Video footage from the WBAP-TV/NBC station in Fort Worth, Texas, covering a news story about Dallas Congressman-elect Earle Cabell returning to Dallas after a five-day visit to Austin to attend a school for new congressmen and learning his way around the capital city.

WHAT PRICE FREEDOM?

NAME: ITA CAPITALISM 20090906E TAPE: EF09/0847 IN_TIME: 10:00:08:00 DURATION: 00:04:39:19 SOURCES: EBU/Paramount Vantage DATELINE: Venice Italy September 6 2009 RESTRICTIONS: Check shotlist for details SHOTLIST No re-use/re-sale of film/ TV clips without clearance EBU RESTRICTIONS 1. CLIENTS MUST USE NO MORE THAN 6 MINUTES MAXIMUM PER DAY OF EBU FOOTAGE FROM 2-13 SEPTEMBER 2009 2. BROADCASTERS MUST ON-SCREEN CREDIT 'EUROVISION PRODUCTION COORDINATION' DURING THE AIRING OF CLIPS FOR A FEW SECONDS 3. BROADCASTERS MAY AIR THE FOOTAGE IN WHOLE OR IN PART, EITHER LIVE OR ON A DELAYED BASIS DURING THE FESTIVAL AND FOR 10 DAYS 4. ACCESS IS GRANTED FOR NEWS BULLETIN USE ONLY 5. THE RIGHTS GRANTED EXCLUDES THE DELIVERY OF THE PROGRAMME THROUGH ANY FORM OF PPV, NVOD, VOD, SOD, INTERNET OR MOBILE PHONE NETWORK 6. CLIENTS MAY USE THE FOOTAGE ON THEIR OWN WEBSITES BUT MAY NOT OFFER TO THIRD PARTIES OR ON-SELL 7. BROADCASTERS MUCH GAIN AUTHORISATION FROM EUROVISION PRODUCTION COORDINATION (epc@eurovision.net) FOR ALL OTHER USE EBU Venice, Italy, 6 September 2009 1. Wide shot Michael Moore entering press conference 2. Cutaway audience 3. SOUNDBITE (English) Michael Moore, director - on whether people can challenge capitalism: " Of course I think anything is possible, I think that if would have asked me three or four years ago if an African American can be elected president of the United States in the next election I would say no, I am continually surprised at the ability not just of the American people but of people around the world to make the impossible happen, those of us who are old enough to remember how many of you thought the Berlin wall would ever come down, I didn't, how many of you would have though that Mandela would ever be out of prison let alone be made president of South Africa, I mean there are so many things that have happened in the last 20 years that have just utterly surprised me that I now believe anything can happen and that the people can revolt in very good ways, non violently stand up for what they think is right as the people of Eastern Europe did, as the people of South Africa did and as the people in the United States did last November." Paramount Vantage 4. Clip trailer - 'Capitalism: A Love Story' EBU Venice, Italy, 6 September 2009 5. SOUNDBITE (English) Michael Moore, director: " What were the obstacles that I encountered while making this film, none, none, I made this film, I started this film and I said to the crew lets imagine that this is the last film they are going to let us make, if this was our last movie, what would we want this film to be about, what would we want to put in this film and lets set out to do that and lets not be afraid of anything and lets not pull our punch and lest speak the words that need to be spoken as maybe nervous as we might be about that, lets raise the issues that need to be raised but most of all lets try to make a good movie, that is always my very first concern is to try and make an entertaining film that people will come to on a Friday night. " Paramount Vantage 6. Clip trailer - 'Capitalism: A Love Story' EBU Venice, Italy, 6 September 2009 7. SOUNDBITE (English) Michael Moore, director: " Well I think this film is very relevant to Europeans and to people around the world because you are experiencing the results of this economic collapse, a collapse that began in large part in Wall Street, so it is not just Americans that suffer that, you suffer it also so I think the film is very relevant on that level. The cautionary tale part of it for Italians or French or Germans and Brits is that the more that you try to behave like us the more difficult you are going to find your society in terms of trying to structure it in a way.. You have this crazy conservative leader of your country here in Italy, I know I shouldn't probably say that as I am a guest here.. Actually he is right here with me ladies and gentleman signor Berlusconi .. " Paramount Vantage 8. Clip trailer - 'Capitalism: A Love Story' STORYLINE 'CAPITALISM: A LOVE STORY' DEDICATED TO GOOD PEOPLE, SAYS MOORE Michael Moore's says his film "Capitalism: A Love Story" is dedicated to "good people ... who've had their lives ruined" by the quest for profit. After many a successful debut at Cannes, Moore premieres the film Sunday in his first appearance at the Venice Film Festival. The movie won was warmly received at a press showing Saturday evening and won positive reviews. Variety called it one of Moore's "best pics." The film features plenty of examples of lives shattered by corporate greed - but also some inspiring tales of workers who have rebelled. According to Moore, "the revolt you think I am calling for has actually begun. It began Nov. 4," when President Barack Obama was elected. There are the Chicago glass and window company whose employees barricaded themselves to demand their pay after management laid off all 250 employees when the bank line of credit dried up. On the side of greed, Moore tells the story of a privately run Wilkes Barre, Pennsylvania-based juvenile detention center that paid off judges to lock up juvenile offenders. One boy said he had done little more than throw a piece of meat at his mother's boyfriend during a fight at the dinner table and a teenage girl's offence was making fun of her school's vice principal on a Myspace page. The film is filled with classic Moore gimmicks, like wrapping crime scene tape around landmark banks and Wall Street institutions. And there is the expected Moore grandstanding as he tries to make citizens arrests of bank CEOs, not getting past the sometimes amused security guards at the main entrance. By now, everyone sees him coming and knows who he is. Moore said he considered himself a proxy for the "millions of Americans who would like to be placing crime scene tape around Wall Street." The filmmaker is optimistic that unimagined change can happen, citing the unexpected fall of the Berlin Wall in 1989, and Nelson Mandela's election as the president of South Africa after 27 years in prison for his anti-apartheid activism. "There are many things that have happened in the last 20 years that are just utterly surprising, so that I now believe anything can happen. People can revolt in good ways." When asked if the film is relevant outside the United States Moore said : " Well I think this film is very relevant to Europeans and to people around the world because you are experiencing the results of this economic collapse, a collapse that began in large part in Wall Street, so it is not just Americans that suffer that, you suffer it also " While "Capitalism" has a strong political message, Moore's said his main purpose is to entertain with a film that "makes you laugh a little, or cry, or think. I am happy with all those results." "Capitalism: A Love Story" is competing for the Golden Lion, which will be awarded Sept. 12. CLEARANCE DETAILS 'Capitalism: A Love Story' Paramount Vantage +1 323 956 5786

RETURN TO INTERVIEW: Robert Lipsyte: In talking about New York as a great subject for literature. Do you think Bonfire of the Vanities got it right? Alfred Kazin: It got it right, but mixed in with an awful lot of scorn and hatred for the poor populace. Tom Wolfe is a is a southern Confederate. And I think of that book as the Confederacy's one victory especially in New York. You know, Wolfe comes from Richmond, and he has a good solid wasp background. The book is very charming, very brilliantly done, but it's journalism, because he's dealing with types all the time, and then it hasn't escaped me that the one who comes out of the end, as the one innocent victim of everybody else is of course, this miserable wasp, who was originally shown as an adulterer and all sorts of types of crap. But nevertheless, he's perceived as being slightly more innocent than the others you know. it's a wicked book in both sense the of the word wicked. Robert Lipsyte: The problem, of course, is that that is the picture of New York that is being offered now to the country and the world. Alfred Hazan: Exactly. Robert Lipsyte: And it's not your picture of New York, Alfred Kazin: certainly not, certainly not. there were things in it because it made me laugh, but also it made me very mad. Sample the picture has, you know, it's as if Jonathan Swift, instead of writing Gulliver's Travels had written had written about the blacks and the Jews in the Bronx. That scene in which the Jewish judge is holding on to the back of the doors of black Maria, and the black friends inside, they are cursing each other and the violence, racial epithets. That's New York, according to Mr. Wolf. I don't think it is the real story of New York. There is there is still more feeling between people between the different types. But of course, New York is like Austria Hungary before the First World War, you know, with Koch, of course, as the Emperor Franz Yosef, God help us. You know, it does have this fantastic lineup of nations, of languages, of tribes. I have had experiences in New York with people. Do you know that I've been driven by taxi by an Eskimo from Alaska, by Hassad wearing the full regalia, for example, and who scared all the other taxi drivers whenever they looked at him. In fact, one while we were waiting for red light was so frightened, he went right through the red light. And in one way or another, you know, there is that incredible.. What bothers me about New York is that not only do I not know what language is being spoken in the subway, I don't know which language it is you see and that bothers me. I should like to think that, you know, it's something I might possibly get some more knowledge of, but it's out there. Robert Lipsyte: Do you think that, do you feel it's slipping out of your grasp? Alfred Kazin: definitely. I mean, I mean, I put it very simply. It's the kind of thing which only very tough, very cynical people like Tom Wolfe can really do justice to it. And it's no accident, that Wolfe's book sold tremendously you see. I mean, the fact is that New York does not, I mean who wrote about New York with love. It was O'Henry. It was even F. Scott Fitzgerald, The Great Gatsby. It was Nathaniel West. It was um well, Saul Bellow. It was Bernard Malamud. It was Richard Wright, even, it was most of all it was Ralph Ellison. But these people you see were writing about New York as a human thing, where people like Wolfe write about it as a sociological problem. And then of course, they talk about themselves as Balzac, you see, and they want everybody to be like themselves. Well, that's just nonsense. Alfred Kazin: What I miss about New York, frankly, more than anything else, is the lack of fraternity between the different tribes or different countries, different languages, that's something I'm not used to. In the old days, where I grew up, it was a matter of course, you know, the Italians and the Greeks, and the Russians, outside my Jewish neighborhood, we were all very much aware of each other, because we had all come over at the same time, so to speak, or rather, our parents or grandparents had, and we all recognized ourselves as children of the poor. And there was no, nothing demeaning about that at all on the contrary. Robert Lipsyte: let me let me read another line of yours that that really struck me. "The city arouses us with energy, by which it exhausts us". "here's almost something sexual in that, and also a sense of completion and defeat. Ultimately, the city uses us often." Alfred Kazin: It's perfectly true. INew York is, of course, after Paris, the sexiest city in the world, sex is always in the air. But in Paris, it means a love affair. Here, it means that one night stands as far as I'm concerned. It's something brutal and hurried about the whole thing here. But the energy is fantastic. During the war in England, I used to be told by Englishman who lived in New York, that they needed less sleep than anywhere else. And I said, and you get less sleep, they don't you? And they said we certainly do. New York is a capital of insomnia. But one way or another, that energy flows through the streets, you realize it, every time I come back, I realize I'm galvanized everybody has as luckily people walk, for example, down 42nd Street, pushing others out of the way. Even though the schedule like everybody's schedule is a very important thing. We all know that. There's a kind of desperation and getting to the thing as such, you know, this morning, the subway example, I watched a woman being pushed out by another woman by another woman, who said, very simply get out of my way. And that might say, could be the slogan for a great deal of New York living these days. Get out of my way out of my way. Robert Lipsyte 24:43 Would you read something for me? It's on page 219. Something else? Alfred Kazin: Well, thank you for knowing my books. Oh, well, you know, the page number. In New York retain so much of the world's tragedies is endless displacements and tragedies, yet no one walking in streets with attention. You can miss some very deep grooves of the human experience as the century of lay gaze on Shin rumbles to within. So it's exciting to be a writer here, as it is fruitful for an artist photographer to keep his eyes open. The subject never lets you off. There is so much humanity packed up in the streets so much friction, so much idiocy. So much learning artistry, appetite for living. So much crime with so much love making so much eating and drinking on the street. That is not altogether in human to shut our ears to the screams we hear in the night. Too much we say it as much of the time or too much" Robert Lipsyte: Thank you so very much. That's the Eleventh hour. I'm Robert Lipsyte.

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Michael Moore at the New York Premiere Screening of 'Capitalism: A Love Story' at New York NY. (Footage by WireImage Video/GettyImages)

9/15/2009

Freedom Highway

TAPE_NUMBER: EF01/0043 IN_TIME: 16:28:14 - 19:20:59 // 20:53:58 LENGTH: 01:04 SOURCES: All APTN except shots11- 12 = POOL RESTRICTIONS: FEED: VARIOUS (THE ABOVE TIME-CODE IS TIME-OF-DAY) SCRIPT: Natural Sound XFA Tennis star Boris Becker is being sued for over three (m) million pounds (four and a half (m) million U-S dollars) by a woman who claims he fathered her child. The woman, a Russian-born waitress who now lives in London, claims Becker had sex with her in an exclusive Japanese restaurant in the British capital. Angela Ermakowa claims she fell pregnant after her liaison with the one-time Wimbledon champion, but that he later refused to return her telephone calls. She now has a nine month old baby girl, named Anna. The story was splashed across tabloid newspapers in Britain on Thursday. Ermakowa herself remained behind closed doors at her home in London. She confirmed that she was in the process of suing Becker, but refused to be interviewed. Becker is currently in the middle of divorce proceedings after separating from his wife Barbara last month. SHOTLIST: London, UK, 11 January 2001/Miami, Florida, USA, 4 January 2001 APTN - London, 11 Jan 1. Nobu restaurant where Becker's alleged love child is reported to have been conceived 2. Sign on front of restaurant 3. Front of restaurant 4. Front of Ermakowa's house in Chelsea, tiltdown to front door 5. Front door 6. Window 7. Front of house 8. Newspaper with story about Becker's alleged love child 9. Baby's face in newspaper 10. Becker's face in newspaper POOL - Miami, 4 Jan 11. Becker addressing court 12. Becker listening?

9/15/2009

<pi> This package/segment contains third party material. Unless otherwise noted, this material may only be used within this package/segment. Usage must cease on all platforms (including digital) within ten days of its initial delivery or such shorter time as designated by CNN. </pi>\n\n --SUPERS-- \nMonday\nOwings Mills, MD\n\n:10 - :16\nHannah Hiassen\nDaughter\n\n:23 - :35\nSamantha Hiaasen\nDaughter\n\n:36 - :53\nCarl Hiaasen\nBrother\n\n1:06 - 1:12\nKevin Cowherd\nFriend\n\n1:21 - 1:37\nBen Hiaasen\nSon\n\n1:45 - 1:55\nMaria Hiaasen\nWife\n\n\n\n --LEAD IN--\nHUNDREDS OF PEOPLE STOOD IN THE SWELTERING HEAT...\nJUST TO GET AN OPPORTUNITY TO HONOR ONE OF THE VICTIMS OF THE CAPITAL GAZETTE SHOOTING...ROB HIAASEN.\nTHE VENUE IN BALTIMORE COUNTY LAID OUT CHAIRS FOR 210 PEOPLE....\nBUT BY THE END OF THE CEREMONY...\nIT WAS STANDING ROOM ONLY.\nAVA-JOYE BURNETT REPORTS.\n --REPORTER PKG-AS FOLLOWS--\nTHE TENT AT THE IRVINE NATURE CENTER FILLED UP...THEN OVERFLOWED...FOR ROB HIAASEN.\nWELL OVER SIX FEET TALL...EVEN HIS KIDS CALLED HIM BIG ROB.\nHannah Hiassen/Daughter\n"He was 6'5, so it makes sense, but also he had a really really big heart."\nAND THE TRIBUTES WERE FILLED WITH HUMOR.\nHIS DAUGHTER SAM...AND BROTHER CARL...TOLD STORIES ABOUT HIS COMEDIC TENDENCIES.\nSamantha Hiaasen/Daughter\n"Even feeling insecure about looks or whatever, he says, it doesn't help that you're left handed. That was my dad, that was my dad. That is my dad." \nCarl Hiaasen/Brother\n"He's saying to me, what's the deal with my hair line? He said you're six years older than me, why the difference? We had many phone conversations on the hair line issue, which I could not explain, and I said you have to ask mom, we don't know ...." \nHIAASEN WAS ONE OF FIVE PEOPLE KILLED AT THE CAPITAL GAZETTE....AS A GUNMAN ATTACKED.\nHIS FORMER DESK MATE AT THE BALTIMORE SUN SPOKE OF THE IMMENSE LOSS.\nKevin Cowherd/Friend\n"We just got closer. He was such a great guy. He was the most kind hearted colleague that I had ever worked with."\nHIAASEN'S ONLY SON BEN SHARED A JOURNAL ENTRY....WRITTEN FROM A FATHER TO A SON...BEFORE HE WAS BORN.\nBen Hiaasen/Son\n"This is filled with many fond writings. He may be gone, but he left me a perfect record of his love for me, my sisters and my mother...and I'm so incredibly lucky."\nAND THEN HIS WIFE MARIA HIAASEN BOASTED ABOUT THE MAN SHE LOVED FOR MORE THAN THREE DECADES.\nMaria Hiaasen / Wife\n"I know it's weird to stand here and say I am lucky, but I am. In fact, father's day I signed a card luckiest woman in the world, because he was my best friend."\n --TAG--\nHIAASEN WAS AN ASSISTANT MANAGING EDITOR AT THE ANNAPOLIS PAPER.\nHE WAS 59-YEARS-OLD.\n -----END-----CNN.SCRIPT-----\n\n --KEYWORD TAGS--\nMARYLAND MEMORIAL SERVICE HONORING GAZETTE SHOOTING VICTIM JOURNALISM\n\n

Michael Moore at the New York Premiere Screening of 'Capitalism: A Love Story' at New York NY. (Footage by WireImage Video/GettyImages)

INTERVIEW CONTINUES: Pete Fornatale 1:03:42 Pete Fornatale back with you on mixed bag radio with my guest today. Peter Frampton. Peter, you mentioned earlier that that Steve Marriott was the prolific one and that you sometimes have difficulty pulling songs out. But there was one particular day where prolific was not a problem for Peter Frampton. You know what I'm talking about? Tell that. Peter Frampton 1:04:06 Yeah, there was I went down to I had basically three weeks to write the album that was in going to end up being called just Frampton. The one where the cover is actually me wearing playing live wearing Steve Merritt t shirt. And so by this time, this was 74. The Humble Pie had become rich and famous. Not me. But and they bought some houses down in the Bahamas, in Nassau. And so Steve lent me his his little cottage on the beach. It was literally eight feet from the water, you know, and you had a piano down there, and an amp and I brought an acoustic and I went down there for three weeks and And for the first two weeks, I, you know, I, I've been on the road so I was like, the adrenaline was still going, I hadn't relaxed at all, you know, so I was getting panic stricken that I everything I wrote sounded like I you know, I've done that before that's awful, horrible, horrible. And then one day I, I woke up and about I guess, lunchtime ish or just just before lunch I think I went out and so I'll just have a swim, whatever. And then I came back and I picked up the guitar. And I, I started with this open tuning playing what was started and was going to be showing me the way and wrote very quickly, lyrically, one verse and a chorus, because I thought, I'll finish the rest later. I'm on to something here. This isn't bad, you know. So. So I was very excited. Now the adrenaline is definitely flowing in the right way. And so I went out, had a bite to eat I know everything because I've relived that day so many times trying to recreate it. And so after lunch, came back, nothing nothing nothing went for a walk came back as the sun was setting. I wrote baby I love you way. If there was a theme to the day, the way series I call it, I do say that I'm in you used to be called I'm in your way. But I it was the trilogy. But But and then that evening I picked up one of Steve's electrics and plugged it in to his amp there and started blasting and no one could hear you I was in no way for miles. And I started playing the opening chords to no where is too far, which was known as too far from my baby, which ended up being a third track on so I, I sort of had a good start on it. And I in eight days I wrote the rest, Pete Fornatale 1:07:12 you know, not a bad days where no at all? No and not one like it since? Peter Frampton 1:07:18 Unfortunately not No. So you know, that you cherish those days? I mean, any day that a song comes is a great day, you know, I mean, I'm not. I don't like writing things that sound like my last song. I can't do that. I can't repeat myself song wise, at all. At least for me, a style will will be the same. And people will say oh, well I can tell that it's a Frampton song, or that's a Frampton solo or whatever. But as far as I'm concerned, it has to be completely new ground. Pete Fornatale 1:07:51 Alright, Peter, it's time to talk about the monster. Oh, okay, it's time to ask you some questions that you've probably been asked 1000s of times before. But all of a sudden, comes this live recording done in San Francisco in the mid 70s, the biggest selling live album in rock'n'roll history. And is it 16 million to date? Is that the latest figure Peter Frampton 1:08:22 There's a few of the early figures that we're still trying to get because they weren't computers. So because the company's a&m was bought and sold so many times we we think it's more than that. But I'm saying yeah, it's pretty much we know it's more than that. Pete Fornatale 1:08:39 So the herd is one level of success for Peter Frampton. Humble Pie is another level of success for Peter Frampton. But then comes this phenomenon. What was it like to be in the eye of the hurricane? And, Bob, if you want to join in on this, please do. Bob Mayo 1:08:59 Well what did you mentioned Cameron's comment Peter Frampton 1:09:01 Oh, yeah. Cameron. After the case, Cameron said this wonderful thing that they that he did for an interview thing for me, which was great. He said because he was there. He wrote the liner notes. You know, he was the first person apart from us to hear it. You know, he was the first critic or writer we ever played it to. And he was like, you know, it was very difficult not to get be affected by instantly. I don't know what and I don't know what that is. So he he basically, you know, I've lost the drift of what I was saying. Feed me what you just said, well, oh, I know. I know that you can edit that right? Sorry. Yeah, I'm a little tired. So basically, Cameron saw the whole thing happen, and we were very good friends and we went on when I had breaks we go on vacation together without respect. Ladies. And so when it came to sum it up, I think he put it the right way that it was like I was strapped to the nose cone of a rocket. And I went where no man had been before. And when I got there, there was nobody else to talk to. Wow. You know, and that's paraphrasing what he said very closely what, and it's so true, because I just looked to everybody else for advice, when the only person I should have been asking advice from was myself. And my gut instinct at that point was to go away. And, you know, do the comes a lot, do the tour, that was booked already. And to take advantage of that year, go round the world, and then pull back and just do nothing for a while because it was so big. And this country is so big, where it first started to take off, and then the world that it got to the point where people heard it too much, and they got sick of it, you know? And that that was not good. overexposure. Absolutely. And then the normal the old rules are, which I listened to everybody are to where you got to hype this now, because it's so big. That's the last thing we needed to do, you know, was hype, or do every interview that was asked of me, which I did. You know, because, you know, it's hard to say no, when no one wants to talk to you all these years, really, except radio was my friend, you know, and all of a sudden, everybody wants to talk to me, why should I do that one? Can I do this one? Oh, Rolling Stone. Yeah, you know, so. And then the ones that I shouldn't have done, you know, like, Women's Wear Daily and cooking weekly, I did everything. Popular Mechanics. There was no way you could turn without seeing me, you know, so that was wrong. And I felt it was wrong. But I couldn't be sure that it was wrong. I didn't know. But it was very soon. I was made to realize that I was very evident that you know, we've gone too far. Pete Fornatale 1:12:17 Bob, what was your experience Bob Mayo 1:12:19 I specifically remember, it taken off in January of 76. And the first break we had on that tour was in July. It was the first time I had gotten home and gotten back in touch with some friends. And I thought, frankly, that we were pretty much on top of the world. And they set me straight. They said, We're already sick of this thing. We've already heard it so much. It's everywhere. We don't need to hear it anymore. It Peter Frampton 1:12:50 It was it was it was overkill. Bob Mayo 1:12:51 Yeah. And the and the other part of the story was that we were constantly working. We were either on the road, or we were in the studio. And that lasted nearly five years. Yeah, that period of time. So you know, so it was definitely a grind. Peter Frampton 1:13:07 There's no period there to pull back and think about what's just Bob Mayo 1:13:12 charged, there was no time to recharge, no time to reassess, or to just give yourself some room to come up with some different ideas. Peter Frampton 1:13:20 Exactly. And because we were just caught up in it, there was no reality at that point. We were just like, Bob Mayo 1:13:26 now we're gonna start Shea Stadium experience every day. Yeah, sometimes twice a day, Peter Frampton 1:13:31 and then being told how great you are by management. You know, just to feed your ego I go on. Yeah, exactly. I'm tired. I want to go home. Yes, but we got to play another Shea Stadium and another Shea Stadium. Let's go around the world. All right, then. You know, so it's it's very hard. You know, when you waited all that time, and you've never, you've not got a clue that this could ever possibly happen. And we became Rubik's Cube. Everybody had us. And then no one wants to play with us anymore. Pete Fornatale 1:14:00 Wow. Yeah, that must have given you what do they call it? Whiplash? Yeah. Bob Mayo 1:14:05 Well, you know, stadium gig in the early afternoon in Cleveland and then a stadium gig that evening somewhere in Arizona. Peter Frampton 1:14:10 Yeah, we've done that, too. So we did that. Yes, we did. Pete Fornatale 1:14:17 success success at that level has assets and liabilities can be one of each off the top of your head. Peter Frampton 1:14:27 Oh obviously, I got out of debt. Pete Fornatale 1:14:31 That's good. That's an asset. Peter Frampton 1:14:32 That's definitely an asset but I mean, an emotional asset, which is more important is that it's sort of you've got the pat on the back from the world, which is hard to come to terms with and it's it's an it's a very great feeling Pete Fornatale 1:14:50 As you said few people get it at that at that level. How about the downside? Peter Frampton 1:14:57 The downside? I think for me per originally was, the perception of me before that record came out by the loyal, hardened fans that were there ever since I left humble pie was that Pete was this guitar player who happened to sing and write a few songs. And that's the way I've always perceived myself. And now I became a front cover of a magazine basically, and became this personality, as, as opposed to a musician. And because of the way I looked, it was I was in a really easy sell for people wanting me on the cover their magazines, because it sold magazines, then, you know, Rolling Stone, they both times I was on the cover. Well, the first two times I was on the cover, it was they were the biggest, you know, circulations they'd ever had. So, obviously, you know, people are going to want that. And it's very hard to turn it down. But that was the downside that, then it gets the point where I got to, I came out of a gig once in the 80s, early 80s, just just before I got got off the road, and this girl just came up to me and said, You know, I didn't know you play guitar as well. You know, which was that was the worst day of my, that was it. That was the bottom? Sure. You know, excuse me. You know, why didn't you do a new? Why did you cut your hair? You know? So, anyway, Pete Fornatale 1:16:38 if you could wipe the slate clean, and redo the year or two, after Frampton comes alive? What would you do differently? Peter Frampton 1:16:49 Well, I mean, I'm not moaning I'm not whining. It sounds like I'm whining here. But I'm really not because I'm, I've had a wonderful career, and I've had some ups and downs. But, you know, I'm still doing what I love to do so but I think what I would, what I would do differently is I would have taken we'd have done the one that year, we'd have toured 76, we'd have probably gone to Europe, and Japan and Australia, as we did, right. But a little later, we did done that in 77. But I'm in New wouldn't have come out until 1980. You know, I mean, I would have tried to if I could have, if I knew now. Now, if I knew then what I know now, I would have become I would just sort of thought the same way as the Eagles. We the Eagles have had very few albums out, but they've just all been incredibly large records and great records, you know, everyone's a masterpiece, you know, and I think that there was no chance of me coming up with anything to compete with comes alive within the next 18 months to two years. Pete Fornatale 1:18:03 The business was so different than as you pointed out. I mean, that was an era where the Beatles would put out two records a year with Dylan put out bringing it all back home and highway 61 Revisited. In the same year. The Beach Boys contract with capital was for three albums a year. You wonder how anybody could come through that alive and or sane. Nowadays, or as things progressed, it obviously changed Billy Joel put out a record every three or four years, Bruce Springsteen every three or four years? I think you're absolutely right, you would have profited from that lesser pace than what was demanded of you. Peter Frampton 1:18:48 The argument made was that the longer you wait, the harder it will be. And I see I don't see that at all. That was that one that started me thinking, oh, you know, so maybe I should go in and do another one now. But I remember when I finished I'm in you. And there's some good tracks on there. I mean, great playing from the band. But I remember coming in to the management office and taking the two, Side A and Side B throwing them on the couch and saying that's as good as I can do right now. I'm going to bed that's it, you know, and I wasn't pleased with it at all, but it was there was so much pressure to get it out there you know? Pete Fornatale 1:19:33 Yeah, yep, yep. When you've grabbed the brass ring in some way, are you always chasing it after that? Or do you come to terms with it, then not chase it anymore? Peter Frampton 1:19:50 You've come to terms with it and you don't chase it because you realize it's like the book catch 22 It's like we've said I've said it before a Rubik's Cube. It's like, thriller. It's like tapestry for Carole King. It, it's never gonna happen again, like that, you know, you can't expect that to happen. That is a phenomenon, you know. And as a solo artist, I sometimes think if it had been, if I'd have been a band, and not singled out, and I chose that I chose to be a solo artist. But if it had been humble pie that had done that, there would have been, it would have been a committee and someone would have said, No, we shouldn't do this, like the Beatles. Exactly, yeah. And argue with management. Whereas in the record company, whereas I'm looking for advice, because I'm scared stiff of this next record, obviously, at that point, I'm thinking this is great. Now I have to do another one, you know, so yes. Pete Fornatale 1:21:04 Do you remember where and when you made your peace with all of that? Peter Frampton 1:21:13 Oh it was sometime in the 80s I took time off the first time I actually came off the road was 82 and 82 to 85 was when I started to come to terms with that and that's when having a family having a family having my my first two children that that brings reality right back you know, because now you're responsible for to other human beings and your wife you know, obviously, but these people these new people on this planet depend on you and it completely changes the way you think. Obviously, it did for me and then then one's priorities change and I didn't really feel like I wanted to I didn't have to do luckily I haven't hadn't been ripped off of all my money. And I didn't have to tour and I didn't really want to I wanted to spend some time with my children and see them grow up. And I think that was really the biggest thing that helped me come to terms with everything that had happened Pete Fornatale 1:22:33 Let's play one of the non obvious tracks from comes alive. The one that actually was given life on the Frampton album and then taken into the next project as well. You picked it tell me Peter Frampton 1:22:48 I'll give you money and that's what I give a lot of people oh, you should have been called you take my money but yeah, it's that was in we're clear well castle we were on location with Ronnie lanes mobile recording truck and John CYO Miss was in fact I wrote that song at the ice rink in Central Park Wow at a soundcheck and there were a few people of the audience that were there and we just did this sort of jam of that riff you know.....that's what we had you know, from the soundcheck and so I took that and turned it into I'll give you money and finished it and then I just remember having John Sam is in this huge huge room wood stone fireplace like a castle It was what was the cost play well castle, and that's what they call them Pete and and he does that does that wonderful intro and you can hear the wooden stone, it's just we would do in a Led Zeppelin, you know, let's face it. Everybody wanted to do that sound you know. And that's it. That's the opening of it. Pete Fornatale 1:24:15 Here it is in all its glory on mixed bag radio.

INTERVIEW: Marcy Kaptor on appearing in the film, what it was about this topic that made her want to be apart of the project, what she thinks is special about the way Moore tells a story and what she hopes people will become informed of because of this film. at the New York Premiere Screening of 'Capitalism: A Love Story' at New York NY. (Footage by WireImage Video/GettyImages)

9/15/2009

WORLD WAR TWO PILOT LOOKS BACK.

AP-APTN-2330: Peru Quake Friday, 28 October 2011 STORY:Peru Quake- REPLAY Buildings evacuated in capital as quake shakes city LENGTH: 01:16 FIRST RUN: 2030 RESTRICTIONS: AP Clients Only TYPE: Natsound SOURCE: AP TELEVISION STORY NUMBER: 712174 DATELINE: Lima, 28 Oct 2011 LENGTH: 01:16 AP TELEVISION - AP CLIENTS ONLY SHOTLIST: 1. Wide pan of street after quake struck 2. Various of people standing in street talking on mobile phones 3. Wide tilt down of building 4. People crossing road 5. Woman on her mobile phone, talking about the quake 6. Various of people and traffic in street STORYLINE A magnitude 6.9 earthquake centred off Peru's central coast sent people running panicked into the streets on Friday in cities badly damaged by a killer quake four years earlier. But there were no immediate reports of damage or injuries. People who had lost loved ones and homes in the earlier quake were badly shaken and some broke into tears. The August 2007 quake killed 596 people and largely destroyed the town of Pisco. Friday's quake was considerably less violent in Lima, a city of 8.5 (m) million people. The capital shook for about 30 seconds in a series of moderate, swaying movements. The US Geological Survey said the quake was centered 31 miles (51 kilometres) south-southwest of Ica, a provincial capital of about 200,000 people which suffered widespread damage in the 2007 quake. It was at a depth of 21.7 miles (35 kilometres). About 40,000 homes were destroyed in the 2007 quake and the previous government of President Alan Garcia was widely criticised for the slow pace of reconstruction. Clients are reminded: (i) to check the terms of their licence agreements for use of content outside news programming and that further advice and assistance can be obtained from the AP Archive on: Tel +44 (0) 20 7482 7482 Email: infoaparchive.com (ii) they should check with the applicable collecting society in their Territory regarding the clearance of any sound recording or performance included within the AP Television News service (iii) they have editorial responsibility for the use of all and any content included within the AP Television News service and for libel, privacy, compliance and third party rights applicable to their Territory. APTN (Copyright 2011 by The Associated Press. All Rights Reserved.) AP-NY-10-28-11 1933EDT

My Japan

<p><pi><b>This package/segment contains third party material. Unless otherwise noted, this material may only be used within this package/segment.</b></pi></p>\n<p></p>\n<p><b>--SUPERS</b>--</p>\n<p>Friday</p>\n<p>Cohasset, MA</p>\n<p></p>\n<p>Alissa Kirby</p>\n<p>Friend</p>\n<p></p>\n<p>Abdulla Almutairi</p>\n<p>Friend </p>\n<p></p>\n<p><b>SCRIPT PROVIDED BY WBZ</b></p>\n<p><b>--REPORTER PKG-AS FOLLOWS</b>--</p>\n<p>"We're doing anything and everything like turning the world over to find her."</p>\n<p> CONCERN IS GROWING FROM COHASSET TO THE NATION'S CAPITAL OVER THE WHEREABOUTS AND WELL BEING. OF ANNA WALSH. SHE WORKS AS A COMMERCIAL REAL ESTATE EXECUTIVE IN D. C. BUT HER GREATEST PASSION AND PRIORITY. HER YOUNG SONS IN MASSACHUSETTS </p>\n<p>"And just a loving wife and mother did. She always says three beautiful boys."</p>\n<p>POLICE SAY THE 39 YEAR OLD WAS LAST SEEN AT HER HOME IN COHASSET SHORTLY AFTER MIDNIGHT SUNDAY, HAPPY NEW YEAR MESSAGES WERE NEVER RETURNED. </p>\n<p>"That was the last text that went through. Um everything else has not been delivering. I found a little funny because Anna is very active on instagram on on her posts and stories and I didn't see a picture from her trip </p>\n<p>officially. "</p>\n<p>"We realized yesterday that she was missing. You know, we suspected maybe something Tuesday."</p>\n<p> LOVED ONES DESCRIBED HER AS A VIBRANT, MAGNETIC PERSON, CURIOUS AND CARING HER DISAPPEARANCE COMPLETELY OUT OF CHARACTER. </p>\n<p>"And then we just we love you so much. We want you here, we like we are praying for your safety. "</p>\n<p>"She's always been a survivor and she's a survivor and I love her to death and she'll be okay."</p>\n<p><b>-----END-----SCRIPT-----</b></p>\n<p><b>--KEYWORD TAGS--</b></p>\n<p>MASSACHUSETTS MISSING COHASSET MOM ANA WALSHE</p>\n<p></p>