BILLY PAULTZ AND RICH KELLY BASKETBALL PLAYERS FOR THE UTAH JAZZ.

HAROLD LLOYD - SAFETY LAST

MAN DARNS HIS SOCK WHILE HIS ROOMATE DRAWS PICTURE. BACHELOR HOME

CU/girl in hotel room/at patio in night clothes with drink/walks R

BILLY PAULTZ AND RICH KELLY BASKETBALL PLAYERS FOR THE UTAH JAZZ. 10:00 AM PRACTICE.

BILLY PAULTZ AND RICH KELLY BASKETBALL PLAYERS FOR THE UTAH JAZZ. PRACTICE AND INTERVIEW.

ELEGANTS 1.LITTLE BOY BLUE 2.GOODNIGHT LITTLE STAR ROOMATES 3.PLEASE LOVE ME FOREVER BAND OF GOLD 5.CADLLIACS 6.GLORIA [INCOMPLETE] 7.SPEEDO [ECH]

BILLY PAULTZ AND RICH KELLY BASKETBALL PLAYERS FOR THE UTAH JAZZ. UTAH JAZZ BASKETBALL.

MERCURY SPACE CRAFT ARE ASSEMBLED IN A SUPER CLEAN "WHITE ROOM"AT THE MCDONNELL PLANT. "CLEANLINESS APPROACHES HOSPITAL OPERATING ROOM STANDARDS"

JOHNSON'S BABY POWDER VIEW FROM BATHROOM MIRROR. TWO FEMALE ROOMATES GETTING READY IN THE MORNING. CALM WOMAN WRAPPED IN TOWEL. OTHER WOMAN DISTRAUGHT. INTERVIEW THAT DAY. FRANTIC. "I LOOK LIKE A SQUIRREL". WON'T LISTEN, CAN'T FIND ANYTHING

BILLY PAULTZ AND RICH KELLY BASKETBALL PLAYERS FOR THE UTAH JAZZ. UTAH JAZZ BASKETBALL.

3/6/67 A0038875 NEW ORLEANS ~~ DEFENSE LAWYERS FINISH GRILLING PERRY RUSSO NX 36664 "NO PERSONALITIES" -- EXT COURTHOUSE JAMES LEWALLEN A FORMER ROOMATE OF FERRIE, CLAY SHAW ARRIVS RUSSO ARRIVES. (37FT -- 1;02 SHOT 3/16/67) YEARENDER LOUISIANA - NEW ORLEANS GOVERNMENT BUILDINGS - LOUISIANA - NEW ORLEANS - COURTHOUSE LEWALLEN, JAMES FERRIE, DAVE - ROOMATE OF RUSSO, PERRY GARRISON, JIM - INVESTIGATION KENNEDY, JOHN F - ASSASSINATION DAVIS / 75 FT / 16 NEG /

then Harvard University student student CHARLES HOUGHTON recalls his memories of where he was and how he felt in November 1963 upon hearing of the assassination of President John F. Kennedy..interview from late 1987..discusses Harvard attitude and that it was not unexpected for a Harvard student to become President of the United States. Houghton's father had been JFK's Harvard roomate

/n00:00:00:00 TIMECODE REFERENCES IN LOG ARE TO ORIGINAL TAPE. --- MOS Debra Sokes 20:46:03 -- "My roomate has a six year old and it made me cry thinking about her...thinking about how awful this ...

/n00:00:00:00 /n[LAUNCH STS-95 DISCOVERY--John Glenn: Return to Space]--NASA clean coverage; VO Lisa Malone. Dis on launch pad/countdown clock down to T-9min built-in hold/firing room/at 13:41:25 ...

Samantha Fox I started late getting paid for it. I started at 25 But I got involved very early in my personal life Gloria Leonard you think you got started late I was in my 30s when I got into this industry, which is hardly a time when a woman is thinking about becoming a sex symbol. So for me it was really a bizarre twist of fate David Susskind Why would seemingly normal decent American Why would all of you be in such a grubby business? Cadida Royalle I'll have you know There's actually some amount of glamour I mean, I think a lot of the reason that like we hear about dancers new dancers that dream of being in erotic films and because there is a certain amount of glamour in in the good quality films, you have makeup people you have scripts you've directed you have all the things that real Hollywood movies have Gloria Leonard regardless, regardless of what you're putting in front of the camera, it is still Lights Camera Action, it still has all the you know the machinations and all the requirements of whether you're shooting a horror film or, or a comedy movie making is very glamorous Samantha Fox and also if it's so grubby? Why are people making millions and billions and zillions of dollars? Someone is buying it. David Susskind Well, because the final porno film appeals to people's basis sex drive. Samantha Fox It does. Is that is that your feeling? David Susskind Yes. I think that it's used as a turn on for people, a man and a woman Marc Stevens David have you seen a lot of X rated movies. David Susskind No, I've seen deep throat and I've seen a recent masterpiece called roommates. Three of You are in it. Oh god things you're doing there. Gloria Leonard I don't have any sex very morals David Susskind You answered the door. Gloria Leonard No I play I play her madam. She's a retiring Samantha's retiring prostitute and I come to chew her out and try and dissuade her from leaving the business. Jack Wrangler You're a nasty lady. Gloria Leonard Yeah, Samantha Fox and look with what happens to me in the film. I fall in love with a regular guy. He dumps me and doesn't even tell me he's engaged to someone else. So much for nice guys, you know, Gloria Leonard Roomates is a very interesting example of the current trend toward appealing to more sophisticated adult audience in that I think it's a real feminist film because even though these women really get kind of trampled over to some extent by men, at the end, they keep on keeping on and I to me, that's a feminist kind of film and posture. David Susskind I thought the film was uniquely lacking story. Anything involving thematically me you didn't buy for a minute that she really had a problem and you just wanted to see her do it with him again, because they did it so well together. Samantha Fox You really didn't buy into it emotionally at all David Susskind No, three roommates an ex prostitute a model. And the third one was, I don't know, Gloria Leonard A California dip girl i Well, that was the model and then Veronica plays very serious Yale Drama student trying to make it on Broadway Samantha Fox Well I will agree with in that instance is that there's never enough time to develop characters because it's always a toss up on how much time we should give to seeing love scenes and how much time we should develop characters you know? Is 20 minutes here and 20 minutes there, then other people spend developing characters we are having sex Jack Wrangler like horror films that way you have a certain amount of plot to set up your characters just to get them in a situation where somebody heads gonna get chopped off and David Susskind I found it that kind of a sexual turn on Marc Stevens Years ago you'd just get on set and if you were there early enough you got to pick the girl you wanted to work with. And we just sort of made up the story as we went along the earlier films years ago Jack Wrangler Then they'd have what you called garden what I used to call garden hosing a scene where they would get to people who were very Randy animals together and they would just put a camera overhead and say go to it David Susskind that seems to be a repetitive pattern of uh conolingus Gloria Leonard the backbone of this business or maybe the front bone used to be wall to wall skin and and sexual activity with little rhyme and reason of Who are these people? How did they get there why are their clothes off? And now as I say there's there's more of an effort to make it a movie with sex. However, I think there will always be that that proverbial raincoat crowd that doesn't want the plot doesn't want the character development they just want the turn on for turn on sake I say fine. There should be as much material to appeal to as many varieties of tastes Jack Wrangler Well I know people that get the films and and they cut out all the dialogue and they just save the sex scenes and put them on a different tape David Susskind when you when you're at it, is that one continuous take Jack Wrangler No, no do you know sometimes takes five hours to shoot one love scene in a film. I know a film that I've got coming out in January, I found out that the first scene is 150 some odd cuts in just a three minute opening scene in the film. No, it's not done that way at all. But you do what you have about five minutes of the pistons in the Volkswagen and they shoot that first when you're shooting a love scene David Susskind pistons and Volkswagen what the hell are you talking about? Jack Wrangler Well the actual the actual physical thrust thing and the penetration and all that is done. First you shoot that then you'll shoot reactions you'll shoot all the foreplay and also these films are shot the love scenes are shot three different ways we shoot what's called a hard X version, a soft X and somebody should explain to me what that means. I don't know but that and then there's an R version that's made David Susskind So you make three versions of the same take of the same love thing. Yep, see Yeah, you're making love the same way. But we're covering cameras Gloria Leonard The cameras are positioned in enough different zones as to protect themselves so they can maximize the the distribution possibilities. David Susskind The roommates that I saw yesterday, your latest film your latest film that was the hard hard X Samantha Fox You saw close ups of genitalia. That's hard X Cadida Royalle I don't I have to take issue with all this because I don't shoot like that at all. My series is aimed at a very new growing market. And I really I take issue with a lot of things that have been said here. I don't think that all these movies are educational. And the reason that they look the way they should is because there's a standard formula. Well, that's a lot of you know, the different I think people do learn from it. But I think that a lot of it is done. The reason is a lot of is done by formula. There are certain things like when I started out my project, my new concept, people told me you must follow the formula or it won't sell David Susskind See these words, we don't know what the formula means Cadida Royalle The formula means. You must have conoingus you must have intercourse you must have a scene two women scene you know there's certain scenes you have to have and and I trashed all that I don't do any of that. I don't set the camera up in a static position in lots of different ways. In my movie you are seeing what really happened it really is shot as is I don't stop my action just because I want real heat. But most of the time the reason that some films look so mechanical is because they have to do it that way. Well, they set up the camera static and and you know, we're getting David Susskind Alright, we're getting awfully technical in film terms and you're saying that you shoot your sex scenes continuously? Cadida Royalle Yes David Susskind no 10 secons and stop. It's the whole thing. Jack Wrangler I've never done that Cadida Royalle No movie magic. David Susskind Could you manage it? Jack Wrangler I don't know. I'd be frightened. I would be really frightened Samantha Fox I could that's how you get real heat. David Susskind We're doing this while studying your grammar. We'll be right back

1/18/76 (COL KINE) C0057655 CALIFORNIA HEARST'S FELLOW INMATES SAY SHE WASN'T SCARED. UPITN NEW YORK 111859 "PATTY HEARST'S PRISON" EXT PRISON PRISON GROUNDS HEARST'S ROOMMATES ROOMATES SOF ANOTHER ROOMATE INMATE SOF HEARST'S ROOM SEC OFFICE OFFICIAL W / REP OFFICIAL SOF KITCHEN & DORM WHERE HEARST WORKED. (RECENT - 72FT - V - O SOF) HEARST, PATRICIA - CASE REDECKER, BILL - SOF CALIFORNIA - PLEASANTON JAILS & PRISONS - CALIFORNIA - PLEASANTON SECURITY (NOTE REP NOT TO BE USED) 72 FT COL KINE

/n00:00:00:00 /n[STS-95 DISCOVERY--John Glenn: Return to Space. NASA TV live coverage 9:30-11:00AM]--Lisa Malone narrates: VS shuttle on pad/close put crew in White Room/at 9:35:58 Astronaut BR ...

INTV W/ SUSPECTED OKLAHOMA CITY BOMBER TIMOTHY MCVEIGH'S FORMER ROOMATE ROBERT COPELAND FOR BRIAN ROSS CS VO ON FORT RILEY / WHERE MANY PEOPLE INVOLVED IN THE BOMBING ONCE SERVED FOR THE US ARMY