THE SUNSHINE COMPANY - FOUR IN THE MONIN'

AN INTERNET COMPANY PAID FOR HUNDREDS OF DRIVERS TO CROSS THE SUNSHINE-SKYWAY BRIDGE THIS MORNING (MONDAY). THE BRIDGE TOLL, NORMALLY A DOLLAR, WAS WAIVED FOR THE FIRST FEW HUNDREDS OF CARS TO MAKE THE CROSSING. THE COMPANY TO GET IT'S NAME OUT.

MISC. HAWAII NEWS FOOTAGE AND HOME MOVIES

05/03/72 A0064378 - C0025805 / COLOR KELLOGG, IDAHO: FIRE IN SUNSHINE MINE WORST MINE DISASTER IN IDAHO HISTORY: NXC 45940 "MINE DISASTER" SHOWS: CU SIGN "SUNSHINE MINING COMPANY" ON BUILDING : LS PAN MINING COMPANY AREA: CU SIGN "TODAY IS THE FIRST DAY OF THE REST OF YOUR LIFE, LIVE IT SAFELY": MLS AMBULANCE AND CROWD: MCU SEV SHOTS CROWD OF WORKERS AND FAMILIES OUTSIDE WITH AMBULANCES: (SHOT 5/2/72 42FT) IDAHO - KELLOGG MINE ACCIDENTS - IDAHO - KELLOGG VEHICLES - AMBULANCE FIRES - IDAHO - KELLOGG XX / 42 FT / 16 COL / POS / 42 FT / 16 DUPE / NEG / 150 FT / 16 COL / POS / CUTS /

Several glowing neon advertisement signs of leading companies at night time on the streets of Mexico City. Some of the signs seen include 'Wells Fargo and Co. Express' , 'Pan American Airways', 'Vogue', 'Philips Radio', 'Bette Davis en Jezabel', 'Westinghouse Casa Edison', 'Remington Rand', 'Agencia Philco', 'Sunshine Special Missouri Pacific Lines', 'La Opera Hennessey', 'Ladies' Entrance Bar', 'Old Schenley', 'Sparton', 'Articulos Electrico Universal', 'Ford', 'Frigidaire General Motors', and 'Entrada Gratis Concurso Nestle' Location: Mexico. Date: 1938.

00:14:37:02 [TWO-CHANNEL AUDIO] [Ford Motor Company world headquarters shipping yard, Detroit waterfront]---PAN locomotive moving backward, pushing blue tankers w "GT" on side/ WS train and lot full of Ford Mustangs in FG w "Ford World Headquarters" sign in BG/ WS train and trucking yard w large plant in BG/ VS Ford Mustangs in large lot w protective white plastic sheaths on hoods and large "Ford" sign/ WS tall twin smokestacks coming out of plant/ VS EXT industrial plant, incl some smoke billowing out of chimney, Ford sign/ LS deserted street near plant w very light truck traffic/ MS trucks lined up to pass through checkpoint w scales/ VS tall bldgs seen fr over interstate w light traffic under blue skies and sunshine, incl on-ramp (BEAUTY SHOT)/ WS tall, modern bldgs (incl 3 large dark towers, smaller bldgs) in Downtown Detroit seen fr across Detroit River in sunshine w occasional boat traffic (BEAUTY SHOT). (0:00) /

This documentary has excellent footage of many London landmarks - very nicely shot. The film has a leisurely pace with lots of lengthy shots. Narrator explains history of buildings and London traditions. <br/> <br/>Reel 2. Lunch hour continues, some workers walk around a church (or possibly St Paul's Cathedral). Young women have lunch and chat in the open air. Grounds of St Bartholemews hospital church. Nurses sit in the sunshine. Plaque commemorating Richard (Dick) Wittington. Cat eating from a saucer. Lord Mayor of London and Aldermen having lunch. Guildhall Library. Court of Common Council. <br/> <br/>Old Bailey and the Scales of Justice. Policeman gives directions to a young woman. Smithfield market. Corporation of London Cleansing Department vehicle. More footage of the Common Council in session. Plaque marking the spot where the first bomb of World War Two fell on London. Bomb damage. Clothier Street, Cutler Street, Goldsmiths Street. Silversmiths at work. Engraving. Company of Gunmakers logo. Company of Tobacco Pipe Makers logo. Company of Basket-Makers logo. Weighing and testing, hallmarking. Testing for the Hall of the Guilds. Seal of the City of London. Tasting wine. <br/> <br/>Secret ballot for new member of the Baltic. Early evening scenes. People in the streets leaving work. Sunset on the Thames. Clergyman walks along the aisle of a church. Statue of Dick Wittington (?). Tools left idle. The end of the working day. <br/> <br/>Film made for The Corporation of London as a contribution to the Festival of Britain. Produced by the Pathe Documentary Unit. Commentary spoken by Norman Wooland. Photography by Reg. W. Cavender. Assistant John Corbett. Sound Track designed by Thomas Henderson. Editing by Maurice Harley. Sound Recording by William S. Bland & George Newberry. Written Produced and Directed by Peter Baylis and Peter Bradford. <br/> <br/>See reel 1. <br/> <br/>Note: very nicely shot film. Lots of trims exist - uncatalogued - there is some information about the trims in the documentation file.

Festival in Edinburgh - Produced by Associated British Pathe with the co-operation of The Films of Scotland Committee. <br/>Featuring Dennis Brain playing at the Usher Hall, Edinburgh - Sari Barabas in Le Comte Ory Presented by The Glyndebourne Opera. Ann Todd and Paul Rogers in Macbeth Presented by the Old Vic Trust ltd. The National Youth Orchestra of Great Britain conducted by Sir Adrian Boult. The Choir of Les Petits Chanteurs De La Croix De Bois. Margot Fonteyn and Michael Somes in L'Oiseay De Feu (By Kind permission of the Administrators of the Royal Opera House, Covent Garden, Ltd.) <br/>Commentary spoken by Alastair Sim, Musical Direction by Muir Mathieson. <br/> <br/>Aerial shot of the Forth Bridge. Aerial view of Edinburgh, showing the Castle and Arthur's Seat. Various African and Asian young people look out from the ramparts of Edinburgh Castle. They are obviously dressed to show their varied origins. Various high angle shots of Edinburgh. Young people take photographs. <br/> <br/>The Lord Provost and various other town dignitaries in their gowns in procession to St. Giles' Cathedral. This is the service to start the Festival. The men take of their odd hats as they walk into the Cathedral. More men in gowns walking in procession. The one o'clock gun is fired from the Castle ramparts. A soldier in highland outfit checks his watch. He is wearing a kilt, a sporran and snazzy tartan socks. He is standing outside a shop selling tartan. View over Edinburgh. People walking along major street. Pan to floral display in park. Woman taking photograph of display - "Golden Jubilee". Union Jack flag, Scottish Lion flag and Stars and Stripes flag hang outside shop. Pan across to 'The Tartan Gift Shop". Young woman and man in kilt come out of shop. The man shows the woman a piece of tartan cloth. Reception area at the Festival Club. People walking about (lots of Scottish army uniforms in evidence). People sitting around table having a drink and a smoke. <br/> <br/>Exterior of cinema. C/U sign "Eighth International Edinburgh Film Festival". Joan Bennett, Walter Wanger and Sir Alexander King stand outside talking. C/U film posters rolled out. "Trio-Ballet", "Gate of Hell", "Little Fugitive", "Windfall In Athens". Exterior "Empire" (not sure if this is theatre or cinema). Poster advertises "The Old Vic Company - A Midsummer Night's Dream". Exterior King's Theatre. L/S someone giving autograph. Mattiwilda Dobbs giving autograph. Richard Burton and Claire Bloom walk together past camera. (Burton looks particularly cool). Young school children come up and ask for autographs which the actors kindly give. Exterior round building (May be Usher Hall). Dennis Brain playing French Horn. Two Gurkha-type soldiers and woman look at poster for Cezanne exhibition. Policeman directing traffic in front of poster for Diaghilev / Diaghileff Ballet Exhibition poster. Pan up poster to show a statue of a golden cockerel. Different poster for Diaghilev exhibition. Shots of various posters and exhibits in the (Daighilev) exhibition. C/U pictures of musicians and actors and choirs - all taken from a painting in the exhibition. (Quickly cut to music). <br/> <br/>C/U page in programme for opera "Le Comte Ory" by Rossini. Opera singer Sari Barabas in costume rehearsing in her dressing room. C/U conductors hands turn page in musical score and pick up baton to begin conducting. Man at side of stage checking score as the music is played (he appears to be counting out bars). Man in lighting box waiting to operate lights. Lots of knobs and switches on lighting desk. Pan across to high angle shot of Sari Barabas making her entrance onto stage. The stage is set so that she is walking out of the door of a castle. <br/> <br/>C/U page of programme for The Old Vic Company performance of Macbeth - staring are Ann Todd and Paul Rogers. We see them on stage as Macbeth and Lady Macbeth performing part of the play. <br/> <br/>High angle shot of orchestra playing. This is the National Youth Orchestra. C/U conductor Sir Adrian Boult. (Looking at the paperwork they appear to be playing Gaudeamus Igitus by Brahms (?)) Shots of various parts of the orchestra - percussion, woodwind, strings. Boult brings the piece to an end and the audience applaud. <br/> <br/>C/U golden cross on top of church. Interior of church. Choir of young boys in white gowns sing. They are the Little Singers of the Wooden Cross from Paris (Choir of Les Petits Chanteurs De La Croix De Bois). <br/> <br/>C/U Hand opening Edinburgh International Festival brochure. Inside is a picture of (Dame) Margot Fonteyn. The next page says "Margot Fonteyn with Michael Somes and the Sadler's Wells Ballet in L'Oisea De Feu". Fonteyn and Somes dance the Firebird ballet by Stravinsky. <br/> <br/>C/U hand turns over page in brochure to show pages about "The Edinburgh Tattoo". Troops on horseback ride onto the Esplanade of Edinburgh Castle to join marching band. (The Tattoo is normally at night but the voice-over says "But for us in bright sunshine"). Large crowds are watching. The bands strike up . C/U flag showing Scottish red lion rampant flies. Flags of many nation fly, in the background is Arthur's Seat and the Castle. C/U Coat of arms (Is this Edinburgh's?). The End. End Credits - Director - Douglas Clarke, Cameraman - Jo Jago, Editor - Eily Boland, Sound - W. S. Bland, George Newberry, Nolan Roberts, Produced by - Howard Thomas. <br/> <br/>Music Cue Note: <br/> <br/>Seq. - Title - Composer - Publisher <br/>Title - Pipe Music - Sir Alexander Kennedy - EMI <br/>1 - Royal Mile - Cedric Thorpe-Davis - EMI <br/>2 - 5th Symphony - Beethoven - EMI <br/>3 - Fanfare - Muir Mathieson - EMI <br/>4 - Midsummer Night's Dream - Mendelssohn - EMI <br/>5 - Horn solo (Siegfried) - Wagner - EMI <br/>6 - Coq d'Or - Korsakov - EMI <br/>7 - Le Comte Orq - Rossini - EMI <br/>8 - Specially composed - Muir Mathieson - EMI <br/>9 - Gaudeamus Igitus - arr. Brahms - EMI <br/>10 - Regina Coeli - EMI <br/>11 - Firebird Ballet - Stravinsky - EMI <br/>12 - Les Haguenots - Mayerbeer - H & H <br/>13 - We Ye No Come Back Again <br/> <br/>Note: Lovely film about the Edinburgh Festival. The colour is quite faded on this print. There are two copies of this print - one (copy 2) is the one to use. Please check copyright on any of the performance sections. Paperwork includes script and music cue sheet.

THE SUNSHINE COMPANY - BACK ON THE STREET AGAIN

At the End of the Rainbow

05/11/72 A0064411 - C0025953 / COLOR KELLOGG, IDAHO: TWO MINERS FOUND ALIVE IN SUNSHINE MINE: NXC 45984 "SUNSHINE SURVIVORS" SHOWS: MINERS OUT OF MINE, GREETED BY FAMILY AND WIVES: CU AMBULANCE PULLS AWAY: SEV SHOTS FAMILIES STAND - ING AROUND MINE: CU MINERS ON BALCONY AT MINING COMPANY BUILDING : 2S LADY AT MINE: MINERS TALKING AND WALK AWAY: MS SMOKE STACK: CU LADY WITH BABY AND OTHERS STAND AROUND: (SHOT 5/10/72 73FT) IDAHO - KELLOGG MINE ACCIDENTS - IDAHO - KELLOGG XX / 73 FT / 16 COL / POS / R41161 73 FT / 16 DUPE / NEG /

“South America - Continent of Contrasts” is a circa 1960s color film focusing on the aforementioned continent served by Pan American World Airways and its offshoot Panagra. Pan American-Grace Airways, better known as Panagra, was an airline formed as a joint venture between Pan American World Airways and Grace Shipping Company. Panagra was founded in 1929 to compete with SCADTA, a German-owned company, and held a quasi-monopoly over air travel in parts of Colombia and South America during the 1940s and 1950s. It merged with Braniff International Airways in 1967.<p><p>Hundreds of years before it became a tourist destination, Incas called South America home (mark 01:57) and constructed the equivalent of 10,000 miles highways, remnants of which still exist as the camera pans across them and onto to what were once Incan cities. <p><p>Today, we are told, descendants of Spanish soldiers, Portuguese fisherman, and others still travel to South America — only this time as tourists. After a few scenes in Panama the film takes the viewer to Quito, the capital of Ecuador (mark 05:10). “a city dyed with the color of Spain.” We see plazas and churches “bearing the reflections of Barcelona and Madrid.” Following are street scenes and beach scenes from Lima, Peru starting at mark 06:20 as tourists soak in the sunshine and we watch generations of families work silver (mark 08:00) and visit a country market. By mark 12:15 we’re taken high into the Andes Mountains in the Cusco Region of Peru to see Machu Picchu, a 15th-century Inca citadel, and starting at mark 14:00 visit La Paz, the capital of Bolivia, which rests 12,000 feet above sea level. The camera pans its buildings and people on a Saturday morning as they move to buy and sell at a local market, and later witness a Diablada, a traditional dance characterized by the mask and devil suit worn by the performers (mar 14:38). From there we land in Santiago, Chile (mark 15:46) and a look at the women who are described as “remarkably handsome” before moving on to other sights such as literal horse play and examples of traditional dance. There are scenes of workers harvesting grapes from a vineyard and a setting sun before moving into the mountains as tourists rest and relax lakeside, enjoying the moment. “Here … intimacy comes back again,” the narrator says at mark 21:33. <p><p>We cross the mountains with more aerial views and slowly move into Argentina (mark 23:30), where we stop in Buenos Aires (“the cosmopolitan capital of the southern continent”). There are scenes of the Obelisco de Buenos Aires (an obelisk erected in 1936 to commemorate the fourth centenary of the first foundation of the city) at mark 23:45 and travel down July 9 Avenue which commemorates Argentina’s Independence Day and is the widest avenue in the world. Peddlers are shown hawking their wares at mark 24:20 along side streets as “a city of the present and the past” coexist. “This is South America,” the narrator concludes starting at mark 25:45. “Primitive and sophisticated. Rugged and elegant. Strange and familiar. Yesterday and tomorrow. South America, continent of contrasts."<p><p>We encourage viewers to add comments and, especially, to provide additional information about our videos by adding a comment! See something interesting? Tell people what it is and what they can see by writing something for example: "01:00:12:00 -- President Roosevelt is seen meeting with Winston Churchill at the Quebec Conference."<p><p>This film is part of the Periscope Film LLC archive, one of the largest historic military, transportation, and aviation stock footage collections in the USA. Entirely film backed, this material is available for licensing in 24p HD, 2k and 4k. For more information visit http://www.PeriscopeFilm.com

&lt;p>&lt;b>--SUPERS&lt;/b>--&lt;/p>\n&lt;p>File&lt;/p>\n&lt;p>&lt;/p>\n&lt;p>&lt;b>--VO SCRIPT&lt;/b>--&lt;/p>\n&lt;p>HOMEOWNERS INSURANCE IS BECOMING MORE EXPENSIVE --&lt;/p>\n&lt;p>AND, IN MANY PLACES, MORE DIFFICULT TO FIND. &lt;/p>\n&lt;p>THE CULPRITS?&lt;/p>\n&lt;p>CLIMATE CHANGE, RISING COSTS TO REBUILD OR MAKE REPAIRS -- AND A SHARP INCREASE IN THE PREMIUMS FROM REINSURANCE COMPANIES THAT ARE USED BY INSURERS TO LIMIT THEIR RISKS.&lt;/p>\n&lt;p>IN FLORIDA, SOME MAJOR INSURANCE COMPANIES HAVE ALREADY PULLED OUT OF THE STATE -- LEAVING HOMEOWNERS PAYING PREMIUMS NEARLY FOUR TIMES HIGHER THAN THOSE PAID ELSEWHERE IN THE COUNTRY. &lt;/p>\n&lt;p>HURRICANE RISK IS PART OF FLORIDA'S PROBLEM.&lt;/p>\n&lt;p>HURRICANE IAN LAST YEAR WAS THE MOST EXPENSIVE STORM EVER TO HIT THE SUNSHINE STATE.&lt;/p>\n&lt;p>TWO OF THE NATION'S LARGEST INSURERS, STATE FARM AND ALLSTATE, ARE NO LONGER WRITING NEW HOMEOWNER POLICIES IN CALIFORNIA, PARTLY BECAUSE OF THE INCREASED RISK POSED TO HOMES BY WILDFIRES.&lt;/p>\n&lt;p>&lt;b>-----END-----CNN.SCRIPT-----&lt;/b>&lt;/p>\n&lt;p>&lt;/p>\n&lt;p>&lt;b>--KEYWORD TAGS--&lt;/b>&lt;/p>\n&lt;p>HOME HOUSE MONEY BUSINESS COST WEATHER DISASTER ACCIDENT&lt;/p>\n&lt;p>&lt;/p>

Animation shows the location of Edison Battery (also known as nickel-iron battery or NiFe battery) as installed in an early EV trucks. Photos of early EV trucks include a 'Beech-nut Packing Company delivery' battery powered electric van and a 'National Biscuit Company' (Nabisco) electric delivery truck. Several 'Ward's Tip Top Bread' battery electric delivery vans leave a building. A 'Sunshine Biscuits' battery electric delivery van drives out of a warehouse. An 'Imperial Laundry Co.' battery electric delivery van driving on the street. A driver reverses and parks a 'Ward Baking Co.' vintage EV delivery van. Close up of Thomas Alva Edison's hand writing a letter about battery electric power, in which he notes that his battery promises "actual savings in practically every industry." Thomas A. Edison signs a letter while sitting at his desk and smiles. His Edison battery is on the desk before him. Location: New York City USA. Date: 1926.

--SUPERS--\nFile\n\n --LEAD IN--\nKRISTIN WIG IS RETURNING TO THE SMALL SCREEN.\n --VO SCRIPT--\nTHE "SATURDAY NIGHT LIVE" ALUM WILL STAR IN A HALF-HOUR COMEDY SERIES FROM APPLE...\nAND FROM REESE WITHERSPOON'S PRODUCTION COMPANY-- HELLO SUNSHINE. \nTHE UNTITLED SERIES IS INSPIRED BY CURTIS SITTENFELD'S UPCOMING SHORT STORY COLLECTION-- "YOU THINK IT, I'LL SAY IT." \nTHE APPLE SERIES WILL MARK WIIG'S FIRST REGULAR TV ROLE SINCE "S-N-L."\nWIIG HAS MADE OCCASIONAL APPEARANCES ON TELEVISION SHOWS LIKE "THE LAST MAN ON EARTH"--\nAND "WET HOT AMERICAN SUMMER: TEN YEARS LATER."\nAPPLE HAS NOT SAID HOW VIEWERS WILL BE ABLE TO WATCH THE SHOW.\n -----END-----CNN.SCRIPT-----\n\n --KEYWORD TAGS--\nAPPLE REESE WITHERSPOON KRISTEN WIG ENTERTAINMENT\n

A film looking at some of the tragic human costs of World War 1 ("The Great War"). Opening slates read, (in French) "What the war has left behind it." "9 million dead." Then, a vast battlefield cemetery is shown,filled with rough wooden crosses. Camera pans over parts of it. Another, better tended cemetery is seen with finer crosses. Then another battlefield graveyard, with freshly dug graves and rough markers is shown. Slate reads, "The sea, a vast tomb." Another slate reads, millions of crippled," followed by scenes of Allied soldiers and medics, carrying their gear, across a barren battlefield. One rough cross is seen.In next scene it is clear they are scouring the battlefield for wounded and dead. Stretcher bearers make their way cautiously across ditches and makeshift bridges as they retrieve the wounded. Two assist a walking wounded soldier with bandaged eyes. Wounded seen being brought into a sandbagged brick building serving as a hospital. A field ambulance also takes patients from the hospital. A convoy of field ambulances carry wounded from the battlefields. A two-stacker British hospital ship steaming at high speed away from a French port, headed for England. Wounded British war veterans being moved in wicker wheel chairs outside a substantial building. Uniformed attendant picks one up bodily and places him into another wicker wheel chair that allows his legs to be outstretched. The attendant covers him with a blanket. Next, that veteran is seen, conversing with a men, in an outdoor area, where other wheel-chair bound veterans are enjoying small flower gardens and socializing in the sunshine. A white-coated caregiver assists a stooped veteran who takes many small steps to walk. Next is seen the famous 1919 painting by John Singer Sargeant, of blinded soldiers on the battlefield, titled, "Gassed." (It is now in the British Imperial War Museum.) Slate reads "They'll never see again," and several blind veterans are seen in dark glasses walking outdoors in the company of others. Blind veterans, injured in gas attacks, are seen making baskets by hand. Location: France. Date: 1918.

MISC. EARLY COMEDIES #18

FARAGHER BROTHERS - It's All Right The Faragher Brothers is a Blue-eyed soul family musical group from Redlands, California consisting originally of brothers Tommy Faragher, Davey Faragher, Jimmy Faragher and Danny Faragher. Siblings Marty Faragher and Pammy Faragher joined the group for the 3rd and 4th albums. They recorded two albums for ABC Records ("The Faragher Brothers" 1976 and "Family Ties" 1977) and two albums for Polydor Records ("Open Your Eyes" 1978 and "The Faraghers" 1979). As a background vocal session group they worked on numerous recordings, contributing vocals to artists such as: Kiss, Melissa Manchester, Peter Criss, Ringo Starr, Randy Edelman and Lynda Carter. Prior to using the family name, older brothers Danny and Jimmy were members of Sunshine Pop band The Peppermint Trolley Company with Greg Tornquist, and drummer Casey Cunningham under the Acta Label.[1] Later, the band added guitarist Patrick McClure and changed their name to Bones recording several albums for Signpost Records and MCA Records

ORIG. COLOR 1200 SOF.MAG. CUT STORY: FOOTAGE OF LABOR SUBCOMMITTEE HEARING ON MINE DISASTER IN KELLOG, IDAHO. TESTIMONY BY MINE WORKERS ON SAFETY PRECAUTIONS, ETC. PROVIDED BY MANAGEMENT. YOUNG MINER DESCRIBES DISASTER / FIRE, FINDING CO-WORKERS DEAD & UNCONSCIOUS, ETC. CHAIRMAN CONGRESSMAN DOMINICK DANIELS SPEAKING AGAINST POOR SAFETY PRECAUTIONS FOR MINERS. SAYS ANIMALS HAVE BETTER PROTECTION. CALLS FOR MORE EFFECTIVE LAWS. JACK SHEEHAN OF UNITED MINE WORKERS, CRITICIZES SUNSHINE MINING COMPANY FOR CALLOUS DISREGARD OF MINERS SAFETY. TESTIMONY BY MR. FRANK MCKEE OF UMW, DESCRIBES HIS EFFORTS TO HAVE MINE CO. INSTITUTE SAFETY MEASURES. MR. SHEEHAN READS DESCRIPTION OF GRIEF OF MINERS FAMILIES AS THEY WAITED FOR NEWS OF WORKERS. FURTHER TESTIMONY BY YOUNG MINE WORKER, BYRON SCHULTZ, 21 YEARS OLD, WHO GIVES MORE DESCRIPTION OF HIS ESCAPE FROM MINE & OF RESCUE OPERATIONS. MORE OF MCKEE TESTIMONY, WHO GIVES FURTHER DESCRIPTION OF RELUCTANCE OF MINE OPERATIONS TO PROVIDE SAFE WORKING CONDITIONS. DESCRIBES ABORTIVE WALK-OUT IN PROTEST BY WORKERS . SEN. FRANK CHURCH QUESTIONS SHULTZ. CI: PERSONALITIES: DANIELS, DOMINICK. PERSONALITIES: SHEEHAN, JACK. PERSONALITIES: MCKEE, FRANK. PERSONALITIES: CHURCH, FRANK. PERSONALITIES: SHULTZ, BYRON. GOV'T: HEARINGS: SILVER MINE SAFETY HEARING. GOV'T: COMM: SENATE LABOR. LABOR: ORGANIZATIONS UNION MINE WORKERS. DISASTERS: MINE(ABOUT). INDUSTRIES: MINING.

Florida PIRG held a presser in Tallahassee this morning.