Atomic energy production. Fuel fabricator placing nuclear fuel rods into an assembly. Man wears apron and gloves. Animated diagram of a nuclear reactor, showing fuel assemblies and blue control rods in reactor. Diagram shows nuclear fission occurring inside the nuclear reactor. Blue control rods are inserted, stopping the reaction. Then they are partially withdrawn and set to precisely control the rate of nuclear fission and attendant energy generation. Cooling water is seen circulating around in the reactor diagram. A schematic diagram illustrates how the heated cooling water heats to steam and then energizes turbines that generate electricity which is transmitted over the electric grid where it is made available for use. Diagram shows river water being drawn in and cycled through the plant. Location: United States USA. Date: 1967.

Reaction to downgrade of economic rating

FTG FOR STEVE OSUNSAMI CS VO ON RISING RATES OF BAGGAGE FEES / MOS REACTIONS TO NEW RATES

Sound Bite: Maurice LaMarche – About the following of the show We’re, we’re thrilled to have any kind of following, even a cult following. So uh, you know, um, yeah we’re, you know the, a cult following gets bigger and bigger, and just all of a sudden it just becomes a following. And uh hopefully we’re getting there, we’re getting to a full following. So, but the, we’re grateful to the fans, because it’s been the fan reaction that has brought us back. Strong DVD sales, good ratings on Adult Swim, and uh, you know we’re just thrilled, and grateful, very grateful to the fans.

Farnborough - Air cooled suits. <br/> <br/>SV Personnel being dressed in air-cooled suits at R.A.F. (Royal Air Force) Institute of Medicine. CU Men helping to fit suits. SV Man being helped on with suit. SV As four men dressed in air-cooled suits walk through heated corridor to go to test room. CU Radiant lights inside the room where tests are conducted. Lights are at a temperature of 55 Centigrade. CU Large turbine type fan in test room. SV As men in their air-cooled suits are seated for a series of tests. CU As men help them to strap themselves in seats. CU Man making connection to his suit. GV Int. control room which records the various reactions of the men. (pulse rate, etc.) CU Man in control room at one of the recording instruments. SV Men undergoing tests.

Animation of an experiment showing the effect of surface area of the reactants on the rate of a chemical reaction. On each of the digital scales is a conical flask containing hydrochloric acid, and a watch glass containing calcium carbonate. The total mass on each scale is 804.5 grams. The scale at left has one large chunk of calcium carbonate, the scale at right has the same mass divided into small chunks. These are added to the acid, where a reaction takes place, producing carbon dioxide gas, which bubbles off, and also water and calcium chloride in solution. It can be seen that the scale at right loses mass more quickly than the one at left, as it produces carbon dioxide more quickly. This is because the small chunks of calcium carbonate had a larger surface area for the acid to attack.

Catalysis

Show Host introduces Malcolm Forbes as his guest on The Eleventh Hour. INTERVIEW INSERTED: Robert Lipsyte: Malcolm Forbes has two public faces as we have seen in the mass media, he offers the image of himself as a big jolly boy who likes parties and toys. But through Forbes magazine, he helps to shape policy and perception. Mr. Forbes welcome. The party let's get that out of the way. Were you surprised at all at the the kind of reaction almost a righteous reaction to the party, That wretched excess the... Malcolm Forbes: We were all surprised though. I say we, my kids and the whole family, was was amazed it turned out to be in a sense, an extra dividend. The reaction was bigger than the party and we thought the party was the Acme. And the moral indignation, I think really was highly misplaced. It cost $2 million. And you spent $2 million for 92 second commercial on the Superbowl. What happened with us is that the reaction and the talk shows and the argument about the morality of it totally missed the point we had probably $100 million worth of coverage, all of which had to emphasize Forbes magazine and why 300 chiefs of business would come to a birthday party in North Africa. So I think that the out cry that followed, and the pros and the cons ,eventually made everybody in the world aware of it and aware of Forbes magazine. So I think we got more than our money's worth. Robert Lipsyte: It was a dividend but it was also some sort of miscalculation of the public mood. Malcolm Forbes: No, no, not. That wasn't a miscalculation. It's simply that the public took the initial interpretation was that this was an ego trip and a big party just spend money. It was obviously it became even more so a tremendous creation of awareness of Forbes magazine and its influence. Robert Lipsyte: Would it be fair to say it was a public relations stunt, in a sense. Malcolm Forbes: Not a public relations stunt. It was it was, shall we say? a tremendously effective means of having, entertaining ,we thought this was really the value of it initially entertaining in a, an exotic place that most of them hadn't been, the makers and shakers of the business and political and glamour worlds, that would help. We are launching in cooperation with European publishers, at least three negotiation now going on for foreign editions of Forbes magazine. We wanted to create awareness and impress the world, of the rest of the world, that Forbes magazine mattered. And the result was certainly that it did. Robert Lipsyte: But those who chose to take the darker side of what they saw as a mixed message. Saw it as kind of the the ultimate party of the 80s, the age of greed, Malcolm Forbes: which was I say, totally misplaced. Some of the men like Sam Donaldson, poor guy's only on a million dollars a year, saw it as an extravagance. I don't think that he regards the several millions that are spent to promote the Primetime program as a waste of money, waste of money for us to promote Robert Lipsyte: The miscalculation, then, that the commentators made, you know, came out of what seemed to be for the last 10 years or so, the so called age of greed, of takeovers of bankruptcy, of living through debt, do you think that there was something in that? Malcolm Forbes : There is something in that, but the, the, the misconception was that this was an extravagant expenditure with no purpose. It isn't a business expense, but it has reaped great dividends for our business. And incidentally, for Morocco who's been a great friend of this country and where we had the headquarters of an Arabic edition that's been discontinued. In short, the moral outrage was fine if this was rich Joe Blow, retired, simply staging an extravaganza for an ego trip. There's seldom things that there's hardly anything we do, as far as I can, to the best of my knowledge that doesn't somehow relate to Forbes and Fortune magazine and our business. Robert Lipsyte: it's the purpose that we have to look at had had it been a $5 million Bar Mitzvah in the Meadowlands with some kid coming in and on an elephant, that would have been wretched excess. Malcolm Forbes: Sure, I've come in on an elephant when I was running for governor 35 years ago, from notable lack of success, I came into Madison Square Garden on an elephant. It was a fundraising night. It depends on the context, this was taken to be, oh, Malcolm Forbes is having an ego trip, he's spending $2 million, instead of feeding hungry people with $2 million.Well Forbes' magazine is going to have the best year we ever had. Because we know how to both get access to our sources by establishing relationships. And by promoting awareness of Forbes, we're gonna have the best year ever, we'll be in a position and we'll be contributing more than we ever have to charity. But if you don't, for 2 million bucks, as I say, we got $100 million worth of worldwide awareness of Forbes, that is a buy compared to the normal television rates, Robert Lipsyte: it made you richer, you have more income and more to pay in taxes and in philanthropy, your ultimate trickle down will be great.

Graph of an experiment used to measure the effect of temperature on the rate of a chemical reaction. The reaction is a colourless transparent mixture of sodium thiosulfate and hydrochloric acid solutions. Over time, the acid attacks the thiosulfate, forming solid sulfur, which precipitates from solution and gradually makes it more opaque. In this experiment, the reaction was performed at a range of temperatures, and the time taken for the solution to turn opaque was recorded. The y axis shows this time, and the x axis shows the temperature of the reaction. Reactions proceed more quickly at higher temperatures because the reacting ions move more quickly and collide more often, and more of them have the energy required to break chemical bonds.

PETRIFIED MATERIAL

c. 1935 <br/> <br/>The negative of "The Romance of the Motorcar" is titled "The Motorcar and its Mechanism." This record details differences between the pos and neg reels for what is essentially the same film. Check against other records. <br/> <br/>Reel 8. The Universal Joint is described via diagrams and animations. A joint is taken apart. Fabric discs are shown via diagrams. C/U of the part in the engine. Propeller shaft is described and shown. Bevel pinion is featured. Torque reaction is described via an animation. The torque tube is shown via a diagram. The back axle is described. Car chassis is turned over to show the location of the back axle. Internal workings are shown. Cornering is illustrated by two mechanics who turn two wheels at different rates. C/U of cogs being turned by hand. The Differential device is described. Stop frame animation used to show trajectory of wheels when a car turns. Problems that would be encountered if both wheels solidly connected to the axle are illustrated. Various parts of the differential are seen in C/U. Piece is assembled and rotated for the camera. Then inserted in place to show movement. Disc is rotated. C/Us of various cogs. Two wheels turn to show the movement of the differential. Chain is attached to one of the wheels to show what happens when only the other wheel is moved. Chain is then attached to the other wheel to show movement when only the other moves. C/U of cogs.

ORIG. COLOR 350 SOF. MAG. ARNOT STANDUPPER ON ITALIAN REACTION TO DOLLAR CRISIS. INTERVIEW AMERICAN TOURISTS ON RATE OF EXCHANGE. CI: INTERVIEWS - MAN ON STREET- .

NEWS CONFERENCE BY DR. SIDNEY WOLFE OF PUBLIC CITIZEN ON A FILING OF A PETITION TO ASK THE FDA TO BAN THE SLEEPING PILL HALCION BECAUSE OF HIGH RATES OF ADVERSE REACTIONS.

BUSH, OLMERT, BLAIR

Enzymes and reaction activation energy. Animation showing the difference in reaction activation energy levels in the presence of an enzyme. The first stage of the animation shows the substrate (lower left) and the energy (red arrow) required to form the products (lower right). Without an enzyme, a higher activation energy (green flash) is needed. The second stage of the animation shows the lower activation energy needed when the enzyme is present. The presence of an enzyme can cause a large increase in the reaction rate, with some biochemical reactions taking place over a million times faster. For this animation without labels, see K004/2060.

Bruce Gordon 11:50 So now we're leaning away from the street demonstrations. Now we're starting to reach out and grasp the vote. He actually did us a favor the white power structure here. This is a term that's been misused, I realize that, but it's the best term I can think of at the moment, the white power structure actually did us a favor by forcing us out of the streets, back into our homes and back into our churches, thinking that we go back to this place, we can't go back. But we've had to use our minds. How else can we bring about the change, to vote, the vote, the prime thing and in this American life of the people, by the people for the people that vote. And we're doing it without demonstrating. We're doing it without mass arrests or head beating. We're doing it slowly day by day. Tryingto vote has also forced us to raise the intellectual standard to raise the literacy standard here because many of the people are illiterate, they haven't had the opportunities of good schools. And so we've been forced to educate them and train them so that they can get past the voter registration tests. And just a little taste of knowledge is so sweet to them that they want more They hunger and thirst for they want to know how to read and write. They want to know how to spell correctly. They want to know how to add and subtract. And so we're beginning to set up schools for them here. The white man is acting reacted very badly to all of this. So far, the people, the townspeople themselves, haven't reacted violently because they place the competence and trust in the police department. The police can hold them niggers in line. But we're slowly showing them that they can't hold us in line and we're going to come forward no matter what happens no matter what you do. This is going to come about. But most of them actually believe that the majority of the people here really want to see this come about. Inside way down inside they realize this is right. But they get to a conflict up here. This filter. This filter that reacts between the senses that bring in the world from the outside and it filters it down to the soul filters the soul reaction back up into the to the outside world again, this this little filter that's conditioned to environment, the eyes aren't conditioned to environment, they'll just see. I mean, all right, if you live in a cave and see you in the dark a little bit better, but the eyes still just see, then the soul is not conditioned to environment. The heart is not conditioned to environment. Only the mind that little thing in between that. The id I guess you'd call it. I'm not much of a psychiatrist or a psychologist, but it seems like this, this interpretive device sort of blocks them for too long. They've been taught and they know that well negros are lazy. Negros don't bathe too often. I'm one to talk about haircuts. I wish I got a magiacal moment for my nose I'd go after and get a haircut more than the other. But at any rate, these things are suddenly just proven. The intellect just doesn't quite know how to react, nothing has been really put in its place that they can accept all of a sudden they must accept this person as a, as an individual that is just as good and sometimes better than I am. And they really can't do that it's really not a human reaction, it takes a lot more, to love to hate. It takes so much more to react with kindness than to react with violence. It really calls are an exercise in the mind, the heart and the soul and the unison, and some biases, that gives rise to actual individual instead of just to a violent beef, that really doesn't mean much one way or the other.

Young Man's Fancy

NEWS CONFERENCE BY DR. SIDNEY WOLFE OF PUBLIC CITIZEN ON A FILING OF A PETITION TO ASK THE FDA TO BAN THE SLEEPING PILL HALCION BECAUSE OF HIGH RATES OF ADVERSE REACTIONS.

Activation energy in a chemical reaction. Animation of a graph showing the activation energy for a specific reaction. The graph shows the changes in the energy state of the reaction over time as the energy level moves through the transition state between the reactants (left) and the products (right). This reaction is between the diatomic gas hydrogen (H2, grey) and the diatomic gas chlorine (Cl2, green) to form molecules of hydrogen chloride (HCl). The bond energy is 432 kilojoules per mole (kJ/mol) for a hydrogen molecule and 240 kJ/mol for a chlorine molecule. These bond energies combined are the activation energy of 672 kJ/mol for this reaction.

INTERVIEW CONTINUES: David Susskind Steve I understand that you have memberships people are members of studio 54 Steve Rubell by their card holders, there's a lot of controversy about that because a lot I turn away card holders very often. If they come if they come in and say hi when they walk in or if they come in they're pushy when they come in no different the card holder really is a he pays a reduced rate that's all it gives them no more right than anybody else was on the street. David Susskind Or card holder me means what then. How much does he pay for the card Steve Rubell $150 David Susskind right that entitles him to what not get in. Steve Rubell Sometimes he gets a he gets a reduced rate. He only pays $7 at the door. And he gets invited to special events that occur there. We had one Monday night. Now, in fact, the new series the people series, was filming them. And it's a Farrah Fawcett party promoting Faberge David Susskind who was at that party? Because that was kind of Steve Rubell very unusual people from Cary Grant to the board of directors of Faberge people have never been to discotheques in the world. And they just had a real, real fabulous time. I mean, it was a Monday night there was like 16 inches of snow on the ground. And we were expecting no one 1000 people showed up. David Susskind Now what? What happens to the people who don't get in and a 20 foot 20 inch snowstorm? Well, I must be pretty mad. Steve Rubell I got punched a couple of times, people. One fellow walked up to me one time and said what is going to make you I said to him, What is going to make you happy? You just can't you won't be able to get in tonight. He said, Well, I'd like to punch you. So I said okay, go ahead, punch me. So the guy walks up and he just punched me. I said that he feel better. He said no. I said what will make you happy? He said punch you again. I said again, punch me. And he flattened me. David Susskind would have been easier to let him in? Steve Rubell No, because he would have punched someone inside probably, you know that really what we're trying to do at the doors make its you know, okay, for we don't care about people's finances or what they do for a living or anything like that. We just want people to be able to come in there and have a good time and not be concerned that something's happening around them, you know, you have, you know, 2000 people in the room and controlling them is very difficult. David Susskind Very difficult. How much of a step do you have to do that? Really, people were Steve Rubell 150 It's a big payroll, right. And they're all theatrical people. So it's very, very difficult. We have drops to come down regulate just like regular theater in those people back there. And you have a lot of large large cleanup crew in the bar is is where we have like 10 bartenders on if David Susskind you're gonna make a movie, Steve Rubell yeah, we're doing a film I something that I want to get into and then on my parter, and also I want to get into we wanted to produce a film. And we using the Avenue of the studio because I think it's a lot of fun. I think it portrays disco much more realistically than Saturday Night Fever does. And we hope to do with that like at a Hyatt just you know what goes on the studio and what is today, Saturday Night Fever is a little what was two or three years ago, was a little dated. David Susskind When asked you this, the disco or any favorite spot of the in-group of the elite of the chic of the jet set. They tend to get weary of it. It has a fad. And then it fades. What do you think about that truth in relationship to studio 54 Steve Rubell We've been open about a year will be close to a year. We're hotter now than ever. In other words, and more people want to get in. So I don't know if we're that close to them. I mean, I'm aware of anything in show business law, theater, anything has limited life course line is fabulous, but it's not gonna be around forever. And right now we're very, very hot. say if there were we had 100 Day Live, we're still at the very beginning of a live on the childhood just being able to open up to other markets. David Susskind Are you going to franchise? Studio 54? Will it be one in Chicago and Los Angeles? Steve Rubell No. No, we're not building one in London, because, and I am a one project person. And so as Ian and we, I can only do one thing well, at a time I think I mean, I just can't see doing a lot of things to do a lot of things. And we're building one in London rigth across the street from the palace. I hope the queen will be pleased. But may how's that sound? Right? And it's an old theater. It's David Susskind happier than anything since Princess Margaret. Steve Rubell Right? And it's it's an old I'm afraid to go there for the reaction. But it's an old theater and it's just a great old theater and I like working with the old theaters. Ian loves working with the old theater. So we just got to build it completely different than the studio 54. In New York. It's be just the only semblance will be it'll be in the theater and the people will be the show. David Susskind Last question. How long do you think the discotheque craze itself will last in this country? Steve Rubell Well, the discos have been going on, they really never died since author really began the whole thing. In the early 60s. They've been going on in different different ways in different fashions. They were very low key and very underground for a while because they are called juice bars. And they were but they were very profitable. And they rent while on they had it was laid out then one point after this then there was infinity as a hot one out studio regimes for different types of people. No, I'd say they're much more serious and not as fun loving. And right now it's it hasn't even begun to peak. It's a tremendous growth industry just as a business. It's fascinating just to look at it from the point of view of business. magazines like Businessweek and Forbes First taking note of it as a business David Susskind A recent guest accused me of being an Eastern elitist I've never been to studio 54 truth Steve Rubell right? David Susskind Okay, I'm coming I just want to establish that I'm not an East elite Steve Rubell no and one of the few really was most David Susskind thank you for that compliment. You'll be seeing me very soon thanks very much okay, we'll be back