NOTE: VERTICAL JUTTER ORIG. COLOR 900 SOF.MAG. MS YOUNG BLACK BOY SITTING ON BED READING BOOK. VS WOMAN WASHING CLOTHES. CU'S CHILDREN. MS CROP-DUSTER PLANE OVER FIELD. VS FAMILY OUTSIDE HOUSE - FATHER TILLS FIELD. MS CROP-DUSTER. FAMILY IN SUPERMARKET. VARIOUS CU'S IN HOUSE, OLD FASHIONED IRONS. GAS LAMP, PAILS. FAMILY PUTTING AWAY GROCERIES. CU'S CHILDREN. PLOW FIELD. (CU) INTERVIEW BLACK FAMILY. VS FAMILY SEATED ON FRONT STEPS OF HOUSE. VS WHITE MAN STANDING IN FIELD, TALKING ABOUT POVERTY AND RELATED PROBLEMS. TRACTOR IN FIELD, THEN IN BACK- GROUND, AS MAN TALKS ABOUT WELFARE, ETC. - HE RUNS PLANTATION AND DEFENDS LOW WAGES WHICH HE PAYS. GROUP OF CHILDREN IN PICTURESQUELY SQUALID HOUSE. MS SHACK-LIKE HOUSE. MORE CU'S CHILDREN. RURAL POVERTY. CI: MANKIND: CHILDREN- / BLACK/ . AVIATION: PLANES- MISC. - SPRAYING CROPS. BUILDINGS: CABINS AND SHACKS. POVERTY: MEMPHIS, TENNESSEE. AGRICULTURE: MACHINERY- PLOW. AGRICULTURE: MACHINERY, TRACTOR. AGRICULTURE: FARMING- MISC. - .

Protecting Your Profits

Medium shot of a young woman approach a file cabinet, opening the cabinet, and sorting through the files. She picks out a folder, opens it, and walks away with satisfaction

Young boy seen peaking his head through a hole in a wooden fence. Similar shot with young girl then back to young boy. WS of three children peaking through holes in a fence at various heights. Shot from the back as we see the three young children peering through holes in fence. ZO from three children as the building in front of them under construction can be seen. MCU of yellow “Building to serve you and your family better sign”. Young boy sits on ground in his bedroom speaking on a red, rotary style phone. Young girl lays on bed and speaks on a purple rotary style phone. Housewife dials white phone rotary phone in kitchen. Man on phone in suit surrounded by blueprints. Farmer walks up to black phone and picks up, cow, barn and silo can be seen to right of shot. Man using pay phone next to highway as cars rush by. Baby in crib in crib looks around Construction freight elevator moves up building. Phone company workers stand by wall of telephone line connections. Workers unrolling phone cables from large wheel under the street. WS of steel building skeleton. Interior of warehouse with cart moving down aisle full of supplies. Storekeeper ringing up customer, old style register. Police officers helps kids across the street. Various shots of radar arrays and domes, group of men using phones. Bell telephone sign. CU of beige rotary telephone. Man sits with family in 1950s style living room and picks up the phone. Shot of woman in bed sleeping soundly next to pink rotary telephone on night table. CU of pink telephone on night table. WS of U.S. Army Nike Hercules missile battery. Shot of men and women working on computer launching system. Two shots of radar types on tower spinning and searching for targets. Men and women working on radar guidance system in a workshop. Man slowly detached large dish on radar unit. MCU of two women testing various connections in radar computer with voltage meters and slide circuit boards back into main unit. Shot of inside of radar mechanisms as it spins, operator pushes button on machine to increase speed. Man in a large winter coat tests radar equipment inside a cold room. Shot of two men testing radar nose cone while it shakes rapidly. WS of Nike Hercules missile on launch pad, missile launches and takes off. WS of Titan missile on testing launch pad, missile ignites and launches. Several CU shots of the missile in flight as it gains vertical altitude. WS of small pleasure craft on the sea. Large ship retrieving nose cone of Hercules missile, shots of men on deck. Shot of men and women working on missile guidance computer. Shots of three Nike Hercules missiles on launch pad as soldier looks on. CU on white rotary phone. WS pull-out of man on telephone with family in 50s style living room. Fade to black. Shot of a woman from underneath a glass table as she counts seeds. Two male scientists, one with bowtie examine large crystal grown from seeds. CU of white rotary phone. Woman wearing a blue dress with a pink cardigan sits on a blue chair and speaks on a pink rotary phone. Animation of the voice waves on bottom of screen. Animation of voice waves going across the screen with an orange background. CU of female hand holding quartz crystals. Shot of women sitting in a row behind switchboard and talking to callers and rerouting calls to extensions. Female scientist examines several stacked quartz crystals in a metallic frame. Female hand handles quartz crystals. Two male scientist place crystal seeds into pressure cooker. Scientist places chemical solution into pressure cooker and closes top of pressure cooker. Animation of seed turning into crystal, various layer can be seen in animation. Scientist handles newly made crystals wearing lab coat, protective head gear and brown rubber gloves. Crystals are cut with a diamond saw to thin pieces. Man creates a form to modify crystals. Female hand points to crystals inside a piece of hardware used for telecommunications. Three male scientists examine newly formed crystals as they come out of pressure cooker. ZI of woman in blue dress with pink cardigan talks on a beige rotary phone. Tom Shirley stands by a door that reads “Dial System Central Office”. Man opens to and fade to reveal high rows of telephone system machinery. ZI on small conductor moving left and right. Fade to female hand making a call on a brown rotary phone. CU of heart rate machine read-out. WS of female operators in a row connecting calls to extensions. Three men observe high stacks of telephone machinery. MCU of woman in a blue dress speaking on yellow, kitchen wall style, rotary phone. Elderly woman speaks to woman on using a white rotary style telephone. MCU woman speaking on yellow phone. Quick CU of telephone system machinery moving back and forth. MCU of Tom Shirley again speaking about the fun of receiving and making telephone calls. Elderly woman in kitchen reading from a cookbook and talking on a red, rotary style telephone. Man stands in living room talking on a blue, rotary style telephone. Shot of young girl laying in her bed talking on a beige style rotary phone. Tom Shirley again coming out of the “Dial System Central Office” door speaking about the enjoyment of receiving phone calls from friends and family. Fade to woman in kitchen speaking on a yellow phone. Woman laughs and fade out.

00:00:16:16 GOOD V of old black man singing spirituals in his cotton field. (1:54) / 00:16:32:01 B-ROLL / GOOD V of mechanical cotton picker harvesting cotton in the field. VS of truck harvesting and ...

b&w - United Nations World Health Organization / WHO / W.H.O. - UNICEF - vaccine - vaccination - international medical service / Nurse puncturing medicine bottle and filling syringe / nurses grabbing medical instruments from supply station / white male doctor standing in front of chalkboard teaching class of young black men taking notes, sitting at table with laboratory glassware, CU of doctor writing on chalkboard (slate says Ethiopia) / large group of black men, women and children wait on outside and on a small staircase / Latino women in flat brim hat behind four donkeys or mules, large pile of hay behind while bus passes by in the background / Nurse gives child injection while older man holds her in open outdoor square / man with mustache and cap holding slate / small group of young girls hold their sleeves up ready to receive injections / group of men working on a large piece of indoor machinery / technician takes x-ray of young man / Indian doctor anesthetizes patient's finger before incision, CU of bloody finger tip as doctor presses small pane of glass on finger to get blood sample, doctor tests sample / Sign reading United Nations Fraser India 87 / Woman in long head scarf carrying child to building / Woman carrying young infant, nurse examines young infant's face / Woman in sari works in lab / Lab machinery running technician stands to the side / Mother in head scarf walks hand in hand with children / CU of toddler in crib / CU of inftant's face and nurse holding spoon and bottle with a label reading U.N.I.C.E.F. Austria, nurse pours bottle into spoon and tries to feed to child / CU of toddler in crib rubbing eyes / Nurses stand to young patients in outdoor beds, view of hills and homes in background, to the right is a UNICEF poster in Polish (Poland) / shot of dirt road with fence in foreground, pickup truck on the road in the distance

"Few people realise the rapid and highly technical work that takes place behind the theatre curtain..." M/S of backstage staff working frantically to raise the curtain at the London Coliseum. Closer shot of the men pulling on ropes. "Under the engineer's control, the giant revolving stage - the largest in the world - moves round, propelled by its electric motors - " C/U of a man in the wings operating the stage machinery. C/U of the revolving machinery underneath the stage. A man rides on the construction as it moves. <br/><br/>"And another scene silently moves into place." M/S of men moving pieces of scenery around on stage. Most of the men wear black overalls but the supervisor wears white. M/S of two men backstage throwing lots of switches and levers. "The top-lights are brightened - " Low angle shot of lines of light. "And everything is ready for the unique "shot" of the rise of the curtain - " (shot missing?) "Ring down the curtain!" Ends here. Story incomplete.<br/> <br/>Note: unusual title - doesn't look like a typical Pathe Pictorial or Eve's Film Review title as it has a flowered border and no pictorial illustration.<br/><br/>Safety print exists.

MAN AT TABLE TURNS PAGES IN PHOTO ALBUM, BLACK AND WHITE PICTURES OF MACHINERY, VOICE OVER

Two exteriors of industrial plants in Nazi Germany are followed by several interior shots inside the facilities. Men shovel iron and coal and shape molten metals and iron. Lots of big machinery. Propaganda narration.

Shots of tractor-drawn cultivator moving past camera, of black farmer guiding horse-drawn cultivator past camera. Cut to LAS of black farmer taking his hat off and wiping his brow. Shots of white farmer inspecting immature cotton, opening boll. Sequence on black farm labourers working in peach orchard. CU of peaches in tree. CU of calf feeding.

Construction workers in the air on girders Women at sewing machines Dentist working on patient in chair Construction workers working on wood house frames LS of suburban homes under construction Farm workers in soil pulling carrots Laboratory scene (black man with chemicals) Factory workers and machines CU machine cutting out metal House painter Black mom and kids in supermarket CU market shelves Wheat farm machinery in action Rice factory Bagging Carolina rice White family in TV store (Zenith TV predominant) White mom and daughter in shoe store CU putting on sneaker Rubber factory Woman at Singer sewing machine Women putting rubber soles on sneakers Boxing sneakers School bus drives up and kids get out Kids in school Fire truck CU of hydrant Firemen at fire scene (not dramatic, towards end of fire, just smoke) Black mom and kids at supermarket checkout counter

Stenotelegraph. Animated historical illustration of a device called a stenotelegraph, invented by a French civil engineer called Cassagnes. It was used in the French Chamber of Deputies in 1890, combining shorthand typing (stenography) with telegraphy. This machine enabled up to 200 words per minutes to be transmitted by telegraphy between French cities, with speeches thousands of words long transmitted in just one hour. Artwork from 'Electricite' (1911) by Max de Nansouty, part of the 'Les merveilles de la science' series of 1867-1891 by Louis Figuier.

Universal Newsreel outtakes

Paul Hoefler Productions presents “Cotton Picking and Ginning.” The black-and-white educational film, made in cooperation with the National Cotton Council of America, provides the viewer with “the story of cotton from harvest to mill” and was the first film in a series of five subjects on cotton. There are a few strains of “My Old Kentucky Home” before we’re told how cotton is the most important crop grown in the United States (mark 00:40) and the most widely used fiber in the world. It takes about 200 days for cotton to ripen following planting, we learn, as the camera pans fields and provides up close shots of the white tufts. Stooped workers hand-pick cotton (mark 01:22) as we are told more of its importance as a crop. “Hand-picked cotton is cleaner and brings the highest prices,” says the narrator (mark 02:23). After weighing the the 70-pound bags of cotton it is carried up a ladder and tossed into a trailer. At mark 03:25, lines of mechanical pickers are shown making their ways through fields, gathering cotton at a rate 50 times faster than humans, freeing people to take others manufacturing jobs. Come mark 05:00 the viewer learns of the cotton gin and the process involved in separating seeds from the lint. A telescoping pipe literally sucks the cotton from trailers (mark 05:48) into the gin machinery, where saws begin the separation process, which is shown in slow-motion photography. The line is shown being pressed into 500-pound bales (mark 06:40), wrapped, and tagged, before being taken to a warehouse. Following an inspection, the bales are graded and offered for sale. As workers are shown loading cotton bales onto boxcars (mark 09:10) for transport across the United States, the narrator explains that cotton is also sold to other countries in high-density bales, which later are shown being placed on ships.

&lt;p>&lt;b>**ATTENTION AFFILIATES: BELOW IS A ROUGH TRANSCRIPTION PROVIDED BY AN AUTOMATED SERVICE. THIS MAY NOT BE EXACT. PLEASE CHECK FOR ACCURACY BEFORE TAKING TO AIR.**&lt;/b>&lt;/p>\n&lt;p>&lt;/p>\n&lt;p>&lt;/p>\n&lt;p>&lt;b>--SUPERS&lt;/b>--&lt;/p>\n&lt;p>Saturday&lt;/p>\n&lt;p>Charlotte, NC&lt;/p>\n&lt;p>&lt;/p>\n&lt;p>Rep. Gabe Amo&lt;/p>\n&lt;p>(D) Rhode Island &lt;/p>\n&lt;p>&lt;/p>\n&lt;p>&lt;b>--SOT&lt;/b>--&lt;/p>\n&lt;p>Look, the vice president is doing exactly what she should be doing. She is on the ground engaging with people who have been devastated. And of course, my heart goes out to all of the people across the southeast and she is focused on the uh response that includes moving the machinery of government $100 million plus from F MA flowing for response, moving uh to respond with thousands of personnel. That's what you should focus on and the politics is secondary to the pain that so many people are experiencing. Well, look, I think it's clear that he plays politics uh at, at the worst times, this is a time where we should be coming together. There is not a democratic response or Republican response uh to an emergency like this, there is a response that it relies on the compassion uh of our leaders and to move forward in supporting people at their time of need. And we, and we've heard reports that uh President Trump was known to play politics when it came to a response, asking for information about the types of voters and the the information related to his electoral prospects rather than supporting people uh when they need government. So I, I don't think we should take him seriously and we should focus on the people who need our help. Well, I'm here in North Carolina because this is a state where the Black vote matters significantly. Uh Remember President Biden uh only lost this state to former President Trump by 1.3%. And so we have to share the message of the accomplishments of the Biden Harris administration. But more importantly, where we're going in the future, which is why the vice president has been focused on things like wealth creation, emphasizing the importance of home ownership of small business growth, of uh ensuring that everybody has the opportunity to thrive in our economy by expanding uh the child tax credit. So it's got to be anchored in results anchored in delivering material benefits to all Americans, but especially Black Americans who are going to play such a vital role uh in this election. Well, he's such an effective messenger. I I am an alumnus of both of his presidential campaigns and his White House as well as working in the Biden Harris White House. So I know that when you think about the arc of uh his journey uh as president that connective tissue to what this administration has done the historic work of the rescue plan and the infrastructure law. So much more, he will build a bridge between uh that promise of hope and turning it into action under uh a Harris administration. So I look forward to seeing him out there delivering the message like no one else can.&lt;/p>\n&lt;p>&lt;b>-----END-----CNN.SCRIPT-----&lt;/b>&lt;/p>\n&lt;p>&lt;/p>\n&lt;p>&lt;b>--KEYWORD TAGS--&lt;/b>&lt;/p>\n&lt;p>POLITICS KAMALA HARRIS NORTH CAROLINA ELECTION 2024 &lt;/p>\n&lt;p>&lt;/p>

Great New York City footage from March of 1964 by highly-acclaimed documentarian Robert Elfstrom depicting daily life in Harlem, Cassius Clay in front of the Hotel Theresa, a school segregation civil rights protest, and suburban life. 00:00:17:06-00:01:56:20 Various shots of a young man leaning against the gravestone of Staff Sergeant of George Nigro at Long Island National Cemetery in Farmingdale intercut with shots of heavy machinery digging graves, mourners, and hundreds of white gravestones. 00:01:56:21-00:09:38:01 Various shots of protestors with great signs demonstrating against school segregation in lower Manhattan, marching over the Brooklyn Bridge and continuing their protest in downtown Brooklyn intercut with shots of the New York City police officers and great shots of television news crews. 00:05:27:17 - 00:05:34:23 Jesse Gray is the hat-wearing, mustachioed dark-skinned man bobbing in and out of view at extreme left, next to the tall man in the light trench coat. Milton Galamison is in the center, being interviewed by a broadcast reporter. Cleveland Robinson is the tall, hat-and glasses-wearing dark-skinned man over Galamison's left shoulder. This march was spurned by the mainstream civil-rights groups, including the NAACP. The only mainstream leader who joined it was Cleveland Robinson, a veteran civil-rights and labor leader, who had been the administrative chairman of the historic March on Washington for Jobs and Freedom on Aug. 28, 1963. 00:06:24:00 - 00:06:28:20 Thelma Johnson is the dark-skinned woman wearing a hood and glasses. Isaiah Robinson is singing in the center, wearing a mustache and goatee 00:08:28:18 - 00:08:30:17 Stanley Branche can be seen looking at the camera in this section 00:09:06:12 - 00:09:14:02 As the clip advances, the hatless, dark-skinned Dick Gregory, wearing a thin mustache, can be seen standing on the platform in the lower center, turning to his right. Lawrence Landry is the hatless, fair-skinned man standing in left profile under the tall man in the light trench coat. At the end of the clip, he begins to mount the platform. 00:09:38:02-00:10:15:18 HA wide shot of rooftops most likely in Manhattan, cars driving on city street, pedestrians walking in the vicinity of Times Square, past the Hotel Astor marquee and a steaming grate. 00:10:15:19-00:13:51:20 MFS of a black woman buying a hot dog from a hot dog cart with signs on it that say, “SODA 15¢ All Beef FRANK 20¢” and “SABRETT” with an illustration of a hot dog cart. WS of black women walking past storefronts in Harlem with signs for a barbershop and a supermarket. Various shots of handwritten signs with food prices on the outside gated window of a Harlem bodega and a man walking into the store. Great shots of varying focal lengths of black customers inside the bodega shopping, purchasing goods, CU of chicken on scale, a white worker ringing up a sale on a cash register, a white worker using a slicer, close-up of older black women, a black child smiling, shelves stocked with goods, nice close-up a 7-Up sign that says “for Thirst, for Taste, for Lift,” CU of shopper holding change, CU of a sign that says “Enjoy Ballantine beer and Bowling on TV” with an image of a black bowler named Al Levins, MFS of a customer pointing at a refrigerated display with deli meats, CU of a pickle jar, children making purchases and counting change, and a sign on a closing door that says “Travelers Money Orders Express.” FS of metal garbage cans tilting up to a group of children walking on the sidewalk. WS of a man waiting for a bus as traffic drives by with the projects in the background. Close-up of the grill of a 1960s Pontiac. 00:13:51:21-00:14:18:14 MFS of Cassius Clay speaking with people in front of an entrance to the Theresa Hotel in Harlem. Howard Bingham, Muhammad Ali's photographer can be seen standing behind Ali. CU of Clay facing Adam Clayton Powell Jr. Boulevard with traffic passing by. WS of an older couple leaning out of a window. MFS of two children looking into a car with Clay in it. Two weeks earlier, after Ali won his title, he moved into the Theresa at the suggestion of his mentor and friend Malcolm X. Shortly afterwards, Malcolm X broke with Elijah Muhammad's apolitical Nation of Islam cult, which Ali was a member of, and established the headquarters for his new black nationalist Muslim Mosque, Inc., on the hotel's mezzanine floor. 00:14:18:15-00:15:26:20 Lovely shot of a black child looking out of a bus window and laughing. WS of a bus passing by revealing Con Edison Workers digging on a street. Various shots of Con Edison workers with shovels, jack hammers and a Con Edison flag. Two photographs of Ellmer Carter. 00:15:26:21-00:16:46:00 Various great shots of black men in stylish clothing and hats playing pool at Purnell’s Recreation Center in Harlem. Excellent POV and detail shots of a game of pool. MFS of a man with a pool stick selecting songs from a jukebox. Nice CU of a pool player smoking a cigar and smiling after making a shot. CU of a sign that says “Purnell’s Recreation Center Billiards” on a pool-hall window with cars, buildings and a street light reflecting in the window. 00:16:46:01-00:17:45:00 WS of two older black woman and an older black man reading a newspaper sitting on park bench on sidewalk in front of a chain-linked fence in Harlem. FS of a younger man on the opposite side of the fence. Nice close-up of man looking into the sun. Nicely lit FS of a man standing next to a gate. WS of a man sitting on bench on a sidewalk smoking a cigarette with a chain-link fence behind him. Nice shots of people sitting on park benches with their dogs. MCU of a young black woman smiling and chewing gum panning to a MCU of two black children.WS of people lined up at a hot dog cart with storefronts in the background. Photographs of Lewis Michaux. 00:17:45:01-00:19:59:04 Various great shots of black patrons eating in a Harlem restaurant with black waitstaff and cooks, including WS of the interior of restaurant with a woman eating at a food counter. Over the shoulder shot of a man at a table. CU of an older woman’s hands holding a fork and a piece of bread panning to her face. MS of an old man looking at a menu. CU of the hand-written menu tacked to the wall and a sign that says “Say ‘Pepsi please.’’ CU of put full of eggs panning to an ECU of hands peeling food over a large pot. MFS of a worker cleaning a chicken leg. WS of a woman peeling food and a man cleaning a chicken leg in a kitchen with a jacket and hat hanging on a hook. CU of a woman’s hand cutting potatoes panning to her face. CU of a man cleaning chicken in a sink. HA shot of food in pots and pans on a stove top. WS of a woman in a white dress cooking in a restaurant kitchen and a waitress walking in. CU of a cash register drawer opening. CU of water boiling. OTS MFS of patrons at a lunch counter and a waitress serving them. WS of patrons at a lunch counter and a waitress serving them. Close-up of food. MFS of men at a lunch counter in jackets wearing hats. MS of a woman eating next to a window with a person outside walking past. 00:19:59:05-00:21:00:21 EWS of people waiting for a bus in front of a large public housing complex in Harlem panning to FS of horse-drawn cart loaded with discarded furniture and bedding. Various shots of men working on the marquee of the Ambassador Theatre on West 49th Street with marquee listing Clay Cole, Lloyd Price, Freddie Cannon, Duprees, Linda Scott, Orlons, and others. CU of an old white lady sitting on park bench panning to her hands in mittens holding a purse. Various shots of two black men cleaning a white 1960s car with fins. MFS and very nice CU of two older black women talking in front of the steps to a brownstone 00:21:00:21-00:23:15:12 FS on an older black lady walking along a sidewalk with houses with lawns. FS of black girls jumping rope. WS to EWS ZO of a modern building on a hill. High angle WS to EWS ZO of an unidentified small city. Various shots of suburban houses surrounded by trees, fences and on street with no sidewalks. WS of white boys walking on the street in a suburban neighborhood with houses surrounded by trees. WS of white teenage girls and a white boy walking on the train tracks. WS of a suburban house surrounded by trees with a bird feeder in the foreground. WS of a suburban house with a dirt driveway and a car parked in front of it. CU of the doorway of a house with columns. WS and EWS of a house with columns. 00:23:15:13-00:23:54:23 CU of a sign for “It’s a Mad, Mad, Mad, Mad World” by Stanley Kramer presented in Cinerama, great CU of an older black man smoking a cigar. WS of people walking past a marquee with “It’s a Mad, Mad, Mad, Mad World” by Stanley Kramer presented in Cinerama displayed on it and a storefront that says “Dobbs Hats.” CU of a 7Up sign on a record store window panning to a poster for a Josephine Baker at the Henry Miller Theatre, a record cover that says “Sexy Stories with Yiddisha Flavor,” then tilting to an OTS shot of a white man with sunglasses and a small cigar looking at the records and signs displayed in the window. CU of a poster for Duke Ellington and his Orchestra at Carnegie Hall in the record store window. WS of a theatre with a marquee advertising Albert Finney in “Night Must Fall” with people walking under it. 00:23:55:00-00:26:26:08 Great footage inside a nightclub club with a black audience and band, including: ECU of a burning candle; HA FS of a drummer; nice shots of people sitting around a candle-lit table; HA WS of people dancing in silhouette as a band performs; MS of a keyboardist; WS of a band leader conducting his band; MFS pan of people dancing in silhouette; WS of a candle lit table and people dancing in silhouette; CU of a drink; nice MS and MCU profile of a young woman in a cocktail dress; CU of an older man with thick-rimmed glasses and moustache smiling and laughing; CU of a woman’s hand holding a drink and a cigarette then panning to a MS of her smiling face; HA WS of people seated at tables; HA of MS of people in silhouette dancing; Overhead shot of people dancing; MS profile of horn players; MS detail of a keyboardists hands; MS of a drummer; MFS of people dancing panning to an empty table; CU of a cigar and cigarette in an ashtray; MFS of people seated at a table with bottles of booze; nice MCU of a couple cozying up with each other; nice ECU of a bottle of scotch and White Rock Sparkling Water; FS of a maximum occupancy sign; Nice MFS of couple slow dancing; MFS silhouette of a woman at a table; MS profile shot of a woman sitting a table smoking a cigarette as a waiter pours water; various shots of people dancing and the band playing. Special thanks to ""Paul Lee, Best Efforts, Inc."" for adding additional context and identifying several grass roots and mainstream, African American civil rights leaders contained in this footage.

Sequence showing the cleaning efforts deployed on the beach of Pensacola after the Deepwater Horizon oil spill. Shot of front end loaders arriving on the beach. Shot of the waves, PAN towards the workers cleaning up the beach as the sun rises. Various shots of thick black oil puddles left on the beach. ECU of black oil residue on the beach. The oil residues create thousands of tiny black oil beads that are mixed with the white sand. Shot of a tiny crab on the beach, crossing the frame. Shot of seagulls near the waves, PAN towards the team of workers cleaning the beach using shovels and large plastic bags. CU shot of seashells mixed with oil residue on the beach. MS of workers cleaning the beach using rakes, shovels and large transparent plastic bags.

Hughes printing telegraph. Animated historical illustration of the printing telegraph invented in 1855 by the British physicist David E. Hughes (1831-1900). It was the first telegraph to print text at both the sending and receiving end. This meant that there was no longer a need for codes such as Morse code. The apparatus was powered by a weight attached to the chain at bottom centre. Later models were powered by electricity. Artwork from 'Electricite' (1911) by Max de Nansouty, part of the 'Les merveilles de la science' series of 1867-1891 by Louis Figuier.

Item title reads - Super power station which will soon be capable of supplying 100,000 kilowatts - opened by mayor. Salford, Lancashire. <br/> <br/>M/S interior as the mayor and other officials walk around the power station. The mayor turns a big wheel to start it all off. L/S interior of machinery, the camera pans across it. <br/> <br/>Note: this item is yellow tinted, there is a longer black and white version with the same title on *PM0422*.

Hands, machine and phone for payment at market with fintech app, contactless transaction and thumbs up. Customer, cashier and person with POS at checkout for digital scanning, tap purchase and wave

STEEL INDUSTRY SAFETY CLIPS, WELDER, VARIOUS MACHINERY, MANAGERS W/EMPLOYEES, ETHNIC WORKERS, WORKSHOP, DRILLING; DX INT MS secretary at desk answering phones and taking notes, black male scientist mixes chemicals, chemistry lab; DX INT CU talking head, several takes, white and black scientists walk down hallway a discuss topic, several takes; DX INT MS of black factory worker wearing safety face mask, releases some liquid from heavy duty hose; DX INT MS of black woman in basement of factory, pipes, doing some kind of radioactive test w/device, waving it around; DX INT MS basement of industrial factory, black worker does checks and maintenance on machines and pipes; DX INT MS of welder, welding pipe in basement, takes off safety mask and says something, work bench; DX INT CU welder welding small piece of steel on work bench, CU of drill drilling into cooper plate; DX INT CU of worker in shop, drilling cooper brick, hands spraying cleaner on metal pole, several takes; DX INT MS worker closes door to factory machinery that is leaking water, Z-out to worker putting valves on pressurized tanks; DX INT MS Z-OUT to worker applying valves to pressurized air tanks, screwing them on; DX INT Z-OUT from caution sticker to large black machinery; DX INT CU worker drilling holes into steel beam, CU applying oil to drilling spot, hands put part sin drilled hole ;DX INT CU of hands screwing in screws to previously drill holes in steel beam, applies oil for lubrication; DX INT CU of worker hammering down lid on paint or chemical can; DX INT CU of workers painting wood w/special paint, could be anywhere, hammering lid onto paint can; DX INT CU hands pour liquid from kettle into glass container; DX INT CU hands cleaning steel part w/chemical in jar, dips rag into jar and rubs on steel part; DX INT MS worker at his station, running a piece of machinery that cuts little rectangles out of steel sheet possibly using laser to cut steel sheet; DX INT MS of worker operating control panel, checking gauges; DX INT MS DOLLY into DO NOT ENTER sign on brown door; DX INT MS type of tractor that cleans the floors of factory, man operating tractor; DX INTCU of assembly line type machines, hot steam, fire red pieces of steel, cylinder/hot oil on it; DX INT MS of hands removing steel piece and cleaning w/wire brush and water; DX INT CU of sulfuric acid containers, label can be seen; DX INT MS of factory machinery at work cutting steel; DX INT MS of managers discussing plans with black worker, looking at blue prints; DX INT Z-IN on canister sitting on floor looks like a keg