Animation of individual electrons hitting a screen after an electron beam passed through a double slit. The double slit experiment demonstrates how particles such as electrons can also behave as waves. An electron beam passing through two parallel slits in an opaque plate produces a banded interference pattern, as would be expected from waves. However, the electrons are also seen to hit the screen at discrete points, as if it were made of particles.

TAPE_NUMBER: EF00/0935 IN_TIME: 07:32:29 - 09:13:51 // 12:08:58 // 15:25:35 LENGTH: 02:14 SOURCES: ORF RESTRICTIONS: FEED: VARIOUS (THE ABOVE TIME-CODE IS TIME-OF-DAY) SCRIPT: Natural Sound XFA Eight children were killed early on Monday when a German double-decker coach crashed in northern Austria. Four girls and four boys were killed and twenty young people injured, two of them seriously. The coach from the town of Guetersloh was rammed by an oncoming truck on the Vienna-Salzburg A1 west motorway near the town of Poechlarn in the province of Lower Austria. The top back part of the coach is said to have been slit open in the collision, according to the bus owners, a company based in Harsewinkel near Guetersloh. The party was on its way to Plattensee in Hungary, where they had booked a two week youth holiday in a hotel. The children on the coach, aged between 14 and 17, were from Freiburg, Karlsruhe, Munich and Stuttgart, Germany. The survivors were taken to a local hospital for psychological counselling. SHOTLIST: Poechlarn, Austria - 21 August 2000 Night pictures 1. Various of crash and injured 2. Debris scattered on road 3. Emergency ambulances at scene carrying victims away to hospital?

MICHELLE MACE AND ANGELA HOLMES, BOTH EMPLOYEES OF BASKIN ROBBINS, WERE FOUND WITH THEIR THROATS SLIT. THEY WERE KILLED FOR MONEY IN THE CASH REGISTER.

LS of slow moving traffic on parkway. HASs, from side, from front, of cars, individually and in group of two or three, stopping, moving ahead slowly. Shot from side of road, of busy traffic coming up s-curve grade towards and past camera. Shot of cars blurring past camera. Shot through slit in railing, of cars speeding by underneath camera. Shot of very heavy traffic blurring past camera, washed out view of two apartment buildings in distance. Shot of traffic, the two buildings more clearly defined. LSs of very heavy traffic speeding on double highway. Shot over cars in heavy traffic on Montreal expressway. TRAVELLING SHOT of van following camera car in outskirts of Calgary. Side shots of moderate traffic at Montreal end of Bonaventure Highway. HASs of very heavy traffic on Bonaventure as seen from over roadway.

Fashions On Parade [African Prints; Beachwear & Gowns]

Life In Tokyo 1945 A large factory in the Tokyo area that escaped the fire raid. The factory's own fire department puts on a demonstration showing the type of equipment used. Misc. shots showing equipment and the workers. Air raid shelter on grounds of radio and camera factory. Workers open door and enter shelter. worker at bench lathe. Fraternization in Tokyo. American sailors and Japanese girls out for a stroll. Soldiers and girls walk along the roadway leading from Imperial palace. Shows American GIs walking their post in front of the main entrance to Imperial Palace. MPs on guard at Palace grounds, Present arms to a group of American officers. They stand talking and are told that they are not permitted to go any further. It is off limits to all Allied troops. Scenic shot of the Palace as seen from outside. Main entrance to Palace, American soldiers on guard walk post. In the background is the Meiji Building. American soldiers walking toward camera, and more soldiers sitting on the grass talking to Japanese girls. Main entrance to Imperial Palace. Two GIs and two Japanese girls sit on grass talking. Air raid shelter, slit trench type. Civilians in trench then they walk out and toward camera. Group of Japanese boys fishing above a dock. Fire gutted building in background Tokyo, in foreground a shack. Make-shift shack used as living quarters. Girl holding cat in her arms. Tin roof shack among the ruins of modern structures. Shack and ruins. Shack area along main street. Japanese women and man near water faucet outdoors. Taken amid the rubble of a congested residential section. Flimsy homes in background. Women washing dishes. Vegetable garden in foreground. Typical Japanese homes that escaped fire. Small Japanese boys playing in rubble. USSBS Jeep No. 9 with group of women and children. Four children pose for camera. Typical firehouse in the city of Tokyo. Fire trucks are leaving the firehouse. Fire truck passing a busy intersection in the Nihonbashi district. In the foreground, a policeman waves the fire truck thru traffic. Large building with smoke pouring out of fourth floor window. Hook and ladder in action. Fireman stretches hose to fire. Activity of firemen. Firemen mount ladder and go into the fire. Street scene, firemen and activity. Scene as Japanese fireman walks toward an underground fire hydrant. he opens the steel cover and then takes a large rod which is used to open the main valve. Fireman making hose connection to hydrant. A group of factory workers separate a small mobile hand pump. This is one method used by the Japanese to combat the fire raids of the B- 29s. Fire hydrant, underground flush type. Street scene showing a fire truck racing to scene of fire. Truck stops by underground flush type hydrant. Firemen dismount and rush hose from truck to hydrant. Fire watch tower near harbor on grounds of the Tokyo fire boat house. Hose hung from tower to dry. Typical Air raid shelter. Another type of shelter. Ruins of machinery. Air raid shelter used as a home. Second story of ruined building now used as a house. A small park along the Ginzan Way in Tokyo. The scene shows a group of small air raid shelters in the park and are constructed of earth and bamboo reinforcement. They are about six feet deep and probably have a capacity of about 20 or 25 persons. No concrete was used at all in construction. It is just a hole in the earth. The old woman shown in one of the scenes is sitting outside one of the shelters, enjoying the sunshine, and eating her lunch. Many people use these shelters in Tokyo. Shell type, double mouth fire plug which is typical type used all over the Tokyo area. Small air raid shelter which is made of earth, wood beams, and cross bars. Concrete and earth fill air raid shelter. Two children stand at door and then walk to camera. Street scene near Electric Building. Pedestrians walk toward camera. American sailors and Japanese girls out for a stroll in front of the Palace. Misc. shot showing the side entrance to the Palace. This is one of the many entrances to the grounds. All entrances are guarded by US soldiers 24 hours daily. American soldiers and sailors strolling along the sidewalk near this outer most of Imperial Palace Tokyo.

TAPE 200 11/3/97 SPRING 1998 - NEW YORK, MARC JACOBS RUNWAY SHOW KATE MOSS, GRAY PLEATED SKIRT, 3/4 LENGTH WHITE TOP, SHALOM HARLOW, CARDIGAN IN GREY, CASHMERE, GREY PANTS, LOW WAISTED BAGGY, WHITE SHIRT, BLUE BOAT NECK SWEATER, TIGHT GREY SKIRT WITH A SLIT, PINK SHELL, CAROLYN MURPHY, STELLA TENNANT, CAPRI PANTS, PLAID PANTS, SKIRTS PAST KNEE, CHANDRA NORTH, SWEATSHIRT WITH HOOD AND DRAWSTRINGS, NAOMI CAMPBELL, LAVENDER, PLEATS IN FRONT OF SKIRT, IN BACK OF SKIRT, HEELS, MICHELE HICKS, V-NECKS, BAGGY GREY PANTS, COAT JACKET IN BLACK, GREY, PINK, BLACK SHIRT, SINGLE BREASTED, BLACK SLEEVELESS, SCOOPED NECK DRESS,TRISH GOFF, BLACK PANTS, CHIFFON, CAP SLEEVES, BANDEAU TOPS, GREY JACKET , SHINY MATERIAL, SATIN PANTS, SKIRT, SILVER LEATHER SKIRT, TWO SLIT UP THE BACK, SLEEVELESS TURTLENECKS, SKIRTS HAVE A THIN TIE, WHITE PLEATED SKIRT, BLACK, GREY PLEATED SKIRTS, SHEER TOPS, SEQUINS DOUBLE FACED MATERIAL

07/10/68 A0051035 ROME, ITALY: PREVIEW OF ITALIAN WINTER COLLECTIONS - WITH A SHOW BY COUTURIER CLARA CENTINARE IN ROME: LN 5811 "ITALIAN FASHIONS" SHOWS: MCU #4 LONG DRESS EMBROIDERED WITH STARS AND PLANETS: CMU #5 PAINTS CAPE IN PINK VELVET (NR MIRROR): CU OF #5 COLLAR: CU OF SLIT IN CLOAK THROUGH WHICH ARMS COME MCU MODEL 5 TURNS AWAY AND MOVES OUT OF A VISION: MS #3 WHITE WOOL TALLEUR WITH DOUBLE FACED BROWN CAPE: CU STOCKING AND SHOES #3 CU BELT ON #3 TILT UP FRONT OF MODEL TO SHOW POCKETS AND COLLAR: MS MODEL TURNS AND AWAY: (SHOT 7/9/68 38FT) FASHIONS UPITN / 38 F T / 16 FGM / POS / R26375 38 FT / 16 DUPE / NEG /

Farm Garden

Marc Jacobs 1997 Spring Runway Wide Camera Angle 10/28/96 MARC JACOBS SPRING 1997 RUNWAY SHOW WIDE CAMERA VERY CASUAL SHIRT & SHORTS, SWEATERS WITH HOODS, SHALOM HARLOW, MEN IN JEANS AND SHORT JACKETS, RED PANTS, FLAT SANDALS TANK TOP AND TRENCH COATS, ZIPPER JACKETS, BLACK LITTLE DRESS WITH A HUGE SLIT, KIRSTY HUME IN A SHEER AND MATERIAL DRESS, CARDIGANS. SHINY SATIN SKIRTS, BLUE DOUBLE BREASTED TRENCHES, LINDA EVANGELISTA WITH KHAKIS AND FLATS, WEEKEND CASUAL WEAR, MEN TOO, SEE THROUGH TANKS, PANTS ARE LOW WAISTED, CLASSIC AUDREY HEPBURN STYLE DRESSES, HALTER TOPS WITH THIN LITTLE STRAPS, LOOKS LIKE AN APRON IN LAVENDER, SKIRTS PAST KNEE, SHIRTS TIDE IN THE BACK, BLACK COATS WITH 3/4 LENGTH SLEEVES, MODEL TRIPS (04:30), GREY SUITS DOUBLE BREASTED, TWO TONED SHIRTS, ARMS ARE DIFFERENT MATERIAL, SHEER ON TOP OF SHEER, CAROLINE MURPHY IN LACEY TOP SHELL, DRESS WITH SEQUINS, BEADINGS, SLIP DRESSES, MEN IN BOWLING SHIRTS, SATINE PATTERNED DRESSES WITH BEADING, PAISLEY, SCARFS, SHORT SKIRTS, STELLA TENNANT, BEADED STARS ALL OVER DRESS WITH SPAGETTI STRAPS, HELENA CHRISTENSEN, BEADING ON SHEER DRESSES, TOPS, VERY 70'S LONG TIGHT DRESSES BEADING AND RIBBONS, KATE MOSS, GUENEVERE VAN SEENUS

MS of stack of fruit salt packages, of stack of sal hepatica and other patent medecines. Shots inside slaughter house showing workers slitting carcasses open, stamping them. LAS of hog carcasses hanging from overhead trolley. HAMSs of large number of pigs moving towards and away from camera. HAS of several piglets in sty. HAS of double row of piglets feeding from unwilling sow. Shot of piglets suckling contentedly. MSs of baskets of eggs. Interior shots of large numbers of hens in coop, of hens in nests. CUs of egg packing operations. MLS of chicken coop exterior. HASs of baskets full of eggs. MLS of large farm house, with scrub trees in background, cloudy skies. CU of stack of three cans of Astra Brand herrings in tomato sauce. CU of writing on cans. Shots of man, woman grading live chicks. Interior shot of egg packing plant, of worker. HACU of two eggs frying in pan, of hand and spatula turning them over. CU of hand stamping information regarding Astra Brand herring. Static shot of rippling wheat field extending to top of frame. CU of man's hand taking eggs from nest. Long PAN of large poultry farm. LS of dairy barn, of Jersey cows in field. Shots inside cheese factory. Shots inside condensed milk factory. Shots of men loading milk crates into box cars.

Animation of plane waves passing through a double slit, resulting in interference patterns. Various parameters are colour-coded here. The amplitude of the resulting waves varies from white (highest) through yellow and red to black (lowest). At the bottom of the screen, the intensity parallel to the apertures varies from black (lowest) through blue to pink (highest). Superimposed on that, the intensity distribution at that location is represented by the green line. The gap between the slits increases over time, producing different patterns.

THE LOS ANGELES COUNTY CORONER SAYS RONALD GOLDMAN MAY HAVE BEEN TRAPPED BY HIS KILLER WITH NOWHERE TO RUN.

UNIVERSAL NEWSREEL

WOMAN IS HOSPITALIZED AFTER SLITTING HER WRISTS, BUT TELLS POLICE TO GO TO A HOTEL ROOM WHERE THEY FIND THE BODIES OF HER TWO DAUGHTERS. DONNA BROWN IS NOT YET A SUSPECT IN THE CASE, POLICE SUSPECT A DOUBLE HOMICIDE AND SUICIDE ATTEMPT.

Animation of individual photons hitting a screen after light passed through a double slit. The double slit experiment demonstrates how light can behave as both particles and waves. A green laser passing through two parallel slits in an opaque plate produces a banded interference pattern, as would be expected from waves. However, the light is also seen to hit the screen at discrete points, as if it were made of particles. This simulation shows the pattern building up using 300,000 photons.

TAPE_NUMBER: EN0002 IN_TIME: 11:14:36 (TAPE 2) LENGTH: 02:45 SOURCES: APTN RESTRICTIONS: All No Access Internet FEED: SCRIPT: xfa Story: Fashion Date: January 2000 Location: Milan ROMEO GIGLI produced a new menswear collection this week that promoted the new 'barbarian' in modern man. For his fall/winter 2000/2001 collection Gigli produced what he described as the essence of refinement. This was a collection that drew its influences fast and easy from radically different eras. So shaggy goatskin coats and thick knit sweaters shared catwalk space with bomber jackets with tiny astrakan collars. From the Victorian era he draws on embroidered jackets made with little wood tears while the faded brocades and velvets spliced with acid greens and deep turquoises evoke an even older age. High stiff collared shirts are worn over hiphuggers in a style that evokes the swinging days of Sixties' London. Elsewhere KRIZIA was unveiling its new man for the millennium. This collection covers sportswear, knitwear and classic articles of clothing like tailored coats and jackets. The outline is long, slim and comfortable utilising soft elastic fabrics which follow the line of the body. Trousers are cigarette cut with ankle slits and matched by fitted jackets with narrowing shoulders or generous knee length coats in felted cashmere. All the knits are cashmere made with a wicklike handspun yarn in seven shades ranging from green to pine. The sportswear uses quilted, double lined materials which are thermosensitive (turn pale near heat) and hydrosoluble (swell when washed). The colours run from olive green to grey. SHOTLIST: WS INT. VENUE; GVS MODELS ON CATWALK IN ROMEO GIGLI SHOW; WS FINALE OF GIGLI SHOW; GV BACKSTAGE AT KRIZIA SHOW WITH PLANNER TELLING MODEL WHAT TO DO; SOT MARIUCCIA MANDELLI (KRIZIA); GVS HIGHLIGHTS OF KRIZIA SHOW; WS FINALE WITH MANDELLI;?

NOTES: COL PRINT LOCATION: PARIS TITLE: CHOMBERT FURS SERVICED DATE: 08/03/78 NO: LNC 95348 DATE SHOT: 08/01/78 LENGTH: 93FT SECONDS: 2:30 SOUND: MUTE DATE OF ARRIVAL: FILM SHOWS: HIGHLIGHTS OF AUTUMN-WINTER FUR COLLECTION BY CHOMBERT OF PARIS LEAD IN: OVER THE PAST FEW YEARS, THE USE OF FURS HAS BEEN STEADILY MODERNISED BY THE FASHION INDUSTRY. ADVANCES IN CRAFTSMANSHIP HAVE ENABLED TODAY'S FURRIERS TO WORK WITH FURS WITH A DEGREE OF THE SAME FREEDOM THEY WOULD HAVE WORKING IN CLOTH. THE AUTUMN-WINTER COLLECTION OF CHOMBERT OF PARIS IS FASHIONED ALONG THE LINES OF CLOTH. THE LINES ARE SOFT, WITH AMPLE USE OF LONG ENVELOPPING CARDIGANS AND SHORT, BUTTONLESS JACKETS (PALETOTS FRONCES). FEET R/SECS 9 14 MS MODEL IN BLACK COAT(2) 24 38 MS SHOWS LINING OF COAT 34 54 MS MODEL IN WHITE COAT WITH SAILOR 55 1:24 MS MODEL IN FUR DRESS (3 SHOTS) 56 1:30 MS CHOMBERT SIGN OUTSIDE SHOP 67 1:47 MS CALF-LENGTH COAT 75 2:00 MS TWO MODELS IN JACKETS (2 SHOTS) 93 2:30 MS MODEL IN FUR CARDIGAN COMMENTARY: HERE, FOR EXAMPLE, IS A REVERSABLE COAT, RATHER TRADITIONAL ON THE OUTSIDE, BUT LINED WITH A "BREITSCHWANTZ" IN PADDED SILK. ANOTHER COAT IN MINK, THIS TIME IN WHITE MINK, WITH A SAILOR'S COLLAR. THIS OFF THE SHOULDER DRESS IS ALSO MINK, FEATURING AN ALLURING SLIT UP THE SIDE. IT IS DRAWN AT THE SHOULDER WITH TASSLES. CHOMBERT IS LOOKING TO THE PAST, SET FREE TO BORROW FROM SOME OF THE CLASSIC DESIGNS OF YESTERYEAR BY THE MODERN ADVANCES IN FUR WORKING. THIS CALF-LENGTH DRESS IN GREY ASTRAKAN ALSO FEATURES A DOUBLE-BELT AND SHOULDER EPAULETTES. ALSO LOOKING BACKWARD ARE THESE FUR JACKETS, IN THE LINED STYLE SO POPULAR YEARS AGO. THE LEATHER PANTS, AND THE DANGLING FRINGE, ADD AN UP-TO-DATE NOTE, HOWEVER, AND THE HEADGEAR ADDS A TOUCH OF EXPRESSIONISTIC STYLE REMINISCENT OF FRITZ LANG'S METROPOLIS. THE HIGHLIGHT OF THE COLLECTION IS THIS FUR CARDIGAN, WITH MATCHING CAP, STYLED AS IF IT WERE HEAVY WOOL. CERTAINLY AN UNDERSTATED LOOK, ONE THAT STANDS IN SHARP CONTRAST TO THE OFTEN OSTENTATIOUS USE OF TRADITIONAL FUR DESIGNS.

JAPAN

Animation of the behaviour of light passing through a double slit, showing the interference pattern produced. When light passes through a double slit, it diffracts and spreads out, and interferes with the light from the adjacent slit. This leads to alternating regions where the interfering waves either cancel each other out or amplify each other, leading to a pattern of dark and light bands. For a given separation of the slits, the width of the bands depends on the wavelength of the light: longer wavelengths produce wider bands, and they are seen to narrow when the colour changes from long wavelength red to short wavelength violet.

A MAN WHO IS SUSPECTED OF MUTILATING AN OHIO WOMAN WAS MOVED TO STATE MENTAL HOSPITAL ON THURSDAY IN ALABAMA.