Facts About Projection (Third edition)

Woman touching a touch screen panel. This could represent digitalisation, computer technology or online connectivity.

OFF AIR. SECOND HALF OF "SCREENING ROOM" WITH HOST ROBERT GARDNER AND GUEST, POLISH PAINTER TURNED ANIMATOR, MIROSLAW KIJOWICZ. FILM CLIP: ONE OF KIJOWICZ'S ANIMATED FILMS ABOUT A MUSICIAN IN CHAINS. CR:136 MS GARDNER INTERVIEWS KIJOWICZ. KIJOWICZ DISCUSSES AUTOBIOGRAPHICAL OVERTONES IN ALL WORKS OF ART, INCLUDING HIS OWN. CR:255 HE TALKS ABOUT THE OWNERSHIP OF HIS WORKS AND WHY HE TURNED TO ANIMATION. CR:313 HE DISCUSSES WHY MUSIC AND SOUND IS IMPORTANT TO HIS FILMS. ANOTHER ONE OF KIJOWICZ'S ANIMATED FILMS, ENTITLED "THE CAGED", IS SHOWN. CONCLUSION OF INTERVIEW. CI: PERSONALITIES: KIJOWICZ, MIROSLAW. PERSONALITIES: GARDNER, ROBERT. ART: ANIMATION. ENTERTAINMENT: FILMS, ANIMATED.

Man looks at film reel. Hands thread up projector. Crowd in dark theater. Montage of theater, neon signs (NICE). Man carries two projectors out of building, down street. Man sets up screen, projector in room. Man closes window. Hand marks floor with chalk. Rows of empty seats. Man sets up projector. Reads instruction book. Man sets up speaker. Man stands in seats, points to adjust speaker. CU hands hook up speaker, plug in cable. Man tests projector, CU hitting switches. CU changing bulb. Man aligns projector. CU cleaning lens. Focus of title: The Fearless Dolly. Man adjusts sound. Man stands in rows, signals to move the speaker. CU hand turns off lights. CU hands turn dials on projector. Man at projector. CU adjusting focus. Reaction of audience watching film (attentive, laugh). CU hands fix loose reel. Film running through projector. Audience turns around to look at projector (NICE). Projectionist fixes film, audience turns around again. CU hands hit switches. Man at projector (nice art deco of film projector shadow over projectionist). Man wheels out speaker. Man sits in theater seat. Automatic screen comes down in theater. Projectionist at working projector (nice). Man views film. Audience viewing film.

4K CU Turn on and off light switch

WOMAN IN BREASTS SHIRT AND TELEVISION SCREEN POSES NEAR SIGN WITH PICTURE OF PORN ACTRESS AND VARIOUS SIGNS SAYING "TOPLESS" SHE DANCES PULLING PIECES OF PAPER AWAY FROM HER SHIRT, TAKING OFF TELEVISION SCREEN. SHE TAKES OFF T SHORT PAINTED WITH BREASTS AND POSES IN REGULAR SHIRT. PAN OVER TO SMALL CROWD OF PEOPLE STOPPED TO WATCH HER, CAMERA TURNS IN CIRCLES TO SHOW CROWD AND POSTERS. WOMAN AND CAMERAMAN OFF SCREEN GOAD PASSERSBY TO "TAKE IT OFF". MAN WAVES AT CAMERA. WOMAN WITH CAMCORDER WAVES. VARIOUS PEOPLE WAVING AT CAMERA

b&w - "HOLLYWOOD REEL" - FIFI D'ORSAY - Man dives off of diving board into pool - The original French Pastry of the screen beside the pool at the Country Club Hotel - She reads book This is My Man, mugs, chats with husband, turns down his invitation to join her in a French pastry - African-American waiter serves them a tray of pastries - worker

Scenes of small yachts and crew members competing in Chicago Star boat race

Various night and daytime shots of sheep, singly and in flocks, resting, running, drinking. CUs of mantel radio, hand turning it on, of shepherd lighting his pipe and reclining on couch. MSs of shepherd feeding flock, of men washing up in morning. ELSs of flock on far side of shallow valley. Heroic MS of shepherd dog of keeping watchful eye on flock off screen. PAN of distant wooden ridge, of dark clouds being pushed by wind. CUs of dog licking dead or injured lamb, of shepherd clambering over rocks. Interior shots of shepherd's "furniture" in tent. CU of flapjacks being cooked by off screen shepherd in early morning.

Staff officers aboard USS Estes off the shore Okinawa, Japan during World War II. Interior of a plotting room aboard USS Estes (AGC-12) as staff officers plot the progress of operations in Okinawa using charts and operation plans. A teletype screen on a bulkhead in the background. The shoreline of Okinawa shows shells bursting and smoke columns near the beach. The message "Suicide boats hidden in inaccessible caves along beaches" appears on the teletype screen. A New York Class battleship from starboard quarter as signal hoist is raised on halyards. An officer reads a letter and turns pages. Pictures of suicide boats in caves are enclosed. Location: Okinawa Ryukyu Islands. Date: 1945.

Men inside sub turning wheels, Side angle of sub in water, fish swim by, Submarine shoots torpedo into water, Swimmers sent out to search for torpedo, climb ladder out to top of submarine and swim off screen, Shots of divers swimming in water, diver works on valve of torpedo underwater, divers return to submarine, enter through top, divers climb down ladder and throw flippers, water spilling on floor, men steer submarine, POV of submarine re-emerging from water with white ship in background

Against a keyable blue screen, a ceiling light bulb turns on and off. When it is off, the bulb is silhouetted against the screen.

There's a call for kids to turn off their TV computer and other screens and be productive! Screen free week

Brevities is the title of this story and the introductory intertitle reads: "And a very good word, too, for some of the latest styles of "undies." L/S of a woman in a kimono style dressing gown sitting in a bedroom setting in front of an elaborate screen. She is sewing - putting the final stitches in some cami-knickers. She holds them up in front of herself, admiring her handiwork. She turns them backwards and forwards then stands up and holds them against her body. She turns her back to the camera and puts them on. She then turns around to show them off. She tucks her camisole into the knickers and holds her dressing gown out as she turns around. She takes off her gown and picks up another pair of knickers. <br/> <br/>"Following the petal fashion." reads the intertitle. She holds the knickers against her body, the legs are cut in a petal shape. C/U of her legs as she takes the first pair of knickers down and steps out of them. She then takes off her camisole by shimmying it down to the ground and kicks it out of the way (saucy!) She then steps into the petal knickers. Another piece of underwear is kind of shown to the audience by lowering it to knee level before putting it on. (We only see from the upper thigh down throughout this striptease. "This is the kind of dance wear some modern Eves might like to use." reads the intertitle, then we see our model in her new undies doing a little dance and then holding the sides of her knickers out to show them off. She points out her toes. "Other new "intimates" made for comfort." are shown - M/S of the screen. Our model kicks her leg out from behind the screen then emerges in a camisole and baggy knickers. C/U of her upper body and head as she turns to show off her outfit. She walks off and picks up a magazine. She then walks towards a shiny round cushion placed on the floor and slowly kneels down on it. She then sits down and looks at her magazine. C/U of her from a high angle looking very seductively into the camera. She smiles then looks down again and flicks through her magazine. <br/> <br/>Was an item in Eve's Film Review issue number 444. <br/> <br/>Safety print exists - show print. Probably to be found in "Fashion, Fun and Fancy" roll.

HDTV on the wall. Green screen.

Animation of a finger activating a futuristic touch screen interface.

&lt;p>&lt;b>--SUPERS&lt;/b>--&lt;/p>\n&lt;p>File &lt;/p>\n&lt;p>&lt;/p>\n&lt;p>&lt;b>--LEAD IN&lt;/b>--&lt;/p>\n&lt;p>TIK TOK HAS ANNOUNCED A NEW WAY TO PREVENT TEENS FROM ENDLESSLY SCROLLING ON ITS APP. &lt;/p>\n&lt;p>&lt;b>--VO SCRIPT&lt;/b>--&lt;/p>\n&lt;p>THE SOCIAL MEDIA platform says in the coming months, accounts for users under 18 will default to a one-hour screen limit. &lt;/p>\n&lt;p>once 60 minutes hits, teens will be prompted to enter a passcode.&lt;/p>\n&lt;p>that requires them to make an active decision to extend their time on the app. &lt;/p>\n&lt;p>users are able to turn off this setting. &lt;/p>\n&lt;p>&lt;/p>\n&lt;p>&lt;/p>\n&lt;p>&lt;/p>\n&lt;p>SOCIAL MEDIA PLATFORMS -- INCLUDING TIK TOK -- HAVE COME UNDER SCRUTINY FOR THEIR IMPACT ON YOUNG USERS. &lt;/p>\n&lt;p>TIK TOK SAYS IT CONSULTED RESEARCHERES AND EXPERTS FROM THE DIGITAL WELLNESS LAB AT BOSTON CHILDREN'S HOSPITAL FOR THE NEW SETTING. &lt;/p>\n&lt;p>AND IF TEENS TURN OFF THE SETTING, AND END UP SPENDING MORE THAN 100 MINUTES ON TIK TOK A DAY... THE WILL BE PROMPTED TO SET A DAILY SCREEN LIMIT FOR THEMSELVES. &lt;/p>\n&lt;p>ALSO UPDATING THE FAMILY PAIRING FEATURE... WHICH LINKS AN PARENT OR CAREGIVER'S TIK TOK ACCOUNT TO THEIR TEEN'S. &lt;/p>\n&lt;p>THEY WILL NOW BE ABLE TO FILTURE VIDEOS WITH WORDS OR HASHTAGS THEY DON'T WANT TO APPEAR IN THE TEEN'S FEED. &lt;/p>\n&lt;p>SET A CUSTOME SCREEN TIME LIMIT FOR THIER TEEN... AND A CUSTOM SCHEDULE TO MUTE NOTIFICATIONS. &lt;/p>\n&lt;p>&lt;b>-----END-----CNN.SCRIPT-----&lt;/b>&lt;/p>\n&lt;p>&lt;/p>\n&lt;p>&lt;b>--KEYWORD TAGS--&lt;/b>&lt;/p>\n&lt;p>&lt;/p>\n&lt;p>&lt;/p>

The belles change outside into bathing suits just out of sight from a crowd. Run through gate towards crowd on the water, one girl trails behind. The girls race to the shoreline and put on jet skis as Dick Pope observes. A girl continues to lag behind the rest to the chagrin of Dick Pope. Frontal tracking shot of girls jet skiing Side angle of motorboats. Girls look at motorboats whizz behind them while jet skiing. Motorboats do jumps in the water Girls form 3 pyramids while jet skiing, girls on top wave and then fall into water. Man calmly sits while wakeboarding POV, inside the boat looking at 3 girls in pyramid formation quickly moving forward along the water. POV looking forward quickly moving into the swamp. Girls jet ski through swamp in pyramid formation. Girls in red bathing suits walk along the coastline, motorboat flies by in background. Side angle of men jet skiing, they jump over ramp. Frontal tracking shot of man jumping over ramp. Side angle, jet skiing over ramp. Shot of man sitting while wakeboarding. More motorboats go by in background as girls lounge on coastline. Three men in swimsuits run into scene People dressed in clown suits jet skiing, do weird dances and swerve in and out of each other. Frontal tracking shot of clowns, one goes over ramp and falls into water. Crowd claps from shoreline. Clown goes over ramp and falls into water again. Side angle of motorboat in water. Five girls water ski in unison, various poses, kick legs back and forth. Men look on with cameras. Girl climbs on top of guy while water skiing, points off into distance. Side angle of girl on top of guy. Girl extends arms while still on top of guy and they sway back and forth, she falls into his arms. He then throws her into water. Shot of crowd clapping. Guy wakeboarding, stands on seat falls into water. Side angle of motorboats bouncing in water. Two motorboats hop over water plants. Side angle of more motorboats doing jumps. Side and back shots of motorboats whizzing by. Back shot of motorboats going over ledge and into swamp. Motorboats turn sharp corners. Frontal tracking shot of motorboats through narrow swamp. Motorboat POV, film color becomes black and white except for fire up ahead, motorboat goes right through fire. Frontal tracking shots as boats race onto land The belles change back into their dresses, one girl still trails behind. Belles run over bridge back to flowery swamp area. Crowd lines up on dock. The trailing belle finally runs over bridge. Belles sit back down in grass and resume their pose from beginning of film 3 way split screen of clown jet skis, motorboat race, and girls jet skiing in unison 3 way split screen of girl jet skiing, girls jet skiing in pyramid formation, and guy wakeboarding while standing on chair 3 way split screen of girls changing, jet skis jumping over water plants, and girls jet skiing 3 way split screen of dick pope, girl on guy??s shoulders while jet skiing, and girl changing. Swamp water with thin trees coming out of water, end of Cypress, FL.

The United States Army Eighth Air Force 351st Bombardment Group shooting for the film 'Combat America' in England. A United States Boeing B-17 Flying Fortress parked on the strip. Captain Clark Gable talking to GI in overalls. Captain Gable turns toward camera, and talks to someone off screen. Captain Gable and crew member in overalls, standing close to the B-17. An officer walks into picture, salutes and shakes hands with the Captain and carries on conversation. The three men walk under a wing of B-17 where they make a check on the super-charger. They inspect the landing gear,propeller, and flap. Captain Gable holds the propeller. Wing surface and antenna of the plane. The men check guns on the lower turret of B-17, then move to tail section where they check horizontal and vertical surface of the plane and the machine gun. Tail gunner of the B-17 sticks head out of window and talks to someone off screen. Top turret gunner does the same. Captain Gable, the officer, and crew member enter side door of B-17. B-17 taxis on runway and takes off. Old insignia on plane. (World War II period). Location: Colorado Pueblo Army Air Base USA. Date: February 1943.

Red silky fabric hangs against a keyable green screen. A gush of air (or wind) causes the fabric to billow upwards and off screen. The fabric settles down, softly billowing.

Studio. <br/> <br/>Comedian and film star Robb Wilton performing - he recites 'Don't Breath It To A Soul' accompanied by piano - off screen.