Full titles read: "THE CRISIS"<br/><br/>L/S to M/S Pan with King's car driving through Buckingham Palace. C/Us of Newspaper billboards "Britons leave Germany" and "Moscow Pact". L/S of crowds in Downing Street M/S of the Prime Minister Neville Chamberlain arriving at No 10. L/S of Houses of Parliament pan to crowds. Various shots of ministers and MPs arriving at House of Commons including David Lloyd George, and Lord Alex Douglas-Home. Various shots of crowds in Whitehall and outside Parliament. <br/><br/>M/S Pan with the Foreign Minister Lord Halifax (Edward Frederick Lindley Wood) walking across Whitehall. M/S to C/U Lord Halifax in his office speaking about the right of peoples to live as they wish and not to interfere with others. He goes on to talk of Britain's duty to stop Hitler making territorial gain by force. But he says that Britain would prefer to settle differences by negotiation and work with Germany. He hopes "reason may yet prevail".<br/><br/>Various shots, buses and train taking army conscripts, and scenes of army mobilisation in France. Various shots sandbagging St. Bartholomew's hospital. C/U Air raid warning poster. C/U of air raid siren blowing danger and all-clear signals. C/Us of ARP posters. Various shots inside ARP control centre for London area. Various shots of men signing on, and fitting uniforms. Various shots barrage balloon being hoisted in London park. M/S Mr. Neville Henderson arriving back by plane from Germany and leaving for London by car. M/S Henderson in Downing Street. Large crowds gather to here the latest news.

Dean Martin, Jerry Lewis, and Janet Leigh attend 1954 premiere of ‰ÛÏLiving It Up‰Û in Atlantic City

Peace Message Billboard Times Square 10/15/01 Huge banner hung in Times Square ""Give Peace a Chance"" shot from various angels, Another billboard ""Imagine all the people living life in peace"" right above the TKTS booth, shot of Jumbotron in Times Square with a big flag on screen,

Signal Corps Band plays in United States. Soldier sit around a radio and listen to music. Billboard of Signal Corps Band, playing- 'The Rachmaninoff' and time of the show. Banner on stage 'Music from Monmouth'. Instrumentalists play with Piano. Conductor shakes hand with piano player. Audience clap. (World War II period). Location: United States USA. Date: November 12, 1943.

1/10/1997

b&w - Hollywood - moving pov left side - driving by of Fox Studios - past various billboards that read Fox News, William Fox presents Sharp Shooters, - John Ford's World premiere Four Sons, Soft Living with Madge Bellamy - opening 1928 Fox Theater Palaces - driveby of Universal Studios - wooden billboard reads Carl Laemmle - Universal Pictures presents & shows several movie billboards like Night World and others - past Universal cafe and studio gate - driveby of the producer cottages on poverty row in Hollywood - past Monogram Pictures - Gower Street - driveby of Columbia studios - moving pov left side - then drive up Highland Avenue north past Hollywood Legion building on left side - movpov straight ahead then right side past Warner Bros. studios in Burbank - h/a down interior of movie studio w/ workers on set - studio gate - workers go in and out - Hollywood Boulevard in the late 1920s - studio billboards

Delta Airlines is starting what may become a new trend...living billboards. A replica of Delta fuselage, above 42nd and 8th Avenue in Times Square. Ten passengers will actually take the maiden voyage of the giant fuselage, and Gretchen Dykstra, President of the Times Square Business Improvement District, will christen the first flight and receive a Delta donation while 30-feet above the ground.The new billboard demonstrates new enhancements in Delta's business class service. --end--

Footage of a busy urban intersection facing a low-rise white building with call letters on the side. There is a billboard and satellite dishes mounted on its roof. Billboard advertises Buffy Lives on ABCs Channel 13 while traffic flows past.

To Market, To Market

12:27:00:00,Shots of cars in traffic (NICE), MS of cars stuck in jam on highway, Various shots of cars driving down highway, CU of man in car honking, Some animation of castle and how folks lived in the olden days, Cars pulling into lot, sign saying "50 Cents A Day", Pan up of parking ramp, LS of man in suit running across busy street and gets stuck in middle, Shots of people walking down street, Man in tuxedo explaining a chart at banquet table, Man in suit walks into office, hangs up coat, Overview shot of traffic, Shot of billboard (Lyric theatre presents La Boheme, Various city shots of traffic and people (Wrigley Field exterior), MS of police officer with mannequin behind him, more city scenes (NICE), Pan of park, street, Man walks up to map, "10%" supered, POV shot through a car window, "ONE WAY DO NOT ENTER" sign, "NO PARKING" sign, "NO TRUCKS" sign, CU of 25 MPH signal, Shot of people crossing street, big crowds (busy city scenes), Shots of parking lots and ramps, Car pulls up to lot as man puts "garage filled" sign up, More animation, man does crystal ball stand up routine, Train on track passing by camera, People get off the train at station, Shots of trains, Man on train talking to camera, Pan outside of train window as it passes cars in traffic, Train leaving station, Shot of woman getting out of car in shopping mall parking lot, Shot of inside of the train, POV shot from front of the train, Shot of man reading book while stuck in traffic, Lots of busy city street traffic, traffic jams (GREAT), 1950s commentators, Car lined street, full parking lot, more busy highway traffic, intersection, aerial view

New York cityscape

Montage of Close ups on large animated flashing neon billboard advertisements to the tune of "Lullaby of Broadway". Billboards: "THE ARISTOCRAT OF SLIPS CANNOT RIDE UP", "THE BEST YEARS OF OUR LIVES"

MLS of sign that says, ?Welcome to Kabul?. ZOOM OUT to show goatherd sitting nearby. LS of trucks loaded with large blue bags. Various shots of market, including food vendor selling flatbread, male customers buying and eating it, and two men showing off live bull. MCU of billboard advertisement. LS of colourful umbrellas covering merchants? carts; bombed-out building is visible in the background. Women in burqas are seen passing at times. Street scene with traffic; LS of woman and young girl bent over boy, who appears to be dead, on the street. TILT UP to window with broken glass.

BEAUTY SHOT OF THE BLACK LIVES MATTER BILLBOARD IN BLACK LIVES MATTER PLAZA IN WASHINGTON DC CLOSER OVERHEAD SHOT OF THE BLACK LIVES MATTER BILLBOARD NEXT TO ST JOHNS EPISCOPAL CHURCH AS THE SUN SETS WIDER SHOT OF THE BLACK LIVES MATTER BILLBOARD NEXT TO ST JOHNS EPISCOPAL CHURCH AS THE SUN SETS WITH THE WASHINGTON MONUMENT IN THE BACKGROUND

/n00:00:00:00 /nTOPIC: advertising going to far, or over-sensitive consumers; Calvin Klein children&apos;s underwear ads; fitness club billboard suggesting aliens will eat fat people first; GUESTS ...

Cityscape

--SUPERS--\nFile\n\n --VO SCRIPT--\nARIANA GRANDE IS BILLBOARD'S 2018 WOMAN OF THE YEAR.\nGRANDE HELD THE NUMBER ONE SPOT ON THE BILLBOARD 200 ALBUMS CHART THREE TIMES OVER THE COURSE OF HER CAREER. \nBEYOND MUSIC-- THE SINGER IS KNOWN FOR USING HER STAR POWER TO SUPPORT CAUSES LIKE GUN CONTROL, L-G-B-T-Q RIGHTS, AND BLACK LIVES MATTER.\nBILLBOARD'S V-P OF CONTENT PRAISED GRANDE FOR STANDING UP FOR HER BELIEFS.\nGRANDE JOINS A LIST OF POPULAR SINGERS WHO HAVE BEEN PREVIOUSLY HONORED AS WOMAN OF THE YEAR -- INCLUDING SELENA GOMEZ, MADONNA, LADY GAGA, AND TAYLOR SWIFT.\nSHE WILL BE HONORED AT THE BILLBOARD WOMEN IN MUSIC DINNER AND AWARDS GALA IN NEW YORK NEXT MONTH.\n -----END-----CNN.SCRIPT-----\n\n --KEYWORD TAGS--\nBILLBOARD SINGER WOMAN OF THE YEAR WOMEN IN MUSIC TWITTER ENTERTAINMENT \n\n

The city of Dayton, Ohio working to deal with its housing shortage during World War 2. Influx of World War II war production workers causes many workers to live in group homes and shelters. Women in an open common area of a shelter with many bunks and cots for beds. Men and women are seen in shared living quarters, doing ordinary thing, such as reading , conversing, sewing, and ironing clothes, and preparing food in a common kitchen. A billboard in a field, announces "Hartman Homes, developed by the Dayton Metropolitan Housing Authority. A victory Housing Project of the Federal Public Housing Authority." Camera pans to show a wide expanse of ground being worked with a steam shovel, as construction begins. Engineers and builders look over plans at the job site. Scene shifts to another housing project site with some attached houses already constructed. At another location several fairly large single family dwellings are seen in mid-stage of construction. A low apartment house is seen under construction as well as various new streets with newly built homes. A large building in downtown Dayton displays a sign reading: "This property is being remodeled to house War Workers." Location: Dayton Ohio USA. Date: 1943.

The City. The film follows a historical sequence and uses the following locations:[1] The City is a pioneering short documentary film from 1939 that contrasts the problems of the contemporary urban environment with the superior social and physical conditions that can be provided in a planned community. It was directed and photographed by Ralph Steiner and Willard Van Dyke based on a treatment by Lewis Mumford based on an outline by Pare Lorentz. Aaron Copland wrote the musical score and Morris Carnovsky provided the narration In the Beginning ? New England (a rural 18th-century community) The Industrial City ? City of Smoke (Pittsburgh) The Metropolis ? Men into Steel (Manhattan) The Highway ? The Endless City (Sunday traffic congestion in New York and New Jersey) The Green City (Greenbelt, Maryland, and Radburn, New Jersey) Greenbelt, Maryland, had been constructed a few years earlier as a New Deal project.. A plea for community planning, which contrasts the awesome conditions of human living in a modern industrial city with (1) the serenity of life in an eighteenth-century New England village and (2) the architect's and engineer's concept of the model community, as typified by the federal government's resettlement experiment at Greenbelt, Maryland, and the privately developed one at Radburn, New Jersey. Life in the New England village of the late eighteenth and early nineteenth century is described. There are slowly unfolding views of an old water wheel, a covered bridge, the swimming hole, and other scenes characteristic of the period. A town meeting is shown in session; the speaker at the meeting talks of the village way of life and his remarks are illustrated by views of people at simple handicraft tasks. The transition to the modern industrial city is made by the merging of a shower of sparks from the smithy's forge with those from a Bessemer converter in a modern steel mill. The scenes change to smokestacks against the sky, to molten slag flowing down the dump, and to the miserable company houses. Children walk along the crude wooden sidewalks. One child narrowly escapes death when he and his companions run across a railroad track in front of a train. A woman pumps water a few feet from an outdoor toilet, hangs the washing in a smoke-filled atmosphere, and shovels coal into an outmoded kitchen stove. Such symbols of industrialism as smokestacks, locomotives, and steam shovels are shown as the musical tempo is accelerated and the commentator echoes the phrases better and better and faster and faster. Now attention is turned to the great metropolis, New York. Dwarfed by the skyscrapers, human beings mill through city streets, push out of subways, and squeeze through seemingly endless lines of mid-town traffic. The music works up to a screech symbolic of the nervous tension and speed of life in the metropolitan business center. An office scene of long rows of girls at typewriters is accompanied by a chorus of dictation?mechanical and impersonal. The environment in which children live and play is depicted by scenes of a street accident in which an ambulance takes away the victim, of boys who play stick ball in the street, steal rides on trucks and streetcars, rummage through garbage, and dive from a dock for a swim in a dirty river. At the lunch hour people gulp coffee and eat sandwiches in an atmosphere of confusion?sandwiches are slapped together, toast bounces out of a toaster, and pancakes pour automatically on an automatic griddle. Workers return to work through streams of traffic. Long lines of people wait at clinics and dispensaries. At the end of the day the crowds begin to pour out of buildings and start home. Crowds of pedestrians, a traffic jam, traffic officers, traffic signals, together with a shrill, wrenching musical score, create a sense of confusion and tension. Then comes Sunday. The business district is deserted, but on the highway cars move in a constant stream. Caught in a traffic jam a driver sits and waits. A family picnics on the roadside as the traffic whizzes by. Cars crash bumpers; a car plunges over a cliff. The next section of the film is the architect's and engineer's solution to the problem. Scenes of Boulder Dam, power lines, research laboratories, airplanes, and streamlined trains convey the impression that science in modern society can provide a way to better living. Modern highway designs are shown as new developments in beauty and safety. There is an aerial view of a well-patterned community which the commentator calls a green city built away from crowded metropolitan conditions. In a modern factory employees are shown in a leisurely conducted dining room. Employees walk happily to homes of modern design with adequate lawn space. Recreation facilities are symbolized with views of horseback riding, bicycling, softball games, swimming, gardening, and fishing. An electric stove and an electric washing machine show that much of the drudgery has been taken from housework. The community newspaper comes off the press and is delivered to the front porch. Shopping is done at a modern market; the vegetables, the commentator explains, come from nearby farms. Families leave the green city by automobiles for recreation at the golf course, the swimming pool, the skating rink, and the ocean beach. A concert platform, a medical clinic, and a school are shown as parts of the community facilities. Views contrasting model housing with crowded tenements, and children playing in large playgrounds with children playing in the dirty street are accompanied by the statement, Take your choice. Scenes of cities in which people are always getting ready to live . . . are followed by scenes of the life that the picture suggests is possible in a green city. Good series of shorter shots of factory town. Images of smoke pillars dissolve into more smoke stacks billowing smoke which then moves into pan across river to various angles of dark, dusty town. A continuation of the previous shot. Medium close ups of impoverished homes with smoke stacks in the background. Quick pan across the densely packed homes. People ascending wooden steps between houses with smoke stacks in the background. Documentation of squalid living conditions in Homestead, Pennsylvania, a steel town near Pittsburgh. Shot of back of dilapidated homes with mud running through the back yards which cuts to street with similar homes on a hill, crowded streets, and dozens of smoke stacks in the distance. Great image of children running to the railroad tracks which cuts to a train racing forward. Quick, extremely low angle shots of city sky srapers which ends with a pan down a sky scraper to see people walking along the busy sidewalk. Nice fast-paced cuts. Series of short shots of city children playing in the streets of the ghetto. Some make go carts, others collect things from the trash, some hang onto the back of the moving garbage trucks, and others make fires on the dark, back streets. Good image of extremely crowded city streets. Urban crowd scene. Starts with 1930s cars moving along a highway and cuts to images of the houses and billboards that separate the houses from the highway and moves into more images of the strange billboard ads and safety tips along the highway (one is a wooden, grinning painted police officer with the words Death Corner, Drive Carefully beneath him). Good fast pace. Good shot of the wooden police officer which cuts to a roadside ad for beer and sanwiches?a tall, wooden figure leans against a telephone poll and carries a BEER sign. Camera pans over factory to show the distance between factory and residential neighborhoods. Clean children move towards the camera on bicycles?in the background is their suburban school. They ride along paths through their new planned community (Greenbelt, Maryland). Final overhead view of bicycles approaching well-kept homes.

1/10/1997

b&w industrial - Living Up to a Name - billboard Seawaren Generating Station - various shots power plant - large crane lifts boiler part - crane lowers part inside plant - workers install pipe - man makes weld - engineers look at plans - crane lifts coal - pile of coal - road grader - furnace - two men in control center - cu knobs - transformers and wires

VS EXTS AND INTS OF A MOBILE HOME. CR:81 LS GIANT BILLBOARDS FOR CHRYSLER E-CLASS AND ATLANTIC OIL AND HEATING. XLS BILLBOARD WITH HIGHWAY IN FG. ZOOM INTO BILLBOARD FOR "LOVE HOMES" AND RADIO STATION WSAN. TENTS IMMEDIATELY BELOW BILLBOARD. CR:158 MS SIGN, "WE HAVE BEEN LIVING HERE FOR 81 DAYS". CI: SIGNS: BILLBOARD. BUILDINGS: TENTS.