LS NURSE WHEELING PATIENT DOWN HALL AS HER HUSBAND TRAILS BEHIND CARRYING A PRINT CLOTH SUITCASE. 01:12:58 MS NURSE STOPPING SO DOCTOR MARK MORGAN CAN HOLD PATIENT'S HAND AND SAY A FEW WORDS TO HER ABOUT PENDING PROCEDURE, CANCER SURGERY. 01:13:21 CU BEHIND NURSE PUSHING GURNEY. 01:13:31 MS OVER PATIENT LYING ON GURNEY. 01:14:08 DARK MCU NURSE CONTINUING TO PUSH PATIENT DOWN HALL. 01:14:31 BETTER LIGHT. LS BEHIND NURSE PUSHING PATIENT DOWN LONG CORRIDOR. 01:14:41 HEADON MWS NURSE PUSHING PATIENT TOWARD CAMERA. 01:15:08 MS NURSE ADJUSTING PATIENT'S BLANKETS AND ASKING IF SHE IS FEELING OKAY BEFORE PRESSING BUTTON THAT OPENS THE DOOR TO THE OPERATING ROOM. 01:15:28 SIDE MS NURSE PUSHING GURNEY INTO OPERATING ROOM HOLDING AREA. 01:16:01 SIDE CU PATIENT LOOKING SOMBER. 01:16:21 CU FEMALE NURSE ASKING PATIENT QUESTIONS. 01:16:37 MS NURSE LEAFING THROUGH CHART AS PATIENT LISTENS. 01:17:04 MCU PATIENT TRYING TO RECALL WHEN SHE LAST RECEIVED CHEMOTHERAPY. 01:17:13 PAN FROM CU PATIENT TO NURSE. 01:17:31 MS NURSE AND PATIENT. 01:17:51 PAN AROUND BED AS ANESTHESIOLOGIST LEAFS THROUGH CHART AND TALKS TO PATIENT. 01:18:16 SIDE CU PATIENT'S FACE AS SHE WAITS. 01:18:30 WS BEHIND PATIENT LYING ON GURNEY CONTINUING TO WAIT. 01:19:04 MS ANESTHESIOLOGIST ASKING PATIENT ROUTINE QUESTIONS AND CHECKING HER IDENTIFICATION BAND. 01:19:28 CU ANESTHESIOLOGIST. 01:19:49 SIDE WS PATIENT WAITING. 01:20:26 MWS ANESTHESIOLOGIST STANDING NEXT TO PATIENT PREPARING HER FOR AN IV. 01:20:47 CU RUBBER BAND BEING TIED AROUND PATIENT'S ARM. 01:20:55 CU PATIENT'S WEARY FACE. 01:21:03 MCU ANESTHESIOLOGIST ANNOUNCING THAT PATIENT'S VEINS ARE DRY. 01:21:44 CU ANESTHESIOLOGIST GIVING PATIENT INJECTION. 01:22:03 PUSH INTO CU ANESTHESIOLOGIST INSERTING IV INTO BACK OF PATIENT'S RIGHT HAND. 01:22:18 MS PATIENT LYING IN BED W/ OUTSTRETCHED ARM AS ANESTHESIOLOGIST CONTINUES TREATING HER. 01:23:05 CU CLEAR SOLUTION DRIPPING IN TUBE. 01:23:21 MS ANOTHER NURSE TALKING TO PATIENT, GIVER HER SOME WORDS OF REASSURANCE. 01:23:44 SIDE CU PATIENT. 01:24:07 TILT UP FROM PATIENT'S CHART TO TWO NURSES LOOKING OVER HER RECORDS. 01:24:16 PULL OUT TO MS NURSE LEAFING THROUGH CHART AS HER COLLEAGUES WATCHES OVER HER SHOULDER. 01:24:39 MS FIRST NURSE STANDING AT PATIENT'S BEDSIDE TALKING AND BEING JOINED BY SECOND NURSE WHO DOUBLE CHECKS PATIENT'S NAME BAND. 01:25:22 CU SECOND NURSE REVIEWING GENERAL ANESTHESIA PROCEDURE. 01:25:41 CU PATIENT LISTENING. 01:25:47 MS SECOND NURSE DISCUSSING BETTER MEDICINES.

COVERAGE IN PHILADELPHIA, PENNSYLVANIA FOR A DOCTOR TIMOTHY JOHNSON CS VO ABOUT THE CONCERN THAT THOUSANDS OF WOMEN MAY BE GETTING BAD ADVICE FROM THEIR DOCTORS ABOUT OVARIAN CANCER. 01:00:30 NATURAL SOUND INT FTG. SETUP. 01:00:52 MS NURSE PREPARING MIDDLE AGE PATIENT, FAYE PECK, WHO IS WEARING HER OWN CLOTHES, FOR HER LAST CHEMOTHERAPY TREATMENT. 01:01:14 CU FAYE. 01:01:21 MS FAYE SITTING W/ HER BLOUSE OPEN AT THE NECK. 01:01:37 CU NURSE OPENING PACKAGE. 01:02:04 CU NURSE FILLING SYRINGE. 01:02:17 TWO SHOT BEHIND NURSE AS SHE AND FAYE MAKE SMALL TALK. 01:02:54 MCU NURSE SWABBING AREA ABOVE FAYE'S RIGHT BREAST W/ DYE. 01:03:19 CU NURSE PAINTING FAYE'S BREAST W/ DYE. 01:03:51 CU NURSE INSERTING NEEDLE INTO SPOT PAINTED ON FAYE'S BREAST. 01:04:00 PULL OUT TO MS BEHIND NURSE AS SHE REMINDS FAYE OF ROUTINE. 01:04:24 CU SYRINGE FILLING W/ BLOOD. 01:04:42 CU FAYE LOOKING OFF IN DISTANCE SMILING. 01:05:02 CU NURSE SWITCHING VIAL. 01:05:44 CU FAYE. 01:06:15 CU SACK OF FLUID OVER MONITOR. 01:06:28 MS FAYE SITTING NEXT TO MONITOR CALMLY 01:06:49 CU MONITOR. 01:06:59 MWS FAYE REMOVING HER NEWSPAPER AND SITTING BACK IN CHAIR AS TREATMENT CONTINUES THROUGH IV INSERTED IN HER CHEST. 01:07:57 MWS BEHIND NURSE ADJUSTING MONITOR WHICH MAKES HIGH PITCHED BEEPING SOUND. 01:08:49 MS FAYE SITTING STRETCHED OUT ON EASY CHAIR READING HER NEWSPAPER AS SHE CONTINUES W/ HER LAST TREATMENT. 01:09:50 POV THROUGH TREATMENT ROOM DOORWAY FAYE READING HER NEWSPAPER. 01:10:06 SAME SHOT CLOSER. 01:10:23 CU OUTPATIENT CHEMOTHERAPY UNIT SIGN ON DOOR. 01:10:31 PULL OUT TO WS FAYE CONTINUING TO SIT IN CHAIR WHERE SHE IS READING HER PAPER. 01:11:12 FTG IN HOSPITAL CORRIDOR. MS ANOTHER PATIENT, A WOMAN CLAD IN A HAIRNET, HOSPITAL ROBE AND GOWN FOLLOWING MALE NURSE, CLAD IN SURGICAL SCRUBS, TO WHEELED BED IN HALLWAY. 01:11:32 MS PATIENT CLIMBING ONTO BED AND NURSE COVERING HER W/ SHEET AND RAISING BED TO UPRIGHT POSITION. 01:11:51 CU PATIENT'S FACE. 01:12:17 MS NURSE COVERING PATIENT W/ ANOTHER BLANKET. 01:12:48 LOW ANGLE LS NURSE WHEELING PATIENT DOWN HALL AS HER HUSBAND TRAILS BEHIND CARRYING A PRINT CLOTH SUITCASE. 01:12:58 MS NURSE STOPPING SO DOCTOR MARK MORGAN CAN HOLD PATIENT'S HAND AND SAY A FEW WORDS TO HER ABOUT PENDING PROCEDURE, CANCER SURGERY. 01:13:21 CU BEHIND NURSE PUSHING GURNEY. 01:13:31 MS OVER PATIENT LYING ON GURNEY. 01:14:08 DARK MCU NURSE CONTINUING TO PUSH PATIENT DOWN HALL. 01:14:31 BETTER LIGHT. LS BEHIND NURSE PUSHING PATIENT DOWN LONG CORRIDOR. 01:14:41 HEADON MWS NURSE PUSHING PATIENT TOWARD CAMERA. 01:15:08 MS NURSE ADJUSTING PATIENT'S BLANKETS AND ASKING IF SHE IS FEELING OKAY BEFORE PRESSING BUTTON THAT OPENS THE DOOR TO THE OPERATING ROOM. 01:15:28 SIDE MS NURSE PUSHING GURNEY INTO OPERATING ROOM HOLDING AREA. 01:16:01 SIDE CU PATIENT LOOKING SOMBER. 01:16:21 CU FEMALE NURSE ASKING PATIENT QUESTIONS. 01:16:37 MS NURSE LEAFING THROUGH CHART AS PATIENT LISTENS. 01:17:04 MCU PATIENT TRYING TO RECALL WHEN SHE LAST RECEIVED CHEMOTHERAPY. 01:17:13 PAN FROM CU PATIENT TO NURSE. 01:17:31 MS NURSE AND PATIENT. 01:17:51 PAN AROUND BED AS ANESTHESIOLOGIST LEAFS THROUGH CHART AND TALKS TO PATIENT. 01:18:16 SIDE CU PATIENT'S FACE AS SHE WAITS. 01:18:30 WS BEHIND PATIENT LYING ON GURNEY CONTINUING TO WAIT. 01:19:04 MS ANESTHESIOLOGIST ASKING PATIENT ROUTINE QUESTIONS AND CHECKING HER IDENTIFICATION BAND. 01:19:28 CU ANESTHESIOLOGIST. 01:19:49 SIDE WS PATIENT WAITING. 01:20:26 MWS ANESTHESIOLOGIST STANDING NEXT TO PATIENT PREPARING HER FOR AN IV. 01:20:47 CU RUBBER BAND BEING TIED AROUND PATIENT'S ARM. 01:20:55 CU PATIENT'S WEARY FACE. 01:21:03 MCU ANESTHESIOLOGIST ANNOUNCING THAT PATIENT'S VEINS ARE DRY. 01:21:44 CU ANESTHESIOLOGIST GIVING PATIENT INJECTION. 01:22:03 PUSH INTO CU ANESTHESIOLOGIST INSERTING IV INTO BACK OF PATIENT'S RIGHT HAND. 01:22:18 MS PATIENT LYING IN BED W/ OUTSTRETCHED ARM AS ANESTHESIOLOGIST CONTINUES TREATING HER. 01:23:05 CU CLEAR SOLUTION DRIPPING IN TUBE. 01:23:21 MS ANOTHER NURSE TALKING TO PATIENT, GIVER HER SOME WORDS OF REASSURANCE. 01:23:44 SIDE CU PATIENT. 01:24:07 TILT UP FROM PATIENT'S CHART TO TWO NURSES LOOKING OVER HER RECORDS. 01:24:16 PULL OUT TO MS NURSE LEAFING THROUGH CHART AS HER COLLEAGUES WATCHES OVER HER SHOULDER. 01:24:39 MS FIRST NURSE STANDING AT PATIENT'S BEDSIDE TALKING AND BEING JOINED BY SECOND NURSE WHO DOUBLE CHECKS PATIENT'S NAME BAND. 01:25:22 CU SECOND NURSE REVIEWING GENERAL ANESTHESIA PROCEDURE. 01:25:41 CU PATIENT LISTENING. 01:25:47 MS SECOND NURSE DISCUSSING BETTER MEDICINES.