A young male lion (Panthera leo) scent-marking. Lions are well known for vocal communication and often roar to communicate with other pride members or to announce their presence to competitors. The latter is part of the way they mark their territory. However, they also communicate by means of scent-marking. They spread their scent by rubbing their muzzle on tufts of grass or shrubs, and like the young male in this clip they rake the earth with their hind paws, which have scent glands. Adult males also spray urine as part of the scent-marking routine.Filmed in the Kgalagadi Transfrontier Park in Southern Africa.

Who's Right?

Kensington, London. <br/> <br/>C/U of a locust on a plant. Several shots of the roof garden above the department store of Derry and Toms (aka Kensington Roof Gardens); people wander around and sit on benches. <br/> <br/>In a laboratory in London we see several experiments on locusts by scientists researching methods of locust control - or extermination! Various shots of the creatures crawling, mating and laying eggs, being tantalised with the scent of grass and being hung in a wind tunnel to be examined in flight. <br/> <br/>In a laboratory office a man tears a sheet from a printing machine and discusses it with a colleague; the man looks at a map of Israel and Jordan, measures with callipers and makes a mark on it. <br/> <br/>Various shots of locusts on trees and flying about a field. <br/> <br/>Note: cameraman's notes on file say this laboratory is a British Government Department, under the Ministry of Overseas Development. Cuts exist - see separate record.

00:00:01:29 BARS. VS OF RESCUE CREWS AT THE SITE OF A COLLAPSED BUILDING IN THE AFTERMATH OF AN EARTHQUAKE IN MEXICO CITY, MEXICO. CU INTV/W A WOMAN IN SPANISH. CU OF A PHOTOGRAPH OF A MISSING RELATIVE. VS OF OTHER PEOPLE WITH PHOTOS OF MISSING FAMILY MEMBERS AND FRIENDS. 00:14:40:07 CU OF A XEROX COPIER AMID THE RUBBLE. CU INTV/W A MEMBER OF ONE OF THE RESCUE TEAMS WHO EXPLAINS THAT THE DOGS MAY HAVE FOUND 19 PEOPLE TRAPPED UNDER THE RUBBLE OF THE MINISTRY OF COMMERCE AND INDUSTRY BUT ADDS THAT RESCUE EFFORTS WOULD BE VERY DANGEROUS BECAUSE THE DEBRIS IS UNSTABLE. CU SHE EXPLAINS THAT WHEN THE DOGS FIND A SCENT AND IT CAN BE VERIFIED BY ANOTHER DOG THEY MARK THE AREA WITH A FLAG AND ANOTHER TEAM BEGINS CLEARING AWAY THE DEBIS IN SEARCH OF VICTIMS. CI: DISASTERS: EARTHQUAKES, MEXICO CITY.

MS OF WHITETAIL DEER BUCK STANDING IN SNAKEROOT MARKING OVERHANGING BRANCH WITH SCENT

AFRICA VARIOUS SHOTS, ANGLES OF CHEETAH CLEANING ITSELF, CU YAWNING, ROLLING IN GRASS, MARKING ITS SCENT ON A TREE TRUNK X8

Rothampsted, Hertfordshire. <br/> <br/>M/S of a female beekeeper squatting next to a beehive, she gets up and moves over to another hive. C/U of the beekeeper opening a jar of yellow powder and brushing it onto the hive. The beekeeper is a scientist at the Rothampsted Experimental Station researching the movements of bees. Extreme C/U of bees brushing against the powder as they leave the hive. Different coloured powders are used to assess the habits of different hives. <br/> <br/>Top shot of a vole and some cotton wool balls in a glass container. A scientist, Dr. John Free reaches in and takes a cotton wool ball. M/S of Dr. Free attaching the ball to string at the end of a long pole - a ball without the vole's scent is also attached. Dr. F. walks to the hive. C/U of the pole poking the hive to provoke the bees to attack. M/S of Dr. F. examining the balls. C/U of Dr. F. counting the number of stings in the balls - there are more in the ball with the vole scent suggesting animal smells make bees sting. Dr. F. leans the pole against a garden urn and picks up a board with black and white balls attached to it. He walks to the hive and lifts off the lid. C/U of the lifted lid exposing a squirming mass of bees. Panning shot of the board being lifted and held over the bees. By shaking the board Dr. F. can discover which balls the bees are more likely to sting - the black or the white. Dr. F. shows the board to the camera. C/U showing more bees stinging the black balls. Panning shot of the white board being swapped for a yellow board. The beekeeper repeats the experiment with the yellow board - this time the bees sting the white balls. The narrator explains if the board had been white more bees would have stung the yellow balls as they are affected by contrast and colour. <br/> <br/>L/S of a field of yellow flowers, several students are collecting bees from the petals. M/S of a female student's legs wading through the flowers. Extreme C/U of the hands of the student scooping a bee from a flower into a tiny glass container of anaesthetic. <br/> <br/>Once they have been "drugged" to sleep, a scientist analyses the type of pollen the bee has collected. M/S of a female scientist sitting outside at a desk. Extreme C/U of the scientist's hands removing the bee's pollen sack with tweezers and placing it in a numbered container. The scientist marks the bee so it can be identified. Extreme C/U of her hands painting the bee's abdomen white. C/U of the scientist dropping the bee into a wooden box for later release.

10/31/63 A0000845 SYDNEY, CAPE BRETON ISLAND: CAPE BRETON BEAGLES. UNCUT "BEAGLES" SHOWS: MLS BEAGLES IN THEIR DOG RUN: MCS BEAGLES JUMP AT NETTING ON RUN: HS JIM POIRIER WALKS AWAY FROM PEN, THREE BEAGLES ON LEADS: CS BEAGLE BITCH LEAVES HER LITTER: MCS JIM PUTS BEAGLES IN TRUCK: MS WARREN WITH PUPS IN HIS ARMS: CS PUPS PLAY AROUND HIS FEET: CS BEAGLE CALLS (IN THE DOG PEN): MCS FIELD TRIAL SIGN TACKED UP: MS MEASURING BEAGLE: MCS BEAGLE MEASURING: HS NUMBERING BEAGLE: MCS NUMBERING SMALL BOY'S BEAGLE: MCS TILT BEAGLE'S EAR TO OWNER'S FACE: CS TATTOO MARK INSIDE BEAGLE'S EAR: MCS TILT GROUP OF BEAGLES ON LEAD, TO OWNER AND CIGARETTE: MS SPECTATORS, BEAGLES CROSS IN B G: LA BEAGLES RIN TO CAMERA, ONE PAUSES, SNIFFS: LA (BEAGLE EYE VIEW) TRUCKING SHOT THROUGH GRASS: CS RABBIT LISTENS: MCS TWO BEAGLES OWNERS LISTEN FOR THEIR DOGS: MCS'LA PACK OF BEAGLES LOSE THE SCENT AND BACK TRACK: MCS BEAGLE SEARCHES, FINDS SCENT, MAKES OFF: CS RABBIT TURNS, HOPS OFF: MS BEAGLES ON TRAIL: CS RABBIT PASSES, DOGS PURSUE, CHANGE DIRECTION CROSS ROAD: CS RABBIT PASSES: MCS PAN DOGS CONTINUE THE CHASE: MS PAN BEAGLE CLUB MEMBERS SITTING WITH BEAGLE PUPS: CS YOUNG MEMBERS WITH THEIR ENTRIES: HS / MLS PNA START OF THE TRIAL FOR THE PUPS: HS / MS RABBIT, FOLLOWED BY BEAGLE PUPS ON LEADS: MCS OWNERS WATCH: HS HANDLERS AND PUPS: MS TWO GIRLS WITH THEIR PUPS, ON THE TRAIL: MCS RABBIT LISTENING: LS / CU CAPE BRETON BEAGLE CLUB SIGN: MCS PAN MEMBERS WITH BEAGLES AND PRIZES: MS TILT MEMBERS TO SIGN ON CLUB HOUSE: (SHOT 1963 180FT) ANIMALS - RABBITS HUNTING (RABBIT) ANIMALS - DOGS - BEAGLES CANADA - SYDNEY NFB - 63 - 321 - 7 / 180 FT / 16 NEG / R300

Three Spotted hyenas (crocuta crocuta) patrolling and marking their territory in the dry Auob riverbed of the Kgalagadi transfrontier park in Southern Africa. They mark and patrol their territories by depositing a strong-smelling substance produced by the anal glands on stalks of grass along the boundaries.

TAPE: EF02/0214 IN_TIME: 21:25:45 DURATION: 4:40 SOURCES: APTN RESTRICTIONS: music on catwalks not cleared for use. replace with your own clearable music DATELINE: 09/03/2002 - Paris SHOTLIST 1. VS models being made-up 2. SOT Celia Birtwell: We are going to launch perfume from Cacharel. The name is Gloria, it's a fantastic concept because we mix, it's different products. We have the perfume and we have the cream and we have the cream for the body and we have the oil for the body and we mix these different scents. The concept of the perfume is to mix different smells. We mix the smell and we arrive with the special scent you understand? It's a very strong new concept" 3. MS of Inacio Ribeiro 4. SOT Inacio Ribeiro: "In this collection we went for a colour palate of very muted colours, which I think is going to surprise a lot of people. The look is a lot more sophisticated, but is a lot more edgy as well which is something quite unusual and certainly something new for Cacharel. We also have quite a lot of denim in the collection, which is a huge twist, we've never used denim at Cacharel." 5. VS of Inacio Ribeiro making up model 6. SOT Suzanne Clements: "I really like it. I love this collection as well, I absolutely love it so everyone is really pleased." 7. GVs Show 8. Finale 9. MS designers on stage Clements Ribeiro team up with style icon British design duo Clements Ribeiro continued to make their mark at French design house Cacharel with a collection featuring prints by textile designer Celia Birtwell, the former wife and creative collaborator of 1960s British designer Ossie Clark. Birtwell was responsible for all the memorable prints Ossie Clark used in the 70's. Since that time, she has dedicated herself to interior design textiles; this collection marks her first work in fashion in 20 years. Colours mark a departure for both the design house and Birtwell. A palette of snowy pastels and greys, highlighted by jade green, red and pink and laced with black. The use of denim ensures the collection has relevance for a 'real' wardrobe. Birtwell changed the face of fashion with a range of designs that were worn by style icons like Veruschka and the Beatles. The collaboration with the husband-and-wife design duo Inacio Ribeiro and Suzanne Clements will give Cacharel added cachet among London's hip crowd. More seasoned customers might be slower to adopt the look. Clements Ribeiro have had to tone down their hipper looks for shops in suburban France. As with most of the big fashion houses like Chanel and YSL, the real money earner is now perfume and make-up.

c. 1964 <br/> <br/>01:00:04 High angle shot of a clearing in the jungle. A man kneels on the ground and a man in uniform stands behind him (a CT or Communist Terrorist presumably). Camera moves in. Various shots of soldier striking the kneeling man (we don't actually see his hand make contact but we hear the sound of him hitting the man). Another soldier stands nearby and smiles. The kneeling man falls to the ground and is dragged back up again. C/U of his face from high angle, imploring look on his face. Shot of the sun followed by extreme C/U of the man's eyes, beads of sweat on his face and fear in his eyes. Soldier and man speak in foreign language and he is thrown to the ground. Another soldier walks up close to him and we hear the sound of a rifle shot. M/S of group of young children and young women who scatter on hearing the gunshot. <br/> <br/>01:01:24 M/S of British soldiers making their way through the jungle. They hear the shot and head towards the sound. Woman runs scared through the jungle. British soldiers lift their guns and then motion the woman to walk towards them. Soldiers discuss the fact that they recognise the woman and that she is "a nice looking bird." One of the soldiers speaks to her in her own language. "Two Terrorists found out we were here" translates the soldier. The soldiers walk through the bush. C/U of a small fire. One of the terrorists carries a burning torch towards one of the village houses. He throws it into the doorway and the house catches fire. British soldiers creep through the jungle. They use sign language to communicate with each other. M/S of the bungalow burning. The soldiers enter the village. They look at the two dead bodies which lie on the ground. Soldiers run through the village checking for terrorists. One of the soldiers searches a hen house. Shot of the CTs walking through the jungle. One of the terrorists smiles. <br/> <br/>01:04:40 C/U of two British soldiers smoking. Sequence showing the troop's commander speaking into a field telephone. We see the officer to whom he is speaking - very upper class accent. <br/> <br/>01:04:50 He says: 'And don't walk into anything, good luck to you!" M/S of the CTs, one of them bends a branch over to mark their path. C/U of British soldier talking to a young girl in Malaysian. Various shots of British soldiers stalking the CTs through the jungle. Tension filled shots of the Communist Terrorists lying in wait in the jungle and the British soldiers finding the bent branch. The officer is suspicious - he suspects a trap. Various bird and animal noises add to the tension. Shots fire out and one of the British soldiers is wounded. More shots are fired, various shots of the ambush. C/Us of guns being fired, the CTs retreat. The commanding officer is wounded, one of the soldiers bandages his arm. The British soldiers return to the camp, a conversation about who is now in command takes place. Reinforcements to be sent the following day. M/S of makeshift operations room. Plan for sending out more men discussed. C/U of Corporal Maclaran (sp?). C/U of map. <br/> <br/>01:11:13 L/S of early morning sky, two helicopters approach the village. Injured officer is carried by stretcher out of a building and into the clearing. The choppers scare some chickens. Choppers hover above the village - a woman and children stand in the wind current created by the helicopter. C/U of injured officer. Man is lowered from chopper on a line. More men and a dog are lowered. C/U of dog having his harness removed. Villagers watch as injured man is lifted into the helicopter. The Senior NCO asks where the replacement officer is and is told that there isn't one. Instructions are given for their next movements. Jokes are made about the dogs - they are sniffer dogs. <br/> <br/>01:14:40 Soldiers put on their packs and leave the village. Various shots of the soldiers making their way through the jungle. One of the soldiers strokes one of the dogs. One of the soldiers jokes about the bullets whistling past them. Being asked what they were whistling he replies: "It's Been a Hard Day's Night." Another soldier shouts for them to "...cut out the talking." Various shots of the men making their way through the jungle - through rivers etc. <br/> <br/>01:16:28 C/U of the Commanding NCO. A rope is stretched across a river and the men make their way across holding on to the rope. The dogs swim across. Various shots of the men following the dogs who have picked up the scent. One of the soldiers takes the bearing of a ridge ahead. Two soldiers chat and are told off by the Commanding NCO. Soldiers gather, communicating with sign language. The dogs have tracked the Communist Terrorists down. <br/> <br/>Story continues on reel 2.

MS CHEETAH SNIFFS TREE, TURNS REAR END TO TREE AND SPRAYS TO SCENT MARK (SPRAY NOT VISIBLE), SNIFFS TREE AGAIN

Three Spotted hyenas (crocuta crocuta) patrolling and marking their territory in the dry Auob riverbed of the Kgalagadi transfrontier park in Southern Africa. They mark and patrol their territories by depositing a strong-smelling substance produced by the anal glands on stalks of grass along the boundaries.

NEW TAKE OF INTERVIEW: Greg Lake 10:26 No, we're going back to the story of trilogy, we, we had a piece on there, I think it was called a balanced Bolero. And we piled up these scents. And we attempted to try and play it using a tape to play some of the extra synth parts. And I'll never forget one night, we tried to do it. And the monitors went off, and we lost. So we were playing out of time with obey was a nightmare. So we never did that again. But of course, now of course, people run stuff off sequences and computers. I'm not sure how I feel about that. I mean, I think I think live music is about live music. I'm not really too keen on, on, you know, half of it being pre recorded in a way this. It's, it's tempting. But I think really, it's not what what an audience wants, they come to see someone perform. Greg Lake 10:26 Right on the Isle of Wight. There was a Moog synthesizer, I believe Greg Lake 11:33 Yeah, Yeah, we used it there. That was really the early days of it used to go out of tune. I mean, it was a difficult thing to use in the early in the early days. But they improved it. And and we continued to use it, how I think it was one of the things really that, you know, was another element of ELP, which was a breakthrough. It just struck people, because they hadn't really heard anything quite like that. He was also a tremendous help with a three piece band. It was it was something else in our armory that we could pull out. That would be a strength. And so from that point of view, it was it was very useful. Murray Lerner 12:19 Does electricity do more than just shake people up? Does it do anything musically? Or does it Greg Lake 12:27 Yeah, I think Murray Lerner 12:28 spiritually, Greg Lake 12:29 spiritually, I think it does, because anything that gives you a new, opens up new possibilities musically, gives you a new way to express. And some of the some of the synth things that we did were, for instance, extremely beautiful things. They weren't just used to hit hard and to shake people physically, but they were used in a more gentle way. And so yeah, I think I think that the advent of electricity, coming into music was a good thing. But like all good things, it could become abused, and it could become misused. And and, and so be it. I mean, you know, I suppose one could argue that about the invention of the piano, you might go back and ask Mark, you know, do you think it's a good thing? And he might say no, you know, you've just ruined it all. But in truth, I think that, you know, used with integrity and used with honesty, I think electronics brought something creative and good to music. Murray Lerner 13:40 What is music? Greg Lake 13:43 Music is really the expression, I think of emotion and the transference of that emotion from one person to another. Without necessarily the use of words. I mean, as simple as drums in a jungle, it transfers a feeling or a meaning with sound through the air. I think in its simplest form, that's what music is. And the refinement of it and the refinement of the skills it takes to use that ability is the sophistication of music. Murray Lerner 14:28 Why does it affect everyone universally in different ways? Greg Lake 14:32 Because I think we are electronic receptors in a way we are we have the ability to interpret sound emotionally. And I think it probably comes from things like the beating of the heart, the voice of a mother. The simple things like you don't like someone shouting, but you like someone saying I love you, you know? It's it's just a natural thing for you. able to hear sound and associated with feeling. And I think so it is with music. Certain harmonic relationships have certain effects, you know, a minor chord as a sad overtone, but a major chord has a happy tone. So, you know, I think in that sense, people are having an inbuilt receptor and interpreter of sound. And music really is just creating those sounds. Murray Lerner 15:34 Just to get back, we'll finish up with the Isle of Wight, when you realized that you were superstars in a way, by virtue of the reaction. What happened after the Isle of Wight? Greg Lake 15:46 It's hard to remember. Every day was extraordinary. It was, it seems now when I look back, like an entire blur, it's not until someone like yourself brings up a specific date, you know that I can start to relate to it. It was just a blur day upon day upon day of extraordinary events. The Olympic Stadium, Montreal, California jam, Isle of wight. there were just things that went one after the other, and ELP would play probably, I don't know, 200 shows a year. So every everyday different city and it just became a blur. Good blur, a really good blur. I mean, I've cut you know, you can't go through something like that with people being so appreciative, and so responsive and enthusiastic. It was a fantastic period. And, you know, I'm eternally grateful for being lucky enough to be in that position. Because I believe in some senses, it was just fate, you know, really don't look upon myself as being talented. I just think I was lucky to want to play originally to have the one to play music and and just was was was lucky along the way in a way.

TAPE_NUMBER: EF00/0323 IN_TIME: 07:18:09 - 10:08:30 LENGTH: 03:22 SOURCES: DOORDARSHAN RESTRICTIONS: No Access India/Internet FEED: VARIOUS (THE ABOVE TIME-CODE IS TIME-OF-DAY) SCRIPT: Natural Sound U.S. President Bill Clinton scattered rose petals Tuesday on a simple black memorial to Mohandas Gandhi, India's apostle of nonviolence, as he opened a visit to India marred by a massacre in Kashmir. Bill Clinton, the first American president to visit India in 22 years, removed his shoes and walked hand-in-hand with his daughter, Chelsea, to the memorial. Head bowed and eyes closed, Clinton quietly laid down a wreath of white, red and yellow chrysanthemums, then walked around the mausoleum where Gandhi was cremated. The scent of incense filled the air, and there was a backdrop of Indian religious music. "Thank you for keeping this sacred place," Clinton wrote in the visitor's book. He then planted a magnolia sapling, noting that there were two such plants at the White House. In an official welcoming ceremony earlier at Rashtrapati Bhavan, the presidential palace, Clinton was greeted by President K.R. Narayanan and Prime Minister Atal Bihari Vajpayee, and an honour guard of two dozen soldiers on horseback. SHOTLIST: Delhi, India, March 21, 2000 1. Wide shot memorial to Mahatma Gandhi. 2. Wide shot Clinton and aides with wreath fade through to close-up of same. 3. Midshot Clinton and others walking up to memorial. 4. Clinton, Chelsea and others standing silently to pay respects. 5. Clinton throws rose petals on memorial as mark of respect. 6. Chelsea throws rose petals on memorial as mark of respect. 7. Clinton and entourage leave memorial. 8. Albright paying respects at memorial. 9. Rear shot of Clinton and Albright signing visitors book 10. Various garden where dignitaries have planted saplings in memory of Gandhi 11. Clinton with sapling of Magnolia Grandiflora which he is planting 12. Clinton and others after tree has been planted. XFA?

Three Spotted hyenas (crocuta crocuta) patrolling and marking their territory in the dry Auob riverbed of the Kgalagadi transfrontier park in Southern Africa. They mark and patrol their territories by depositing a strong-smelling substance produced by the anal glands on stalks of grass along the boundaries.

A NEW DEVICE ON THE MARKET BEATS MOSQUITOS AT THEIR OWN GAME...IT SUCKS THEM UP.

TAPE_NUMBER: EF00/0449 IN_TIME: 18:56:55 LENGTH: 01:06 SOURCES: APTN RESTRICTIONS: All no access Internet FEED: VARIOUS (THE ABOVE TIME-CODE IS TIME-OF-DAY) SCRIPT: Natural Sound VOICED BY: Phillipa Meagher Thousands of pilgrims took part in a Good Friday procession through the cobblestone streets of Jerusalem's Old City. The procession - a reenactment of Jesus' walk to his crucifixion - took place from the site of his trial to the Church of the Holy Sepulchre, where Christian tradition says Christ was crucified and buried. VOICE OVER: 00.02 The streets of Jerusalem's Old City were packed with pilgrims on Good Friday, retracing Christ's walk to his crucifixion. 00.10 Thousands of faithful took part, as they do each year, with one group following a Christ-figure in full costume surrounded by Roman soldiers. 00.18 Local Christians and visitors alike followed, many bearing crosses of their own through the rosemary scented alleys. 00.25 The crowds made slow progress along the Via Dolorosa, or 'Way of Sorrows', singing songs in Arabic, Italian, Latin and English. 00.33 It's an emotional event for those taking part and many stop frequently to pray. 00.39 UPSOUND: Praying in English 00.44 The procession follows Christ's walk from the site of his trial to the Church of the Holy Sepulchre where Christians believe he was crucified. 00.53 It's the most significant event marking the death of Christ in Jerusalem on Good Friday, but one of scores taking place throughout the Christian world this Easter weekend. 01.06 Vision Ends SHOTLIST: Jerusalem - 21 April 2000 XFA 00.00 Mid shot of procession with Christ and centurions 00.07 Rear shot of procession 00.10 Side shot of Christ carrying crucifix 00.18 Wide shot of procession 00.29 Past camera rear shot 00.33 Close up of woman crying 00.35 Mid shot of same 00.38 Mid shot of back of Christ 00.39-44 UPSOUND 00.45 Close up of cross on Christ's shoulder 00.49 Close up of centurion 00.52 Christ gesturing to crowd 00.55 Procession passing through street of shops 01.01 Side view of Christ passing by 01.06 Vision Ends?