AP-APTN-1830: UK Zoo Wednesday, 4 January 2012 STORY:UK Zoo- REPLAY Keepers count the animals at London Zoo's annual stocktake LENGTH: 03:00 FIRST RUN: 1530 RESTRICTIONS: AP Clients Only TYPE: English/Nat SOURCE: AP TELEVISION STORY NUMBER: 721832 DATELINE: London - 4 Jan 2012 LENGTH: 03:00 AP TELEVISION - AP CLIENTS ONLY SHOTLIST 1. Sunrise over penguin colony at London Zoo 2. Various of penguins waiting to be counted 3. Penguin keeper Tim Savage, with clipboard, walks towards penguins 4. Various of Savage counting penguins 5. Zoo official hunched beside underwater viewing window 6. Underwater shots of penguins swimming 7. Pan from stocktaking clipboard to penguins swimming 8. SOUNDBITE (English) Tim Savage, penguin keeper: "Actually, they each look remarkably different. When you look at them they've all got individual spot patterns. They've also got a tag on their wing, you may have noticed different numbers on there. And if that fails, and we're actually doing a formal catch-up of the penguins, they're all micro-chipped as well, like a dog or a cat would be, so you can just scan them and be sure you've got each individual one that way." 9. Camels walking towards clipboard-wielding zoo official 10. Zoo official gives camel a piece of carrot 11. Photographers take picture of zoo keeper inside camel pen 12. Meerkats swarm around zoo attendant 13. Meerkat sits on zoo attendant's clipboard, preventing her from recording count 14. Zoo official with clipboard watching Bolivian squirrel monkeys playing 15. Close up of squirrel monkey eating 16. Wide of squirrel monkeys playing 17. SOUNDBITE (English) Mark Habben, zoological manager, London Zoo: "The big difficulty in counting the animals on site is really that depending on where you are, there could be large numbers of animals in an enclosure. They're very fast-moving, a lot of them. Even when you've got animals like 23 squirrel monkeys, for example, they're very quick-moving, lots of areas where they might hide within their enclosures - we give them lots of space - so it is quite a difficult task." 18. Photographers take picture of zoo attendant holding up tarantula 19. Close up of tarantula 20. Insect expert Dave Clarke inspects jungle nymph stick insect 21. Close up of jungle nymph stick insect 22. SOUNDBITE (English) Dave Clarke, head of bug exhibit, London Zoo: "Some things like this might look very obvious on my hand. But in among a lot of leaves and sticks, she's almost impossible to see. So even for us, who know what we're looking for, it can be quite difficult. Also things like our locust swarm - we've got about one thousand in there - so it's very difficult. But we have to do some approximations on how many we've got." 23. Exterior of London Zoo STORYLINE Officials at London Zoo began conducting their annual stock-taking exercise on Wednesday - aiming to count every single mammal, bird and reptile on the site. It's a huge task - the total number of animals counted last year was more than 18-thousand, representing 150 different species. But as clipboard-wielding inspectors fanned across the zoo today, not all of the animals were cooperating. It looked like something out of Africa as the sun rose over the penguin colony. The penguins waddled out to be counted, although they kept diving back into the water when they got bored. The camels were less helpful, needing to be bribed with carrots. The meerkats didn't help at all, swarming all over their keeper's clipboard and making it impossible for her to record the count. Mark Habben, zoological manager at London Zoo, said it was a difficult project. As officials tried to keep track of a group of Bolivian squirrel monkeys, Habben described the scale of the challenge. "They're very quick-moving," he said. "There are lots of areas where they might hide within their enclosures." Inside the Bug Exhibit, which houses thousands of insects and creepy-crawlies, bug keeper Dave Clarke said his main problem was that certain insects were particularly good at camouflaging themselves. "Some things like this might look very obvious on my hand," said Clarke, as he cradled a jungle nymph stick insect. "But in among a lot of leaves and sticks, she's almost impossible to see." Clarke admitted that with the smaller insects, officials just count them in clusters or colonies, rather than individually. Clients are reminded: (i) to check the terms of their licence agreements for use of content outside news programming and that further advice and assistance can be obtained from the AP Archive on: Tel +44 (0) 20 7482 7482 Email: infoaparchive.com (ii) they should check with the applicable collecting society in their Territory regarding the clearance of any sound recording or performance included within the AP Television News service (iii) they have editorial responsibility for the use of all and any content included within the AP Television News service and for libel, privacy, compliance and third party rights applicable to their Territory. AP'S HIGH DEFINITION ROLLOUT TIMETABLE All Customers This message is for ALL Associated Press (AP) customers to inform you of the upcoming changes to our service and how they will affect your organization. The timeline AP will be rolling out High Definition (HD) in phases, beginning with Entertainment from 11 November 2011, followed by Sports News Television (SNTV) in January 2012. The completion date for all News services will be Q2 2012 in time for the 2012 London Olympics in July and the US presidential elections in November. What does this mean for you? The HD upgrade will affect ALL customers. Changes to Delivery If you want to upgrade to HD, you will need to make changes to your hardware equipment - either by adopting Media Port or you may need to upgrade your current Media Port server. AP Direct will also be transitioned to an encrypted HD ONLY delivery and customers will need to provide their own HD compatible Integrated Receiver Decoder (IRD). This will need to be operational by 1 February 2012. Satellite Upgrades We are upgrading our satellite network. This upgrade will affect ALL AP customers. For a full overview of changes to delivery and satellite upgrades, please visit: www.aphighdefinition.com To retrieve the login, please email: edcustomerliaisonap.org or aptn-webadminap.org ++++ APTN APEX 01-04-12 1329EST

GM INSPECTOR WITH CLIPBOARD. REAL PERSON. SOUND BYTE WITH ACCENT "WAS TOO MUCH FOR MY HEART". GREAT CHARACTER.

Television Commercials

HOW TO CHOOSE A PERSONAL TRAINER.

COVERAGE FOR A MIKE VON FREMD CS VO IN LITTLE ROCK, ARKANSAS ABOUT THE POLAROID PARKING PATROL OF HANDICAPPED PARKING. 05:00:14 EXT FTG SHOPPING MALL PARKING LOT. 05:02:54 MCU ARKANSAS DISABLED LICENSE PLATE ON BACK OF SEDAN. PULL INTO CU OF PLATE, HANDICAPPED SYMBOL AND WORD, DISABLED. 05:04:46 FTG OF RESERVED PARKING SIGNS FOR HANDICAPPED PERSONS. 05:05:55 LAS RESERVED PARKING SIGN W/ WHEELCHAIR SYMBOL. 05:11:10 WS 18 YEAR OLD DISABLED WOMAN, JENNIFER CRAUSEN, BEING WHEELED OUT OF HER HOME AND DOWN A RAMP BY HER MOTHER. 05:12:13 WS FTG OF JENNIFER WRAPPING HER ARMS AROUND HER MOTHER'S NECK AS THE WOMAN HOISTS HER ROTUND DAUGHTER INTO A PASSENGER SEAT IN THE FAMILY'S VAN. 05:12:47 MS MOM FOLDING JENNIFER'S WHEELCHAIR AND CARRYING IT INSIDE THE VAN. MOM POSITIONS JENNIFER SO SHE IS FACING FORWARD AND THEN SHE SHUTS THE VEHICLE'S DOOR. 05:13:44 FTG OF MOM PULLING VAN INTO HANDICAPPED SPACE IN SHOPPING MALL PARKING LOT. 05:14:25 FTG OF MOM REMOVING JENNIFER'S WHEELCHAIR. CU JENNIFER. 05:15:18 MS MOM LIFTS JENNIFER OUT OF THE VAN AND PLACES HER IN HER WHEELCHAIR. 05:15:38 CU JENNIFER STRAPS HERSELF INTO CHAIR. 05:16:22 LS COMPACT CAR THAT IS PARKED IN HANDICAPPED SPACE AS JENNIFER'S FATHER, ROGER, SHOOTS A POLAROID PICTURE OFF SCREEN. 05:16:45 CU ROGER ATTACHES THE PHOTOGRAPH TO A CLIPBOARD W/ NOTES. 05:17:30 THREE SHOT JENNIFER IN HER WHEELCHAIR, BEING PUSHED BY MOM, AS ROGER FOLLOWS, A DISTANT THIRD, HOBBLING ALONG W/ THE HELP OF A CANE. 05:17:51 MS JENNIFER SITTING PEACEFULLY W/ HER HANDS FOLDED. 05:19:38 FTG OF JENNIFER WHEELING HERSELF OUT OF A STORE'S AUTOMATIC DOORS AS SHE IS FOLLOWED BY HER PARENTS. 05:20:10 WS JENNIFER PUSHING HER CHAIR. 05:21:19 INTV W/ JENNIFER. 05:22:17 REGARDING THE POLAROID PATROL, JENNIFER SAYS, I LOVE EVERYTHING THAT THEY'RE TRYING TO DO FOR NOT ONLY ME, BUT FOR OTHER PEOPLE LIKE ME. 05:24:15 INTV W/ JENNIFER'S MOM, YVONNE. 05:26:00 MOM SAYS, EVEN THOUGH I HAVE A DISABLED TAG ON MY VAN, IF I'M BY MYSELF I DON'T PARK THERE. 05:29:07 FTG OF MOM LIFTING JENNIFER OUT OF HER CHAIR AND INTO THE VAN. 05:30:12 MCU MOM CLIMBING INTO DRIVER'S SEAT. 05:30:24 WS MOM BACKING VAN OUT OF PARKING SPACE W/ BLUE AND WHITE HANDICAPPED SYMBOL. PAN OVER TO SIGN READING, RESERVED PARKING, W/ HANDICAPPED SYMBOL. 05:30:56 CU RESERVED PARKING SIGN.

Safe As You Think

Dr. Jonathan Shultz walks through St. Luke's emergency room with a clipboard in hand and a phone attached to the waistband of his scrubs.The phone rings often. He quickly picks it up and jots down notes on a transfer form. During his shift, Dr. Shultz is in charge of transfer requests that come into the Duluth hospital.On this Monday morning in late January, he feels a sense of relief that he can offer one of the hospital's beds to the person on the other end of the line. Weeks earlier, when cases of COVID-19 spiked across the state, it was a much different story. "I just showed up to work one day and everything was completely full," he said. "We couldn't accept any patients." The coronavirus pandemic is exposing the delicate nature of hospital capacity around the state. In northern Minnesota, the tradition of relying on larger, regional hospitals to take on critically-ill patients has been compromised as COVID-19 cases push all facilities to their limit.Health care providers are increasingly concerned that new variants of the virus could result in a spike in hospitalizations."The system as a whole is very fragile," Dr. Shultz said. "We could easily be at capacity and overwhelmed again if we get another surge."Dr. Shultz explained if that happens, smaller facilities will once again have to hold onto patients that normally would never be admitted in the first place."The whole system collapses if you can't get patients to the hospital, and if it can't move patients between hospitals," he said.During the December spike, staff from all departments at Community Memorial Hospital in Cloquet — including the clinic across the street — began caring for COVID-19 patients. Beds filled up quickly at the critical care access facilities just west of Duluth. "We had to admit them here and care for them best that we could," said Dr. Charles Kendall, incident commander of the hospital's COVID-19 response team. "We're enjoying this, this lull right now, or this reprieve from the way we were for a couple of months."But Dr. Kendall and others are worried about the variants of the virus from the U.K. and Brazil that have shown up in Minnesota over the last month.Rick Breuer, CEO of Community Memorial Hospital, said that has created a heightened sense of alert."We don't know if the new variants, you know, how problematic they're really going to be," he said. "Even right now in a lull, if it's kind of smoldering in our community, it wouldn't take much for it to just flare up." In the COVID treatment ward of St. Luke's ER, Dr. Shultz slides his arms into a yellow medical gown, pulls on latex gloves and fits a special respirator on his face that covers his nose and mouth.He knocks on the glass of an exam room before entering to speak to Kimberly, a stay-at-home mom from Esko, Minn., who the night before was diagnosed with COVID-19."So, you have COVID," he explains as a fellow doctor inserts an IV line into her arm. "We're going to give you a big dose of antibodies, infused directly into you to basically fight off COVID."That morning, Kimberly was the floor's only positive COVID-19 patient. Dr. Shultz and the staff know how quickly that can change."We could be in an unmanageable position in fairly short order," he said. "That's my fear. That's what I hope doesn't happen."

04/24/1996 QUEENS FATAL FIRE GUY R. BREWER BLVD AND 144 RD, QUEENS, ROCHDALE -NYPD POLICE OFFICERS LOOK AT BURNT BODY OUTSIDE FIRE GUTTED HOUSE, FDNY FIREFIGHTERS ON SCENE, FIRE AFTERMATH DAYTIME, MS OF BLACK COP WITH CLIPBOARD, BLACK WOMAN ARRIVES HYSTERICAL, CRYING "MY SON"

Pete Fornatale 1:28:32 beautiful Jimmy Webb alive version of the Moon is a Harsh Mistress. Jimmy our time is running away from us. I got a couple of more things I'd like to ask you about if we can. I mentioned earlier the notion of collaborations you generally don't like to collaborate in songwriting? Correct? Jimmy Webb 1:28:55 Well, I have done it. I've just never never been very good at it. And, you know, I think that it's, it's the Pavlovian thing to some degree, if you've had a good experience and you've had a reward and you've had pat on the back. Oh, that was a lovely thing you did with Kenny Loggins are that was a lovely thing you did with Gerry Beckley or what a great thing was with Elvis Costello or whoever it may be. I've just never had that kind of echo response type of thing. And seem, I seem to be better off on my own. You know, a fellow Oklahoman Roger Miller, who was actually born about 12 miles from where I was born, we were born very close together. And Oklahoma said, you know, Picasso did co paint, you know, so, but, you know, I think that certain people were, are maybe more more suited for that kind of thing. And I go down to Nashville on part of the group, sometimes I'm drawn into a situation where I say, Sure, let's try it. I don't. It's a, you know, it's a test, it's a test. It's a test of, of moral fiber, to really see if you can sit in the same room with someone else and actually put yourself through that. I think I'm maybe a very, very, very, very, very shy person who really has difficulty airing out those things in front of other people. And that may be the problem that I have with it. Pete Fornatale 1:30:41 Let me ask you about one time when you did do it, which was film noir. Jimmy Webb 1:30:46 Oh, I thought that Carly Simon and I wrote a really fine song together. And fact they just took it and made it a part of her her grand anthology, I guess a four CD set. And that was one of the songs that they selected for it, which I was obviously flattered and honored that he also did the arrangement on that by the way. Pete Fornatale 1:31:13 I discovered that late actually, I can't remember the reason why but I loved everything about it the package being black and white, the majority of material standards by the likes of people we were talking about earlier, and sort of the umbrella for it the thing that holds it all together is is the title song that you wrote for it is was that one on commission was that one Jimmy Webb 1:31:40 well, she and I decided to write together. The truth is you should go to you should go to the album Pete Fornatale 1:31:55 Which is exactly what we're going to do right now on mixed bag radio. Pete Fornatale 1:32:01 That's Carly Simon and the title track from her album film noir, which she wrote with my guest today Jimmy Webb 1:32:08 we detuned all the pianos on that album, we had the idea that we we that to truly be film noir ish and and to truly be black and white. That none of the pianos could actually be in that really Crystaline concert pitch. So they're all slightly varying degrees of detune. So and if you're not aware of it, you will be aware of it now that I've told you, but when you hear the album, it's more of an ambience after it. It gives it puts a little smoke in the air is what he does. Pete Fornatale 1:32:45 Off the top of your head. Tell me three of your favorite movies. Jimmy Webb 1:32:50 Oh, being there? Let's see. Being there. Shane would be another one. Lawrence of Arabia, Pete Fornatale 1:33:10 three color films interesting. And three great films. Obviously. That last one is one you don't want to see on. VHS, you want to go? Yeah, you want to go to the theater. There's a handful like that, that just don't convert. Right Jimmy Webb 1:33:30 but my very, but I think my very favorite is being there. Pete Fornatale 1:33:35 What performance. Jimmy Webb 1:33:36 I just loved always loved Peter Sellars anyway. But I can't think of a more evocative way for him to end his career on film. And in that. And I in many, many ways I look at the government, I look at the progress of politics in the world. And I think where, oh, where is Chauncey Gardiner, when we need him so desperately. Pete Fornatale 1:34:03 Really brilliant, great. To stay in that character. And the beauty you remember what they did with the closing credits? That was what see where he just lost it? Because it was almost too much to keep that. Jimmy Webb 1:34:21 Yeah. I had a friend who worked on that picture as an extra he actually played one of the President's Men, one of those. Yes, men who ran around with a clipboard, William F. Williams actually helps. He's on the credit. You can see him there. And he was he was he was a kind of an observer of Peter Sellers on that picture, and he said that he never left character that he was always Chauncey Gardner all the way through that movie from beginning that he never let down for For a moment, even in private, Pete Fornatale 1:35:02 I can't remember who beat him for the Academy Award. I'm thinking it was Paul Newman, who would certainly be a sentimental favorite any year. He's nominated this year again. Jimmy Webb 1:35:11 And of course, Shirley MacLaine was great in that picture, too. Pete Fornatale 1:35:16 But I feel like Peter was robbed. Jimmy Webb 1:35:21 he was a sweetheart. I mean, I go all the way back to you know, the goons and just loved him loved clothes, sell love to watch New Pussycat. Just Pete Fornatale 1:35:36 all that stuff. I want to jump back to something we were talking about earlier. Waylon Jennings did record one of your song with three other modestly known gentlemen, Willie Nelson, Kris Kristofferson. Johnny Cash. Yeah, that must have been a kick. Jimmy Webb 1:35:56 Well, it was quite a phone call. I remember. The phone call came from my manager and said, you know, you've got a record on highwayman. I said, really? He said, Yeah. Willie Nelson, Waylon Jennings, Johnny Cash and Kris Kristofferson. I send you You mean for records? I said, No, it's just one record. I thought, certainly, this this will be one of the few times in my life that I receive a phone call like this. And it was really Glenn's doing he played the song for them. And I was lucky in that it was a four verse song. Always had been a four verse song, and there were four of them. And that's really I think, how I got the gig. But as it turned out, each one of them singing a verse of this if you can imagine, was rather evocative. Would you like me to do it?

Universal Newsreels

TAPE: EF03/0437 IN_TIME: 07:27:33 DURATION: 2:06 SOURCES: APTN RESTRICTIONS: DATELINE: Beijing, 12 May 2003 SHOTLIST: 1. Wide shot Yuan Rishe and her father walking in street 2. Tilt up from water to tower of Forbidden City 3. Yuan Rishe and her father taking pictures of the Forbidden City 4. Close up Yuan using mini digital camera to take pictures 5. Yuan taking pictures of a tower of the Forbidden City 6. Yuan and her father coming back home 7. Yuan connecting her digital camera to her computer 8. Close up of webpage updating 9. Yuan and her father updating her webpage 10. Close up of Yuan's hands typing on a keyboard 11. Father and Yuan discussing updating the webpage 12. Close up of updated webpage, the three blue Chinese characters spell Yuan's name, five green Chinese characters say Anti-SARS Website 13. SOUNDBITE: (Mandarin) Yuan Rishe: "SARS comes to us very quickly and the situation is severe. I felt that I should do something to combat SARS. I don't have a strong body and money like adults, I just have a website which opened two years ago. So I want to donate my website to the battle against SARS." 14. Typing a letter 15. Hand clicking mouse 16. Pictures on the webpage showing methods to protect against SARS 17. Webpage with floating slogan: "Thousands of people with one heart, Fighting against SARS" 18. SOUNDBITE: (Mandarin) Yuan Rishe: "There is a message on my clipboard written by a doctor working at the frontline of the anti-SARS war, which says 'Little Rishe, you are so lovely and you look like my daughter. I visit your website several times a day. Whenever I surf on your webpage, I feel like I'm seeing my own child'." 19. Yuan's anti-SARS webpage 20. Close up of address of website 21. Pair working on the webpage 22. Picture on screen showing Yuan with Beijing's vice mayor 23. Close up of the faces of Yuan and her father STORYLINE: A nine year old Chinese girl has launched her own battle against SARS - via the internet. Yuan Rishe, a fourth grade pupil from a Beijing, is using the website she launched two years ago to tell people how to protect themselves and send messages of encouragement to those on the frontline of the fight against SARS. Rishe set up the website, www.2008z.com, after being recognised for her efforts to protect the environment by the Ford automobile company. She updates her pages every day with new pictures of flowers and buildings. The computer hardware is old and outdated and the content of the webpages are simple, but Rishe believes her messages of hope really help people fighting SARS. For medical workers in closed hospitals the site provides a link with the outside world that acts as spiritual support during long hours, reminding them that their work is appreciated. Since April 21, when she redirected her webpage's key messages from protecting the environment to SARS, she has had more than 60-thousand hits. Rishe spends at least four hours a day updating her pages and replying to emails. The only child of a retired teacher, Rishe has her family's full support in her work.

Remarks and a Panel Discussion With Community Leaders on Welfare Reform.

NAME: PAK BLAST WRAP 20080821I TAPE: EF08/0850 IN_TIME: 10:15:48:05 DURATION: 00:03:45:00 SOURCES: AP TELEVISION/GEO TV DATELINE: Wah - 21 Aug 2008 RESTRICTIONS: see script SHOTLIST: ++PLEASE BE ADVISED THIS EDIT INCLUDES SOME GRAPHIC MORGUE SHOTS.++ AP Television 1. Blast scene at Pakistan Ordnance Factory 2. Close up, soldier with rifle, barriers and bicycles lying on ground behind 3. Police searching 4. Birds on ground 5. Bomb disposal experts carry away what is thought to have been a third explosive device dumped by fleeing bomber 6. SOUNDBITE (Urdu) Mohammed Yaqub, trader (Vox Pop): "I was in my shop and there was this huge noise. I rushed here and there were bodies lying all over the ground. It was chaos and the (security) agency people wouldn't let us approach closer." GEO TV - No access Pakistan 7. SOUNDBITE: (Urdu) Nasir Durrani, Rawalpindi Region Police chief: "The same terrorist groups were involved in earlier attacks were most probably involved in this. But it is still much too early to say what results we will find (from investigation)." AP Television 8. Bicycles on the ground 9. Low shot of investigators at scene 10. Close up of soldier 11. Mid of three parked ambulances AP Television 12. Hospital entrance with sign "POF Hospital' (Pakistan Ordnance Factory) 13. Crowd, pan to ambulance entering 14. Grieving women 15. Ambulance arrives, tracking shot 16. Man finds shoes belonging to his brother amid shoes of the dead in hospital grounds 17. Man in tears 18. Injured man walks past 19. Woman looking at shoes 20. Pan of ambulance passing 21. Wailing elderly men embrace, UPSOUND (Urdu) "How will I find my relative?" 22. Various shots bloodied bodies inside hospital mortuary 23. Medical staff, one with clipboard 24. Close-up of clipboard 25. SOUNDBITE (Urdu) Vox pop (man with bloodstained shirt, name not available): "There are so many dead, we've been bringing them here for more than an hour.' 26. Pan of injured man 27. Ambulances 28. Ground shot, body brought in AP Television 29. Various of Punjab Chief Minister Shahbaz Sharif touring hospital 30. SOUNDBITE (Urdu) Shahbaz Sharif, Punjab province chief minister (++CLIENTS NOTE : SOUND AS INCOMING. SUMMARISED TRANSLATION) "All nations have condemned this barbaric act." 31. Sharif departs STORYLINE: Two Taliban suicide bombers blew themselves up at the gates to a huge weapons factory near Pakistan's capital on Thursday, killing at least 59 people and wounding 70 in one of the country's worst militant attacks. The blasts came just hours after a key party in the ruling coalition threatened to quit, deepening the power struggle that has followed Pervez Musharraf's resignation as president - a fight that has dismayed many Pakistanis and the country's Western backers. The bombings hit one of Pakistan's most sensitive military installations and underlined the threat posed by Islamic militants to the Muslim world's only nuclear-armed nation as well as its war-ravaged neighbour, Afghanistan. Workers were streaming through the gates of the tightly guarded factory in Wah, 20 miles west of Islamabad, during a shift change when the two bombs exploded. "There were bodies lying all over the ground. It was chaos and the (security) agency people wouldn't let us approach closer," said shopkeeper Mohammed Yaqub. Bomb disposal experts took away what local television reported was an explosive device, possibly dumped by a third bomber who had not completed a suicide mission. The regional police chief in Rawalpindi, Nasir Durrani, said he believed the attack had the hallmarks of militants. "The same terrorist groups were involved in earlier attacks were most probably involved in this," Durrani told Pakistan's Geo TV. But he said "it is still much too early to say what results we will find (from investigation)." At the factory hospital where the dead were taken, an AP Television crew saw a number of bloodied corpses in the morgue. One man broke down after he found shoes belonging to his brother among those collected from the dead. Another man in bloodied clothing said, "There are so many dead, we've been bringing them here for more than an hour." The Taliban claimed responsibility for the attack. Maulvi Umar, a spokesman for Pakistani Taliban groups, told The Associated Press the attacks were in revenge for military air strikes in Bajur, near the Afghan border. He threatened more bombings unless the border operations are halted. Security forces are involved in an escalating battle with Islamic extremists in two nearby regions of northwestern Pakistan, despite government efforts to negotiate peace with extremist groups. Militants have threatened to restart a bombing campaign which swept the country last year, killing scores of security forces and culminating in the assassination of former Prime Minister Benazir Bhutto.

FTG FOR PETER JENNINGS CS ON WILL CONSERVATION AREA BE DEVELOPED? / B ROLL OF JIMBO OPENING UP HIS SHOP / EARLY MORNING BAIT SALES / PREPARE SMOKED FISH TRAYS / BEAUTIES TAPE 1 EARLY MORNING / BAIT SALES / PREPARE SMOKED FISH TRAYS 1:02:22 GUYS WATCHING TV AT 6 AM 1:03:05 TS GUYS FACE (DARK) 1:03:26 JIMBOS ARRIVAL 1:03:39 MORNING JIM 1:04:01 JIM UNLOCKS 1:04:21 TS LOCK 1:04:30 JIM OPENS DOOR 1:04:37 OPENS FRIDGE 1:04:44 STARTING MONEY 1:05:18 FISHERMEN LINEUP FOR BAIT 1:05:36 NICELY FRAMED POLE WITH BAIT SHACK ROUND BACK SHRIMP 1:06:00 BLACK FISHERMAN 1:06:19 BUYING SHRIMP 1:06:41 JIMBO WRITES ORDERS ON BOARD (HOW MANY SHRIMP?) 1:07:05 WATER SHRIMP TANKS 1:07:27 TS WHITE FISHERMAN 1:07:37 JIMBOS SHIRT 1:07:45 SALE THANKS JIM, SEE YOU TOMORROW 1:08:01 HOWS MY OLD MAN THIS MORNING / CAN I GET FIVE POUNDS 1:08:37 LEANING OVER A SHRIMP BUCKET 1:09:02 CRABS *** 1:09:20 SHRIMP BOAT PAN TO FISHERMEN 1:09:40 GUYS CASTS LINE 1:10:35 JIMBO SPRAYS PAN 1:11:05 CU FISH BEING CUT 1:11:28 ECU JIMS FACE 1:11:45 THROWS FISH TO BIRD 1:11:47 WS OF FISH 1:11:56 MS OF JIM'S FACE 1:12:25 BIRD ON SHRIMP NET 1:12:41 LOW ANGLE SHOT *** OF SHRIMP ON RACKS 1:13:36 SHOT FROM BEHIND 1:14:13 BIRD JUMPS OFF 1:14:28 BIRD EATS FISH 1:14:44 RAW FISH ON TRAY 1:15:00 WS OF DOCK SHY BEGINS TO LIGHTEN 1:15:35 PAN DOWN FROM SKY TO DOCK 1:15:59 JIM CUTS UP SALMON 1:16:32 CU FACE 1:16:47 FROM OTHER SIDE 1:16:55 CU SALMON 1:17:11 MOVE FROM JIM TO FISH 1:17:29 PUTS IN OVEN 1:17:33 SHRIMP NET 1:17:49 FROM LONG DOCK LOOKING OVER AT SHACK 1:18:10 JIM WORKING ON FISH 1:18:51 JIM WASHES HANDS 1:19:01 FISHING OFF PIER 1:19:17 SHRIMP NET & BOAT PAN TO DOCK 1:19:33 SKY PAN TO FRONT OF JIMBOS 1:19:51 PAN TO SKY 1:20:02 POLE THAT SAYS BOCCI / SHRIMP 1:20:45 SMOKER 1:20:55 CU JIM 1:21:11 HE THROWS FISH TO BIRDS NICE FOLLOW 1:21:29 THROWS ON ROOF 1:21:43 THROWS 1:22:09 CU JIMS FACE 1:22:18 MS WAIST UP 1:22:38 WS FROM NEAR SMOKER 1:22:55 SMOKER IN FOREGROUND 1:23:40 JIM WALKS OVER A TRAY AND PUTS IT IN SMOKER 1:24:07 IS OF SHRIMP TANKS 1:24:31 SCALE TS 1:24:47 NEEDLE MOVES ON SCALE 1:25:01 FILLS BUCKET 1:25:28 PAY 1:25:39 WRITE SALE ON CLIPBOARD 1:25:50 SHRIMP IN NET 1:26:23 "TRYING TO FIND A BIG ONE YOU KNOW" 1:26:30 SHRIMP IN NET JUMPING & HAND 1:26:43 FISHER ISLAND 1:27:11 PUSH INTO FISHER ISLAND 1:27:43 FISHER TO JIM AGAIN 1:28:01 JIM WALKS AWAY TO SMOKER 1:28:26 FISHING IN DAYLIGHT (HAND TO FACE) 1:28:55 HERON WITH FISH IN BEAK*** 1:29:32 BIRD WALKS & PICKS UP FISH WITH BEAK 1:29:28 LAGOON AT SUNRISE 1:29:50 PAN BOATS WITH SUNRISE 1:30:01 LEAVES TO LAGOON

FTG FOR PETER JENNINGS CS ON WILL CONSERVATION AREA BE DEVELOPED? / B ROLL OF JIMBO OPENING UP HIS SHOP / EARLY MORNING BAIT SALES / PREPARE SMOKED FISH TRAYS / BEAUTIES TAPE 1 EARLY MORNING / BAIT SALES / PREPARE SMOKED FISH TRAYS 1:02:22 GUYS WATCHING TV AT 6 AM 1:03:05 TS GUYS FACE (DARK) 1:03:26 JIMBOS ARRIVAL 1:03:39 MORNING JIM 1:04:01 JIM UNLOCKS 1:04:21 TS LOCK 1:04:30 JIM OPENS DOOR 1:04:37 OPENS FRIDGE 1:04:44 STARTING MONEY 1:05:18 FISHERMEN LINEUP FOR BAIT 1:05:36 NICELY FRAMED POLE WITH BAIT SHACK ROUND BACK SHRIMP 1:06:00 BLACK FISHERMAN 1:06:19 BUYING SHRIMP 1:06:41 JIMBO WRITES ORDERS ON BOARD (HOW MANY SHRIMP?) 1:07:05 WATER SHRIMP TANKS 1:07:27 TS WHITE FISHERMAN 1:07:37 JIMBOS SHIRT 1:07:45 SALE THANKS JIM, SEE YOU TOMORROW 1:08:01 HOWS MY OLD MAN THIS MORNING / CAN I GET FIVE POUNDS 1:08:37 LEANING OVER A SHRIMP BUCKET 1:09:02 CRABS *** 1:09:20 SHRIMP BOAT PAN TO FISHERMEN 1:09:40 GUYS CASTS LINE 1:10:35 JIMBO SPRAYS PAN 1:11:05 CU FISH BEING CUT 1:11:28 ECU JIMS FACE 1:11:45 THROWS FISH TO BIRD 1:11:47 WS OF FISH 1:11:56 MS OF JIM'S FACE 1:12:25 BIRD ON SHRIMP NET 1:12:41 LOW ANGLE SHOT *** OF SHRIMP ON RACKS 1:13:36 SHOT FROM BEHIND 1:14:13 BIRD JUMPS OFF 1:14:28 BIRD EATS FISH 1:14:44 RAW FISH ON TRAY 1:15:00 WS OF DOCK SHY BEGINS TO LIGHTEN 1:15:35 PAN DOWN FROM SKY TO DOCK 1:15:59 JIM CUTS UP SALMON 1:16:32 CU FACE 1:16:47 FROM OTHER SIDE 1:16:55 CU SALMON 1:17:11 MOVE FROM JIM TO FISH 1:17:29 PUTS IN OVEN 1:17:33 SHRIMP NET 1:17:49 FROM LONG DOCK LOOKING OVER AT SHACK 1:18:10 JIM WORKING ON FISH 1:18:51 JIM WASHES HANDS 1:19:01 FISHING OFF PIER 1:19:17 SHRIMP NET & BOAT PAN TO DOCK 1:19:33 SKY PAN TO FRONT OF JIMBOS 1:19:51 PAN TO SKY 1:20:02 POLE THAT SAYS BOCCI / SHRIMP 1:20:45 SMOKER 1:20:55 CU JIM 1:21:11 HE THROWS FISH TO BIRDS NICE FOLLOW 1:21:29 THROWS ON ROOF 1:21:43 THROWS 1:22:09 CU JIMS FACE 1:22:18 MS WAIST UP 1:22:38 WS FROM NEAR SMOKER 1:22:55 SMOKER IN FOREGROUND 1:23:40 JIM WALKS OVER A TRAY AND PUTS IT IN SMOKER 1:24:07 IS OF SHRIMP TANKS 1:24:31 SCALE TS 1:24:47 NEEDLE MOVES ON SCALE 1:25:01 FILLS BUCKET 1:25:28 PAY 1:25:39 WRITE SALE ON CLIPBOARD 1:25:50 SHRIMP IN NET 1:26:23 "TRYING TO FIND A BIG ONE YOU KNOW" 1:26:30 SHRIMP IN NET JUMPING & HAND 1:26:43 FISHER ISLAND 1:27:11 PUSH INTO FISHER ISLAND 1:27:43 FISHER TO JIM AGAIN 1:28:01 JIM WALKS AWAY TO SMOKER 1:28:26 FISHING IN DAYLIGHT (HAND TO FACE) 1:28:55 HERON WITH FISH IN BEAK*** 1:29:32 BIRD WALKS & PICKS UP FISH WITH BEAK 1:29:28 LAGOON AT SUNRISE 1:29:50 PAN BOATS WITH SUNRISE 1:30:01 LEAVES TO LAGOON

FTG FOR PETER JENNINGS CS ON WILL CONSERVATION AREA BE DEVELOPED? / B ROLL OF JIMBO OPENING UP HIS SHOP / EARLY MORNING BAIT SALES / PREPARE SMOKED FISH TRAYS / BEAUTIES TAPE 1 EARLY MORNING / BAIT SALES / PREPARE SMOKED FISH TRAYS 1:02:22 GUYS WATCHING TV AT 6 AM 1:03:05 TS GUYS FACE (DARK) 1:03:26 JIMBOS ARRIVAL 1:03:39 MORNING JIM 1:04:01 JIM UNLOCKS 1:04:21 TS LOCK 1:04:30 JIM OPENS DOOR 1:04:37 OPENS FRIDGE 1:04:44 STARTING MONEY 1:05:18 FISHERMEN LINEUP FOR BAIT 1:05:36 NICELY FRAMED POLE WITH BAIT SHACK ROUND BACK SHRIMP 1:06:00 BLACK FISHERMAN 1:06:19 BUYING SHRIMP 1:06:41 JIMBO WRITES ORDERS ON BOARD (HOW MANY SHRIMP?) 1:07:05 WATER SHRIMP TANKS 1:07:27 TS WHITE FISHERMAN 1:07:37 JIMBOS SHIRT 1:07:45 SALE THANKS JIM, SEE YOU TOMORROW 1:08:01 HOWS MY OLD MAN THIS MORNING / CAN I GET FIVE POUNDS 1:08:37 LEANING OVER A SHRIMP BUCKET 1:09:02 CRABS *** 1:09:20 SHRIMP BOAT PAN TO FISHERMEN 1:09:40 GUYS CASTS LINE 1:10:35 JIMBO SPRAYS PAN 1:11:05 CU FISH BEING CUT 1:11:28 ECU JIMS FACE 1:11:45 THROWS FISH TO BIRD 1:11:47 WS OF FISH 1:11:56 MS OF JIM'S FACE 1:12:25 BIRD ON SHRIMP NET 1:12:41 LOW ANGLE SHOT *** OF SHRIMP ON RACKS 1:13:36 SHOT FROM BEHIND 1:14:13 BIRD JUMPS OFF 1:14:28 BIRD EATS FISH 1:14:44 RAW FISH ON TRAY 1:15:00 WS OF DOCK SHY BEGINS TO LIGHTEN 1:15:35 PAN DOWN FROM SKY TO DOCK 1:15:59 JIM CUTS UP SALMON 1:16:32 CU FACE 1:16:47 FROM OTHER SIDE 1:16:55 CU SALMON 1:17:11 MOVE FROM JIM TO FISH 1:17:29 PUTS IN OVEN 1:17:33 SHRIMP NET 1:17:49 FROM LONG DOCK LOOKING OVER AT SHACK 1:18:10 JIM WORKING ON FISH 1:18:51 JIM WASHES HANDS 1:19:01 FISHING OFF PIER 1:19:17 SHRIMP NET & BOAT PAN TO DOCK 1:19:33 SKY PAN TO FRONT OF JIMBOS 1:19:51 PAN TO SKY 1:20:02 POLE THAT SAYS BOCCI / SHRIMP 1:20:45 SMOKER 1:20:55 CU JIM 1:21:11 HE THROWS FISH TO BIRDS NICE FOLLOW 1:21:29 THROWS ON ROOF 1:21:43 THROWS 1:22:09 CU JIMS FACE 1:22:18 MS WAIST UP 1:22:38 WS FROM NEAR SMOKER 1:22:55 SMOKER IN FOREGROUND 1:23:40 JIM WALKS OVER A TRAY AND PUTS IT IN SMOKER 1:24:07 IS OF SHRIMP TANKS 1:24:31 SCALE TS 1:24:47 NEEDLE MOVES ON SCALE 1:25:01 FILLS BUCKET 1:25:28 PAY 1:25:39 WRITE SALE ON CLIPBOARD 1:25:50 SHRIMP IN NET 1:26:23 "TRYING TO FIND A BIG ONE YOU KNOW" 1:26:30 SHRIMP IN NET JUMPING & HAND 1:26:43 FISHER ISLAND 1:27:11 PUSH INTO FISHER ISLAND 1:27:43 FISHER TO JIM AGAIN 1:28:01 JIM WALKS AWAY TO SMOKER 1:28:26 FISHING IN DAYLIGHT (HAND TO FACE) 1:28:55 HERON WITH FISH IN BEAK*** 1:29:32 BIRD WALKS & PICKS UP FISH WITH BEAK 1:29:28 LAGOON AT SUNRISE 1:29:50 PAN BOATS WITH SUNRISE 1:30:01 LEAVES TO LAGOON