City Line: Pennsylvania Avenue Reunion. February 15, 1987. Hosts Jaki Hall and B.T. Bentley wear vintage outfits and introduce show's Black History Month theme of the Pennsylvania Avenue nightclub scene in the 1930s, '40s, and '50s, as depicted in the documentary "Up on Pennsylvania Avenue". 2:36 cut to black 2:44 documentary ending credits 2:51 Return to studio - hosts mention awards and ask viewers to call in with their own memories of Pennsylvania Avenue. 4:43 Hosts introduce guests Ruby Glover (singer), Camay Murphy (Cab Calloway's daughter), and J. Hiram Butter (ex-police officer on the Pennsylvania Ave. beat). The guests share their memories of Pennsylvania Avenue's nightclub scene, of special events like the Easter Parade, and of memorable characters who frequented the Avenue. 10:44 Guests discuss fashions of the day and the Charm Center women's clothing boutique. 11:30 Officer Butter recalls crime on the Avenue. A caller remembers going out on Friday and Saturday nights to the Avenue. 13:49 Cut to black. Guests have candid live-mic conversations during commercial break. 14:54 Community Calendar: Etta Sims, Cynthia Howard, and Christopher Providence promote upcoming community events. 17:41 Ruby Glover sings "Day by Day" (popularized by Frank Sinatra), accompanied by Charles Covington on piano. 20:33 Guests discuss memories, including how the Royal theater would show short movies before the live show. 21:36 Ruby Glover shares memories of her mother (performer Inez Edwards Bell) and of other performers such as Count Basie, Ethel Waters, Sarah Vaughn, and the Jewel Box Revue. 22:47 An audience member shares her memories of the Regent, the Royal, and the White Rice Restaurant. 23:48 Caller Mary Corona (sp?) reminiscences about the soul food Plantation Restaurant and her family's connection to it. Office Butter comments on her question. 26:03 Commercial break cut to black 26:13 Brody Limousine Service promotional consideration 26:22 An audience member wearing a vintage gown shares her memories with Bentley. 26:55 Hall recalls Gamby's restaurant and shares a photo of her grandmother taken there. 28:12 Guests sing the song "I'm Just Wild About Harry", piano and audience join in. 29:25 End credits 30:23 End

1:00:06:13 - 1:22:12:03>>>COLOR MOS Vietnam War protesters marching and holding anti-war placards and banners, hundreds of helmeted police with night sticks line up and block protesters march, daytime and night time images, protesters flash peace signs, businessman erases peace sign graffiti from windows of building, a few protesters are arrested and beaten by police, police from Oakland and Fremont as well as Highway Patrol, numerous draftees get off buses and go into draft board office

Video footage from the WBAP-TV television station in Fort Worth, Texas, to accompany a news story.

22:12:38:05 22:12:50 - shot of Chicago police in riot gear lined up and prepared. 22:16:33 - VS of the crowd, flags waving 22:27:54 - shot of police with blue helmets lined up against the crowd 22:31: ...

Police chief addresses and reviews Tokyo police

Berlin. <br/> <br/>SCU. Striker being marched away by Russian controlled railway police. SCU. Police chatting. MS. Police boarding a train. LS. Strikers walking about railway line. LS. Ditto showing armed policemen on line. LS. Strikers and police on lines. MS. Police with Alsatian dogs. LS. Strikers and police on line. LS. Mass of strikers on line. MS. Policeman giving instructions to other policemen. LS. The railway track with strikers seen in distance. MS. Batch of police marching towards on railway track. CU. Striker climbing onto roof of train. Police seen passing below. LS Mass of police. MS. Striker remonstrating with policeman pan to other police looking on. LS. Elevated shot police walking along between trains. LS. Police going down station subway. LS. Towards police coming down steps at station. MS. Police walking along. MS. Police making pile of papers. LS. Police walking towards out of station. MS. Police surrounding pile of papers scattered on line. MS. Strikers holding up newspaper. MS. Strikers holding up newspapers. MS. Strikers holding up newspapers throwing bundle of papers to another striker. MS. Strikers throwing papers up in air. LS. Strikers on line amid scattered papers. MS. General mass of strikers and police. LS. Elevated shot of mass of police. SCU. Name - 'Charlottenburg' - on station seat. <br/> <br/>(Mute.Dupe.Neg.)

Insular Police Headquarters in San Juan, Puerto Rico. Men and women nationalist sympathizers being lined up under arrest. Armed guards surround them. Two women, holding pistols, are among those guarding the political prisoners. Location: San Juan Puerto Rico. Date: 1950.

EXT BROLL FTG OF PROTESTORS IN BALTIMORE IN THE WAKE OF THE DEATH OF FREDDIE GREY (GRAY) / POLICE LINED UP WITH GEAR SMASHED CAR HELICOPTER FLYING NIGHT TIME FOOTAGE NO VIOLENCE BUT GOOD ESTABLISHING SHOTS

People turn to the front and sideways in a police lineup.

Suspects in police line up. Gangsters take off hats to be viewed by detectives. Police line-up.

newsreel - Los Angeles - Part 2 of 2 - Operation Hammer - night - police arrest gang members - arrested suspects lined up on street - c/u L.A.P.D. police car & seal on door of car - graffiti - LAPD - police activity - Latino gang activity - cu man is frisked - arrested suspects lined up on street - female suspects

POLICE MOTORCYCLES & POLICE CARS LINED UP ALONG STREET

MSs of RCMP officers lined up aboard ship, strolling on deck.

Police officers line up in formation at a meeting.

HUGE KKK RALLY ON WASHINGTON, DC FROM 1990.

Communists Quiet In Giant May Day Meet Under Eye of Police

Movin’ On is a 1968 documentary presented by the United Transportation Union and the Brotherhood of Railroad Trainment and produced and directed by Harold Mayer that recaps the history of the American railroad, with an emphasis on the people who built the railroads and operated the lines. Photographs and footage are used to recreate the visual history of the railways, while folk music from the period alternates with the film’s narration for effective audio. This second half of the film begins with a photograph of the Brotherhood of Railroad Trainmen. The film shows pages from the ledgers that are used to record the injuries to trainmen. A woman dances in “Little Egypt” during the 1893 World’s Fair in Chicago (02:25). A photograph shows men lined up, waiting for work, at the Pullman Palace Car Company outside of Chicago (03:00). Other pictures show Pullman workers striking. A photograph shows Eugene V. Debs speaking to a group of trainmen about a union; images show empty rail lines during the strike. Another photo shows a group of U.S. troops assigned to run the trains during the strike (06:15). The film then uses footage to show viewers trains moving along tracks through countryside and over bridges (08:40), men hauling railroad ties and building a track (09:12), and footage from the point-of-view of a train engine as it enters a small town (10:43). The film then shows some brief footage of WWI, American men working the railroads, and U.S. troops posing with their loved ones prior to boarding trains that will take them away from home. Eugene V. Debs stands with a group of supporters after he is pardoned from his jail sentence (12:12). A railroad worker hangs out of a car as it moves along the track (12:55). Footage shows people chasing trains, wagons being hit by trains as they cross tracks, and clips from movies that feature damsels in distress tied to train tracks or bandits robbing trains. Unemployed men climb onto trains (16:00) to ride to new places in hopes of finding work. Police officers in California question men who arrive on trains looking for work (16:50). Footage shows men riding atop train cars as the trains pass through countryside and next to factories. The film then shows some of the great passenger trains moving along tracks (20:05). There are shots of locomotives flying by, going through cities, and trains driving through rural countryside hauling freight. The film also shows damaged train cars and cargo cars from train wrecks. Modern-day trainmen connect cars, ride on trains, and climb aboard moving trains. The film ends with footage of trains moving down tracks next to a river, under bridges, and through various scenes of the American countryside.<p><p>We encourage viewers to add comments and, especially, to provide additional information about our videos by adding a comment! See something interesting? Tell people what it is and what they can see by writing something for example: "01:00:12:00 -- President Roosevelt is seen meeting with Winston Churchill at the Quebec Conference."<p><p>This film is part of the Periscope Film LLC archive, one of the largest historic military, transportation, and aviation stock footage collections in the USA. Entirely film backed, this material is available for licensing in 24p HD, 2k and 4k. For more information visit http://www.PeriscopeFilm.com

The film is structured around a royal visit by the Duke of Edinburgh and colonial ceremony led by British officials. However Macpherson directs attention to agricultural and produce trade between the locals and the British, with similarities to the second film in the collection. The footage explores the value, given by British officials, in this trade. This value, similar to western tradition, is presented in the form of prize cups. (00.0 to 03.31) A large clearing amongst tall trees in bright late afternoon sunshine. Footage is shown of the gathering of the chiefs. They are dressed in their traditional long robes and are seated comfortably in chairs around the perimeter of the clearing. Various members of the colonial service busy themselves in the area of a platform dais, which has a small canopy roof and displays an official coat of arms. Official state chairs stand empty on the platform. Further chiefs arrive and a British official in white and a helmet then gives explanation to the seated chiefs. Seated at the side are British officials and wives. (01.18 to 03.31) The Duke of Edinburgh's visit. Duke is seated on the dais flanked by the Governor. Various chiefs then walk singly and separately up the dais to be presented to the Duke. The Duke, standing, dressed in full ceremonial uniform and wearing a sword delivers a formal speech from the dais by reading from a prepared text. (3.46 to 4.33) Visit by Duke of Edinburgh to agricultural show. The Duke passes amongst the machinery and other exhibits, which are shown to him by the exhibitors. The Duke is hatless and is dressed in a khaki safari suit. He shakes hands with a line of young women who are dressed in traditional costume. (04.33 to 07.30) Various shots of Agricultural Show taking place at a farm among trees. Cattle in pens are shown to a pair of British officials dressed in white shorts and knee length stockings. One of whom smokes his pipe in British fashion and pokes one of the cattle with his stick. Other livestock is in pens. There is an archway displaying, Agricultural Department Show'. Various items of brand new agricultural equipment are laid out for display. (07.30 to 8.48) A British Colonial officer in a white shirt and shorts with white knee length stockings demonstrates the use of welding with a blow torch on a piece of metal which he rests on a tree trunk. (08.48 to 09.55) Various shots around the show. Spectators milling around a food stand. An archway carries the legend, 'Produce Show'. Produce is laid out on stands for display and inspected by British officials, in white shorts, and their wives. (10.11 to 10.40) Local African dignitary dressed in traditional white robe cuts the ribbon to formally open the 'Agricultural show'. He is flanked by African officials who wear European clothing, pith helmets, and long trousers while the British officials wear shorts. (10.40 to 12.05) The cattle and livestock in their pens being displayed at the show. British officials are in their shorts with their wives in the background. (12.14 to 14.06) In the shade under tall trees, a British official dressed in white tope and white shorts and shirt presents prizes to local dignitaries. The official is shown presenting prize cups, similar to a British Show or competition. The Chiefs receive the prizes singly while their peers sit comfortably in chairs watching. The official then inspects a Guard of Honour of local men or local soldiers in red uniforms and then departs in a Land Rover, on its door, the sign, 'Pool Bathurst'. A small crowd of spectators with local police line up to watch. The footage ends with the arrival or departure, on foot, of a British official in a suit with two well-dressed British ladies. Creator: James N Macpherson

**SEE JL-53FR FOR MORE INFORMATION**\n\n --SUPERS--\nFriday\nMinneapolis\n\n --VIDEO SHOWS--\nKneeling protesting, chanting “hands up don’t shoot” at a line of Minnesota State Police and National Guard members manning a checkpoint near the Precinct 3 police station that was set ablaze last night. \n -----END-----\n\n --KEYWORD TAGS--\nMINNESOTA MINNEAPOLIS GEORGE FLOYD DEATH POLICE OFFICER MURDER CHARGES \n\n

Armed police squads keep eyes on crowd to prevent anti-American mass demonstration and night scene of fighting

Video footage from the KXAS-TV/NBC station in Fort Worth, Texas, to accompany a news story.